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After 2022 marked KCON’s in-person return following two years online, the world’s biggest K-pop festival has set 2023 dates for events in the U.S., Japan and Thailand in the coming months.
Once again, KCON will hold its flagship event in California with KCON 2023 Los Angeles between Aug. 18-20 at the Crypto.com Arena and LA Convention Center. Barring 2020 and 2021 due to COVID-19, the West Coast iteration of the festival has been held throughout the Crypto.com Arena (formerly known as the Staples Center) and LA Convention Center since 2015, with 2023 marking its 10th time in the city’s famous L.A. Live campus.
Last year, KCON LA reported 90,000 fans attending across its three days of convention, panels, workshops meet-and-greets and concert activities headlined by artists like Stray Kids, ATEEZ, ITZY, The Boyz, Kep1er, TO1 and more.
After visiting Tokyo in October, KCON also revealed that it will return with its KCON 2023 Japan between May 18-20 at the Makuhari Messe convention center in Chiba. The fest last visited the city for its two-day KCON Premiere Chiba event last year where K-pop boy band TO1 performed alongside J-pop acts like JO1 and INI. KCON 2022 Japan was held at Tokyo’s Ariake Arena with TO1, ATEEZ, TOMORROW X TOGETHER, fromis_9, LE SSERAFIM, NewJeans, Monsta X‘s Kihyun and more K-pop and J-pop acts performing.
KCON Los Angeles and Japan join the preciously announced KCON Thailand, taking place next month at the IMPACT Arena and IMPACT Exhibition Center throughout March 18-19 in Bangkok’s northern suburb of Muang Thong Thani. The festival has TO1, ATEEZ, Kep1er, JO1, BamBam, iKON,(G)I-DLE and more K-pop and J-pop acts scheduled to visit.
KCON followed up in a press release that each location would have “signature programming as well as content tailored for each region” and that KCON will be live streamed globally without regional limitations.
Despite increasing competition from new K-pop festival startups like last year’s KAMP and the upcoming We Bridge Music Festival & Expo, as well as more Korean artists appearing on long-running U.S. music fests like Coachella, Lollapalooza and Governor’s Ball, KCON has managed to keep its attendance and audience engagement strong for more than a decade now.
“KCON, which started out with an audience of 10,000 in 2012, has now grown into the world’s biggest K-culture festival,” said Kim Hyun-soo, Head of Live Entertainment Business at CJ ENM, in a statement. “This year, KCON will meet global fans in Thailand, Japan and the U.S., advancing the spread of K-pop and K-culture around the world.”
One thing about Nicki Minaj, she’s the baddest alive. She proved her “Super Freaky Girl” lyrics true when she rolled up to the 2023 Carnival in her home island of Trinidad and Tobago on Tuesday (Feb. 21).
In a series of photos posted to Instagram, the “Do We Have a Problem?” rapper wore a curve-hugging purple body suit styled by DiAndre Tristan, complete with beading down the chest in classic Mardi Gras colors. She added to her look with a beaded headpiece, fishnet tights, white sneakers and a huge pair of feathered wings. “Thank you to TRIBE for this gorgeous costume,” she captioned her colorful, celebratory Instagram post.
Last week, Minaj teamed up with Machel Montano and Destra for a remix of their single, “Shake the Place,” in which she reflected on her Caribbean roots. “Trinidad my country, the greatest carnival of all time,” she raps. “I’m reppin’ that red, that white, that black / I’m reppin’ my real flag,” she raps on the track.
“If you f$&@ with ISLAND GIRLS rep your flag for me in the comments. Trinidad CARNIVAL is about to #ShakeThePlace shake up di whole place,” she captioned an Instagram post revealing the remix on Feb. 18.
She followed up by showing off her other stunning looks while spending time down in Trinidad and Tobago, including one in which she’s rocking a tight pink corset with matching knee high boots, denim shorts, long wavy red hair and a blinged-out chain that says “Queen,” of course. See it here.
Alejandro Fernández took the stage Tuesday (Feb. 21) at the Quinta Vergara for his highly anticipated performance at Chile’s Viña del Mar International Song Festival.
Accompanied by a live band that included mariachi and norteño musicians, the ranchera superstar — who wore an elegant black and gold charro suit — delivered an impressive performance where he belted out anthems such as “Tantita Pena,” “Estuve,” “Hoy Tengo Ganas De Ti” and “Mátalas.” Fernández received silver and gold gaviota trophies for his riveting 90-minute set. “Let’s celebrate, campeones (champs),” he said.
