Estrella Media has promoted longtime radio programmer and television personality Pepe Garza to head of content development and A&R for the company’s newly established music division Estrella Media Music Entertainment (EMME). Garza will also serve as the executive producer of digital audio for the multi-platform media company.

According to an official description of his new role, Garza will help lead the new division where he’ll “seek out new talent” to sign to the label and publishing arm and “help develop the next generation of Latin music stars.” Garza will also be responsible for curating new original digital audio series for Estrella’s free streaming platforms and podcasts.

“Pepe has been a leading figure in the growth and support of Regional Mexican music and transformed the way fans view and connect with content digitally,” said Eddie Leon, EVP, radio, Estrella Media, in a statement. “With his expanded role, he will continue to identify unique and important artists and content that will connect with fans and the Estrella audience, including through the launch of EMME, our music division. It is exciting to have Pepe continue with the Estrella Media family and go give him this opportunity to transform and deepen our connection to music and culture.”

The Mexican executive — who previously served as the program director for Estrella Media’s flagship radio station Que Buena Los Angeles — will also continue his role as a judge for the company’s series Tengo Talento, Mucho Talento, as well as executive producer of Estrella Media’s Regional Mexican music awards show, Premios de la Radio.

“I’m excited to help launch the EMME music division of Estrella and to help not only discover but build the careers of some of the most exciting artists in Latin music,” added Garza, who helped launch the interview series Pepe’s Office with episodes raking up millions of views on YouTube. “I love the entire digital space, and having the ability to develop content and strategy among multiple platforms is also an amazing opportunity. I’m very grateful to Estrella Media for giving me this opportunity.”

Kylie Jenner testified Monday that she expressed concerns to her brother Rob Kardashian about his new girlfriend and soon-to-be reality TV co-star Blac Chyna, because she had heard Chyna had a tendency to abuse drugs and alcohol and become violent and had gotten a possible glimpse of it herself.

“I felt it was my duty to express my concerns, but ultimately it was up to him,” Jenner, now 24 and a teenager at the time, said from the witness stand at a Los Angeles trial. She said her brother didn’t heed her warnings, and continued with the relationship.

Chyna is suing Jenner and three other members of the Kardashian family, alleging they defamed her as violent and forced the cancellation of her reality show, “Rob & Chyna,” after one short season.

Both Chyna and Jenner had previous relationships with the rapper Tyga, and Chyna had a child with him. Jenner said Tyga told her dark stories of his time with Chyna and showed her a 6-inch knife scar he said she gave him while abusing drugs and alcohol, Jenner said.

Jenner said that while dating Tyga, she had received at least one threatening text message from Chyna.

“From what I remember she sent me a bunch of devil emojis, and said something like ’counting down the days’ until she could beat me or something,” she said. “I didn’t report it, because I assumed they were empty threats.”

Jenner testified that when Rob Kardashian and Chyna began dating in January of 2016, she didn’t trust that Chyna’s love was genuine.

“I felt like me dating the father of her child had something to do with it, and maybe she was out with my brother for other reasons?”

Still, she said, she was cautiously optimistic after they announced in April 2016 that they were getting engaged, and said in May that they were having a baby together.

“I was happy for my brother at the time,” Jenner said, “but just curious how it would go.”

“Rob & Chyna” would premiere in September, the couple would have a daughter, Dream, in November, and in December they would have an all-night celebration of their show being approved for a second season that turned into a bitter fight.

That dispute, and how violent it may have become, was at the center of testimony from both Chyna and from Jenner’s mother Kris Jenner. Chyna said she was being playful when she wrapped a phone-charging cord around her fiancé’s neck and grabbed his gun. Kris Jenner, who did not witness the fight, testified through tears that she felt that Chyna had tried to “murder” her son.

Kylie Jenner, whose home the two had been living in, testified that in the aftermath of the fight she saw some of the damage, and remembers her brother being emotionally traumatized, but couldn’t recall seeing any evidence of physical injury.

She definitely came away believing the violence had been serious, she testified.

“He used the words, ‘She was trying to kill me’” Kylie Jenner said.

Jenner returns to the witness stand on Tuesday.

The two other defendants, Khloé Kardashian and Kim Kardashian, are expected to testify later in the week. Kim Kardashian was not in court Monday for the first time in the six-day-old trial.

