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Late Monday (Nov. 7), Alanis Morissette responded to “mis-informed rumblings” about her absence from Saturday’s Rock and Roll Hall of Fame induction ceremony, saying at this point in her career, she has no need to “spend time in an environment that reduces women.”
In an early event rundown witnessed by Billboard, Morissette was listed as performing “You’re So Vain” with Olivia Rodrigo in tribute to Rock Hall inductee Carly Simon at the ceremony, but her name wasn’t on the final set list. According to a Page Six report, Morissette had rehearsed the duet with Rodrigo on Friday, but in the end, the 19-year-old pop star performed the track on her own.
Morissette began her statement Monday by saying how much she adores Simon and Rodrigo and the other women performing on Saturday’s bill, but she added that she had “sucked it up on more occasions than I can count” and apparently wasn’t willing to do it this time.
“I have spent decades in an industry that is rife with an overarching anti-woman sentiment and have tolerated a lot of condescension and disrespectfulness, reduction, dismissiveness, contract-breaching, unsupportiveness, exploitation and psychological violence (and more) throughout my career,” Morissette shared on her Instagram Story. “I tolerated it because nothing would stop me from connecting with those whom I cared about and resonated with. I live to serve and connect with people and so over the years I sucked it up on more occasions than I can count in order to do so. It’s hard not to be affected in any industry around the world, but Hollywood has been notorious for its disrespect of the feminine in all of us.
“Thankfully, I am at a point in my life where there is no need for me to spend time in an environment that reduces women.”
Morissette’s involvement hadn’t been announced before the event, which will broadcast on HBO later this month. A spokesperson for the Rock & Roll Hall of Fame hadn’t responded to Billboard‘s request for comment at press time.
Simon was among the Rock Hall class of 2022, which also included Pat Benatar and Neil Giraldo, Duran Duran, Eminem, Eurythmics, Dolly Parton and Lionel Richie. Other inductees included Judas Priest and Jimmy Jam & Terry Lewis for musical excellence; Harry Belafonte and Elizabeth Cotten for early influence; and Allen Grubman, Jimmy Iovine and Sylvia Robinson for the Ahmet Ertegun Award.
Read Morissette’s full statement below:
There are some mis-informed rumblings about my not performing at The Rock & Roll Hall of Fame induction ceremony this past weekend. Firstly, I have to say how much I adore Carly Simon and Olivia Rodrigo and Dolly Parton and Janet Jackson and Pat [Benatar] and Sheryl Crow and Pink and Brandi Carlile and Sara Bareilles—and all the amazing people and artists who were there.
I have spent decades in an industry that is rife with an overarching anti-woman sentiment and have tolerated a lot of condescension and disrespectfulness, reduction, dismissiveness, contract-breaching, unsupportiveness, exploitation and psychological violence (and more) throughout my career. I tolerated it because nothing would stop me from connecting with those whom I cared about and resonated with. I live to serve and connect with people and so over the years I sucked it up on more occasions than I can count in order to do so. It’s hard not to be affected in any industry around the world, but Hollywood has been notorious for its disrespect of the feminine in all of us.
Thankfully, I am at a point in my life where there is no need for me to spend time in an environment that reduces women. I have had countless incredible experiences with production teams with all genders throughout my life. So many, and so fun. There is nothing better than a team of diverse people coming together with one mission. I’ll continue to show up in those environments with bells on.
Voting time! I love you,
alanis
Tame One, veteran New Jersey rapper and member of hip-hop groups Artifacts and The Weathermen, has died. He was 52.
His death was confirmed by Pitchfork and on Facebook by the late rapper’s mother, Darlene Brown Harris. “What’s on my mind….I cant express this any other way. My son, Rahem Brown, Tamer Dizzle Is Dead,” she wrote on Sunday. “The medical examiner says the six pharmaceutical drugs … prescribed to him last Friday, combined with the weed he smoked over this weekend … his heart simply gave out. He will know better after the autopsy. I will not be responding to all the posts for a bit, but the hardest words I will ever post or say is, my son, my heart, is dead.”
