Never ones to shy away from being bold, Doritos® presented Billboard’s THE STAGE this past Thursday, which included a riveting lineup of hip-hop talents delivering stellar performances at the Moody Amphitheater at Waterloo Park. While enjoying some of the hottest sounds in music today, attendees were also able to sample their favorite food leveled up with Doritos®️ Dips, available in Cool Ranch®️ Jalapeno and Spicy Nacho, and new Doritos® Sweet & Tangy BBQ flavored chips.

Doritos at Billboard Presents The Stage at SXSW held at the Moody Amphitheater at Waterloo Park on March 16, 2023 in Austin, Texas.
Doritos®️ Presents The Stage at SXSW held at the Moody Amphitheater at Waterloo Park on March 16, 2023 in Austin, Texas.

Later that night, in a triangle-inspired takeover, Doritos®️ gave fans and SXSW® pass holders another chance to transform late night dining with an exclusive after hours food experience; Doritos®️ After Dark™ at Billboard House. Doritos®️ After Dark™ led fans into a new world of Doritos® after-hours eats with globally inspired bites including fan favorites like Doritos®️ Spicy Sweet Chili Chicken Bites and Austin exclusives, Doritos® BBQ Pulled Pork Nachos and Doritos® Flamin’ Hot® Limon Margarita Cheesecake. With plenty of culinary options to enjoy, fans explored the world of flavor and experienced a rare all vinyl DJ set and performance from DJ Pee .Wee (aka Anderson .Paak)! 

Anderson Paak. AKA DJ Pee Wee
Anderson Paak. AKA DJ Pee Wee

Relive the magic and ‘Taste The Night’ again with Doritos®️ and Billboard at SXSW® 2023 with all the pictures below and don’t forget to kick it with Doritos®️ and Doritos®️ Dips all year long.

Food
Doritos® Flamin’ Hot® Limon Margarita Cheesecake

Clarence “Fuzzy” Haskins, an original member of Parliament-Funkadelic, has died. He was 81.

P-Funk frontman/producer George Clinton announced the singer and Rock and Roll Hall of Fame inductee’s death through social media on Friday (March 17). A cause of death was not provided.

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“We are saddened to announce the passing of an original Parliament Funkadelic member Clarence Eugene ‘Fuzzy’ Haskins (born June 8, 1941-March 17th, 2023),” Clinton wrote on Instagram alongside photos of Haskins. He added in a Facebook post, “Give up the Fuzz, Fly on.”

Former Parliament-Funkadelic member Bootsy Collins also paid tribute to his former bandmate on Twitter.

“Prayer’s going out to Clarence ‘Fuzzys’ Haskins family & friends. We lost his frequency today 3-17- 23,” Collins wrote on Friday. “He was an original Parliament/Funkadelic inducted in the RHOF. We will miss u my friend, bandmate & Soul brother! Thx u for ur guidance in my pup year’s. Bootsy baby!!”

Born in 1941 in West Virginia, Haskins was a member of the Gel-Airs before joining group originally known as the Parliaments, first formed in the 1960s as a doo-wop quintet with Clinton, Calvin Simon, Grady Thomas and Ray Davis. The group that later became known as Parliament-Funkadelic.

Haskins is credited for his contributions to P-Funk tracks like “I Got a Thing” and “I Wanna Know If It’s Good to You,” according to a post about Haskins on Clinton’s website.

“He was a good drummer as well, as he proved on ‘Can You Get to That,’ which he also co-wrote,” Clinton’s site says. “Some of Fuzzy’s best vocals appeared on Funkadelic’s 1972 LP America Eats Its Young, most notably on ‘Ms Lucifers Love.’ But singing wasn’t the only thing that Fuzzy brought to P-Funk. He was known, during live P-Funk shows, to don skin-tight bodysuits and gyrate against the microphone pole as he whipped the crowd into a frenzy, especially when they performed ‘Standing on the Verge of Getting it On.’”

Haskins remained a full-time member of P-Funk through the late 1970s. He released his first solo album, A Whole Nother Thang, in 1976 through Westbound Records. The set featured collaborations with Bernie Worrell, Donald Austin and Collins. Haskins dropped his second solo album, Radio Active, in 1978.

Haskins briefly rejoined Parliament-Funkadelic for the group’s P-Funk Live Earth Tour in 1977 before leaving the group again for good. “By this time, he claimed he was through with singing all the ole dirty songs and began studying the Lord’s Word,” Clinton’s site says.

In 1981, Haskins joined former P-Funk members Simon, Davis and Thomas to release the Connections & Disconnections album under the Funkadelic name, which prompted a lawsuit by Clinton. In his later years, Haskins became a preacher and recorded gospel music.

Along with other members of Parliament-Funkadelic, Haskins was inducted by Prince into the Rock and Roll Hall of Fame in 1997.