Another witness, Jeff Olde, who in 2016 was a senior vice president of the E! network, which aired both “Rob & Chyna” and “Keeping Up With the Kardashians,” testified that he approved a second season for the show, though further approval from his bosses would still have been needed.

But his excitement for more episodes was based on the idea that it would include the stars getting married.

“I thought it was really promising because with a wedding that gave us a hook for season two,” said Olde. “Everyone loves a wedding.”

Chyna’s lawyer Lynne Ciani pressed Olde over an email he received from Kylie Jenner expressing concerns about violent behavior from Chyna. The email is a key element of Chyna’s defamation case.

Olde testified that it did not especially influence his decision to reverse course on a second season for “Rob & Chyna.”

“I don’t really take direction from 17-year-olds,” he said.

A similar email soon after from Khloé Kardashian also had little effect, he said. He thought the show should be canceled, he testified, because the couple it featured was no longer a couple.

“It was the Rob and Chyna show and there was no more Rob and Chyna,” he said. “It was not the show we bought.”

Lauren Jauregui is standing up for her “dedicated” fanbase after a viral tweet that criticized “stan culture.”

It all started when Benjamin Enfield of Now Hip-Hop News tweeted on Monday (April 25) that Elon Musk (who is to buy Twitter in a confirmed $44 billion deal) is “set to ban all stan & spam accounts” on the platform.

Enfield followed up by tweeting, “Stans are a huge problem for artists. Take fifth Harmony for example. Lots of retweets. Low sales. Couldn’t sell out tours. Supporting artists via retweets isn’t supporting artists.”

The word “stan,” which was popularized from Eminem’s 2000 song of the same name, is “an overzealous or obsessive fan of a particular celebrity,” according to Oxford Dictionary.

In response to Enfield’s tweet, Fifth Harmony fans, known as Harmonizers, began defending their love for the former girl group and how they supported the band on and offline.

Former 5H member Jauregui, upon catching wind of the debate, took to Twitter to give her thoughts. “Not ppl tryna come for the harmonizers…. good luck!” she wrote in a lengthy message. “No seriously though I (we) love you all forever for being such a monumental part of making our dreams come true. (Y’all are shady & messy but let’s not pretend y’all were the only fandom with this energy at the time) we also all grew up so much together and have evolved as humans past that era I feel like too and also!!!”

“You were FEIRCE, LOYAL, PRESENT, & dedicated that was the very much truth,” she continued. “People underestimate the slow build of a consistent fan base. We were all moving for 5 years before WFH Ppl ride the bandwagon when the number one enters the chat and the charts validate hard work (finally) but the harmonizers (all the fandoms tbh) were there every step of the way and continue to be.”

Jauregui concluded that while “there are toxic behaviors we could all do without about Stan Culture,” she’s “very grateful for the ppl who show up for art and people’s dreams like that.”

See her full statement below.

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Billie Eilish surprised the Coachella crowd this weekend by bringing “my friend Hayley Williams” out during her headlining set.

The Saturday night (April 23) set, which had the pair teaming up on “Misery Business” and “Happier Than Ever,” was the Paramore singer’s first time performing at the Indio, California, festival.

“Hi. Wow. It’s my first Coachella,” said Williams as she took the stage with Eilish. “Thanks for sharing this with me. This is sick!”

Williams sat on stool in between Eilish and Finneas to treat the audience to an acoustic rendition of “Misery Business,” the 2007 single off of Paramore’s Riot! album. She also joined in on Eilish’s “Happier Than Ever.”

Eilish’s show during the first weekend of Coachella 2022 had featured another special duet partner, Damon Albarn.

Watch her share the stage with Williams at Coachella weekend two below.

 

It might be a little while before fans see new Instagram videos or pregnancy updates from Britney Spears. The pop has star announced that she’s taking a step back from social media.
“I’m going on a social media hiatus for a little while !!!” Spears wrote on Instagram on Sunday (April 24).
“I send my love and God bless you all,” she added.
Along with the news of her break from social media, the pop star posted a silly video of a baby lounging next to a mini vanity set, wearing a robe, sunglasses and hair rollers.

On April 11, Spears announced she’s expecting a child with fiancé Sam Asghari.

“I obviously won’t be going out as much due to the paps getting their money shot of me like they unfortunately already have,” she noted at the time. She also spoke candidly about her previous experience with perinatal depression — “I have to say it is absolutely horrible … women didn’t talk about it back then,” she wrote — and said she’d be doing yoga daily during this pregnancy.

