When Gwyneth Paltrow and Coldplay frontman Chris Martin announced in 2014 they were separating after more than a decade of marriage, their joint statement infamously introduced a two-word phrase to the pop-culture vernacular: “conscious uncoupling.”

It feels quaint now to look back on a time before we knew the term — which refers to a relatively amicable breakup or divorce — but at the time, the exes faced a lot of backlash in the media for what was perceived as a self-important way to describe a split. In fact, the response was so negative that Paltrow says she lost a job over it.

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The Oscar-winning actress and entrepreneur appears on the latest episode of Amy Poehler’s Good Hang podcast, and the surprising anecdote came when the Saturday Night Live alum asked Paltrow if she’d ever been fired. After sharing a story of losing her gig working at a toy store when she was 12, Paltrow transitioned to the more serious story.

“You know, I was supposed to do a movie at one point, and it was right after the kind of ‘conscious uncoupling’ thing with Chris,” Paltrow told Poehler. “And there was a lot of harsh stuff in the press, and I think the distributor was like, ‘This might be too hot to touch.’ So that was great, because I was getting a divorce and then I got fired, which was awesome,” Paltrow added sarcastically.

The Goop founder explained that she was just trying to find a better way through an incredibly hard time in her life, and the “conscious uncoupling” idea — introduced by sociologist Diane Vaughan back in the 1970s — gave her that framework.

“Say you had a really nasty divorce or your parents had a really nasty divorce, and then you hear this idea that it doesn’t have to be done this way,” Paltrow said of why people had a harsh reaction to the phrase. “I think the implicit learning is like, ‘Oh f—, they’re saying I did something wrong,’ which of course is not the intention. But of course, that makes sense to me. ‘Is the inference that I messed someone up?’ Like, that’s not a nice thing to contemplate. So I do understand why it was so personal for people, because it was. You only see that kind of reaction when it’s personal.”

Martin and Paltrow met and began dating in 2002 and were married the next year. Before their 2014 separation, they had two children together: 21-year-old Apple and 19-year-old Moses.

Watch Paltrow’s full Good Hang interview — with the firing talk starting around the 22-minute mark — below.

Live Nation has signed a deal to acquire Paris La Défense Arena, Europe’s largest indoor venue, from Ovalto, the concert giant announced Tuesday (Jan. 6).

Upon closure of the deal — which is subject to approval from the French Competition Authority — Live Nation will launch a “major upgrade programme,” according to a press release, that will allow the venue to host more productions year-round. Since it opened in 2017, the arena has hosted shows by artists including Bruce Springsteen, The Rolling Stones, Kendrick Lamar, Taylor Swift, Hans Zimmer and Dua Lipa, along with the Olympic Games and the Tour de France.

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The release adds that Live Nation will continue to promote shows at other major French venues, including LDLC Arena, Accor Arena and Stade de France, while welcoming “all promoters” to Paris La Défense Arena.

“Our ambition is simple: to make Paris La Défense Arena a venue that welcomes more productions, with the finest facilities for artists, all event producers and promoters and, above all, the audience,” said Angelo Gopee, managing director of Live Nation France, in a statement. “This ambition is rooted in a strong commitment to local inclusion, education and cultural access — ensuring major live experiences drive local development and inspire younger generations.”

Jacky Lorenzetti, president of Ovalto, said the acquisition represents the start of “a new chapter” for the venue: “Paris La Défense Arena will be able to leverage the full expertise of Live Nation, the global leader in entertainment, to continue its development.”

“Ovalto has created a venue that has become unique in Europe in less than ten years,” said Frédéric Longuépée, president of Paris La Défense Arena. “The arrival of Live Nation promises exciting new opportunities for our clients, employees, and partners, whose support has been crucial in making the arena the icon it is today.”


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To pen the theme for a James Bond movie is one of the most coveted gigs in music — and Oasis‘ Noel Gallagher is ready to throw his hat in the ring.

As rumors continue to percolate about the future of the legacy franchise, the Gallagher brother told TalkSports in an interview Monday that he’d love to contribute an original song to the next Bond film, whenever it comes to be. When asked how he’d respond if he were offered the gig by longtime Bond producer Barbara Broccoli, Noel quipped, “I’d say, ‘All right, Babs.’”