“Funk is a force that tore the roof off the sucker that is modern music,” Prince said in their Rock Hall introduction.

Clinton and the other members of Parliament-Funkadelic received a lifetime achievement award from the Recording Academy in 2019.

Taylor Swift fans are celebrating the opening night of the pop superstar’s highly-anticipated Eras tour.

During the career-spanning concert at Glendale, Ariz.’s State Farm Stadium on Friday (March 17), Swift performed a whopping 44 songs from her 10 studio albums. The stadium trek marks Swift’s first proper tour in five years, thanks primarily to the COVID-19 pandemic.

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“Now THAT is how you put on a show, taylor swift you are insane,” one fan tweeted alongside a photo collage of Swift’s numerous outfit changes during the show.

The 3-hour-and-15-minute show found Swift traveling through each of her eras one by one, showcasing the four original studio albums — Lover, Folklore, Evermore and Midnights — she’s recorded since her 2018 Reputation tour. The singer also performed her beloved hits, including “You Belong With Me” and “Shake It Off.” Read Billboard‘s “13 Best Moments” from the tour’s opening night here.

Swifties took to social media before, during and after the Eras tour launch on Friday, sharing dazzling photos and majestic videos of the concert’s impressive production. “The aesthetics of #TSTheErasTour are INSANE,” a fan wrote on Twitter alongside snapshots of the spectacular set-pieces. Another Swiftie added, “That was the show that just kept giving oh my GOD.”

Some attendees even wondered if the experience was real or a figment of their imagination. “Good morning i think last night i was at a taylor swift concert, was i? #TSTheErasTour,” they tweeted.

The Eras tour continues on Saturday (March 18) with a second show in Glendale, Ariz., which has temporarily been renamed Swift City in honor of the artist’s arrival. Support on the trek features a rotating cast of opening acts, including Paramore, beabadoobee, Phoebe Bridgers, girl in red, Muna, Haim, Gayle, Gracie Abrams and Owenn.

See some of the best fan reactions to the opening night of Swift’s Eras tour below.

https://twitter.com/hashtag/TSTheErasTour?src=hashtag_click

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A new season of Power Book II: Ghost is now streaming online. Season 3 of the hit series, starring Michael Rainey Jr., premiered on Starz on Friday (March 17).

The Power spinoff follows Tariq St. Patrick (Rainey Jr.) as he navigates life while trying to escape his father’s haunting legacy. According to Starz, the third season kicks off with Tariq being “determined to get out of the game for good” until a “new connect interrupts his plans.”

Cliff “Method Man” Smith, Mary J. Blige, Gianni Paolo, Larenz Tate, Shane Johnson, Woody McClain and Lovell Adams-Gray among the returning cast.

The crime drama, created by Courtney Kemp and executive produced by 50 Cent, first premiered in 2020. Season 2 arrived on the following year.

Read on for ways to watch and stream the third season of Power Book II: Ghost.

Where to Watch ‘Power Book 2: Ghost’ Season 3 Online

Season 3 of Power Book II: Ghost is streaming exclusively on Starz and can be accessed directly through the app or by logging onto Starz.com. New episodes drop on Fridays at midnight on the Starz app.

Want to stream the season premiere without cable? Starz is offering a limited promo that lets you join the service for just $3 for the first three months ($8.99/month after the deal ends).

Starz
$3 for 3 months $8.99/month -267% off% OFF

The Starz app is compatible with Android, iOs and Chromecast, which means that you can stream from your TV, smartphone, computer and other streaming devices (use ExpressVPN to watch Starz internationally).

For those who have Starz through cable, satellite, or another TV provider, the season premiere of Power Book II: Ghost will air on Starz on Friday at 9 p.m. ET/PT. Starz is also available on Hulu, Sling TV and DirectTV Stream.

Amazon Prime members can stream Power Book II: Ghost and other Starz programs on Prime Video for free for the first week.

Buy: Power Book II: Ghost Season 3 on Prime Video $8.99/month after 7-day free trial

Starz is home to Power Book II: Ghost and the entire Power franchise including Power Book III: Raising Kanan and Power Book IV: Force and other Starz exclusives like BMF, P-Valley, Party Down, Run the World, Blindspotting, Outlander, Gaslit, Shinning Vale and Heels.

Besides hits shows, Starz has a nice selection of hit movies including Bad Boys for Life, Jumanji: The Next Level, Spiderman: No Way Home and Venom: Let There Be Carnage.

Watch the trailer for Power Book II: Ghost Season 3 below.

Following the death of notable Los Angeles multi-instrumentalist David Lindley at age 78 on March 3, his long-time collaborator Jackson Browne shared his thoughts in a heartbreaking statement shared with Billboard.

The talented musician — whose guitar and fiddle skills made him a go-to collaborator for icons like Browne, Dolly PartonBob DylanBruce SpringsteenRod Stewart and others — had been ill for a number of months, according to the Los Angeles Times. A cause of death was not provided.

