Taylor Swift‘s The Eras tour is taking over NRG Stadium in Houston, Texas, this weekend and to celebrate, Harris County Judge Lina Hidalgo gave the venue a Swiftie-themed rebrand.
Hidalgo announced on Wednesday (April 19) that the stadium will be renamed “NRG Stadium (Taylor’s Version)” throughout the weekend in honor of the pop superstar. To add to the fun, banners with the temporary name will be hung at the stadium’s north and south entrances, according to Chron.
“We know all too well that other areas have done huge things,” Hidalgo said in a video message shared to Twitter, referencing a number of Swift’s songs. “They’ve lit up the town; they’ve renamed streets, they’ve even made you mayor for a day. But we’re going to something even better. I know if I did any of that, folks would say that I am the man.”
“With the name change, I know it’ll never go out of style,” she continued. “Plus, it’s not only the young that enjoy your music. I hope your stay is beyond your wildest dreams, and for everyone in Harris County, let’s get ready for it!”
I’m so excited to welcome you back to Harris County this weekend, @taylorswift13! Long story short, we’ve prepared quite a surprise for you. We hope your stay here will be beyond your wildest dreams! 🌌💫 @taylornation13@nrgparkpic.twitter.com/DMs0hyjeRy
Swift will perform at NRG Stadium (Taylor’s Version) for three nights, beginning on Friday (April 21) and then continuing on Saturday (April 22) and Sunday (April 23). Beabadoobee and Gracie Abrams are lined up as the openers.
One fan who will hopefully be at the show is a Texas legal-service provider named Karen Vladeck, who wrote a pun-filled letter to her first-grade daughter’s teacher asking for her to be excused from school to attend The Eras tour in Houston. According to Vladeck, the teacher simply responded in all caps, “THIS MADE MY ENTIRE DAY.”
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Powerhouse multi-hyphenate Rita Ora recently dropped into the Billboard News studio to discuss her career, her marriage and the intersection of the two.
During the chat, the singer/songwriter/actress and entrepreneur talks about losing confidence in her career and how the experience inspired both her romantic relationship and through that, her new music.
“I spent such a long time fighting to be heard over the course of my experience being in the industry, that I guess I lost a lot of confidence and a lot of hope, fell really low,” Ora says. “And I guess when you’re at your lowest point, you can make a choice. You either kind of get back up and keep going, or you just let it consume you. And I did that. I got up. I flew to Australia to do The Voice over there, and I met somebody who changed me forever.”
That “somebody” is Oscar-winning screenwriter, actor and filmmaker Taika Waititi, whom Ora met in 2021 and married last year.
“Meeting Taika, who is my husband, I definitely never felt that before,” Ora says, “and so I just wrote it all down and I thought, ‘Okay, I think it’s time to make some music again.’ And here we are.”
Out today (April 19) Ora’s latest single is “Praising You,” a collaboration with legendary producer Fatboy Slim and a take on his 1998 classic “Praise You.” The track is the second single from Ora’s forthcoming album You & I, set for release on July 14 via BMG.
Released this past January, the album’s lead single, “You Only Love Me” includes cameos from Ora’s IRL friends including Lindsay Lohan and Kristen Stewart, along with an appearance from Sharon Stone.
“That was a crazy one for me,” Ora says of having the legendary actress in the video. “I met her at an event, and we just clicked. And she was really wise, and she actually was so, so welcoming and warm. I don’t know – I guess I just asked her. I just thought ‘What’s she’s just going to do? She’s just going to say no; let’s go for it.’ And I said, ‘Do you want to play my sort of fairy godmother who saves the day and brings me the dress.’ And she was like, ‘Yes! 100 percent.’
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2023-04-20 03:34:452023-04-20 03:34:45‘I Lost a Lot of Confidence’: Rita Ora on Emerging From a ‘Low’ Period With Renewed Strength, New Music — And a Husband
Miranda Lambert is opening up about what’s next following her split from longtime label home Sony Music Nashville, which she announced in March.
In April 2022, Lambert released her last album under her Sony deal, Palomino, which is nominated for album of the year at the Academy of Country Music Awards on May 11. (Lambert will also defend her ACM Awards entertainer of the year title, with additional nominations in the female artist of the year and artist-songwriter of the year categories.)