Tame One, born Rahem Brown, expressed himself as a teenager by way of music and graffiti. Tame One’s 1994 debut alongside Artifacts groupmate El Da Sensei, Between a Rock and a Hard Place, was an ode to the influential art form and broke the duo into the mainstream. The album appeared on both the Billboard 200 and R&B/Hip-Hop Albums charts. Despite their collective success, Artifacts only went on to release one more album together, That’s Them, in 1997 before moving on to solo careers.
After the group’s initial split, New York hip-hop group The Weathermen, founded by a handful of East Coast producers and rappers, was formed. Tame One rapped alongside a number of co-members, including Cage Kennylz, Masai Bey, Aesop Rock, Yak Ballz, El-P, Jakki Tha Motamouth, Vast Aire and Breeze Brewin. The group released one mixtape in 2003, titled Conspiracy.
After 25 years, El Da Sensei and Tame One came together with producer Buckwild for their third album as Artifacts, No Expiration Date, which released on Aug. 20. “[In 1979], we would walk miles with markers and cans, taggin’ up everywhere,” he said in his final interview before his death. “I was influenced by my surroundings, I’m a product of my environment, and I capitalized upon what I saw. It’s a blessing to transform that energy and give back.”
Taylor Swift‘s “Anti-Hero” dominates both the Billboard Global 200 and Billboard Global Excl. U.S. charts for a second week, following its No. 1 launch a week earlier.
Plus, Rihanna‘s “Lift Me Up” bounds onto both surveys at No. 3; BTS member Jin‘s “The Astronaut” blasts off at No. 6 on Global Excl. U.S. and No. 10 on the Global 200; and Travis Japan‘s “Just Dance!” debuts at No. 5 on Global Excl. U.S.
The two charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
‘Anti-Hero’ Holds Atop Global 200
Swift’s “Anti-Hero” posts a second week at No. 1 on the Billboard Global 200, with 92.5 million streams (down 35%) and 21,000 downloads sold worldwide (up 1%) in the Oct. 28-Nov. 3 tracking week.
A week earlier, Swift became the first artist to monopolize the entire Global 200 top five in a single frame and tallied a weekly-record nine of the top 10. This week, she claims six of the top 10 spots, as, below “Anti-Hero,” “Lavender Haze” dips from No. 2 to No. 5, followed by “Midnight Rain” (5-6), “Snow on the Beach,” featuring Lana Del Rey (3-7), “Maroon” (4-8) and “Bejeweled” (8-9). All six songs are from Swift’s new LP Midnights, which adds a second week at No. 1 on the U.S.-based Billboard 200 albums chart.
Sam Smith and Kim Petras’ “Unholy” rebounds 6-2 on the Global 200, following four weeks at No. 1.
Rihanna’s “Lift Me Up” soars in at No. 3 on the Global 200 with 77.1 million streams and 39,000 sold worldwide in its first week, following its Oct. 28 release. The ballad, from the soundtrack, released Nov. 4, to Black Panther: Wakanda Forever, due in theaters this Friday (Nov. 11), marks her first top 10 since the chart began.
Also in the Global 200’s top five, David Guetta and Bebe Rexha’s “I’m Good (Blue)” jumps 15-4, after reaching No. 2.
Elsewhere in the Global 200’s top 10, Jin’s “The Astronaut” rockets in at No. 10 with 48.3 million streams and 62,000 sold globally in its first week, following its Oct. 28 arrival.
Jin becomes the third member of BTS to chart solo in the Global 200’s top 10, as well as the first to achieve the feat in a lead role. Here’s a recap of their solo Global 200 top 10s (with BTS having notched 10 top 10s):
“That That,” PSY feat. SUGA, No. 5, May 2022
“Left and Right,” Charlie Puth feat. Jung Kook, No. 5, July 2022
“The Astronaut,” Jin, No. 10 (to-date), November 2022
Swift Scores Second Week at No. 1 on Global Excl. U.S.
