Morgan Wallen’s One Thing at a Time logs a 10th consecutive, and total, week at No. 1 on the Billboard 200 albums chart (dated May 20). The album bowed at No. 1 on the chart dated March 18 and has yet to depart the top slot. It equals the No. 1 run of Wallen’s last release, Dangerous: The Double Album, which also spent its first 10 weeks at No. 1 (Jan. 23-March 27, 2021-dated charts).

One Thing at a Time earned 141,000 equivalent album units in the United States in the week ending May 11 (up 2%), according to Luminate.

As One Thing at a Time holds at No. 1, Wallen becomes the first male soloist to spend 10 weeks at No. 1 with back-to-back full-length albums, since the Billboard 200 began publishing on a regular, weekly basis in March of 1956. Only five acts — including Wallen — have notched consecutive No. 1s that ruled for at least 10 weeks. Wallen joins Adele (25, 10 weeks, 2015-16 and 21, 24 weeks, 2011-12), Whitney Houston (Whitney, 11 weeks, 1987 and her self-titled album, 14 weeks, 1986), The Monkees (More of the Monkees, 18 weeks, 1967 and its self-titled album, 13 weeks 1966-67) and The Kingston Trio (String Along, 10 weeks, 1960 and Sold Out, 12 weeks, 1960).

Wallen is now the third solo male artist overall to have at least two albums spend 10 or more weeks at No. 1 each. He joins Elvis Presley and Henry Mancini. The former did it four times with his self-titled album (10 weeks in 1956) and the soundtracks for Loving You (10, 1957), G.I. Blues (10, 1960-61) and Blue Hawaii (20, 1961-62) and the latter did so twice, with the soundtracks The Music From Peter Gunn (10, 1959) and Breakfast at Tiffany’s (12, 1962).

Further, Wallen becomes the only act with at least two country albums to have spent 10 or more weeks at No. 1. (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)

In total, nine acts — including Wallen — have at least two albums that have spent at least 10 weeks at No. 1. Wallen is now among elite company, standing alongside only The Beatles, Presley (four such albums each); Houston, The Kingston Trio (three each); Adele, Mancini, The Monkees and Taylor Swift (two each).

Also in the top 10 of the new Billboard 200, Ed Sheeran achieves his sixth top 10-charting effort as his new studio set, pronounced Subtract, starts at No. 2, while Korean girl group LE SSERAFIM notches its first top 10 (and second chart entry) with the No. 6 bow of Unforgiven.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 20, 2023-dated chart will be posted in full on Billboard‘s website on May 16. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of One Thing at a Time’s 141,000 equivalent album units earned in the week ending May 11, SEA units comprise 134,000 (up 3%, equaling 179.33 million on-demand official streams of the set’s 36 songs), album sales comprise 5,000 (down 6%) and TEA units comprise 2,000 (down 5%).

Sheeran collects his sixth top 10-charting effort on the Billboard 200 as his latest studio album, – (Subtract), debuts at No. 2. The set starts with 112,000 equivalent album units earned. Of that sum, album sales comprise 81,000 (making it the top-selling album of the week), SEA units comprise 29,000 (equaling 38.43 million on-demand official streams of the set’s tracks) and TEA units comprise 2,000.

The album was preceded by its lead single “Eyes Closed,” which debuted and has so far peaked at No. 26 on the Billboard Hot 100 dated April 8. Sheeran’s last three albums (Equals, No. 6 Collaborations Project and Multiply) were each led by top 10-charting singles before the sets dropped: “Bad Habits” (No. 2), “I Don’t Care,” with Justin Bieber (No. 2) and the dual lead singles off Multiply, “Shape of You” (No. 1) and “Castle on the Hill” (No. 6).

Subtract marks Sheeran’s biggest sales week since 2017, thus larger than any week posted by Sheeran’s last two albums (Equals and No. 6 Collaborations Project). Subtract also nets 10th-largest sales week of 2023 for any album, and the fifth-largest for a non-K-pop title.

Subtract’s sales were aided by its availability in both a standard 14-track and 18-track edition (digital download, CD and vinyl). The set was also available in nine vinyl variants (including exclusives for Amazon, Barnes & Noble, independent record stores, Target, Urban Outfitters and Walmart) and multiple CD iterations in collectible packages (including a signed CD, a version with a lenticular cover, a “textured sand” cover and a “Zine” CD package).

A trio of former No. 1s is next on the Billboard 200, as Taylor Swift’s Midnights is a non-mover at No. 3 (60,000 equivalent album units; up 4%), SZA’s SOS is stationary at No. 4 (54,000; down 4%) and Wallen’s Dangerous is steady at No. 5 (49,000; up 4%).

