Two days after Britney SpearsInstagram account mysteriously disappeared, the pop star returned to the photo-sharing app with three new posts.

Spears’ account was disabled without warning on Wednesday, and Billboard confirmed at the time that Instagram was not behind the account’s deactivation.

The trio of posts on Friday (March 18) include peeks at Spears’ Clueless look, with the “…Baby One More Time” singer wearing a velour miniskirt paired with a white crop top with puffy sheer sleeves, clearly inspired by the preppy style of Alicia Silverstone’s Cher Horowitz. A third video is a repost from TikTok user lirios9595 of a baby moving around its mom’s pregnant belly, with the caption “Mommy … get me out of here.”

Spears’ Instagram account has been the go-to platform for the superstar to share her unfiltered thoughts and a steady stream of NSFW photos with her nearly 40 million followers in the wake of the conservatorship that controlled her life for the last 13 years and ended last fall.

See the three posts below:

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Regina Hall’s horror film Monster debuted Friday (March 18) on Prime Video. The Mariamo Diallo-directed flick centers around racism in academia, with Hall starring as the first Black woman to lead a residence hall at Northwestern University.

“In its entirety, it was a little more haunting than I had assumed it would feel,” Hall told Newsweek of the film. “It felt different to experience how uncomfortable the movie is.”

Monster, which stars Hall, Zoe Renee and Talia Ryder, has already cracked the top five on Prime Video’s U.S. streaming charts and is No. 10 worldwide. Apart from landing a hit movie, Hall will join Amy Schumer and Wanda Sykes as co-host of the 94th annual Academy Awards airing next Sunday (March 27).

How to Watch Monster for Free

In order to stream Monster, you will need a membership to Amazon Prime or Prime Video by itself. The film is included in your membership, so don’t worry about paying anything extra.

Not signed up yet? Right now, Prime is offering a free one-month trial when you join the platform for a limited time. After the free trial ends, Amazon Prime will cost $14.99 a month (or $139 a year). The membership includes free same-day, one-day or two-day delivery, exclusive deals for Prime members, free grocery delivery on $35 or more, unlimited photo storage, Prime reading, Amazon Prime Music, Prime Gaming and discounts on prescriptions. Want to save some money? Qualifying students and EBT/Medicaid recipients can join Amazon Prime for 50% off the regular price.

Prime Video has a great selection of content including several Prime Originals that you can watch at no extra charge. Prime Video is home to a massive collection of originals like Reacher, Harlem, The Marvelous Ms. Maisel, Invincible, Tom Clancy’s Jack Ryan, Fairfax, The Wheel of Time, The Legend of Vox Machina, I Want You Back and The Boys and music-related shows, documentaries and concert specials such as The Weeknd x Dawn FM Experience, Justin Bieber: Our World and Lizzo’s Watch Out for the Big Grrrls which premieres on March 25.

You can also stream Paramount+, Starz, Discovery+, BET+, Showtime, and other channels through Prime Video.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Looking to expand your Funko Pop! collection? These charming little Pop! vinyls have become one of the hottest items for collectors, and Women’s History Month is a great time to purchase figurines of some of your favorite female music artists.

Britney Spears has a few different Funko Pops! made in her honor, the latest of which won’t be out until July, but you can pre-order it now to ensure that it arrives by the release date.

Funko Pop! Rocks: Britney Spears Circus with Chase 

The Britney Spears Circus Funko Pop! Rocks vinyl is dressed as the ringleader from her “Circus” music video, complete with fishnet stockings, black boots and a whip.

Pre-Order: $11.99 at Amazon.com.

Funko Pop! Icons: Whitney Houston 

Whitney Houston is another music icon with a nice collection of Funko Pop! vinyls, including the popular vinyl modeled after her 1991 Super Bowl National Anthem performance. The Houston Funko pictured above celebrates the wardrobe from her “How Will I Know” music video. You can pre-order one now in case they sell out by the April 24 release date.

Pre-Order: $11.99 at Amazon.com.

Funko Pop! Rocks Joan Jett 

Rock legend Joan Jett’s iconic look has been immortalized in the Funko Pop! Rocks collection. The Funko, which won’t be out until mid-July, comes with a durable protective case rather than the typical plastic display case. You can also purchase it without the plastic case for $11.99.

Pre-Order: $17.50 at Walmart.com.

Funko Pop! Rocks: Aaliyah

If you haven’t gotten around to buying Aaliyah’s Pop! vinyl, what are you waiting for? Released in 2021, this cool collectible channels Aaliyah’s swag so well it’ll make you do a double take.

Buy: $18 on Amazon.com.

Funko Pop! Rocks: Selena

This year marks the 25th anniversary of Selena, making it a great time to purchase collectibles that pay homage to the Tejano music legend. Selena’s first Funko Pop! vinyl figure was released last year and wears the iconic purple jumpsuit from her 1995 performance at the Houston Astrodome.

Buy: $17.99 at Walmart.com.

Funko Pop! Rocks: TLC 

Don’t go chasing waterfalls! TLC’s Pop! vinyls are available as solo dolls of Left-Eye, T-Boz and Chilli or in a set of three like the one featured above which are stylized after the “Waterfalls” music video.