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“Absolutely, yeah, of course, it’d be an absolute honor!” the British singer-songwriter continued. “I think those kind of things should be done by Brits, not Yanks.”

The Manchester, England, native added that he’d also be down to play a bad guy in the next movie — specifically, “a Mancunian villain.”

The musician’s comments come amid mounting speculation about who will play James Bond in the 26th installment, details of which have long been under wraps. Some people think Callum Turner, Aaron Taylor-Johnson, Regé-Jean Page, Henry Golding or Damson Idris will get the gig — which has been portrayed by Daniel Craig in the five most recent films — although Deadline reported this past September that director Denis Villeneuve is looking for an unknown British actor to fill the role.

And while Noel made his feelings about Americans dabbling in the Bond song canon clear, many of the franchise’s most successful themes have been penned and performed by U.S.-born artists. Most recently, Billie Eilish and Finneas won an Oscar for “No Time to Die,” while Carly Simon, Madonna, Rita Coolidge, Nancy Sinatra, Jack White and Alicia Keys all scored Billboard Hot 100 hits with their Bond anthems.


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Cardi B is gearing up for her first headlining arena trek, with just over a month until her Little Miss Drama Tour kicks off in Palm Desert, California, on Feb. 11.

As the calendar turns to 2026, Cardi started tour rehearsals on Tuesday (Jan. 6), and she posted a clip on her Instagram Story working on some choreography with a couple of back-up dancers in the studio.

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The Bronx rapper appeared to be happy with the results from day one. “I ain’t do so bad first day of rehearsal….I’m finding the pocket,” she wrote.

Cardi knows the pressure’s on to deliver in her first time on the road. Last month, she got emotional posting to social media after seeing fans gift tickets to her tour for Christmas to friends and family.

“These videos of people receiving my concert tickets for Christmas gifts, they making me so happy, but then again, I’m thinking like, ‘God damn, I gotta really work hard,” she said. ” People are receiving me for Christmas. I gotta give it all I got. Don’t worry, y’all. I’m finna go to work.”

The North American trek is scheduled for 36 dates, including stops in Las Vegas, Miami, Boston, Chicago, Denver, Baltimore, Philly, NYC, Charlotte, Toronto and will wrap up with a pair of shows in Atlanta.

“I know I’m a good performer,” Cardi told Billboard as part of her 2025 cover story. “Well, am I? No, I’m great. I’m actually really great because I was a stripper. But no, I think my personal tour is not going to be like any other performances that I’ve ever had. From the aesthetics to the look to even the way I perform, I’m going to be doing things that I don’t normally do, like work out, because I want to be the best.

She continued: “I’ve been going to so many different tours. I went to the Madonna show and the Beyoncé show. I can’t perform like Beyoncé, but you can’t half-a— nothing. I always say this: I have two left feet, but I’m going to have to get a fake leg. A right one because I’m going to give it my all. This is going to be one of the greatest tours. I’m going to make it the best.”

The Little Miss Drama Tour comes in support of Cardi’s sophomore album, Am I the Drama?, which topped the Billboard 200 in September with 200,000 equivalent album units earned in the first week.

The start of a new year is brining a wave of excitement in the world of Latin music and beyond. Artists are dropping hints about new projects, rumors of collaborations start swirling, and release dates begin to fill up the calendar. But there’s always a bit of unpredictability in the mix — whether it’s unexpected delays or last-minute album announcements, keeping up with everything can be tricky. Luckily, we’ve got you covered with all the must-know info on the most anticipated Latin music releases of 2026.

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One of the standout releases this month is the highly anticipated new album from Nicky Jam, titled Bohemio, which will drop Jan. 30. This marks his first project under Virgin Music Latin after a decade of working with Sony Music. The album represents a new chapter in the Puerto Rican star’s career, and he has promised fans a project full of fresh elements and new vibes.

