Jelly Roll took home three accolades during Sunday’s CMT Music Awards, becoming the winningest artist of the evening. The rapper-turned-singer won male video of the year, breakthrough male video of the year (both for his “Son of a Sinner” music video) and CMT digital-first performance of the year for his performance of “Son of a Sinner” on CMT All Access.

After the show, Jelly Roll’s wife, model and podcast host Bunnie XO, posted a sweet tribute to her husband on Instagram. She included a photo showing Jelly Roll with his head resting against his head as he held onto the railing in front of him.

“An anomaly: Something that deviates from what is standard, normal or expected,” she wrote in an Instagram post in tribute to Jelly Roll. “You my sweet other half, are just that. A man that was told no every corner he turned only to hit ‘em with that Nashville shuck & come out on top every time. I always tell you you have a horseshoe stuck up your ass, but that isn’t it baby. This is sheer will to spread light, to move mountains, to touch broken souls with your voice, to break generational traumas & set examples for the future. In short, you are the game changer papas. You were sent here to destroy stereotypes & blaze the trail for all the have nots.

“Saying I’m proud of you has to be so redundant after all these years, so tonite, per usual- I stand in awe of you. The pied piper of lost souls, the melancholy maestro.. tonite was your night. Hell if we’re being honest, 2023 has been your YEAR. You filled their hearts with love & brought ‘em to church handsome. Can’t wait to see what’s next.”

Jelly Roll performed his new single “Need a Favor” on Sunday’s CMT Music Awards, backed by a gospel choir. “Need a Favor” is currently at No. 32 on Billboard‘s Country Airplay chart. Jelly Roll was also among those featured in the New Faces of Country Music Show during this year’s Country Radio Seminar. On June 2, he will release his new album Whitsitt Chapel.

President Joe Biden said Tuesday it remains to be seen if artificial intelligence is dangerous, but that he believes technology companies must ensure their products are safe before releasing them to the public.

Biden met with his council of advisers on science and technology about the risks and opportunities that rapid advancements in artificial intelligence pose for individual users and national security.

“AI can help deal with some very difficult challenges like disease and climate change, but it also has to address the potential risks to our society, to our economy, to our national security,” Biden told the group, which includes academics as well as executives from Microsoft and Google.

Artificial intelligence burst to the forefront in the national and global conversation in recent months after the release of the popular ChatGPT AI chatbot, which helped spark a race among tech giants to unveil similar tools, while raising ethical and societal concerns about technology that can generate convincing prose or imagery that looks like it’s the work of humans.

The White House said the Democratic president was using the AI meeting to “discuss the importance of protecting rights and safety to ensure responsible innovation and appropriate safeguards” and to reiterate his call for Congress to pass legislation to protect children and curtail data collection by technology companies.

Italy last week temporarily blocked ChatGPT over data privacy concerns, and European Union lawmakers have been negotiating the passage of new rules to limit high-risk AI products across the 27-nation bloc.

The U.S. so far has taken a different approach. The Biden administration last year unveiled a set of far-reaching goals aimed at averting harms caused by the rise of AI systems, including guidelines for how to protect people’s personal data and limit surveillance.

The Blueprint for an AI Bill of Rights notably did not set out specific enforcement actions, but instead was intended as a call to action for the U.S. government to safeguard digital and civil rights in an AI-fueled world.

Biden’s council, known as PCAST, is composed of science, engineering, technology and medical experts and is co-chaired by the Cabinet-ranked director of the White House Office of Science and Technology Policy, Arati Prabhakar.

Asked if AI is dangerous, Biden said Tuesday, “It remains to be seen. Could be.”

Kane Brown and Jelly Roll made history at the 2023 CMT Music Awards, which were presented on Sunday at Moody Center in Austin, Texas. The show aired on CBS for the second year in a row.

Brown became the first person in 20 years to both host or co-host the show and win the top award, video of the year. He co-hosted with Kelsea Ballerini for the third year in a row. He won video of the year for “Thank God,” his hit duet with his wife Katelyn Brown. The last person to accomplish this double feat was Toby Keith, who co-hosted the 2003 CMT Music Awards with actress Pamela Anderson and took the video of the year award for his post-9/11 song “Courtesy of the Red, White & Blue (The Angry American).”

This is the third year in a row that a collaborative video has won video of the year. “If I Didn’t Love You” by Jason Aldean and Carrie Underwood won last year. “Hallelujah” by Underwood featuring John Legend won two years ago.

Jelly Roll won both male video of the year and breakthrough male video of the year for “Son of a Sinner.” This marks the fourth time in the show’s history that someone has won the award for the year’s top male, female, group or duo video and a breakthrough award in the same year. In 2005, Gretchen Wilson took female video of the year for “When I Think About Cheatin’” and breakthrough video of the year for “Redneck Woman.” The following year, Underwood took both awards for “Jesus, Take the Wheel.” In 2013, Florida Georgia Line took breakthrough video and duo video of the year for “Cruise.”

Underwood didn’t add to her record-setting collection of 25 CMT Music Awards. She was nominated for video of the year for “Hate My Heart,” but lost to the Browns’ smash. She was nominated for female video of the year for “Ghost Story,” but lost to Lainey Wilson’s “Heart Like a Truck.” This marks the first time in 12 years that Underwood hasn’t won in at least one of those marquee categories.

Wilson, who led the pack with four nominations, won two: female video of the year for “Heart Like a Truck” and collaborative video of the year for her featured role on HARDY’s “wait in the truck.” HARDY and Wilson beat the Browns’ “Thank God” in the latter category, though there was a reversal of fortune in the video of the year category where the two videos again competed.

Zac Brown Band took group/duo video of the year for “Out in the Middle.” It’s their second win in the group video category, following a 2019 win for “Someone I Used to Know.” Rascal Flatts is the top winner in the category, with seven wins, followed by Lady A with five and Little Big Town with four.

Cody Johnson’s performance of “Til You Can’t” on last year’s CMT Music Awards won for CMT performance of the year. Johnson won male video of the year for the smash at last year’s show.

Megan Moroney’s “Tennessee Orange” won breakthrough female video of the year.