Shares of SM Entertainment gained 11.8% to KRW 117,900 ($92.88) this week, making the K-pop company the greatest gainer on the Billboard Global Music Index. The home of groups such as NCT 127 and Red Velvet, SM got good news this week after boy band EXO’s latest release, EXIST — The 7th Album, sold over 1 million copies in South Korea on its first day of release. In the United States, the group currently has four of the top five songs on Billboard’s Hot Trending Songs chart. Year to date, SM Entertainment shares are up 37.5%.

Led by SM Entertainment’s double-digit gain, 13 of the Billboard Global Music Index’s 21 stocks finished in positive territory this week. The index rose 1.7% to 1,355.35, its third-straight weekly increase and the sixth in the last seven weeks. Music stocks lagged behind many major indexes, however. In the United States, the S&P 500 and the Nasdaq composite gained 2.4% and 3.3%, respectively. The United Kingdom’s FTSE 100 improved 2.4%. And South Korea’s KOSPI composite index rose 4%.

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Spotify continues its hot streak by gaining 9.6% to $172.03, bringing the stock’s year-to-date improvement to 117.9%. The streaming giant got a boost this week after analysts at Morgan Stanley and Wells Fargo increased their price targets to $185 and $250, respectively. Wells Fargo analysts are enthusiastic about Spotify’s prospects to improve its margins following the company’s layoffs and reduction of podcast content costs. Long-awaited price increases in the United States could improve Spotify’s gross margin by three percentage points and add nearly $727 million of revenue in 2024, according to the analysts.

Another K-pop company experienced the index’s largest decline this week: Shares of HYBE, home to BTS and Tomorrow X Together, fell 10.3% to KRW 256,500 ($202.08). The company was in the South Korean media this week following complaints of sexual harassment by security guards at an &TEAM singing event in Seoul. In a statement, HYBE apologized to the fans and explained that attendees at such events are searched to prevent recordings from leaking to the public.

Hipgnosis Songs Fund Ltd.’s decline of 3.9% to 0.74 pounds per share was the index’s biggest decline of the week after HYBE. On Thursday (July 13), Hipgnosis reported a $12.9 million improvement in pro-forma annual revenue million in calendar year 2022, although both gross and net revenue declined due mainly to two large, non-recurring adjustments. Still, investors remain wary of the stock, which has declined 14.3% year to date. As Billboard reported this week, Hipgnosis is shopping some assets that could help bolster its share price if sold. Shareholders will get a chance to weigh in on the fund’s future at the annual meeting in September by voting to change fund managers, liquidate the fund or stay on course.

Lauren Spencer Smith‘s debut album, Mirror, has finally arrived. The singer released the project on Friday (July 14), and leading up to its release spoke with Billboard News about the meaning behind the project’s interesting title, as well as the lessons she took away from writing the LP.

“Initially when I first wanted to title the album, I wanted it to be something about reflecting because everything that’s on the album is a personal experience to me,” she explained to Billboard staff writer Rania Aniftos. “Then throughout realizing no one had been by my side other than the mirror seeing every cry sesh, happy sesh, came back from the first date with my boyfriend and feeling excited, it was the only thing that was a constant throughout the rollercoaster of emotions that I had to go through to write the album, but it felt so fitting calling it Mirror.

Smith continued, “When I first started writing the album, I would never have imagined that I was going to end the album with that title. I definitely think it was something that I randomly started thinking of one day, like ‘Wow, I literally would not where I am today if everything didn’t happen to me.’ And as much as sometimes I still look back being very annoyed and sad that things like that happened to me, it just has made me who I am. It’s the reason I written all the songs. I remember thinking one day to myself, ‘I think I should thank the person that hurt me,’ because they kind gave me this trajectory of a career at this point.”

Mirror features breakthrough singles “Fingers Crossed” and “Flowers,” “Fantasy” with GAYLE and Em Beihold, “That Part” and more. The 20-year-old will embark on a tour in North America, U.K. and Europe starting on July 14 to support the album.

Reflecting on Mirror, Smith also shared that writing the LP has allowed her to feel more comfortable within her craft: “Throughout songwriting I just realized to say whatever I want, it doesn’t have to have a bad intention to it, it’s just something that I want to say in the song and allowing myself to be honest in all of my songs and really be true to myself.”

Watch Smith’s full interview with Billboard News in the video above.

Radio and music industry trade website All Access will cease operations on Aug. 15 due to “a marked decrease in revenues that makes moving forward impossible,” according to a bulletin from the company, which also noted that the site will remain online for an undetermined amount of time.

A statement from All Access reads, “This was not a decision that was reached lightly nor without earnest tries to find a path forward. It comes on the heels of major changes in the music industry announced in January of this year. These strong financial headwinds also extend to our non-music partners as well. Both downturns have greatly affected how All Access operates. The dollars are just not there to support our operation and staff any longer.”