Buy: $29.99 at Amazon.com.

Funko Pop! Rocks: Shania Twain

“I feel like a woman!” Shania Twain’s Funko Pop! takes its wardrobe from the epic leopard-print look that she rocked in the music video for “I Feel Like a Woman.”

Buy: $12.99 at Amazon.com.

The Ledger is a weekly newsletter about the economics of the music business sent to Billboard Pro subscribers. An abbreviated version of the newsletter is published online.

The music business should watch what Netflix is doing in select Latin American countries to bring in more revenue as painlessly as possible.

In the next few weeks, Netflix will begin testing new two features in Chile, Costa Rica and Peru:

  • “Add an extra member,” which allows subscribers to standard and premium plans to add up to two people they don’t live with for a few dollars a month;
  • And “transfer profile to a new account” for people to take their profile information — namely their viewing history and recommendations — to a new account rather than create a new account from scratch.

“We recognize that people have many entertainment choices,” the company wrote in the blog post announcing the new features,” so we want to ensure any new features are flexible and useful for members, whose subscriptions fund all our great TV and films.” To be sure, Netflix is offering carrots rather than sticks to deal with account sharing between people in different households. Previous efforts to reduce password sharing were delicately handled. Contrary to some news headlines, Netflix is not exactly cracking down on the problem. But with subscription growth slowing and its share price in decline, Netflix is not ignoring the matter, either.

What does this have to do with music subscriptions? Plenty. People share accounts to Spotify, Apple Music and other music subscription plans just as they share accounts to video subscription services. Music services are also under pressure to generate more revenue for rights holders and creators. Spotify has opted to experiment with small hikes in multi-user subscriptions such as family plans rather than broad price increases. Instead, Spotify et al. have focused on attracting more subscribers, which brings more paying customers into music streaming, and reducing churn, which has raised the average subscriber’s lifetime value. By and large, prices have stayed flat for more than a decade.

The latest data show account sharing remains widespread in the U.S.: 15.2 million people used a music streaming service log-in and knew it wasn’t for a family plan, according to the MusicWatch Annual Music Study 2021. That was down from 18.6 million in 2020 but higher 2018 (9.2 million) and 2019 (12 million). MusicWatch’s previous survey in 2019 found that about one in nine Americans using a music subscription were streaming using someone else’s password. About 30% of people who admitted using somebody else’s password said they would pay for the service. That segment would be worth $300 million annually at $9.99 per month — even something less would be an opportunity to convert non-paying users. The remaining 70% of account sharers said they would opt for the free, ad-supported version. That’s also an opportunity. Streaming services and rights holders would be better off if they could pay a few dollars a month rather than turn into low-value, advertising-based listeners.

Improving monetization doesn’t require widespread, unpopular price increases. Small tweaks can help build the marketplace and convince more people to become paying customers. Netflix’s option to transfer a profile to a new account eliminates some of the pain in starting an individual subscription. If a music streaming service followed suit, a person could start a new subscription and keep all their playlists created under a previously shared account. Giving non-family members the ability to join a shared account would result in marginally higher revenue per user without making everyone else pay more.

Music streaming services are increasingly under pressure to deliver more royalties to creators and rights holders. Tackling account sharing is a sensible option. Even gentle nudges, not heavy-handed tactics, can produce results.

 

STOCKS
Through March 18, the % change over the last week, and the year-to-date change.

Spotify: $144.78, +16.5%, -38.1% YTD
Universal Music Group: 22.78 euros, +11.7%, -8.1% YTD
Warner Music Group: $37.21, +17.0%, -13.8% YTD
Believe: 12.90 euros, +11.3%, -23.7% YTD
Reservoir Media: $8.96, +8.7%, +13.3% YTD
Live Nation: $112.98, +4.1%, -5.6% YTD
Tencent Music Entertainment: $5.06, +47.1%, -26.1% YTD

A year after Paul Simon sold his song catalog to Sony Music Publishing, the legendary artist is now shopping his master recording royalties from his Simon & Garfunkel recorded works, multiple sources tell Billboard.

The master royalties include the five Simon & Garfunkel studio albums that the duo recorded for Columbia/Sony starting in 1964, including 1971 Grammy album of the year Bridge Over Troubled Water. The duo has sold more than 100 million records, according to Sony. “The Sound of Silence,” “Mrs. Robinson,” “America,” “Homeward Bound,” “The 59th Street Bridge Song (Feelin’ Groovy)” and “The Boxer” are among the classic recordings on these albums.

A source says Art Garfunkel is not selling his master recording royalties.

Simon, one of the most revered singer-songwriters in modern American history, launched his career as a member of Simon & Garfunkel before going on to have a lauded solo career. Simon’s current recorded music contract is with Sony Music Entertainment. Since 2010, Sony has also controlled the masters of the solo albums he recorded for Warner Brothers.

Billboard estimates that the Simon & Garfunkel catalog, which also includes a number of live albums, brings in around $8.3 million a year. Using a hybrid formula to calculate artist royalty rates, backing out Garfunkel’s share and using a 20 times multiple, Billboard estimates Simon’s income stream range is between $20 million and $30 million. Sources say the asking price is in the eight figures.

