Dove Cameron opened up to Billboard’s Rania Aniftos about creating her debut album Alchemical: Volume 1, life after the success of her song “Boyfriend,” being vulnerable in her writing and the lessons she learned from her Disney Channel days.

Dove Cameron:
It was just like I was learning as I went and everybody was watching every inch of it.

Hey, I’m Dove Cameron, and this is Billboard News.

Rania Aniftos:
Hi, everybody. It’s Rania Aniftos with Billboard News, and I am so excited to be here with singer-songwriter, Emmy Award winner Dove Cameron.

Dove Cameron:
Hey!

Rania Aniftos:
Hello!

Dove Cameron:
I’m so excited to be here with you.

Rania Aniftos:
Me too!

Dove Cameron:
It’s been a long time coming.

Rania Aniftos:
It has been a long time coming. We’ve both been manifesting this to happen.

So your debut album, Alchemical: Volume 1, so you’re splitting it into two parts. What was the idea behind telling a story in sequence like that?

Dove Cameron:
I felt like I was writing the two halves in such different headspaces. Like, the first half was really, like, about the ending of something and an entire year of my life and the processing of that that happened. And then there was, like, a very stark kind of sonic page turn when it came to the sort of, like, next musical phase that I stepped into. It just kind of ended up making sense to split it.

Rania Aniftos:
You’ve also been sprinkling singles throughout the past few years, and now you finally have a full project out. How does that feel to have like a complete body of work to share with your fans?

Watch the full video above!

Dove Cameron is fresh off the release of her debut album, Alchemical: Volume 1, and the 27-year-old star sat down with Billboard‘s Rania Aniftos to discuss the inspiration behind the two-part project.

“I felt like I was writing the two halves in such different headspaces. The first half was really about the ending of something, and an entire year of my life, and the processing of that. There was a very stark sonic page turn when it came to the next musical phase that I stepped into,” she explains, noting that the upcoming part two is a lot more fun and “sexy.”

However, Cameron also reveals that it was important for her to get vulnerable in her first release, including songs like “Sand,” one of the project’s standout tracks. “I always said that I never wanted to release any sad music or ballads, because I was really avoidant for a long time, like, ‘Everything’s happy! Everything’s so amazing!’ But I was not happy,” she says. “I decided if I was going to be a person, right? Your personhood and your life has to come before everything. If I was ever going to become the person I was going to be — and music is so important to me — I had to integrate what has happened so far and I have to write for me first and foremost.”

Watch Billboard‘s full interview with Dove Cameron above, in which she also talks about the unexpected success of “Boyfriend” and her days on the Disney Channel.

Mathew Knowles — longtime music manager, entrepreneur and father of Beyoncé and Solange — is bringing his 2017 memoir to the screen, according to his agent, Shawn Scallon at Buchwald.

Knowles has partnered with Say Unkel Entertainment to adapt the book, Racism From the Eyes of a Child, into a feature film as well as a limited series. The feature will cover the first half of the book, which goes into Knowles’ early life in Alabama as one of just six black students to attend an all-white school and his participation in peaceful protests calling for racial equality. It also addresses how the efforts of such figures as Martin Luther King Jr., Albert Turner and Ralph Abernathy helped shape the person he became.

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Variety was first to report the news.

Robert Unkel, a former vp of programming at 20th Century Fox, told Variety the script for the feature is complete. Unkel will oversee the development of the project with producer Howard Kazanjian.

Knowles famously managed Destiny’s Child, the girl group featuring Beyoncé that rose to fame in the late 1990s and helped set the stage for her ascent to superstardom the following decade. He managed Beyoncé’s solo career until the two parted ways in 2011. Through his faith-based record label and management company Music World Entertainment, he has also managed such gospel acts as Brian Courtney Wilson, Trin-i-tee 5:7 and Destiny’s Child member Michelle Williams. In June, Knowles formed Music World TV, Film & Media, where he serves as CEO.

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Billboard is bringing back its peer-voted Power Players’ Choice Award for 2024, asking music industry members from all sectors to honor the executive they believe had the most impact across the business in the past year.

Voting is now open to all Billboard Pro members, both existing and new, with one vote per member per round.

The Power Players’ Choice Award will run alongside Billboard’s annual Power 100 ranking of the music industry’s most influential executives, which will be announced in February.

Billboard launched its first Players’ Choice Award with the Power 100 list last January, followed by the Country Power Players’ Choice Award that concluded in June and the R&B/Hip-Hop Power Players’ Choice Award in August and the Latin Power Players’ Choice Award in September. In 2024, the peer-voted award will expand to also cover International Power Players and Top Music Lawyers.

The second round of voting for the Power Players’ Choice Award is now underway with 20 semifinalists and will run through Jan. 1. They are:

  • Omar Al-joulani (President of Touring, Live Nation Concerts)
  • Irving Azoff (Chairman/CEO, The Azoff Company)
  • Tunde Balogun (President, Love Renaissance [LVRN])
  • Bang Si-Hyuk (Chairman, HYBE)
  • Marty Diamond (Executive VP, Managing Executive, Wasserman Music)
  • Lucy Dickins (Global Head of Contemporary Music and Touring, WME)
  • David Dunn (Co-Founder/Managing Partner, Shot Tower Capital)
  • Seth England (Partner/CEO, Big Loud)
  • J. Erving (CEO, Human Re Sources)
  • Arthur Fogel (President, Global Touring, Chairman, Live Nation Concerts)
  • Jody Gerson (Chairman/CEO, Universal Music Publishing Group)
  • Daniel Glass (Founder/CEO, Glassnote Records)
  • Lucian Grainge (Chairman/CEO, Universal Music Group)
  • Mike Knobloch (President of Music and Publishing, NBCUniversal)
  • Walter Kolm (Founder/CEO, WK Entertainment/WK Records)
  • Rell Lafargue (President and Chief Operating Officer, Reservoir)
  • Jesús López (Chairman/CEO, Universal Music Latin America & Iberian Peninsula)
  • Jay Marciano (Chairman/CEO, AEG Presents)
  • Niki Roberton (Senior VP of Creative, RCA)
  • Emmanuel Zunz (Founder/CEO, ONErpm)

Five finalists will compete in the third round of voting, beginning Jan. 2, to select a winner. Voting concludes Jan. 14 at 11:59 p.m. EST.