Here are some highlights from his Feb. 21 headlining set at Viña del Mar:
EL POTRILLO RETURNS TO VIÑA
“Chile, Viña,” he said at the beginning, vividly emotional as he made his return to Viña del Mar after last performing there in 2015. “Ahí te va charrito (here you go, charrito),” he added as he walked toward one side of a stage to give a little fan in the audience — who wore a charro outfit — a part of his very own suit. “I always feel great excitement to be on this stage, from the very first time I had the opportunity to be part of this important festival to this day. I promise to leave my soul and heart here. Let music always unite us. Viva Chile! Viva México!”
A SWOON-WORTHY PERFORMANCE
After more urban-leaning sets by Karol G and Tini on the first two days of Viña, Fernández brought romanticism to the festival. Occasionally blowing kisses to his fans — who would scream at the top of their lungs after one of his many charming gestures toward them — the charro sang the classics, or as he called them “viejitas pero bonitas,” that made it seem like the entire Quinta Vergara was either in love or going through a heartbreak that night. The crowd sang along in unison to “Hoy Tengo Ganas De Ti,” “Si Tu Supieras,” “Te Voy a Perder,” “Qué Voy a Hacer Con Mi Amor,” “Como Quien Pierde Una Estrella,” “Me Dediqué a Perderte” and “Canta Corazón.”
NEW MATERIAL
The last time Fernández performed at Viña del Mar was eight years ago. “Every single time, the response from the Chile audience only gets bigger,” he said mid-set when he received the silver gaviota. Since he last performed there, he’s released new albums and new singles and he took this opportunity to play his new material, which included “Hecho En México,” “Caballero,” “Decepciones” and “Inexperto En Olvidarte.”
A TRIBUTE TO VICENTE FERNÁNDEZ
One of the most special moments of the night, and definitely a highlight, was when El Potrillo paid tribute to his father, the Mexican icon Vicente Fernández, who died in December 2021. “My father would be so happy to see the response I’ve gotten at Viña this year,” he said. “But, you know, I think he’s here with me. I feel him, he’s probably here on my shoulder.” He went on to perform a medley of Chente’s greatest hits, including “Por Tu Maldito Amor,” “Mujeres Divinas,” “Las Llaves de Mi Alma,” “De Qué Manera Te Olvido” and “El Rey.”
For the first time in its more than six-decade history, the Viña del Mar International Song Festival is being livestreamed in the United States, exclusively on Billboard.com, Billboard’s YouTube channel, and via Twitter @Billboard. The six-day festival continues with Fito Páez on Feb. 22; Christina Aguilera on Feb. 23; and ending with Camilo on Feb. 24. All headliners will perform at 8 p.m. ET.
Find the rest of the week’s schedule below.
Wednesday, Feb. 22: Fito Páez
Thursday, Feb. 23: Christina Aguilera
Friday, Feb. 24: Camilo
After a four-year hiatus, long-running Seattle music festival Bumbershoot will return this Labor Day weekend — with help from e-commerce giant Amazon.
As announced Tuesday (Feb. 21) by new Bumbershoot producer New Rising Sun, the festival will return for its 50th edition on Sept. 2-3, 2023, and Amazon has agreed to underwrite presale tickets for this year’s edition to keep it affordable. The e-retailer will sponsor a special early bird $50 single-day ticket and $85 two-day general admission ticket — prices that are 50% lower than when the event was last held in 2019. Amazon has also announced plans to work with arts organization Third Stone to give out 5,000 tickets to area non-profits and community organizations.
First launched in 1971, Bumbershoot faced a double whammy in recent years thanks to declining ticket sales and attendance in the 2010s followed by three years of closure due to the pandemic.
Bumbershoot was previously produced by AEG Presents, which had agreed to produce the festival with Seattle non-profit festival production company One Reel beginning in 2014 to help cover the $1 million in debt One Reel had racked up and restore the event’s financial footing. In 2019, AEG Pacific Northwest vp Rob Thomas announced the company was not renewing its agreement, hinting at financial differences with One Reel. That same year, a barricade collapse at Bumbershoot injured four attendees.
One Reel executives announced plans to stage the festival in 2020, only to be stymied by the COVID-19 pandemic. In 2021, host venue the Seattle Center put out a new request for proposals for the event, with the winning bid going to New Rising Sun, a collective founded by Neumos co-owner Steven Severin, who now serves as Bumbershoot’s co-president & director of music programming; Vital 5 Productions founder Greg Lundgren, who serves as curator; and McCaw Hall general manager Joe Paganelli, who serves as producer.
“We heard from our community and took action — fulfilling our promise of affordability and inclusivity,” Severin said in a statement to Billboard. “When re-imagining our festival for this return, we examined everything through an arts lens and expanded upon what art is and can be. We look forward to sharing our vision this Labor Day weekend.”