Swift’s “Anti-Hero” concurrently controls the Billboard Global Excl. U.S. chart for a second week, with 58.4 million streams (down 30%) and 7,000 downloads sold (up 5%) in territories outside the U.S. in the Oct. 28-Nov. 3 tracking week.
Sam Smith and Kim Petras’ “Unholy” holds at No. 2 on Global Excl. U.S., after four weeks at No. 1; Rihanna earns her first top 10 as “Lift Me Up” debuts at No. 3 (53.2 million streams, 17,000 sold worldwide); and David Guetta and Bebe Rexha’s “I’m Good (Blue)” rises 7-4, after hitting No. 2.
Travis Japan’s debut single “Just Dance!” shimmies onto the Global Excl. U.S. chart at No. 5 with 3.4 million streams and 118,000 sold outside the U.S. in its first week. The Japanese septet broke through earlier this year when it competed on NBC’s America’s Got Talent.
Plus, Jin’s “The Astronaut” debuts at No. 6 on Global Excl. U.S. with 43.5 million streams and 43,000 sold outside the U.S. in its first week. As on the Global 200, Jin is the third member of BTS, and the first as a lead artist, to score a solo Global Excl. U.S. top 10. Here’s a recap of their solo top 10s on the ranking (where BTS has logged 10 top 10s):
“That That,” PSY feat. SUGA, No. 2, May 2022
“Left and Right,” Charlie Puth feat. Jung Kook, No. 2, July 2022
“The Astronaut,” Jin, No. 6 (to-date), November 2022
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Nov. 12, 2022) will update on Billboard.com tomorrow (Nov. 8). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard‘s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Brothers Osborne and the War and Treaty talk about performing together, how they feel paying tribute and covering the Rolling Stones, their new music, and more!
Taylor Swift‘s “Anti-Hero” spends a second week at No. 1 on the Billboard Hot 100 songs chart. A week earlier, it debuted at the summit, as Swift made history as the first artist to claim the survey’s entire top 10 in a single frame.
Meanwhile, Rihanna roars onto the Hot 100 at No. 2 with “Lift Me Up.” The song is her 32nd top 10 and first since 2017.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Nov. 12, 2022) will update on Billboard.com tomorrow (Nov. 8). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
In the Oct. 28-Nov. 3 tracking week, “Anti-Hero,” released on Republic Records, tallied 35.6 million streams (down 40%), 37.6 million radio airplay audience impressions (up 17%) and 17,000 sold (up 28%, good for top Sales Gainer honors, aided by the availability of its instrumental version in Swift’s webstore Nov. 3), according to Luminate.
The single posts a second week atop the Streaming Songs chart; jumps 9-4 on Digital Song Sales; and dips 13-14 on Radio Songs. (As previously reported, this week’s Billboard airplay charts are the first using Mediabase-monitored data; this week’s Radio Songs chart incorporates data from former monitoring service BDS for Oct. 28-30 and from Mediabase for Oct. 31-Nov. 3, with Mediabase data to power the survey going forward).
Swift scores four songs in the latest Hot 100’s top 10, with “Anti-Hero” followed by “Lavender Haze” (2-6), “Midnight Rain” (5-7) and “Bejeweled” (6-9). Each song (and all 10 of her top 10s a week earlier) is from her new LP Midnights, which logs a second week at No. 1 on the Billboard 200 albums chart.
Rihanna blasts back to the Hot 100 as “Lift Me Up” debuts at No. 2 with 48.1 million in radio audience, 26.2 million streams and 23,000 sold in its first week, following its Oct. 28 release.
The ballad begins as Rihanna’s 32nd Hot 100 top 10, the fifth-most in the chart’s history.
