Burl Ives blasts back onto the Billboard Hot 100 chart (dated Dec. 3), as his holiday standard “A Holly Jolly Christmas” re-enters the ranking at No. 10.

The track’s revival can be attributed to annual gains for yuletide hits during the holiday season. The song debuted on the Hot 100 during the 2016 holiday season, 52 years after its release, and has re-entered every year since. The song first hit a No. 4 high over the 2019 holidays, and has returned to its peak in each of the last two years. This year is especially notable in that it brings the song’s highest re-entry, as it becomes the first holiday song ever to re-enter in the top 10.

How rare is it for songs to return to the Hot 100 all the way in the top 10? Pretty rare. In the chart’s 64-year history, “A Holly Jolly Christmas” is just the ninth song to re-enter directly in the top 10.

Generally, songs make steady runs up and down the Hot 100, though in more recent years it’s become more common for titles to debut at high ranks thanks to splashy streaming debuts and then decline, with many also regaining their footing on the chart as their radio airplay solidifies.

Hot 100 rules prevent most catalog titles from returning or debuting if below No. 50. Descending titles are removed from the Hot 100 after 20 weeks on the chart if below No. 50 or after 52 weeks if below No. 25. To re-enter after having graduated to recurrent status, a song must garner enough chart points, with a notable reason for its resurgence.

This is all to say that, for older titles, it’s generally difficult to re-enter the Hot 100 and compete with newer songs generating hefty radio airplay and streaming figures. It’s even tougher to suddenly re-enter in the top 10.

The select songs that have achieved the feat of re-entering the Hot 100 in the top 10 have, for the most part, gained newfound interest after artists were prominently in the news, performed on massive stages or scored a notable synch, as Kate Bush did earlier this year when “Running Up That Hill (A Deal With God)” was featured in Netflix’s Stranger Things.

Here’s a look at all nine songs that have re-entered the Hot 100 in the top 10, listed chronologically:

Additional reporting by Gary Trust

Artist Billing, Title, Chart Date (Hot 100 Re-entry Rank):

Back in October, Greta Van Fleet were forced to postpone seven shows of their Dreams in Gold tour after singer Josh Kiszka ruptured his eardrum during a show in Bangor, Maine.

However, the group revealed the rescheduled tour dates on Wednesday (Nov. 30), noting that all seven shows in Jacksonville, Fla.; Hollywood, Fla.; Tampa, Fla.; Greenville, S.C.; Raleigh, N.C.; Tucson, Ariz., El Paso, Texas; Anaheim, Calif. and Sacramento, Calif. will take place in March 2023.

“We appreciate your patience as we navigated logistics and can’t wait to see you again soon,” GVF captioned the post, noting that original tickets are still valid for the rescheduled dates.

After his ear ruptured in Maine, Kiszka said he’d been experiencing a “situation” in his left ear that’s “caused plenty of infections, tinnitus (ringing in the ear) and difficulty hearing” — leading Greta Van Fleet to postpone three shows in support of their latest album, The Battle at Garden’s Gate.

After playing at the AT&T Center in San Antonio, Texas, in early November, the band had to reschedule four more shows. “I just wanted to express how beautiful and how awe-inspiring these couple of shows have really been, truly. Also, unfortunately, they’ve been rather painful,” he said in a video message to fans announcing the postponements. “The last time I spoke with you, I had asked for your understanding; I was dealing with a ruptured eardrum. Unfortunately, while the eardrum continues to heal, it also has continued to cause me great deal of physical pain, which has made it very difficult to perform.”

Independent music company Concord is the latest to tap into a growing market for music royalty-backed securities with Concord Music Royalties, LLC, Series 2022-1, a $1.65 billion asset-backed security. The bond will be supported by mechanical, performance and synchronization royalties from more than 1 million assets.  

The proceeds will be used to fund reserve accounts, pay transaction expenses, repay debt and for other general corporate purposes, according to a report by ratings agency KBRA.  

KBRA gave Series 2022-1 a preliminary rating of A+ (on a scale ranging from AAA to D), citing the “large, diversified catalog with globally recognized songs and artists” such as R.E.M., Plain White T’s, Creed, Evanescence, Genesis, Phill Collins and Mike + The Mechanics — the latter three being purchased just two months ago.  

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The catalog generated $344.7 million in 2021, with 63% coming from recorded music and 37% from music publishing. More than 41% of the catalog’s assets were released more than 20 years ago and 23% are between 10 and 20 years old. About 3.5% of the catalog is comprised of frontline releases, defined by KBRA as “recently recorded and released music with little or no history,” and option rights that Concord can exercise for rights to future recorded music or publishing from artists in the catalog. 

