Feid‘s Ferxxo Nitro Jam Underground Tour had an epic first night in Miami Friday, June 16, before he wraps up with his second and final show at the Kaseya Center on Sunday, June 18.

Produced by Live Nation (which also helmed the artist’s 2022 U.S. tour), Ferxxo (pronounced Fercho) was set for a 29-city tour that kicked off April 20 at the WAMU Theater in Seattle and visited key cities such as Los Angeles, Las Vegas and New York before wrapping in Miami.

Upon entering the Miami show, you were given special glasses for an immersive, 3D experience after scanning your ticket. These glasses gave you full access to the world of El Ferxxo. At 9:40 p.m., the lights dimmed and a video appeared across large screens, displaying the visual for his single “MXFIX G5” and a message to turn your flash off.

Wearing a beige sports jacket, shorts, white shades, his signature green cap and black-green-neon gloves, Feid arrived on stage to perform the opening track “Chorrito Pa Las Animas.” From the start of the show, he warmly greeted his fans and expressed his excitement for this special evening.

“Thank you very much from the bottom of my heart to everyone who came tonight to ‘Parchar con el Ferxxo’ in Miami Mor. A thousand thanks to everyone who came in green tonight, those who came with El Ferxoo’s glasses, with the cap,” he said, and he finished with, “Remember that if you are going through something bad, leave all that out from the theater. Today we came to have a good time.” “Porque el Ferxxo no se le dedica a cualquier mor (because you don’t dedicate El Ferxxo to whoever),” he added.

Below, check out more highlights from Feid’s concert.

Feid’s energy on stage: Feid’s high-energy performance included big smiles and running across the stage while dancing with his DJs and guitarist, creating a fun and lively atmosphere reminiscent of a boys’ night out.

Heartfelt conversations: He took a moment to recognize how difficult it can be and how hard is to live far away from your country and your family, but how all the sacrifice is worth it. “There are only good people here, special people, people who dream, and if you are going through something ‘nea’ (man), all that will pass. Pure blessings are coming for everyone who is here today.”

Daddy Yankee and Yandel’s surprise appearance: The epic moment in which two of the biggest stars in music surprised Miami fans by singing “Yankee 150,” the remix that premiered yesterday featuring the “Big Boss.” It was euphoric, especially since the “Gasolina” hitmaker announced his retirement in 2022.

Owenn has come a long way since his days as backup dancer for Taylor Swift.

The singer, who was previously a backup dancer for the pop superstar during her Reputation tour in 2018 and co-starred in her “Lover” music video in 2019, is dishing on the life-changing experience of opening numerous dates on Swift’s record-breaking The Eras Tour.

“It’s been amazing, honestly, it’s kind of surreal,” Owenn, whose real name is Christian Owens, told E! News.

The singer says his first show at MetLife Stadium in East Rutherford, N.J., in late May, was a “pinch me moment. I was like, ‘Am I really actually on a stadium stage at MetLife?’ I’m from New York City so it’s close to home.”

So far, Owenn has supported Swift in East Rutherford (May 28), Chicago (June 2-3), Detroit (June 10) and Pittsburgh (June 17). He’s also scheduled to open on Eras Tour shows in Minneapolis (June 24) and Los Angeles (Aug. 4).

The singer — who dropped his new single “Dark Side of the Moon” on Friday (June 16) — says he’s learned so much from observing Swift over the years.

“The real advice is actually being in the atmosphere and watching,” he told E! “And I’ve been working with Taylor for such a long time now, since 2015, so just being in her presence and watching her work is the best advice.”

Owenn says he’s gained confidence as a performer knowing that Swift believes in him as an artist.

“Knowing that if [Taylor] didn’t believe in me like she did I wouldn’t be on that stage,” he said. “That’s like the ultimate co-sign from her just being one of the biggest artists in the world but also somebody who knows business and knows her music. So just being on that stage and being chosen by her specifically is just a crazy co-sign and a crazy thing in itself … the ultimate stamp.”

Read the full E! News interview here.

Shares of SM Entertainment gained 15.3% this week, making the K-pop company the greatest gainer among the 21 music stocks in the Billboard Global Music Index. Although the company wasn’t the subject of any significant news items that typically affect share prices — earnings, investments or partnerships — its shares nonetheless rose to 117,600 KRW ($92.07), bringing the year-to-date gain to 53.3%.

It’s not just SM Entertainment, though. K-pop is booming in 2023. Shares of the index’s other South Korean music company, HYBE, gained 6.1% this week and have gained 71.5% in 2023. Outside the index, JYP Entertainment and YG Entertainment have gained 100.6% and 88.4%, respectively, year to date.

With 16 of its 21 stocks in positive territory this week, the Billboard Global Music Index improved 5% to 1,334.28, its best one-week performance since November. The biggest contributors to the index’s value posted strong single-digit gains. Spotify improved 6.3% to $159.99, Universal Music Group gained 3.8% to 20.16 euros ($22.11) and Warner Music Group jumped 9.3% to $27.16. Meanwhile, Live Nation gained 7.2% to $90.18 and on Thursday (June 15) closed above $90 for the first time since Sept. 15.

Two other stocks had double-digit gains this week. Streaming company LiveOne added 13.3% to $1.53, bringing its year-to-date gain to 137.6%, while Sphere Entertainment Co. climbed 10.9% to $29.29. Since Sphere separated from MSG Entertainment’s concert promotion business on April 20, its shares have gone up more than 14%. On Sept. 29, U2 will launch the MSG Sphere at the Venetian with a residency that extends through Dec. 16.

While stocks were generally up this week, music stocks fared better than the major indexes. The S&P 500 gained 2.6% to 4,409.59, its best week since March. The Nasdaq composite improved 3.2% to 13,689.57, also marking its best week since March. Outside the United States, South Korea’s Kospi index dropped 0.6% to 2,625.79, while the FTSE 100 in the U.K. gained 1.1% to 7,642.72.

German promoter and ticketing company CTS Eventim had the week’s largest decline at 18.2%, making it the only music stock on the index with a double-digit loss. As Billboard reported on Wednesday, the German company’s share price fell precipitously in the two days following a critical segment on the German public television show ZDF Magazin Royale.