A number of private-equity backed independent publishing companies have expressed interest in acquiring the passive income stream and one source says the deal has not yet closed.

Simon’s attorney declined to comment. His manager did not respond to a request for comment.

Ed Christman assisted in preparing this article.

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Business brand veteran Lucas Watson has been tapped to lead Madison Square Garden Entertainment Sphere venues. Watson will officially join the company on March 28 as president, MSG Sphere.

The first MSG Sphere venue – MSG Sphere at The Venetian in Las Vegas – is currently under construction and is scheduled to open in the second half of 2023. The final cost for the venue is expected to come in at $1.66 billion.

With over 25 years of global experience accelerating growth and building brands, Watson is set to drive various aspects of MSG Sphere’s commercial strategy including go-to-market planning and bookings, which will feature a wide range of bespoke “only in Sphere” attractions, residencies, conventions and product launches. He will work closely with his colleagues across MSG Entertainment in various aspects of MSG Sphere development, including technology, content, sponsorship and hospitality.

“I am pleased to welcome Lucas to MSG Entertainment, where his expertise will be an asset as we prepare to open our first MSG Sphere venue and further develop the global MSG Sphere brand,” said MSG Entertainment executive chairman and CEO James Dolan in a release. “MSG Sphere will provide a next-generation experience unlike anything that exists in the world, and Lucas’ proven track record of delivering global growth and scale will help us realize our long-term vision for these venues – starting with MSG Sphere at The Venetian.”

Watson will be based in Burbank, Calif. and report directly to Dolan. As part of his responsibilities, Watson will look to expand the MSG Sphere brand into new markets (MSG is already planning to build an additional Sphere venue in London).

“I am excited to join MSG Entertainment at such an important time for MSG Sphere,” said Watson in a release. “Throughout my career I have focused on building world-class brands and scaling emerging companies with disruptive technologies to deliver growth. The opportunity to revolutionize entertainment with MSG Sphere is thrilling. I look forward to working with my colleagues across the Company to bring this first-of-its-kind venue to life.”

Watson most recently served as senior vp, commercial operations at Cruise, where he was responsible for leading the development of the commercial strategy and go-to-market operations plan for the self-driving car technology company. Prior to that, he served as Cruise’s general manager, rideshare business unit and chief marketing officer. In those roles, he built the company’s rideshare business, including developing its market entry strategy and leading its brand positioning.

Before joining Cruise, Watson served as executive vp, global chief marketing and sales officer at Intuit, a global provider of business and financial management solutions. Watson has also held leadership positions at Google and Procter & Gamble.

Venue management and hospitality company OVG360 named Gregory A. O’Dell president, venue management. OVG360 – a division of global sports and entertainment company Oak View Group – will welcome O’Dell to his new role in April after he departs his position at the helm of Events DC, the official convention and sports authority for the District of Columbia. He’ll report directly to OVG360 CEO Chris Granger.

O’Dell, who brings over 25 years of experience to the role, will lead the venue management line of business within OVG360, overseeing venue operations for more than 230 properties across the globe, including stadiums, arenas, convention centers, performing arts centers, cultural institutions and state fairgrounds.

“Greg is truly a unicorn in the live events industry in that his immense leadership experience spans both sports and entertainment and conventions and meetings,” Granger said in a release. “Bringing on Greg as our new head of venue management aligns with our commitment to hiring and developing the most talented, innovative, and values-driven people to grow the OVG360 team.”

In his current role as president and CEO of Events DC, O’Dell oversees three lines of business: conventions and meetings, sports and entertainment and special events. His primary responsibilities include oversight of the creation and promotion of hospitality, athletic, entertainment and cultural activities that generate economic and community benefits for the residents and businesses of the District of Columbia.

He also manages Events DC’s development portfolio, with active projects that include a new multi-purpose entertainment and sports arena on the campus of St. Elizabeths East in Congress Heights, the redevelopment of the RFK Stadium/Armory campus, a comprehensive streetscaping project around the 9-block exterior of the Convention Center and the redevelopment of the Carnegie Library, inclusive of a primary tenant lease for Apple’s global flagship store.

Prior to Events DC, O’Dell served as chief executive officer and general manager of the Washington Convention Center Authority, where he was responsible for the operations of the 2.3-million-square-foot Convention Center.  He also spearheaded the Authority’s development efforts, leading negotiations with the selected private developer and providing oversight throughout the project lifecycle of a $520 million public-private partnership for the 1,175-room, 37-suite Marriott Marquis Washington, DC hotel.

“I could not be more excited to join the OVG360 team. Under Chris’ leadership, we have a bold vision for how we will deliver customized venue solutions to our clients, creating indelible experiences for the communities we serve,” O’Dell said in a release. “I am so fortunate as this role is the perfect fit – a culmination of my experience in sports and entertainment, hospitality and development, coupled with my passion for growth, through building culture and embracing innovation.”

O’Dell’s appointment follows OVG’s acquisition of Spectra, one of the industry’s leading venue management and hospitality providers, to create a leading full-service live events company.