LE SSERAFIM debuts at No. 6 with Unforgiven, marking its first top 10 and second charting effort on the Billboard 200. The Korean pop girl group’s album enters the chart with 45,000 equivalent album units earned (up 691%). Of that sum, 38,500 comprise album sales, 6,500 comprise SEA units (equaling 9.04 million on-demand official streams of the set’s 13 tracks) and TEA units comprise a negligible sum.

The album was released to digital retailers and streaming services on May 1, and earned 6,000 equivalent album units in the week ending May 4 (not enough to debut on the Billboard 200). The set debuts on the chart following the release of its CD edition on May 5.

Like many K-pop releases, the CD edition of Unforgiven was issued in collectible CD packages (11 total, including exclusives for Target, Walmart and the Weverse webstore), each containing a standard set of bonus items and randomized photocards. Effectively all of Unforgiven’s first-week album sales were CDs, with a negligible sum generated by digital download album sales. The set was not available in any other retail format (such as vinyl or cassette).

While LE SSERAFIM has yet to chart on the Billboard Hot 100, the album’s title track — with Nile Rodgers — debuted at No. 61 on the Billboard Global 200 and No. 39 on the Global 200 Excluding U.S. chart (both dated May 13).

Swift’s chart-topping Lover rises 10-7 on the Billboard 200 (37,000 equivalent album units earned; up 8%), Bad Bunny’s former leader Un Verano Sin Ti jumps back to the top 10, climbing 11-8 (36,000; up 8%), Luke Combs’ Gettin’ Old falls 7-9 (nearly 36,000; down 3%) and Metro Boomin’s former No. 1 Heroes & Villains dips 9-10 (34,000; down 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Rihanna and A$AP Rocky‘s firstborn, seemingly named RZA, turned one on May 13.

On Saturday night, A$AP posted a sweet series of photos and a video of the couple’s son on Instagram.

His caption included the name RZA and a shout-out to Wu-Tang: “‘WU TANG IZ 4 DA CHUREN’ HAPPY 1st BIRTHDAY TO MY 1st BORN . RZA,” he wrote.

The snaps include several precious family shots, plus a cute video of the little one looking at himself on a screen. “Big head man,” A$AP lovingly says before kissing his son.

Two days ago, the Daily Mail claimed that it had obtained the baby boy’s birth certificate, which reportedly notes that his full name is RZA Athelston Mayers. Billboard reached out to Rihanna and A$AP’s rep for comment at the time.

The original RZA’s name isn’t actually RZA, but Robert Fitzgerald Diggs. The Wu-Tang frontman adopted RZA as a stage name.

See Rihanna and A$AP Rocky’s new photos on Instagram. The couple are expecting their second child, and Rihanna’s said her second pregnancy is “so different from the first one … No cravings. Tons of nausea. Everything’s different, but I’m enjoying it.”

LIVERPOOL, U.K. — Sweden’s Loreen overcame strong competition from Finland and Israel to win 2023’s Eurovision Song Contest in a closely fought final that featured guest appearances from Queen drummer Roger Taylor and, in a pre-recorded video, the Princess of Wales.   

39-year-old Loreen, whose real name is Lorine Zineb Nora Talhaoui, was the fans and bookmakers’ frontrunner going into Saturday’s Grand Final, held in Liverpool, England, on behalf of war-torn Ukraine.   

Having previously triumphed in the annual competition in 2012, Loreen is the first woman to win the contest twice. Her song “Tattoo,” a bombastic electro-pop ballad, placed first with 583 points.  

“The only thing I feel right now is so much love. Not in my wildest dreams did I think this was going to happen,” said the singer in a press conference that took place immediately after the show wrapped. 

Finnish rapper Käärijä, one of the breakout stars of this year’s Eurovision thanks to his song “Cha Cha Cha” and eye-catching costume of spikey black trousers paired with green bolero sleeves, came second with 526 points.  

It is the seventh victory for Sweden in the contest’s 67-year history, equalling Ireland as the country with the most Eurovision wins. The first Swedish act to take home the crown was ABBA in 1974 with “Waterloo.” Prior to Loreen, Sweden’s most recent win came in 2015 with Måns Zelmerlöw’s “Heroes.” The only other artist to win Eurovision twice is Ireland’s Johnny Logan, who finished top in 1980 and 1987.  

The rest of the top five was made up of Israel (362 points), Italy (350 points) and Norway (268 points).  

The United Kingdom is hosting this year’s Eurovision Song Contest on behalf of Ukraine, which won 2022’s competition with “Stefania” by Ukrainian rap-folk band Kalush Orchestra (the U.K. finished second through Sam Ryder’s “Space Man”). The tag-line for this year’s event is “United By Music,” referencing the ongoing conflict in Ukraine. 