FTI Consulting put a $4.1 billion valuation on the catalog, according to the KBRA report. That’s about the same amount Billboard estimated Concord’s price tag would be when the company was exploring a sale in 2021 — before the purchase of the Genesis, Phil Collins and Mike + The Mechanics catalogs that Billboard estimated were worth at least $335 million and its acquisition of Australian music publisher Native Tongue. Concord had sought additional equity from its majority owner, the Michigan Retirement Systems pension fund, but turned to debt in 2020 to raise $600 million, which it used to pay down existing debt.   

Among the offering’s sound recordings, Concord Music Group administers a majority and Universal Music Group distributes a majority. Concord Music Publishing administers most of the music publishing rights and ICE, ASCAP and BMI are the collective management organizations for most of the publishing rights.  

Series 2022-1 contains two components: Class A-1 VFN, with a principal balance of $150 million and an anticipated repayment date of January 2026; and Class A-2, with a principal balance of $1.5 billion and an anticipated repayment date of January 2029. Class A-1 VFN will have a variable interest rate — the secured overnight financing rate plus a margin — and Class A-2 will have a fixed interest rate. The notes will pay interest quarterly.  

Concord’s offering is the largest of the music royalty-backed offerings rated by KBRA in the last 12 months. KKR’s Hi-Fi Music IP Issuer II, backed by about 62,000 songs, raised $732.5 million in February. Crescendo Royalty Funding, a joint effort of Lyric Capital Group and Northleaf Capital Partners and backed by over 52,000 songs owned by Spirit Music Group, raised $303.8 million in Dec. 2021. Hipgnosis Music Assets 2022-1, backed by the Kobalt Music Copyrights Fund 1 that Hipgnosis Songs Fund acquired in 2020, raised $221.7 million in Dec. 2021.   

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Chuu is no longer a member of the K-pop girl group LOONA, and the events surrounding the exit have raised eyebrows in Korea’s media and music industry.

BlockBerryCreative, the K-pop girl group’s label, announced through LOONA’s online “fan cafe” on Friday that Chuu had been expelled and withdrawn from the 12-member outfit. The fan cafe post is only available to subscribers of the Korean site, but local media widely shared the news and statement. In the report, the agency cited an investigation that found Chuu using “violent language” and “misuse of power toward staff” (as shared by translations from Soompi).

BlockBerryCreative and Chuu’s relationship has been a source of concern among fans and prone to media speculation in the past year.

In the spring, rumors surfaced that Chuu took legal action in 2021 to cut parts of her exclusive contract with BlockBerryCreative. By summertime, the stories evolved to Chuu joining a new management label and setting up her own agency. BlockBerryCreative denied any management changes. Still, the 23-year-old did not participate in LOONA’s world tour that visited North America, Europe and Asia from August to October this year or their recent Japanese single “Luminous.” Chuu has stayed busy, with many television appearances, growing a YouTube channel, and releasing solo singles as LOONA’s most visible member.

In the spring, Chuu was rumored to have taken legal action in 2021 to cut parts of her exclusive contract with BlockBerryCreative. By summertime, the stories ranged from Chuu joining a new management label to setting up an agency all on her own. BlockBerryCreative denied that she was transferring management. Still, the 23-year-old did not take part in LOONA’s world tour that visited North America, Europe and Asia from August to October of this year, or their recent Japanese single “Luminous.” Chuu has stayed busy, with many television appearances, growing a YouTube channel and releasing solo singles as LOONA’s most visible member.

On Nov. 28, BlockBerryCreative followed up with another statement saying that the expulsion was not in retaliation. The label said it’s up to the parties involved to share specific evidence. It asked the media to refrain from speculative reporting, after noting articles that doubted BlockBerryCreative’s claims and intentions.

Billboard repeatedly reached out to a BlockBerryCreative representative for comment as the stories unfolded. The rep confirmed Chuu’s removal from LOONA and pointed to previously shared statements.

Several K-pop stars and industry professionals have shown public support for Chuu. Singer Sunmi posted a selfie of her with Chuu after the expulsion news dropped, while Korean music journalist Joy Park shared her memories of Chuu and a signed LOONA album on her Twitter account. Kim Do Heon, another Korean music critic, criticized BlockBerryCreative’s statement through a Twitter post.

For her part, Chuu shared a short statement through an Instagram Story post. On Monday, the star wrote that she was not contacted about nor does she know anything about the recent events. She shared that she would release another statement soon but told fans she hadn’t done anything they would disapprove of.