Lambert was 19 when she signed with Sony Music Nashville, which has put out all her major-label releases starting with 2005’s Kerosene. Seated upstairs at her Nashville restaurant, Miranda Lambert’s Casa Rosa, earlier this week, the singer/songwriter seemed serene, telling Billboard that she’s not in any rush to sign with another label at the moment.
“I’m not sure what I’m going to do as far as a label goes, but I have been enjoying just being creative and letting the music lead me,” says Lambert, who still owns her Vanner Records imprint. “I don’t have any obligation to anyone right now, and I’m kind of free for the first time in 20 years.
“I had some amazing times at Sony. My whole life’s work, as far as music, is there,” Lambert adds. “So looking back on all those records, I’m so grateful for all those good times, but I’m also very much welcoming change. The music business is a completely different landscape than it was when I was 19, when I signed my record deal. I definitely just want creative partners. It’s important to me to be in charge of my music, because that’s where everything starts for me. None of my other brands and things I’m involved in will work if the music isn’t there. I’m just going to keep writing — and I’ve got a few collabs up my sleeve that I’m very excited about — and see where it takes me.”
One of her recent collaborations took place with fellow singer/songwriter and country music hitmaker Jelly Roll. “The Lost,” which they co-wrote with Jesse Frasure, will be on Jelly Roll’s Whitsitt Chapel, which comes out June 2.
“Jesse Frasure asked me to be part of a co-write last minute. He was like, ‘Hey come write with me and Jelly,’ and I had never met him but was like, ‘Sure.’” Lambert says. “But instantly, I felt such a connection and he’s such a kindred spirit. He was just a lovely person, and he’s a great songwriter. Just talking to him, it felt like home. It felt like I had known Jelly forever. He’s just one of those welcoming personalities, and we had such a good time writing together. Luckily, our song did land on his record, which I am super excited about. I definitely made new lifelong friends in him and [Jelly Roll’s wife] Bunnie. It’s fun to, this far into the game, still collaborate and meet new people and this younger generation of artists who are emerging and learn new things from them and stay fresh. It feels cool to be part of that.”
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Miami-Dade’s mayor would lose control of county police under a bill in the Legislature that bolsters the powers of the new sheriff up for election next year. Legislation nearing floor … Click to Continue »
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South Florida is in Day Six of a fuel crisis that — you aren’t going to want to hear this — may be fueled by our own making. “This is … Click to Continue »
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When Lauren Spencer Smith started crafting her new song “Fantasy,” she had a feeling that it could use an extra dose (or two) of girl power to really drive home its “teenage, angry feelings about a breakup.”
“I kind of knew that I wanted a collaboration, but it just sat in a folder for a while and I hadn’t reached out to anybody. I didn’t really know who or what exactly it was going to be,” Smith told Billboard‘s Pop Shop Podcast, chatting on a Zoom call alongside eventual collaborators GAYLE and Em Beihold.
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“And then throughout like a couple months, me, GAYLE and Em met each other on so many different occasions and became friends and we had a group chat,” Smith added of the ongoing text thread they dubbed the “Powerpuff” chat. “And I’ve been a fan of GAYLE and Em forever. I always listened to their music since way before I met them. So after we had had a group chat for a while, and we were like kind of a little friend group, I was like, ‘I’m just gonna ask because these seem like the perfect girls to have like a woman-empowerment moment on this song.’”
And so she did, texting her very own Powerpuff Girls with the idea. “I, like, freaked out,” Beihold recalls. “I was laying down on my bed, and then Lauren texted and I like bolted right up and I was like, ‘Oh my gosh, she wants me to be on a song with her and GAYLE!’ And I was just super stoked because I love them and I love both of their music. And I just think it was such a fun opportunity. And also just going through all this together as friends is amazing. Because sometimes you do collabs with people that you don’t know too well and it’s fun, but to do it with people that you can just laugh with is amazing.”
“We only replied in all caps,” GAYLE adds. “We flipped out. So many exclamation points, like so, so much excitement.”
They also teamed up for an angsty music video, each starting out in their own scenes before coming together onscreen — including one perfect moment where they huddle together to yell the “OH, CONGRATULATIONS” line from the visceral chorus.
“When we were on set, I was like, ‘OK, if they asked me to be in a girl group tomorrow, I would say yes,’” Smith recalls.
