Harry Styles sat down with the cast and director of My Policeman for a roundtable discussion about the LGTBQ drama, explaining why he was the first to sign on for the Prime Video project.

“I just thought it was a really beautiful script,” the pop star said about his first impressions of the film. “I was really moved by, there’s so many parts of the story that kind of show the great nuances of being a human.”

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During the discussion, director Michael Grandage said the superstar came “phenomenally prepared” for his first day on set, adding, “He’d read it so much. Quite often, directors have to sit opposite actors and convince them to be in things. That’s sometimes how it works. It was really gorgeous being opposite somebody who wanted to play the role and could talk articulately about the role, and already knew bits from the script.”

The sextet of actors who star in the film — Styles and Linus Roache as the younger and older Tom, Emma Corrin and Gina McKee as Marion, and David Dawson and Rupert Everett as Patrick — all take part in the roundtable discussion, and they reveal that Grandage asked them all to meet with their counterparts to discuss their joint roles.

“I was more excited at the premise that I might end up looking like Linus,” Styles deadpanned, to laughter around the table. “I’ll take that ,thank you,” Roache said with a warm grin. “I’m very flattered to be the older Harry Styles!”

Roache said he channeled Styles’ “natural” acting abilities to connect the two Toms, 40 years part.

Watch the full roundtable discussion below, and see how to watch My Policeman on Prime Video now.

BMG has acquired the songbook of beloved, Grammy-winning singer-songwriter Harry Nilsson for an undisclosed amount, the company announced Monday (Nov. 14).

The deal includes Nilsson’s publishing catalog and writer revenue streams of songs including “One,” “Coconut,” “Jump Into the Fire,” “Gotta Get Up” and “Me and My Arrow” as well as songs co-written with John Lennon (“Mucho Mungo/Mt. Elga” and “Old Dirt Road”), Danny Kortchmar (“(Thursday) Here’s Why I Did Not Go to Work Today” and “Moonshine Bandit”), Dr. John (“Daylight Has Caught Me”) and Ringo Starr (“How Long Can Disco On”). The deal additionally includes artist revenue streams of Nilsson’s recordings, also including hits he didn’t write like “Everybody’s Talkin’” and “Without You.”

Over his career, Nilsson released 18 studio albums, including his 1966 debut Spotlight on Nilsson, Harry, Nilsson Sings Newman, Nilsson Schilsson, A Little Touch of Schmilsson in the Night, the Lennon-produced Pussy Cats, Knnillssonn and Flash Harry. The list also includes soundtracks for Skidoo, Son of Dracula and Popeye, as well as the posthumous album Losst and Found. Nilsson died of a heart attack in 1994 at age 52 while recording the latter album, which was finished and released 25 years later in 2019.

As part of the acquisition, BMG will collaborate with Nilsson’s family to explore opportunities around his other creative assets. These include Nilsson’s story for The Point! — the 1971 ABC TV special for which he also wrote the soundtrack — as well as his name, image and likeness, including for film, TV, stage and books.

Nilsson launched his music career in 1960s Los Angeles as a songwriter for groups including The Monkees and Three Dog Night. He broke through with his cover of Fred Neil’s “Everybody’s Talkin’” in 1969, peaking at No. 6 on the Billboard Hot 100 and netting him a Grammy for best contemporary vocal performance, male. He cemented his status as a left-field hitmaker with his seventh album, 1971’s Nilsson Schmilsson. That set was nominated for album of the year at the 1973 Grammys and ultimately was RIAA-certified gold on the strength of hit singles, including the No. 1 smash “Without You” (a cover of the song by Badfinger), “Jump Into the Fire” and “Coconut.” He followed that with the Gold-selling Son of Schmilsson the following year. That album’s biggest hit, “Spaceman,” peaked at No. 23 on the Hot 100.

Over the decades, Nilsson’s music has found new generations of fans thanks to placements in films and TV shows like Goodfellas (“Jump Into the Fire”), Reservoir Dogs (“Coconut”), Russian Doll (“Gotta Get Up”), Forrest Gump (“Everybody’s Talkin’”) and You’ve Got Mail (“The Puppy Song”).

The Nilsson family’s team was led by John Rudolph of 1.618 Industries, Inc. (formerly Music Analytics) with counsel provided by Jason Karlov and Amanda Taber of Barnes & Thornburg.

“We are delighted to have found a partner that shares our love and reverence for Harry’s legacy,” said the Nilsson family in a statement. “We look forward to a long relationship with BMG, working together to celebrate this true genius of pop music.”