“As ticket prices steadily climb for concerts and events around the globe, we’re excited to support reduced and free ticket prices, creating opportunity for more of our community to enjoy the diversity of Seattle’s creative ecosystem, participate in Bumbershoot’s exciting education programs, and immerse themselves in the arts,” added Amazon senior vp/general counsel/secretary David Zapolsky.
Tickets go on sale Friday (Feb. 24) at 10:00 a.m. PT via bumbershoot.com. Fans are encouraged to purchase tickets in advance as they are expected to sell quickly. A performer lineup will be announced at a later date.
Kelly Clarkson brought her usual positive energy to her eponymous talk show on Tuesday (Feb. 21), this time taking on Dermot Kennedy‘s upbeat ballad “Better Days” for her daily Kellyoke segment.
Backed by her My Band Y’all, the pop superstar performed an emotional rendition of the track, singing in the chorus, “I know you’ve been hurtin’ / Waitin’ on a train that just won’t come / The rain, it ain’t permanent / And soon, we’ll be dancin’ in the sun / We’ll be dancin’ in the sun.”
The track is featured on the 31-year-old Irish singer-songwriter’s 2022 album, Sonder. “I found the word ‘sonder’ a few years ago, the meaning being just the awareness that everybody is living a life just as important and as complex as your own,” he recently told Billboard of his sophomore LP’s title. “At that point, I didn’t really have any part of my life or career to attach it to, so it was just a word that I appreciated and it meant something to me.”
Clarkson’s daily mini-performances have become so popular since The Kelly Clarkson Show first began in 2019, she released an EP featuring recordings of six Kellyoke-ified songs over the summer. Her standout cover of Whitney Houston’s “Queen of the Night” was one of them, along with Billie Eilish’s “Happier Than Ever,” The Weeknd’s “Call Out My Name” and more.
Watch Kelly Clarkson’s cover of Dermot Kennedy’s “Better Days” below.
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Who’s that girl? It’s Madonna, showing off her latest snapshot and a little sense of humor, after the internet criticized how she looked at the 2023 Grammys.
Madonna shared a new photo of herself staring down the camera on Twitter Monday (Feb. 20). The pop icon is dressed casually in the picture, wearing ripped jeans, a jacket and a black cap reading “SPIRITUALLY HUNGRY,” with her hair styled in braids.
“Look how cute i am now that swelling from surgery has gone down. Lol,” Madonna tweeted about her face, with a crying-laughing emoji.
At the Grammys earlier this month, the singer had introduced Sam Smith and Kim Petras for a performance of their Grammy-winning “Unholy.” Following the telecast, her speech was seemingly overshadowed by her appearance, as people on social media shared their opinions about how different she looks in 2023, throwing out accusations about botched plastic surgery.
Two days later, Madonna fired back at critics with an Instagram post: “It was an honor for me to introduce Kim Petras and Sam Smith at the Grammys,” she wrote. “I had wanted to give the last award which was Album of the year, but I thought it was more important that I present the first trans- woman performing at the Grammys— a History making moment!! And on top of that she won a Grammy!! Instead of focusing on what I said in my speech which was about giving thanks for the fearlessness of artists like Sam and Kim- Many people chose to only talk about Close-up photos of me Taken with a long lens camera By a press photographer that Would distort anyone’s face!! Once again I am caught in the glare of ageism and misogyny That permeates the world we live in. A world that refuses to celebrate women pass the age of 45 And feels the need to punish her If she continues to be strong willed, hard-working and adventurous.”
“I have never apologized for any of the creative choices I have made nor the way that I look or dress and I’m not going to start,” she added at the time.
See Madonna’s new photo on Twitter.
Harry Styles treated himself to a big gulp out of his own shoe in Perth, Australia, Monday night (Feb. 20).
While making casual conversation with the crowd in between songs at HBF Park, Styles seems to have decided that this particular Love On Tour stop was the perfect time partake in an interesting Australian drinking tradition: doing a shoey.
To do a shoey, one must pour alcohol into one’s shoe — not water, as Styles learned Monday night — and chug it.
“Does anybody have a drink that they wouldn’t mind lending?” Styles asked fans in the audience and then pondered, “Can we do a shoey with water or is that against the rules? No?”
Before dumping a drink into his mouth straight from his shoe, which appears to be the Adidas x Gucci Gazelle sneaker, the Harry’s House hitmaker commented, “This is one of the most disgusting traditions.”
Post Malone and Kacey Musgraves are among the fellow music arts to have joined in on the Australian rite of passage on previous tours.
Watch Styles do a shoey in the video clip below, beginning at the 7:07 timestamp.