But when it comes to big comebacks, we can’t overlook Colombian star Juanes, who is set to release an album titled JuanesTeban on March 6. Of course, those aren’t the only major releases on the horizon. The legendary Juan Gabriel will drop the posthumous Los Dúo (Track by Track), while artists like Mariachi El Bronx, Timø, and Cimafunk are also gearing up to make waves with their upcoming projects.

To make things easier for you, we’ve organized this calendar by month and week, with a special section for albums that have been confirmed but don’t yet have an exact release date. Don’t forget to check back for updates with the latest announcements.

SYDNEY, Australia — Ziggy Alberts is the latest signing to the Warner Chappell Music roster, Billboard can exclusively reveal.

The Australian singer and songwriter strikes a global deal with the domestic company, through Warner Chappell Music Australia, for representation of his complete catalog and future works. Also, Warner Chappell Music Nashville is on hand for what’s described as a close collaborative partnership to support the next chapter of Alberts’ career.

The three-time APRA Award-winning blues and roots artist “is one of Australia’s most captivating songwriters, and I’m thrilled to welcome him to Warner Chappell Music,” comments Dan Rosen, president of Warner Chappell Music Australasia. “This partnership reinforces our commitment to providing global opportunities and support for local songwriters.”

According to Rosen, the Warner Chappell teams in Australia and Nashville, alongside the music publishing giant’s global network of songwriters and producers, “will work closely with Ziggy to amplify his creative voice and vision to ensure he continues to build his fanbase across the globe.”

Alberts already boasts a global fanbase. Career streams top 1 billion, and his 2023 Rewind World Tour shifted upwards of 78,000 tickets, including a sold-out show at London Hammersmith Apollo, and has toured Europe with Jack Johnson.

Last year on his appropriately named Homecoming Tour, Alberts played his first-ever arena show in Melbourne, completing the graduation from busking on the streets of Byron Bay to playing the biggest rooms in the country.

Alberts also promotes and champions sustainability through his Green Touring Initiative, which focuses on reducing environmental impact, educating fans on local causes, and giving back to the communities that host his shows.

The new deal follows the release last February of his seventh studio album, New Love, which peaked at No. 2 on the ARIA Australian Albums Chart, where it remained in the Top 10 for four weeks; and at No. 18 on the all-genres ARIA Albums Chart. He reached No. 9 in 2018 on the national tally with Laps Around The Sun and No. 27 in 2021 with Searching For Freedom.

“Ziggy is one of the most authentic and consistent artist-songwriters to emerge from Australia in the last decade,” comments John Halstead, senior A&R manager at Warner Chappell Music Australia. “His independence, work ethic and connection with fans is genuinely rare. We’re incredibly proud to be partnering with him at Warner Chappell and excited to help support the next phase of his global journey.”

On signing with the major publisher, Alberts enthuses: “I am super excited to start this new chapter with Warner Chappell Music. I felt a genuine connection with both the Australian and Nashville team, and can’t wait to meet the rest around the world over the coming year. After spending a decade working hard on the touring and label side of the business, I can’t wait to grow the publishing side of my career and I feel Warner Chappell is going to be the perfect partner to bring that vision to life.”

A judge has dismissed an “inflammatory” lawsuit filed against Mary J. Blige by her former stylist Misa Hylton — and is warning that Hylton might face punishment if she engages in more “bad faith litigation tactics.”

The celebrity stylist sued Blige earlier this year, claiming the R&B legend and longtime friend had “sabotaged” her management relationship with the rapper Vado. Blige quickly fired back, accusing Hylton of “fabricating accusations” to extract a lucrative settlement.

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In a ruling Tuesday (Jan. 6), a Manhattan judge granted Blige’s motion to dismiss the case — an easy decision since Hylton never actually filed a response in court. By doing so, the judge said she had effectively abandoned her explosive allegations as soon as she had to prove them.

“The court in no way condones parties filing lawsuits claiming millions in damages based on inflammatory accusations, only to have those very same parties abandon their allegations when faced with a motion to dismiss and sanctions,” Judge Phaedra F. Perry-Bond wrote.