Thomas Scherer, BMG president of repertoire & marketing, Los Angeles and New York, added, “For generations, Harry Nilsson’s timeless music has captivated millions of people all around the world. A brilliant songwriter with an exceptionally beautiful and unique voice, we will ensure his spirit thrives for generations to come. We are honored the Nilsson family chose BMG to entrust as the custodians of his musical legacy and are proud to represent the cherished works of Harry Nilsson.”

Other recent acquisitions by BMG include the publishing and/or recorded music catalogs of John Legend, Mötley Crüe, John Lee Hooker and ZZ Top.

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SNL‘s December schedule will kick off with SZA as musical guest and Keke Palmer as host on Dec. 3.

“first december show!” the Saturday Night Live Instagram announced on Sunday (Nov. 13), following this weekend’s episode with Dave Chappelle and Black Star.

“Can’t believe this is happening lmao . I plan on acting a f—ing fool . See you soon New York,” SZA shared on her own account on Sunday.

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Palmer wrote on Instagram, “I can’t wait!! The stage awaits @nbcsnl.”

SZA recently shared a teaser trailer for “PSA,” just two weeks after she released her new single “Shirt.” Last month she revealed that her long-awaited sophomore album is coming “any day” now.

See the SNL lineup announcement below.

Louis Tomlinson‘s latest solo album, Faith in the Future, has topped this week’s new music poll.

Music fans voted in a poll published Friday (Nov. 11) on Billboard, choosing Faith in the Future as their favorite new music release of the past week.

Tomlinson’s latest release brought in more than 62% of the vote, beating out new music by Wizkid, Bruce Springsteen, Rihanna and more.

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Although he unfortunately kicked off release week for his new album with a broken arm and some rescheduled appearances, Tomlinson dropped his sophomore solo album on Friday. The 14-track LP features lead single “Bigger Than Me,” “Out of My System” and “Silver Tongues.”

“I think this record, every song is about something slightly different But I think there is something, there’s the element of change that keeps coming back. There’s definitely a lot of nostalgia in there, because I’ve been thinking about getting older and all that kind of thing. So I think there is a kind of invisible concept that ties it all together, if you know what I mean,” he told Billboard of the pop/rock-oriented collection of songs.

In comparison to his first solo album, Walls, Tomlinson noted, “I think that was a lot of me working out who I was coming out of the band. And it’s not to say I wasn’t true to myself in the band, but I was in that band and I was part of that band — it wasn’t just me. It took a second to me to work that development stage out, whereas I think I did have a clearer picture on this record.”

Trailing behind Tomlinson’s Faith in the Future on the fan-voted poll is Wizkid’s More Love, Less Ego — the Nigerian singer’s first follow-up to 2020’s Made in Lagos — with 33% of the vote.

See the final results of this week’s new music release poll below.

Ballast Books is postponing the release date of its planned Aaron Carter memoir, Aaron Carter: An Incomplete Story of an Incomplete Life, following the singer’s death.

The decision was made, according to Scott Atherton, Atherton Galardi Mullen & Reeder PLLC founder and rep for both the publisher and the memoir’s co-writer, Andy Symonds, “out of respect for the Carter family.”

“My client has decided to defer the further release of the book at this time,” Atherton said in a statement. “Mr. Carter was not just a celebrity but also a father, a brother, a son and a friend to many still grieving for him.”

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A new date was not given for the unfinished memoir, which was previously set to be released Nov. 15, according to the publisher. The delay follows a statement from Carter’s rep denying the singer was involved or wanted the title to be published.

“Aaron, in the midst of [working on the book], said, ‘I want nothing to do with this’ and stopped, so the fact that the publisher is saying it’s greenlit, it’s not,” a rep for Carter told Page Six. “That’s against Aaron’s wishes.”

As part of the delay announcement, Atherton asserted in a statement that “Aaron Carter wanted his story told.”

“And he wanted our client, Andy Symonds, a well-respected journalist and author, to tell that story with all its beauty and rawness,” the statement continued. “Public attention has recently focused on a small number of interactions during Mr. Carter’s early years. The more important story is about Mr. Carter’s life and what people can learn from his professional success, personal struggles and tragic passing.”

Symonds had worked with Carter on the memoir for three years, according to a Nov. 9 release announcing the publication of the unfinished book.

In a separate statement previously given to Billboard, the late singer’s management called the decision to release the “unauthorized” memoir posthumously “obscenely disrespectful.”

“In the few short days following our dear friend’s passing we have been trying to grieve and process while simultaneously having to deal with obscenely disrespectful and unauthorized releases,” Carter’s team said. “This is a time for mourning and reflection not heartless money grabs and attention seeking.”