Another report surfaced on Monday saying that nine of the remaining 11 LOONA members (Heejin, Haseul, Yeojin, Kim Lip, Jinsoul, Choerry, Yves, Go Won and Olivia Hye) were taking legal action to break their contracts with BlockBerryCreative. The agency dismissed the rumor. A BlockBerryCreative representative told Billboard that the report is “groundless.”

LOONA (whose Korean name translates to “Girl of the Month”) began their journey in 2016 with the ambitious plan of introducing each member with her own solo music and splinter units between the members before all 12 members finally came together in August 2018 for the [+ +] EP. LOONA has since earned multiple entries on World Albums and even sent their [12:00] album to the Billboard 200. The group hit No. 1 on World Digital Song Sales with their songs “365” and “Shake It” and also became one of the few K-pop acts to enter the Pop Airplay chart with an English single, “Star.”

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Mariah Carey is inviting you to her home for the holidays. The “Queen of Christmas” teamed with Booking.com to give two lucky fans a once-in-a-lifetime chance to experience New York City her way.

Mariah’s Ultimate Holiday Experience will include a three-night stay in the Grande Luxe King room at The Plaza hotel, tickets to Carey’s upcoming holiday concert, dinner at her favorite restaurants including Nobu and Mr. Chow, a private tour of Top of the Rock at Rockefeller Center, a VIP ice skating session in front of the Rockefeller Center Christmas tree and access to a VIP tent.

“Christmas in New York is an experience of a lifetime, so I partnered with Booking.com to create a special holiday-themed travel experience in my hometown during the most wonderful time of the year,” Carey said in a statement Tuesday (Nov. 29). “For one time only, I’m giving two fans the opportunity to have an unforgettable and magical extravaganza! I hope the bookers will enjoy the chance to see my concert at Madison Square Garden, visit the Top of the Rock, eat at my favorite restaurants, and stay at a luxurious NYC hotel.”

The three-day experience will culminate with cocktail hour at a private space in the music icon’s New York City penthouse apartment pictured below, plus a Christmas photoshoot on Carey’s rooftop.

Courtesy of Timeless Eye
Courtesy of Timeless Eye

Fans can book on a first-come, first-served basis exclusively on Booking.com starting Dec. 14 at 5 p.m. ET. The epic weekend will take place Dec. 16-19 and is priced at $20.19 — in honor of the year Carey’s holiday hit, “All I Want for Christmas is You,” topped the Billboard Hot 100 chart for the first time.

Also included in the three-day extravaganza: A signed copy of Mariah’s new holiday book, The Christmas Princess, a shopping spree at Saks Fifth Avenue, tickets to the Christmas Spectacular starring the Radio City Rockettes along with a VIP pre-show reception at Roxy Suite, a private tour of Radio City Music Hall, meet-and-greet with a Radio City Rockette and more.

Flight accommodations, airport transfers and local transportation to and from attractions and activities will be covered over the three days.

And if Lambs are in the mood to shop, Carey’s bath and body collection is back in stock at Walmart. Carey partnered with Find Your Happy Place to launch limited-edition products including shower gel, lotions, hand cream, candles and holiday gift sets.

Click here to shop the Find Your Happy Place x Mariah Carey Bath and Body Collection before it sells out.

Jessie James Decker recently enjoyed a vacation in Mexico with her family, and like many parents, shared some adorable photos of her kids having fun in the sun on Instagram. However, the “I Still Love You” singer received some backlash, with critics claiming that she photoshopped the children’s visible abs or even accusing her and husband Eric Decker of “overtraining” their kids.

In a follow-up post on Monday (Nov. 28), Jessie addressed the “bonkers” accusations. “Being accused of photoshopping abs on my kids (I can’t help but laugh) or … the polar opposite over ‘overtraining’ our kids makes me realize how bizarre our world has gotten regarding the body and what’s normal and what’s not,” she captioned a series of videos of the couple’s three children — eight-year-old Vivianne, seven-year-old Eric Jr. and four-year-old Forrest — playing outside on the same vacation.

“We preach about body positivity and acceptance but my kids having a mass amount of genetic and built muscle from athletics is ‘weird’?” she continued. “I want to raise my kids to feel proud of their bodies and hard work from either Vivis elite competitive gymnastics to Eric Jr wanting to be like dad as an NFL receiver to little Forrest who spends hours dancing his heart out. Let’s not pick and choose what we normalize regarding bodies and be accepting of all people and children. If we wanna do ‘better’ then do better. I’m proud of my children and encourage them to live their dreams. So we’ll see y’all at the 2032 Olympics, and wearing Bubbys jersey in the stands and dancing at Forrests rock concert.”

Jessie’s husband and NFL wide receiver Eric commented on the post in support, writing, “U get mama bear [raised hands emoji] [lion emoji].”

See her post below.