Read Browne’s full tribute to Lindley below in his own words, as he recalls the history of their wonderful personal and professional relationship, and the qualities he’ll always remember of his late friend.

David Lindley, the guitarist, lap steel and fiddle player who gave his personality and his inspiration to so many of my songs, passed away on March 3rd. The outpouring of love, and the widespread recognition of his mastery has been very moving. I want to join in the resounding chorus of appreciation for his gifts, but nothing I write seems quite good enough. Words have never been enough to describe what David Lindley brought to a song.

I played with David for the first time in a dressing room at the Troubadour in 1969. My friend Jimmy Fadden of the Nitty Gritty Dirt Band had brought him to say hello, and pointed out that David had his fiddle with him, saying he would probably sit in if I asked him to. I already knew him from the band Kaleidoscope, whose first album, Side Trips, was one of my favorite records.

We started to play my song These Days, and my world changed. His playing was so emotional, and immediate – it cast a spell over me and everyone there. It didn’t matter that he had never heard the song before. What he was playing made it more emotional and more real than it had ever sounded in the years I had played it alone.

David was in England playing with Terry Reid when I made my first album. When he came back, I tried putting together a touring band with him, but it wasn’t as good as with just the two of us. I decided we would tour that way, as a duo, despite having a single on the charts that required drums, bass, and congas to play properly. We didn’t even play it. We played a lot of songs I had written up until then, some old songs we both knew, and songs friends had written. Eventually I did have a band with him, and it was a rich and varied musical environment. We co-headlined a national tour with Bonnie Raitt. That was the band on my third album, Late For The Sky.

David is a very large part of me – who I became, and who I remain. No one ever played like him. In my later bands, after David left to form El Rayo – X,  we would play the songs’ structure, more or less based on what he had played, but it was, and still is today, up to the players to summon their own Lindley nature. Good luck! It’s a very good thing to go for. He didn’t play the same thing each time. He was always exploring, always hearing something new. Always in the moment.

David’s musical interests were so far ranging, and his genius so evident, he attracted and played with many of the great artists of our day. Ry Cooder, Linda Ronstadt, Graham Nash and David Crosby, Warren Zevon, Bonnie Raitt, James Taylor, Bruce Springsteen. But it was his band, El Rayo – X, that became the rich and fertile environment that gave him free rein to develop and mix his influences, and create the unique synthesis that will now and forever be known as David Lindley.

With Henry Kaiser, David continued the exploration of world music that he had begun in Kaleidoscope. I’m grateful to Henry for posting his Requiem For David Lindley, and for all the other posts and clips on the internet that attest to the many different cultures David navigated, weaving them into one world. 

My own world is shattered by David’s passing. He was my friend and my teacher. It was with great pleasure and certainty that I revisited our special connection over the years. I guess I thought that he would always be around.

I’ve been struggling to write something and post it for the past two weeks. It was hard to begin, and it’s hard to conclude, I guess, because I don’t want to let him go. David was kind to everyone, and so funny. Incapable of uttering a dishonest word, or playing a dishonest note. There will be tribute concerts, and a documentary about him, for sure. There will be ways for us to continue to celebrate his life. And we all know there will never be another David Lindley.

Tori Kelly unveiled her new single “Missin U” and its Y2K-inspired music video on Friday (March 17).

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The visual features the newly brunette Grammy winner cycling through a variety of funky fresh looks — from a silver puffer coat and red leather to a midriff-baring, white ribbed ensemble — in a series of bold, monochromatic rooms as she sings, “It was the perfect night kissin’ you/ Was rainin’ purple skies in my room/ Me and you/ Baby, I’m missin’ you/ Oooh, I’m missin’ you” over a sample of Craig David’s 2000 single “Fill Me In.” Directly inspired by the work of Hype Williams, the music video even uses classic tools from the turn of the century including a fisheye camera lens and a wind machine.

Rife with her signature vocal acrobatics and chill-inducing runs, the Jon Bellion-produced single marks the start of a new era on Epic Records for the Sing 2 star, and her first new music since 2019’s Inspired By True Events and 2020’s A Tori Kelly Christmas.

“There’s some TLC references. We’re very inspired by Aaliyah and Missy Elliott with all the fisheye stuff,” Kelly dished in an interview with People about the video’s colorful aesthetic, also pointing to Destiny’s Child’s iconic “Say My Name” visual. “We were having so much fun being like, ‘What if we throw this little move in and see who catches it?’ I grew up just being obsessed with all those videos. For whatever reason, in the early 2000s, everything was metallic.”

In the chat, Kelly even hinted, along with the litany of references to the late ’90s and early 2000s, there may be a number of Easter eggs littered throughout the video for eagle-eyed fans to find that point to more music coming dow the pipeline.

Watch Kelly transform into a Y2K pop princess in “Missin U” below.