Though she dismissed the case, the judge refused Blige’s request to go even further and legally punish Hylton for filing the case, saying she was more interested in simply ending the dispute quickly. But she warned that such penalties could still be revived.

“Plaintiffs and their counsel shall consider this a warning to refrain from engaging in similar patterns of behavior in the future,” Judge Perry-Bond wrote. “This written warning may serve as weighty evidence on a future application for sanctions if plaintiffs and/or their counsel continue to engage in similar bad faith litigation tactics.”

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An attorney for Hylton did not immediately return a request for comment.

Hylton is a longtime hip-hop stylist known for dressing Blige, Lil’ Kim, Missy Elliott, Aaliyah and many other stars in the 1990s and 2000s — including Kim’s legendary breast-exposed purple jumpsuit at the 1999 MTV Video Music Awards. When Hylton was honored in 2019 as someone who “helped shape the landscape of urban fashion,” Blige was in attendance.

But in April, Hylton filed a lawsuit accusing her former client of a wide range of wrongdoing. She claimed Blige exerted pressure on Vado (Teyon Winfree), who was signed to the star’s Beautiful Life Records, to fire Hylton as his manager. The lawsuit, which Vado co-filed alongside Hylton, claimed Blige had also refused to release an already-finished album or allow him to tour until he ditched Hylton.

In a scathing response in July, Blige’s lawyers said that Hylton’s allegations were not only “baseless” but also entirely fictional, written to be shared “in the press and on social media” for the purpose of “trying to coerce a favorable settlement.”

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Blige not only asked the judge to dismiss the case, but also asked for sanctions — monetary legal penalties — against Hylton and her lawyer, Nicholas Ramcharitar, for even filing it in the first place.

“Plaintiffs and their counsel had significant time to investigate these issues, not only before filing but also after defendants’ counsel sent a lengthy letter identifying with granular specificity why each of their claims is baseless,” wrote Blige’s attorneys Lisa F. Moore and Andrew Pequignot. “Yet, plaintiffs and their counsel chose not to withdraw the complaint and instead appear to be doubling down.”

After Blige filed those motions, court records show that Hylton and Ramcharitar never filed a response — or any other filing in the case at all. In her ruling on Tuesday, Judge Perry-Bond said that was tantamount to dropping the case.

“Plaintiffs failed to oppose defendants’ motion to dismiss, which constitutes the abandonment of their claims,” she wrote. “Therefore, the motion to dismiss is granted.”


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Katy Perry has been awarded a court judgment of $1.94 million after more than five years of warring with a Texas millionaire over the sale of a mansion in Montecito, Calif.

The Los Angeles court ruling, entered on Dec. 30, ends the long real estate litigation between Perry and 1800Flowers founder Carl Wescott. Judge Joseph Lipner says that as a penalty for improperly trying to back out of their sale contract, Wescott must deduct nearly $2 million from the $15 million purchase price he and Perry agreed to back in 2020.

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The saga began in July 2020 when Perry inked a $15 million contract to buy the 9,285-square-foot Montecito home through her business manager, Bernie Gudvi. A month later, Wescott sued Gudvi to invalidate the deal, claiming painkillers from a recent back surgery had made him too foggy to properly consent.

Years of litigation ensued, and a first-phase trial was held before a Los Angeles judge in 2023. Judge Lipner ruled that Wescott was indeed in his right mind when he made the deal, noting that the Texas businessman was cogent in communications with a real estate agent and had rejected a lower offer from former California First Lady Maria Shriver just days before selling to Perry.

A second-phase bench trial was held over a series of days in August and October to decide financial penalties. Judge Lipner tentatively arrived at a $1.84 million judgment in November, then bumped the number up to $1.94 million on Dec. 30 after Perry’s team pointed out math errors.

The final number mainly represents the amount of money Perry could have earned if she’d been able to rent out the Montecito house during the years-long legal battle when it was sitting empty.  

“There is no reason to believe that this unique and attractive property would not rent for all 43 months,” wrote the judge in his opinion.

Perry’s reps have already paid $9 million to Wescott out of the original $15 million purchase price. As a result of this ruling, they’ll now only have to pay $4 million more, for a total of $13 million.