Most Billboard Hot 100 Top 10s:
59, Drake
40, Taylor Swift
38, Madonna
34, The Beatles
32, Rihanna
30, Michael Jackson
29, Elton John
28, Mariah Carey
28, Stevie Wonder
27, Janet Jackson
26, Justin Bieber
25, Lil Wayne
25, Elvis Presley (with the start of Presley’s career having predated the Hot 100’s inception)
Rihanna earns her first Hot 100 top 10 since 2017, when DJ Khaled’s “Wild Thoughts,” on which she and Bryson Tiller are featured, peaked at No. 2 for seven weeks that July-September. She first reached the top 10 with her debut hit “Pon De Replay,” which rose to No. 2 in July 2005. She boasts 14 No. 1s, the third-most after The Beatles’ 20 and Mariah Carey’s 19.
With “Lift Me Up,” Rihanna ties her best career Hot 100 entrance, and makes her best arrival as a lead artist, after Eminem’s “Love the Way You Lie,” on which she’s featured, debuted at No. 2 in July 2010 (and went on to reign for seven weeks).
“Lift Me Up” soars in at No. 2 on Streaming Songs, No. 3 on Digital Song Sales and No. 6 on Radio Songs. Notably, the song makes just the fourth top 10 Radio Songs start since the chart became an all-genre ranking in December 1998, after Adele’s “Easy on Me” (No. 4, 2021); Lady Gaga’s “Born This Way” (No. 6, 2011); and Janet Jackson’s “All for You” (No. 9, 2001).
Rihanna adds her 36th top 10 on Digital Song Sales, her record-extending 30th on Radio Songs (ahead of runner up Drake with 24) and her 15th on Streaming Songs. (Helping the song’s sales start, its original and instrumental versions were made available in Rihanna’s webstore Nov. 2, while original and instrumental options with two alternate covers arrived Nov. 3.)
The single also opens at No. 1 on the Hot R&B/Hip-Hop Songs and Hot R&B Songs charts, which use the same methodology as the Hot 100. Rihanna adds her eighth leader on the former list (dating to her first, “Take a Bow,” in 2008) and her sixth on the latter (which began in 2012). She had last topped both tallies with “Wild Thoughts” in 2017.
“Lift Me Up” is from the soundtrack, released Nov. 4, to Black Panther: Wakanda Forever, due in theaters this Friday (Nov. 11).
Sam Smith and Kim Petras’ “Unholy” rebounds 11-3 on the Hot 100, two weeks after it ascended to No. 1, with 40.8 million in airplay audience (up 53%, as it wins the Hot 100’s top Airplay Gainer award), 25.1 million streams (up 3%) and 12,000 sold (up 3%).
Steve Lacy’s fellow former Hot 100 leader “Bad Habits” jumps 12-4. The track concurrently tops the multi-metric Hot Rock & Alternative Songs, Hot Rock Songs and Hot Alternative Songs charts for an 11th week each.
Harry Styles’ “As It Was” pushes 16-5 on the Hot 100, after 15 weeks at No. 1 – the fourth-longest reign in the chart’s history. It claims its 30th week in the top 10, becoming just the third song to reach the milestone, and rules Radio Songs for a 12th frame (60.2 million, up 2%).
Elsewhere in the Hot 100’s top 10, Post Malone’s “I Like You (A Happier Song),” featuring Doja Cat, climbs 17-8, after reaching No. 3, and Nicki Minaj’s “Super Freaky Girl” charges 22-10, after it opened atop the Aug. 27 chart, as it tops the multi-metric Hot Rap Songs tally for an 11th week.
Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Nov. 12), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Nov. 8).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Selena Gomez‘s new song “My Mind & Me” has topped this week’s new music poll.
Music fans voted in a poll published Friday (Nov. 4) on Billboard, choosing Gomez’s new track as their favorite new music release of the past week.
Gomez’s latest release brought in more than 60% of the vote, beating out new music by Drake and 21 Savage, P!nk and more.
Just ahead of the release of her Apple TV+ documentary My Mind & Me, Gomez shared an emotional new song of the same name. “My Mind & Me,” the pop star’s first solo release since 2021’s Revelación, has her addressing the mental health struggles that she opens up about in the new doc: “My mind and me, we don’t get along sometimes / And it gets hard to breathe,” she says in the ballad.