Elsewhere in the interview, we discuss where each artist is in the process of making their debut full-length albums and about how well they relate to each other being young female pop stars who all broke out in the music industry in 2022 (Smith with “Fingers Crossed,” GAYLE with “ABCDEFU,” and Beihold with “Numb Little Bug”). Plus, GAYLE tells us all about hitting the road with Taylor Swift for her epic Eras Tour. “I’ve never really performed in a stadium before, so it’s such an honor and it’s definitely not something that I take lightly,” she says. “And so I’ve been trying my best to just do the best that I possibly can.”
Also on the show, we’ve got chart news on how Drake’s “Search and Rescue” debuts at No. 4 on the Billboard Hot 100, marking his 68th top 10 hit, how a regional Mexican song is in the top 10 of the Hot 100 for the first time as Eslabon Armado and Peso Pluma’s “Ella Baila Sola” jumps 17-10, and how both NF and Linkin Park make a splash in the top 10 of the Billboard 200 albums chart.
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard’s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard’s executive digital director, West Coast, Katie Atkinson and Billboard’s senior director of charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
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Roy Rosselló, a former member of the iconic 1980s boy band Menudo, has claimed that he was drugged and raped by the late father of Erik and Lyle Menendez in a forthcoming Peacock docuseries.
Erik and Lyle, known as the Menendez brothers, were convicted of the 1989 murder of their parents, Jose and Mary Louise “Kitty” Menendez, at the family’s Beverly Hills Mansion. Lyle was 21 and Erik was 18 at the time of the killings, in which Jose was shot in the head while Kitty died from 15 gunshot wounds.
The siblings claimed that they shot their parents self-defense, after years of sexual abuse from their father, who was the then-head of RCA Records, the label that signed Menudo. A judge deemed the defense inadmissible, citing irrelevance, and in 1996, the Menendez brothers were sentenced to life in prison without parole.
In a snippet shared by Today on Tuesday (April 18) from the upcoming docuseries titled Menendez + Menudo: Boys Betrayed, Rosselló accuses Jose of sexual assault, noting that he was drugged and raped by the executive as a teenager.
“That’s the man here that raped me,” the now-51-year-old alleges, pointing to a photo of Jose. “That’s the pedophile.”
“I know what he did to me in his house,” he added, claiming that the band’s manager and creator Edgardo Diaz also sexually abused him, and was the person who took him to Menendez’s home, where he was subsequently drugged and raped.
The clip also features a phone conversation with Erik Menendez, who is serving his sentence with his brother at Richard J. Donovan Correctional Facility in San Diego. “It’s sad to know that there was another victim of my father,” Erik is heard saying on the phone. “I always hoped and believed that one day the truth about my dad would come out, but I never wished for it to come out like this – the result of trauma that another child has suffered.”
Watch the Today clip below. Menendez + Menudo: Boys Betrayed premieres May 2 on Peacock.
A new docuseries coming to @Peacock puts the infamous case of the Menendez brothers back in the spotlight and includes explosive new allegations against their late father. @jacobsoboroff shares the details. pic.twitter.com/ofQDIfDDl0
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These boots were made for walking. From Coachella to Revolve Festival, platform boots have officially taken over the California desert.
With so many festivals and concert tours this year, you can expect to see even more people wearing platform boots, and rightfully so, because they’re cute, extremely comfortable and offer better support than a stiletto heel.
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Platforms never officially left the fashion ethos. In fact, they’ve withstood the test of time. Looking back over the last five decades, platform boots have been at the forefront of fashion footwear. From their 1970s heyday to ’90s grunge and goth, to Y2K trends from the early ’00s, it’s clear that platforms boots aren’t going anywhere.
“These shoes fit perfectly,” reads one customer review. “The heels are nice and big, the perfect size for a bit of a statement. And they’re easy to walk in. Your feet don’t even get sore! And not to mention they’re stunning. The material helps it fit like a glove. It’s fitted yet stretchy at the same time and very flattering.”
This mid-calf boot has a 4.1-inch platform heel with a rounded toe, treaded sole and detail stitching along the front and ankle. The boot is available in sizes 6-10.
“I cannot tell you how happy I am with these boots,” wrote another customer. “They’re comfortable and I feel like I can walk in them for hours and they fit bigger calfs. Get these if you’re thinking about it!”
“I am so obsessed with these yall you can pair them with anything and they are the perfect boots to complete a grunge style look,” added another happy customer.
Windsor Smith platforms are known for being stylish and comfortable, but also affordable. Click here to see other platforms boots from the brand.
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