According to the All Access website, the company has just over two dozen staff members.

All Access launched in 1995 and has been an essential source of news for the radio and music industries across genres including rock, pop, country and gospel/Christian, with the website providing news, editorial insights, community, industry events and job postings to many in the business for nearly three decades.

You can read the statement from All Access founder/president/publisher Joel Denver below.

This is without question the saddest and most heartbreaking moment of my professional life to have to tell you that allaccess.com will cease publishing and will be going out of business.

All Access began nearly 28 years ago and with the help of an amazing staff of professionals, the best in the business. We’ve weathered many changes and obstacles in the industry over these years. We’ve carved an incredible path and have taken each part of our operation to amazing levels of success through honesty, hard work, and passion for the radio industry, the music, the artists and our many readers, marketing partners, clients and our many contributing editors. Thank you all so much — we could not have done any of this without you.

The goal of All Access has always been to provide cutting edge content for all sectors of our business. We’ve strived to provide the best and most credible NET NEWS coverage, help people find jobs and stay connected. We have been blessed with wonderful partnerships and have created many valuable services for all parts of the radio and music businesses and have the support of nearly 100,000 active users.

Looking back over nearly three decades of service, we have much to be proud of. We’ve created amazing editorial and service products that will be benchmarks of our success like: All Access Downloads, First Alert, co-creation/presentation of Worldwide Radio Summit and creation/presentation of the All Access Audio Summit, among many others along the way.

Again, I cannot begin to express my sincerest appreciation and thanks to all of our many thousands of readers, our many amazing partners, wonderful clients, and the incredible ALL ACCESS staff for your love and devotion to All Access, our mission, and our success for nearly 28 years. I will miss working with all of you.

Closing All Access doesn’t mean that I am retiring from the business. I will take a moment to catch my breath and focus on new horizons and opportunities.

I hope that you will give all of our All Access team members a good strong look as well at new opportunities — they are the best of the best, and I will provide a glowing recommendation for all. There is not one person on the All Access team that I wouldn’t hire again. Please reach out to them by visiting our Team Page.

It has been a true honor to have served the radio and music communities. We have had a blast doing this. We will all miss serving and working with all of you — our readers and clients. I truly wish everyone much success in the future.”

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aespa achieves its second No. 1 on Billboard’s Top Album Sales chart (dated July 15) as the Korean group’s latest release MY WORLD: The 3rd Mini Album debuts atop the list with 39,000 copies sold in the U.S. in the week ending July 6, according to Luminate.

Also in the top 10 of the new Top Album Sales chart, Lil Uzi Vert’s Pink Tape bows at No. 4, Phish nets its highest-charting album ever as its 2000 studio album Farmhouse re-enters at No. 5 after a vinyl reissue, and Lucinda Williams earns her best sales week in over seven years as Stories From a Rock N Roll Heart debuts at No. 9.

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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of MY WORLD’s 39,000 copies sold in its first week, physical sales comprise effectively all of that sum – and all on the CD format. Like many K-pop releases, the CD edition of MY WORLD was issued in collectible CD packages (more than 16, including exclusive editions for Amazon, Barnes & Noble, Target, Walmart and the act’s webstore), each containing a standard set of branded merchandise items and randomized branded elements (such as photo cards, posters and stickers).

Stray Kids’ chart-topping 5-STAR rises 3-2 on Top Album Sales with 16,000 sold (down 17%) while Taylor Swift’s former No. 1 Midnights climbs 5-3 with 12,000 (up 9%). Lil Uzi Vert’s latest studio set Pink Tape arrives at No. 4 with a little over 11,000 sold, marking their third top 10-charting effort.

Phish’s studio album Farmhouse, released in 2000, returns to Top Album Sales at a new peak, as the set re-enters at No. 5 with a little over 11,000 sold (up 26,731%) – basically on in vinyl LP sales – after a new vinyl reissue. The set was reissued on 180-gram colored (blue and nebulous green) double-vinyl on June 30. Farmhouse also debuts at No. 1 on the Vinyl Albums chart (a little over 11,000 copies sold) – marking the band’s third leader on the list and its best sales week on vinyl ever.

Farmhouse originally debuted and peaked at No. 12 on the Top Album Sales chart in 2000. With its re-entry at No. 5, it marks Phish’s eighth top 10 on the tally.

ATEEZ’s former leader The World EP.2: Outlaw falls 2-6 on Top Album Sales with 11,000 sold (down 65%), ENHYPEN’s Dark Blood dips 4-7 with 9,000 (down 19%) and Swift’s chart-topping Folklore is pushed down 7-8 with nearly 9,000 (despite an 11% gain).

