Noel Gallagher didn’t have any nice things to say about The 1975 recently, after Matty Healy suggested Noel and estranged brother Liam owe it to Oasis fans to get over their “mard” and reunite. Noel still doesn’t have any nice things to say.

“He needs to go over how s— his band is and split up,” Gallagher — who just released Council Skies, his latest album with High Flying Birds — had snapped back at Healy’s comment in May.

Now, in a new interview with NME, Gallagher was asked whether he feels Oasis continues to influence contemporary bands today. The topic detoured into him talking about the state of rock … and The 1975.

“Oasis’ influence, I think, was for people to f—ing start a band in the first place. I do meet loads of guys who say that and that’s great. There are a lot of them around, it’s just a pity guitar music has become marginalized. You’ve either got to be rock, or that f—ing 1975. At the BRITs, The 1975 won Best Rock or some f—ing s—,” Gallagher is quoted as saying in the piece published Saturday (June 3).

“I was watching it with my kids, two teenage lads, thinking, ‘Is it me being a grumpy old man, or is this s—?’” he recalled. “They were both going, ‘Oh no, this is f—ing s—’. The 1975, Best Rock Band? Someone needs to re-define that immediately, because that is… I don’t know what that is, but it’s certainly not f—ing rock. Whatever rock is, that’s not it.”

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Elsewhere in the interview, when Gallagher was chatting about flaws on his albums (he says his recordings are “not perfect by any means”), NME presented a question related to Healy’s rumored girlfriend, Taylor Swift: “Would you ever do a Taylor Swift and re-record your past albums?”

“What’s the point?” Gallagher said. “Could you imagine the outrage? I’d rather push on and try new things.”

See the full interview here.

Tanya Tucker made a triumphant — and historic — entrance onto Nashville’s Grand Ole Opry stage Friday evening (June 2), as she was seated astride a black Friesian Stallion named Lauwe the Magnificent to sing her opening song during the broadcast.

According to Grand Ole Opry historians, it is believed to be the first time a horse has been ridden onstage during a Grand Ole Opry broadcast in the show’s 97-year history.

On horseback, the Country Music Hall of Fame inductee-elect opened her set with “Kindness,” from her just-released album, Sweet Western Sound. The remainder of her set included another duo of selections from the project — “The List” and “When the Rodeo Is Over” — and such classics as “Delta Dawn,” “Texas (When I Die)” and “Strong Enough to Bend,” the latter of which saw her joined by illustrious bluegrass duo Dailey & Vincent and Pam Tillis, who was inducted as an Opry member in 2000.

Tucker rode the same stallion that she previously guided through the streets of Nashville in early April, just hours after the revelation that she had been named as a member of the Country Music Hall of Fame, and the announcement of her two headlining shows at Nashville’s Ryman Auditorium, slated for June 3-4.

The Opry event happened courtesy of a team that worked to make the moment possible, including Tucker’s management team, Lauwe the Magnificent’s owner Annika Bruggeworth (of Kentucky’s Siren Song Stables), and the Grand Ole Opry’s executive producer Dan Rogers.

Tucker’s horseback entrance is also on-brand for the singer-songwriter, who has long been known for her passion for horses. The cover of her new album, Sweet Western Sound, features a horse, while the cover of her previous Grammy-winning project, While I’m Livin’, also features Tucker on horseback.

In early April, Tucker was bestowed with one of country music’s highest honors, as she was named as a 2023 inductee into the Country Music Hall of Fame, alongside Patty Loveless and songwriter Bob McDill. A formal induction ceremony will take place this fall.

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Brandon Lake, for King & Country, Lauren Daigle and MercyMe were among the evening’s big winners on Friday evening (June 2), when the K-LOVE Fan Awards aired on TBN, having previously been taped at Nashville’s Grand Ole Opry House on May 28.

Lake led this year’s winners, taking home three honors, including male artist. He also earned song of the year and worship song of the year, both for “Gratitude.”

Sibling duo for King & Country earned artist of the year, while Daigle took home female artist of the year, and MercyMe earned their first K-LOVE Fan Award, for group of the year.

The evening also featured an array of powerful performances, as Colton Dixon was joined by Gabby Barrett for their duet “Build a Boat.” A plethora of collaborations filled the evening, including MercyMe with David Leonard on “Then Christ Came,” Katy Nichole and Big Daddy Weave on “God Is in This Story,” Lake teamed with Benjamin William Hastings for “Gratitude,” while Mac Powell and Jason Crabb performed “New Creation.” Tasha Layton offered “How Far,” while Jon Reddick performed “I Believe It.”

In one of the evening’s most affecting moments, Blessing Offor had students from Nashville’s Covenant School join him for a performance of Offor’s “Brighter Days.” Steven Curtis Chapman, who was inducted into the Gospel Music Hall of Fame in 2018, was honored for his lengthy history of enduring songs, as he was joined by Bart Millard, Matthew West and Mac Powell.

See the full list of K-LOVE Fan Awards winners for 2023 below:

Artist of the Year
for KING & COUNTRY

Male artist
Brandon Lake

Female artist
Lauren Daigle

Group of the year
MercyMe

Worship song of the year
Brandon Lake
“Gratitude”

Song of the year
Brandon Lake
“Gratitude”

Breakout single
“Perfectly Loved”
Rachael Lampa ft. TobyMac

Film & television impact
The Chosen
Season Three Finale

Book impact
On Our Knees
Phil Wickham

Podcast impact
UNASHAMED
Phil & Jase Robertson

Now that you’ve gotten to know Jelly Roll better through his new Billboard cover story, it’s time to take a closer look at his wife, Bunnie XO.