The Hollywood Reporter has reached out to a rep for Carter.

The singer and brother of Backstreet Boys member Nick Carter was found dead at the age of 34 in his Lancaster, California, home on Nov. 5 with no cause of death given at the time.

This article originally appeared on The Hollywood Reporter.

The 2022 MTV EMAs were held Sunday (Nov. 13) at PSD Bank Dome in Düsseldorf, Germany, and featured performances from several of the night’s nominees.

Performers included David Guetta and Bebe Rexha, who won best collaboration for “I’m Good (Blue)” (and Guetta also won best electronic); Muse, who won best rock; Gorillaz, who performed with Thundercat and won best alternative, and many more hitmakers.

The show also featured performances by Ava Max, Stormzy and Debbie, OneRepublic, GAYLE, Lewis Capaldi, Tate McRae, SPINALL, Ayanna and Nasty C, and Kalush Orchestra. Armani White performed during the red carpet show.

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Rita Ora and Taika Waititi co-hosted the EMAs, where Taylor Swift was the top winner of the night, with four awards. Guetta, Nicki Minaj and SEVENTEEN each won two awards. See a full list of winners here.

Videos of the night’s performances will be added here as they become available from MTV’s official YouTube channels.

Tune in below:

Muse – “Will of the People”

Ava Max – “Million Dollar Baby”

Gorillaz feat. Thundercat – “Cracker Island”

OneRepublic – “I Ain’t Worried”

GAYLE – “abcdefu”

Lewis Capaldi – “Forget Me”

Tate McRae – “She’s All I Wanna Be”/”Uh Oh” Medley

SPINALL, Äyanna and Nasty C – “Power”

Armani White – “GOATED./Billie Eilish.” Medley

Taylor Swift, the top winner at the 2022 MTV EMAs, made an unannounced appearance at the awards show to accept her honors in-person.

After taking with selfies with fans and posing for photographers on the red carpet on Sunday (Nov. 13), Swift took home four awards: best artist, best video, best pop and best longform video for “All Too Well (10 Minute Version) (Taylor’s Version).”

One dress wasn’t enough for Swift, who arrived in a dress featuring a low-cut, black bodysuit with a bejeweled, netted skirt, but had changed into a bedazzled minidress with a polo collar by the time of her best artist acceptance speech.

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Both dresses are by designer David Koma, as pointed out by fan account Taylor Swift Style.

“Wow,” Swift said upon accepting her award for best artist. “First of all, I just want to say I have so much respect and admiration for my fellow nominees. I wanted to say to the fans I had an album come out recently called ‘Midnights,’ and I’m so blown away. You have no idea how much it means to me to even get to do this as a career. So I just wanted to say, personally, from me to you: The fact that you have done what you’ve done, supporting that album, being excited about that album and loving it … There’s not a single moment I take that for granted. I love you so much. I can’t believe I get to do this as a job. It’s all because of you. Thank you, so, so much.”

See her two 2022 MTV EMAs looks in the photos below. Plus, check out a clip of her walking the red carpet.

Taylor Swift 2022 MTV EMAs red carpet
Taylor Swift attends the red carpet during the MTV

Europe Music Awards 2022 held at PSD Bank Dome in Duesseldorf, Germany, on Nov. 13, 2022.

Taylor Swift MTV EMAs
Taylor Swift is seen during the MTV Europe Music Awards, held at PSD Bank Dome in Duesseldorf, Germany, on Nov. 13, 2022.

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Louis Tomlinson‘s album release week took an unexpected turn.

The former One Direction member, who released his sophomore studio set, Faith in the Future, on Friday (Nov. 11), has been forced to postpone some promotional appearances after breaking his arm after a concert at New York City’s Irving Plaza.

He was scheduled to hold several in-store signings for the album in the U.K. in the coming week. According to an update from Tomlinson on Saturday (Nov. 12), those signings will be rescheduled.

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“Thank you everyone that’s listened to the new album so far, it means the world to me. The show last night in New York was incredible. Unfortunately on the way back I managed to fall and break my right arm pretty badly,” Tomlinson told fans on social media, where he uploaded X-ray images of the broken bone.

“So I’m gutted to say I’ll have to reschedule the in-store signings next week,” he wrote. “New dates will be announced very soon. Thank you for all your support and sorry to anyone who was coming next week.”

Tomlinson’s Faith in the Future arrives nearly three years after his debut solo outing Walls, which bowed at No. 9 on the Billboard 200 upon its January 2020 release.

See Tomlinson’s X-rays below.