The home city of Ukraine’s Eurovision act, Tvorchi, was hit by Russian missiles moments before the act took to the stage in Liverpool, according to reports. Two people were injured in the attack in Ternopil, Western Ukraine, the chief of the regional state administration, Volodymyr Trush, said. 

Writing on Instagram after their performance, Tvorchi said: “Ternopil is the name of our hometown, which was bombed by Russia while we sang on the Eurovision stage about our steel hearts, indomitability and will.” 

“Europe, unite against evil for the sake of peace,” said the Ukrainian duo. 

It is the first time that the U.K. has held the contest in 25 years, although being the host was no advantage to the country’s entry, Mae Muller. She finished second to last with her track “I Wrote a Song” picking up just 24 points.    

26 acts competed in Saturday’s final, held at Liverpool’s 11,000-capacity M&S Bank Arena, including artists from the so-called “big five” countries: the United Kingdom, France, Germany, Italy and Spain, who automatically qualify for the main show because of their broadcaster’s financial contributions to the event. (The other 20 finalists qualified via two semi-finals, held earlier in the week. Ukraine also got a free pass to the final as reigning winners).  

Kalush Orchestra opened the show with a spirited run through their 2022 winning song “Stefania” and new single “Changes,” joined by a procession of drummers wearing pink bucket hats in homage to the band’s frontman Oleh Psiuk.  

Prior to arriving onstage, Kalush Orchestra featured in a pre-recorded opening film, part filmed in a metro station in Kyiv, Ukraine, that also contained guest appearances from British stars Joss Stone, Sam Ryder, Andrew Lloyd Webber, and, in a surprise 10-second cameo, a piano playing Princess of Wales.   

The princess, who learned to play the instrument as a child, recorded her contribution at Windsor Castle earlier this month, said organizers after the segment aired.   

Following the opening performance, the Eurovision Grand Final was a characteristically flamboyant mix of kitsch Euro pop, overwrought ballads, elaborate PVC costumes, and soaring rock songs, interspersed with a jolt of head-banging glam metal courtesy of Germany’s Lord of the Lost.  

Among the highlights were Austria’s Teya & Salena, performing dance track “Who the Hell Is Edgar?,” named after American poet Edgar Allen Poe, and Poland’s Blanka, singing her breezy reggae-tinged song “Solo” backed by a troupe of colorfully dressed dancers.    

France’s La Zarra was another crowd pleaser with her disco-flavored torch song “Évidemment,” passionately sung in French.  

Blanca Paloma, representing Spain, energetically fused flamenco rhythms with pulsing synths and a sinuous melody, while Norway’s entry — a bodice-wearing Alessandra, singing “Queen of Kings” — drew a rapturous reception from fans inside the sold-out arena.  

Israel’s Noa Kirel, one of the country’s biggest pop stars, was one of the strongest female solo acts with her bombastic track “Unicorn,” complete with an energetic 30-second dance breakdown.  

The night’s biggest cheers, however, went to Finland’s Käärijä and the contest’s eventual winner, Loreen.  

A standout moment from the four-hour-long final was a mid-show interval that saw a number of former Eurovision contestants deliver a medley of songs representing Liverpool’s illustrious musical heritage, beginning with Italy’s 2019 entry, Mahmood, singing John Lennon’s “Imagine.”  

Also performing in the mid-show segment were Israel’s Netta, singing Dead or Alive’s “You Spin Me Round (Like A Record),” Liverpool-born Sonia, who came second in Eurovision in 1993, and the Netherlands’ Duncan Lawrence, leading the crowd through a rousing cover of Gerry and the Pacemakers‘ “You’ll Never Walk Alone.” 

Other non-competition performers included 2022 Eurovision runner-up Sam Ryder singing his single “Mountain” backed by Queen’s Roger Taylor on drums.  

This year’s Eurovision Song Contest was the first in the event’s long history where viewers from countries not taking part could vote, including the United States where Saturday’s final — and the two preceding semi-finals — was streamed on Peacock. Viewer votes make up 50% of the final result, with the remainder determined by a professional jury from each participating country. 

As per the two semi-finals, the show’s hosts were British TV personality and singer Alesha Dixon, Ted Lasso star Hannah Waddingham and Ukrainian singer Julia Sanina. Joining them for the final was another U.K. TV star, Irish comedian Graham Norton. 

Last year’s Eurovision Song Contest, held in Turin, Italy, was watched by 161 million people across 34 countries, according to organizers the European Broadcasting Union (EBU), making it the world’s biggest music competition.