Vote now and if you are not yet a member of Billboard Pro, join here.

Billboard is bringing back its peer-voted Power Players’ Choice Award for 2024, asking music industry members from all sectors to honor the executive they believe had the most impact across the business in the past year.

The Power Players’ Choice Award will run alongside Billboard’s annual Power 100 ranking of the music industry’s most influential executives, which will be announced in February.

Related

The second round of voting for the Power Players’ Choice Award is now underway with 20 semifinalists and will run through Jan. 1.

Five finalists will compete in the third round of voting, beginning Jan. 2, to select a winner. Voting concludes Jan. 14 at 11:59 p.m. EST.

Voting is open to all Billboard Pro members, both existing and new, with one vote per member per round. Vote here:

Billboard launched its first Players’ Choice Award with the Power 100 list last January, followed by the Country Power Players’ Choice Award that concluded in June and the R&B/Hip-Hop Power Players’ Choice Award in August and the Latin Power Players’ Choice Award in September. In 2024, the peer-voted award will expand to also cover International Power Players and Top Music Lawyers.

The new charity holiday album A Philly Special Christmas Special scores big across Billboard’s charts (dated Dec. 16), as the star-studded set debuts in the top 10 on Top Album Sales, Independent Albums, Top Current Album Sales, Top Holiday Albums and Vinyl Albums.

The 11-track project, led by Philadelphia Eagles players Jason Kelce, Jordan Mailata and Lane Johnson, features 10 covers and one new original song. Special guests on the project include Patti LaBelle, Travis Kelce (Jason’s Kansas City Chiefs star brother and Taylor Swift’s boyfriend), Amos Lee, Howie Roseman (Eagles’ executive vice president/general manager) and Waxahatchee. All profits from the album will be donated to Philadelphia-area charities, including Children’s Crisis Treatment Center and Children’s Hospital of Philadelphia.

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A Philly Special Christmas Special sold 28,000 copies in the U.S. in the week ending Dec. 7, according to Luminate, and was available as either a digital download album or a $75 red-colored vinyl LP. It launches at No. 3 on Top Album Sales and Top Current Album Sales and No. 3 on Vinyl Albums (nearly 17,500 sold on vinyl). The set also bows at No. 4 on Independent Albums and No. 8 on Top Holiday Albums, as well as at No. 25 on the Billboard 200

A Philly Special Christmas Special is the sequel to 2022’s seven-track A Philly Special Christmas. A new $125 double-vinyl-only release that combined both albums also makes a notable debut, as A Philly Special Christmas Special (The Deluxe Album 2022 & 2023) sold nearly 20,000 copies and bows at No. 6 on Top Album Sales and Top Current Album Sales, and No. 2 on Vinyl Albums. It also starts at No. 8 on Independent Albums, No. 17 on Top Holiday Albums and No. 55 on the Billboard 200.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new Dec. 16, 2023-dated chart will be posted in full on Billboard‘s website on Dec. 12. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Top Current Album Sales and Vinyl Albums ranks the week’s top selling current albums (excluding older titled, referred to as catalog) and vinyl albums, respectively. Independent Albums and Top Holiday Albums rank the week’s most popular independently released albums and holiday albums, respectively, by equivalent album units.

As the Philly Special team debuts at Nos. 3 and 6 on Top Album Sales, ATEEZ notches its second chart-topper as THE WORLD EP.FIN: WILL bows atop the tally. It sold 146,000 copies in the tracking week – the Korean pop ensemble’s biggest sales week. As is typical for major K-pop releases, THE WORLD EP.FIN: WILL was issued in multiple collectible physical configurations, 33 in total. All have the same 12-song tracklist but have alternative packaging and contain different branded paper merchandise (some randomized, including photocards). Of the 33 editions, 26 are CDs and seven are vinyl. Among the variants are retail exclusives sold through the likes of Barnes & Noble, Target and Walmart.

Taylor Swift’s 1989 (Taylor’s Version) falls to No. 2 on Top Album Sales (54,000; down 38%), while Stray Kids’ ROCK-STAR descends 2-4 (21,000; down 43%) and Swift’s chart-topping Folklore falls 3-5 (21,000; down 41%).

Swift’s former No. 1s Speak Now (Taylor’s Version) and Midnights move 5-7 and 4-8, respectively, selling about 19,000 each (down 33% and 39%, respectively). Cher’s Christmas returns to the top 10, bounding 12-9 with 19,000 sold (up 5%), and Dolly Parton’s former leader Rockstar falls 6-10 with 18,000 (down 26%).

In the week ending Dec. 7, there were 2.708 million albums sold in the U.S. (down 9.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 2.342 million (down 13%) and digital albums comprised 366,000 (up 18.9%).

There were 1.010 million CD albums sold in the week ending Dec. 7 (up 8.4% week-over-week) and 1.320 million vinyl albums sold (down 24.5%). Year-to-date CD album sales stand at 33.863 million (up 3.2% compared to the same time frame a year ago) and year-to-date vinyl album sales total 44.508 million (up 16.7%).

Overall year-to-date album sales total 96.182 million (up 6.2% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 78.891 million (up 10.4%) and digital album sales total 17.290 million (down 9.3%).