Spears has two sons, 16-year-old Sean and 15-year-old Jaden, whom she shares with ex-husband Kevin Federline. The child on the way will be Asghari’s first.

See Spears’ latest announcement below.

Tyler, the Creator’s Call Me If You Get Lost returns to No. 1 on the Billboard 200 albums chart (dated April 30), as the set’s release on vinyl LP prompts its jump from No. 120 to No. 1. It’s the album’s second nonconsecutive week atop the list; it debuted at No. 1 on the July 10, 2021-dated chart.

Call Me earned 59,000 equivalent album units in the U.S. in the week ending April 21 (up 507%), according to Luminate, formerly MRC Data. Of that sum, 51,000 were in traditional album sales — almost entirely vinyl LP sales.

The vinyl edition of Call Me was sold exclusively through the artist’s webstore and sold 49,500 copies, making it the largest sales week for a hip-hop album on vinyl, or for a solo male album on vinyl, since Luminate began tracking music sales in 1991.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 30, 2022-dated chart will be posted in full on Billboard‘s website on April 26. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Call Me’s 59,000 equivalent album units earned, album sales comprise 51,000; SEA units comprise 8,000 (down 12%; equating to 11.54 million on-demand official streams of the set’s songs); and TEA units comprise a negligible sum.

The vinyl edition of Call Me was announced on Wednesday, April 6 via Tyler, the Creator’s social media accounts, with a link directing fans to his webstore to purchase the $35 standard black double-LP set. The vinyl was initially announced without fans knowing when the album would ship out to them. Then, on Friday, April 8, it became known that the album would start shipping out on Tuesday, April 12 (in order to begin arriving to customers on Friday, April 15, the first day of the new chart’s tracking week).

In total, the 49,500 vinyl copies sold of Call Me If You Get Lost mark the ninth largest sales week for a vinyl album since Luminate began tracking music sales in 1991. It’s also the biggest frame for a hip-hop set on vinyl, or a vinyl album by a male artist in that span of time. The previous largest week for a hip-hop set or solo male album on wax, since 1991, was registered by the debut frame of Kid Cudi’s Man on the Moon III: The Chosen, in December, with 41,500. The largest vinyl week, overall, since 1991, was the opening week of Taylor Swift’s Red (Taylor’s Version), with 114,000 vinyl LPs sold, last November.

Notably, all physical versions of the Call Me album — vinyl, CD and cassette — have been exclusively sold through Tyler, the Creator’s official webstore. No physical versions of the album have been officially available to any other sellers in the U.S. The set has been widely available to all streaming services and digital retailers since its initial release on June 25, 2021.

With Call Me’s jump back to No. 1 on the Billboard 200, it becomes the fourth album to return to the top following its vinyl release. It follows Swift’s Fearless (Taylor’s Version) (which jumped 157-1 on the Oct. 16, 2021 chart after its vinyl bow), Olivia Rodrigo’s Sour (3-1; Sept. 4, 2021) and Swift’s Evermore (74-1; June 12, 2021).

Call Me has the largest jump to No. 1 since Fearless (Taylor’s Version) vaulted 157-1 (Oct. 16, 2021). Call Me was last at No. 1 nearly 10 months ago, on the July 10, 2021-dated chart. It’s the first album to wait that long between weeks at No. 1 since November of 2020, when Luke Combs’ What You See Is What You Get returned to No. 1 after nearly a year.

The rest of the Billboard 200’s new top 10 is a bit sleepy, as five former No. 1s are Nos. 2-6 on the tally. Morgan Wallen’s Dangerous: The Double Album holds at No. 2 (50,500 equivalent album units; up 9%), Lil Durk’s 7220 falls 1-3 (43,000; down 9%), the Encanto soundtrack dips 3-4 (40,000; down 12%), Olivia Rodrigo’s Sour is steady at No. 5 (36,000; down 8%) and Drake’s Certified Lover Boy is stationary at No. 6 (30,000; down 3%). Doja Cat’s Planet Her rises 8-7 with 29,500 (up less than 1%).