In his interview, Jelly Roll called Bunnie “a beacon of change in my life.” At the 2023 CMT Music Awards in April, where Jelly Roll took home three awards — male video of the year, breakthrough male video of the year and digital-first performance of the year — one face in the audience made fans at home swoon: Jelly Roll’s wife beamed with happiness and pride from the crowd, giving viewers a glimpse into the “Son of a Sinner” singer’s adorable love story.

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Following the ceremony, Bunnie paid tribute to her husband with a heartwarming Instagram post. “You my sweet other half, are just that. A man that was told no every corner he turned only to hit ‘em with that Nashville shuck & come out on top every time. I always tell you you have a horseshoe stuck up your ass, but that isn’t it baby,” she wrote in the caption. “This is sheer will to spread light, to move mountains, to touch broken souls with your voice, to break generational traumas & set examples for the future. In short, you are the game changer papas. You were sent here to destroy stereotypes & blaze the trail for all the have nots.”

Following Jelly Roll and Bunnie’s sweet night at the CMT Music Awards, we’ve compiled five things to know about the model and entrepreneur. See below.

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Tionne “T-Box” Watkins and Rozonda “Chilli” Thomas will share the story of their lives in how they “broke boundaries, influenced an entire generation and survived against all odds” in the Lifetime documentary TLC Forever, premiering Saturday (June 3) at 8 p.m. ET/PT.

The two-and-half-hour documentary chronicles the group’s journey through music – from their start in the ‘90s to their message, style, legacy and the tragic death Lisa “Left Eye” Lopez. The documentary will feature appearances from other music industry colleagues such as Missy Elliott and Dave Grohl.

After Left Eye’s tragic death in 2002, T-Boz and Chili were not only grieving the loss of their group member and friend, but they were also uncertain about the future of TLC. In an interview with USA Today, T-Boz theorized that Left Eye would be the “female Kanye West” if she were alive today.

“I said that because Lisa was always just saying things. If she had Twitter fingers, she’d be all over the place and have something to say about everything and not care,” she explained. “She’d be making all of the shocking comments. And Kanye was the only comparison I could think of about what my sister would be like now.”

T-Box and Chilli are executive producers alongside Bill Diggins for Diggit Entertainment Group and Rick Krim; Roger Ross Williams and Geoff Martz for One Story Up. Elaine Frontain Bryant and Brad Abramson are executive producers for A+E Networks. The documentary is produced by One Story Up and Lauren Fulton for Lifetime and A&E Network.

Keep reading for ways to watch and stream TLC Forever live and on-demand.

TLC Forever: Best Ways to Stream Online

TLC Forever will simulcast on Lifetime and A&E at 8 p.m. ET/PT ahead of Crazy, Sexy, Cool: The TLC Movie airing at 5:30 p.m. ET/PT. The biopic and documentary, which will be available to watch and stream on Lifetime, Lifetime.com and on Lifetime app, will re-air on Sunday (June 4) starting at 3:00 p.m. PT/ET.

Even if you’re not already signed up for a streaming platform, cable or satellite, you can stream TLC Forever online and for free – depending on which streamer you choose.

Lifetime is available on streaming platforms like Philo, DirectTV Stream, Vidgo and SlingTV. Viewers streaming internationally can use ExpressVPN to access Lifetime, Philo and more.

If you’re shopping for a streaming deal, Philo is one of the most affordable streamers around at $25/month and a free trial for the first week.

Philo
$25/month after 7-day free trial

Philo features over 70 channels including Lifetime, MTV, BET, TLC, VH1, CMT, WEtv, A&E, ID, Trvl Channel, OWN, AMC and Comedy Central. The subscription includes unlimited DVR that can be stored for up to a year.

Watch the trailer for TLC Forever below.

 

Ahead of his Tribeca Film Festival documentary premiere, French Montana tapped Florida rapper Kodak Black for the soundtrack cut “I Can’t Lie.”

The London On Da Track single dropped Friday (June 2) and marks the first release from For Khadija: French Montana. Infusing North African instrumental melodies with trap drums, French and Kodak pass the mic back and forth, dropping boisterous bars.

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French’s For Khadija documentary chronicles the rise of the 38-year-old rapper, born Karim Kharbouch, from teenage Moroccan migrant to chart-dominating star. The doc, executive produced by Drake and Sean “Diddy” Combs, tells the all-too-familiar immigrant story, centering French and his mother, whose sacrifices played an invaluable role in his successes.

“Us watching America as kids, they sell you the dream,” French says in the trailer. “They don’t show you that behind those buildings is the nightmare part.”

“I Can’t Lie” marks the beginning of many songs to come from French and Kodak, as the duo will be releasing a joint album soon. The pair have collaborated in the past, on cuts like “Mopstick” and the 2016 release “Lockjaw.”

Recently, French reacted to a social media post naming him as the “most streamed African-born artist.” French’s wildly successful “Unforgettable” is listed as RIAA-certified diamond, which equates to 10 million in sales. Amid the exciting developments, French has also dealt with his fair share of issues, including being sued back in March in relation to a shooting that left 10 people injured at the filming of his music video in Miami Gardens, Fla.

For Khadija will premiere June 16 at the Tribeca Film Festival.