Lucinda Williams’ Stories From a Rock N Roll Heart bows at No. 9 on Top Album Sales with the singer’s best sales week in over seven years – 8,500. She last sold more in a week when The Ghosts of Highway 20 launched at No. 16 on the Feb. 27, 2016-dated chart with 16,000 sold. Stories is Williams’ third top 10 on Top Album Sales.

Rounding out the top 10 on the new Top Album Sales chart is Swift’s former No. 1 Lover, which falls 8-10 with nearly 8,000 (though up 10%).

In the week ending July 6, there were 1.746 million albums sold in the U.S. (up 2.2% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.420 million (up 4.2%) and digital albums comprised 327,000 (down 5.5%).

There were 652,000 CD albums sold in the week ending July 6 (up 5.2 % week-over-week) and 756,000 vinyl albums sold (up 2.9%). Year-to-date CD album sales stand at 18.189 million (up 4% compared to the same time frame a year ago) and year-to-date vinyl album sales total 24.362 million (up 21.2%).

Overall year-to-date album sales total 52.387 million (up 7.7% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 42.827 million (up 13.2%) and digital album sales total 9.560 million (down 11.3%).

Karol G dropped a new single called “S91,” inspired by the popular Psalm 91 Bible verse, and in its impactful music video out Thursday (July 13) she made an important announcement.

In the emotional and ultra-personal release, produced by Ovy on the Drums, the Colombian artist sings about overcoming adversity over an EDM-meets-trap fusion.

The music video, directed by Pedro Artola and produced by WeOwnTheCity, is just as powerful as the lyrics, demonstrating Karol running away from a group of people backed by a pack of wolves trying to bring her down, but she’s protected by a lone panther. Karol also used the opportunity to announce that Mañana Sera Bonito (Bichota Season) is coming soon.

A week ago, the “Bichota” singer hinted that she was up to new projects when she posted a photo all smiles and with a line from Psalm 91: “A thousand may fall at your side, ten thousand at your right hand, but it will not come near you.”

A couple of days later, and a month ahead of her Mañana Sera Bonito stadium tour kicking off, she surprised fans with a new music video teaser assuring them that she has an announcement “so important that it deserved its own song and music video” and that she planned to release it on July 13 because 13 is her favorite spiritual number. “Remember I always save the best for last. This video is dedicated to my people, the ones from the start,” she noted. 

On the eve of the “S91” release, Karol posted a TikTok video of her mother reacting to the production in tears. “This video is special for many reasons,” she shared in the caption. 

“One, there is no more beautiful feeling for me than knowing that my family is proud of me and that my music can cause them reactions like that,” she continued. “Two, my mom took us to school and taught us to pray Psalm 91 after leaving home every day in the morning because she said they were sacred words of protection, and three, I am grateful to God and to life for giving me a family that supports me, that has believed in me from the very beginning and that is still with me today, celebrating together so many beautiful things that happen to us.”

Beyond its personal connection to the artist, “S91” is charged with a message of celebration, pride, love, triumph and “many beautiful feelings,” according to Karol’s TikTok caption.

Lisa Marie Presley died from complications from bariatric surgery she had several years ago, authorities said Thursday (July 13).

The January 12 death at age 54 of the singer, songwriter and heir of Elvis Presley was ruled as being from natural causes due to effects of a small bowel obstruction.

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Additional details about what caused Presley’s death were included in an autopsy report released Thursday afternoon by the office of the Los Angeles County Medical Examiner-Coroner.

The report says the complication that Presley experienced is a common complication from bariatric surgery, which is a weight loss procedure. The Mayo Clinic says it is often done when other weight loss methods haven’t worked or if a person has a serious medical condition.

Presley died at a Los Angeles hospital, where she had been rushed by paramedics responding to a 911 call of a woman in cardiac arrest at her home. No indication was made public at the time of what may have caused the medical issue.

The autopsy report said she had been complaining of stomach pain earlier in the day.

She was buried at a Jan. 22 funeral at Graceland, the home where she lived with her father as a child that has become a museum, tourist attraction and shrine for Elvis fans.

Presley left behind three daughters, 34-year-old Daisy Jones & the Six actor Riley Keough and 15-year-old twins Harper and Finley Lockwood. A son, Benjamin Keough, died in 2020.

In the immediate aftermath of her death, it appeared that a major legal fight would ensue over Presley’s estate. Four days after her funeral, her mother, Priscilla Presley, filed court documents disputing a 2016 amendment to Lisa Marie Presley’s living trust that removed Priscilla Presley and a former business manager as trustees and replaced them with her two eldest children.

But Priscilla Presley and Riley Keough – who is now acting as sole trustee – agreed to a settlement in May.

Riley Keough was nominated for her first Emmy on Wednesday, for best actress in a limited series or TV movie for Daisy Jones & the Six.