The Weeknd’s hits compilation The Highlights bounces 60-8 with 27,000 equivalent album units earned (up 92%). Meanwhile, his After Hours album, which re-entered the chart at No. 35 a week ago, falls off the chart. The two albums share four songs (“Blinding Lights,” “Save Your Tears,” “In Your Eyes” and “Heartless”). On the latest chart, the TEA and SEA units for the four songs contribute to The Highlights, as a song’s activity is assigned to the artist’s album with the most sales in a week. (The Highlights sold a little over 1,000 copies in the latest tracking week, while After Hours sold less than 1,000.) A week ago, the TEA and SEA for the four songs were directed to After Hours (which in that frame outsold The Highlights). In turn, with the songs’ activity contributing to The Highlights, the album rises 60-8.

Rounding out the new top 10 are two former No. 1s: Gunna’s DS4Ever (rising 12-9 with 23,500 equivalent album units; down 7%) and Lil Baby’s My Turn (13-10 with 21,000 units; down 4%).

Luminate, formerly MRC Data, the independent data provider to the Billboard charts, completes an exhaustive and thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data, removing any suspicious or unverifiable activity using established criteria before final chart calculations are made and published. In partnership with Billboard, data deemed suspicious and unverifiable is disqualified prior to the final calculation.

Leading up to her Coachella performance this weekend, Nathy Peluso spoke with Billboard about what she’d be bringing to the festival, which pop star she’d love to collaborate with and more.

“I’m bringing something fresh,” the Argentine artist can be heard saying in the video above, speaking of her first time taking the stage at the California festival, during its second weekend of 2022. “I’ve been working a lot on this show. It’s important to me to share the music. I did the arrangements with my band; we really want to share the good music with the people. I worked a lot to be here. So I’m like, ‘Yes, now I’m here,’ — so focus and try to enjoy all [of] the experience.”

For those in the audience who are new to Peluso’s music, even she can’t quite categorize her eclectic sound.

She recalled to Billboard recently being asked, “What music do you do?”

“And I was, like, ‘I don’t know,’” Peluso, whose Calambre album was released in 2020, said with a laugh. “‘Cause I’m changing all the time. Sometimes I do salsa, hip-hop, the ’80s. I’m romantic and I need to sing boleros. The way to work with the music, for me, is with freedom. It’s more interesting to the public to have different sounds in only one show.”

“It’s myself, my way of being. I really try to be genuine. Everything I do, I try to do with realness,” she said of her style.

“Sometimes I talk with people who don’t speak Spanish and they say, ‘I don’t understand a word, but I feel you.’ That’s the most important thing for me, ’cause the world is so, so big. I prefer to share something more than words. I really want to provoke something. I don’t know what. Maybe you hate it, maybe you’re crying, maybe you’re in love,” she said in the interview.

When the conversation turned to dream collaborators, Peluso didn’t even have to think about her answer: Miley Cyrus.

“I would love to collaborate with Miley Cyrus,” she gushed. “I really love her. She’s like the biggest star in our present, I think, in the music and in the arts. She’s completely amazing and I would love to meet her, to share my vision of music with her. She’s an artist of the moment.”

 

The Kid LAROI‘s latest song “Thousand Miles” has topped this week’s new music poll.

Music fans voted in a poll published Friday (April 22) on Billboard, choosing the 18-year-old singer’s radio-ready single as their favorite new music release of the past week.

The brooding and self-loathing anthem brought in 38% of the vote, beating out new music by Ed Sheeran featuring Lil Baby (“2Step”), Megan Thee Stallion (“Plan B”), Pusha T (It’s Almost Dry), PinkPantheress featuring Willow (“Where You Are”), and others.

“Thousand Miles” finds LAROI lamenting on his inability to do things right in a relationship and tells the listeners that he’s “about to f— it up with you.” With his unique vocals that showcase his pop sensibilities, the Australian artist aims for another chart-topper with the track.

LAROI teased the song over several months, perhaps most notably with a viral TikTok taking aim at former manager Scooter Braun, which featured photos of the SB Projects exec accompanied with the comments, “last mistake.” Braun’s response: “Don’t believe everything you see.”

Placing second on the past week’s tally with nearly 22% of the vote was a new version of Sheeran’s “2Step,” which originally appeared on the British singer-songwriter’s 2021 album, =. For the updated version, Sheeran calls on fellow superstar in Lil Baby, who glides over the pop-rock track with surprising vulnerability and absorbing detail.

See the final results of this week’s new music release poll below.