“But I wouldn’t change my life / And all of the crashing and burning and breaking, I know now / If somеbody sees me like this, then thеy won’t feel alone now,” Gomez sings in the chorus.
Last week she revealed that she’s written about 24 potential songs for her next album and teased that new music is coming “hopefully next year,”
Trailing behind Gomez’s “My Mind & Me” on the fan-voted poll is Drake and 21 Savage’s joint Her Loss album, with 11% of the vote, and P!nk’s new song “Never Gonna Not Dance Again,” with 5% of the vote.
See the final results of this week’s poll below.
The show went on for the Backstreet Boys at London’s O2 arena Sunday (Nov. 6), but it was an emotional set for Nick Carter after the passing of his little brother Aaron Carter the day before.
A photo of Aaron was shown on the big screen in his memory, reading: Aaron Carter 1987-2022. Nick’s bandmates shared hugs and pats on the back with him as they spoke of Aaron on his behalf.
“We all grew up together. We’ve been through highs and lows, up and downs. You guys have been through it with us, we’ve been through it with you,” Kevin Richardson said to the audience.
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He continued, “Tonight, we’ve got a little bit of heavy hearts because we lost one of our family members yesterday. We just wanted to find a moment in our show to recognize him. Nick’s little brother Aaron Carter passed away yesterday.”
“He’s a part of our family,” Richardson said. “We thank you guys for all your love, all your well wishes and all your support.”
“We’d like to dedicate this next song to our little brother Aaron Carter,” Howie Dorough then said.
The group launched into an a capella performance of “Breathe” in Aaron’s honor.
Aaron Carter died at the age of 34 on Saturday, his manager confirmed to Billboard. The singer’s career began in the ’90s when, at the age of nine, he opened for the Backstreet Boys. He went on to record Billboard Hot 100 hits like “Aaron’s Party (Come Get It)” and “That’s How I Beat Shaq,” both on 2000’s Aaron’s Party (Come and Get It) album which peaked at No. 4 on the Billboard 200 chart. Over the years, he released five studio albums, worked in television and appeared on Broadway.
Earlier on Sunday, Nick shared a post on Instagram in memory of his brother.
“My heart is broken. Even though my brother and I have had a complicated relationship, my love for him has never ever faded,” he wrote. “I have always held on to the hope that he would somehow, someday want to walk a healthy path and eventually find the help that he so desperately needed. Sometimes we want to blame someone or something for a loss, but the truth is that addiction and mental illness is the real villain here. I will miss my brother more than anyone will ever know. I love you Chizz. Now you can finally have the peace you could never find here on earth….I love you baby brother.”
See the emotional moment from Backstreet Boys’ London concert in the clips below.
Dolly Parton took a moment outside her Rock & Roll Hall of Fame induction to praise a fellow female superstar, Taylor Swift.
Speaking with Access Hollywood on the Rock Hall red carpet, Parton was asked to comment on Swift’s historic feat last week of being the first artist to claim the entire top 10 on the Billboard Hot 100, led by the Midnights single “Anti-Hero” at No. 1. Swift’s Midnights also blasted in at No. 1 on the Billboard 200 albums chart with the biggest week for any release in seven years.
“I love her,” said Parton, who was inducted into the Rock Hall Saturday night (Nov. 5) with the help of P!nk.
“I saw that on the news and I think that is sensational,” the country icon said of Swift making Hot 100 history. “And congratulations to her — Taylor. I think she’s spectacular. Great writer, and I love how she presents herself. She’s always been such a pro. I’ve admired her all these years.”
During Parton’s speech at the Rock & Roll Hall of Fame induction, she teased an upcoming rock album. She also treated the audience to a new rock song that had her declaring: “I still got rock and roll down in my country soul.”
Parton spoke of her rock album on the red carpet as well, telling Access Hollywood, “I did Elton John‘s song and I did ‘Open Arms’ — I got Steve Perry gonna be singing wtih me on that. Steve Tyler, I’m hoping [to ask] … Hopefully I’m gonna just ask all the girls and the guys to sing with me.”
Watch the interview clip below.