Reps for Perry, Gudvi and Wescott did not immediately return requests for comment on Tuesday (Jan. 6).


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After years of conjecture, the organizers of Belgian dance mega-festival Tomorrowland have confirmed that they’re launching a Thailand edition in 2026.

This will mark Tomorrowland’s debut edition in Asia and follows Tomorrowland ventures in the United States from 2013 to 2015, myriad editions in Brazil, and the Tomorrowland Winter festival that happens annually in the French Alps, along with the flagship event that’s been happening annually in Boom, Belgium, for 20 years.

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Tomorrowland Thailand will happen Dec. 11-13, 2026 at a 237-acre site in Wisdom Valley in Pattaya, Khao Mai Kaew, Bang Lamung District, Chonburi Province, an area known for its nature areas and natural beauty. Unlike the summer flagship festival in Belgium, Tomorrowland Thailand will not offer camping areas for attendees, with a hotel package sale opening Feb. 28 and a general ticket sale beginning March 8.

In a statement released Tuesday (Jan. 6) Tomorrowland organizers noted that the festival will happen in partnership with the Thai Government, Tourism Authority of Thailand (TAT).

“Chosen over several other Asian destinations, Thailand’s appointment underscores its growing influence on the global stage of music, innovation, and experience-driven tourism,” the statement reads. “A festival of this magnitude is expected to generate a significant impact on the local and national economy, boosting tourism, hospitality, and creative industries while welcoming festivalgoers from across the globe. Tomorrowland Thailand will not only introduce a new audience to the magic of Tomorrowland; it will also shine a global spotlight on Thailand as a hub for large-scale cultural and entertainment experiences.”

A statement from the Tourism Authority of Thailand also notes that “Hosting Tomorrowland in Thailand marks an important milestone in our ambition to position the country as a leader in global tourism and creative experiences. We look forward to welcoming people from all over the world to discover the beauty, culture, and hospitality of Thailand.”

Keith Urban and Nicole Kidman have finalized their divorce, legally ending their union on Tuesday (Jan. 6) after 19 years of marriage.

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According to documents obtained by Billboard, the absolute dissolution of their marriage was granted by the Fourth Circuit Court of Davidson, Tenn., where the pair shared a Nashville residence. Neither party will pay spousal report or receive alimony, and both will be responsible for their own legal fees and expenses.

Billboard has reached out to Urban and Kidman’s reps for comment.

The musician and actress first confirmed that they were separating in September, with Kidman filing for divorce that same month. In the original documents, the Oscar winner cited “marital difficulties and irreconcilable differences,” and both parties agreed at the time to “amicably” divide up their assets.

As for their two teenage daughters, a signed parenting plan included in the final documents delegates primary custody to Kidman for 306 days a year, while Urban will spend every other weekend with the kids. Both parents retain joint responsibility for making decisions affecting the girls’ lives, but there is a note clarifying that “in the unlikely event that the parties do not agree on a major decision for either minor child, Mother shall have final decision-making authority.”

Urban and Kidman first started dating in 2005, tying the knot in Sydney in June the following year. They welcomed first daughter Sunday in 2008, followed by second daughter Faith in 2010.

“I met him later in life and it’s been the best thing that’s ever happened to me,” Kidman told CBS Mornings of her then-husband in 2022. “That man is the best thing that’s ever happened to me.”

One of the former couple’s last public outings together was at a FIFA Club World Cup game in June 2025. In May, they attended the Academy of Country Music Awards together, about two months after their home in Beverly Hills, Calif., was burglarized on Valentine’s Day.

Both Urban and Kidman have remained quiet about their split in the months since, although fans did notice that the latter appeared to hint at a big life change in an interview with Vogue conducted shortly before their separation went public. “How many times do you have to be taught that you think you know where your life is going, and then it isn’t going in that direction?” she reportedly told the publication at the time with a “rueful” edge in her voice.

During a concert in October, Urban pointedly changed the lyrics to his song “The Fighter” — which he’d previously said he wrote about Kidman — while singing it with tourmate Maggie Baugh on stage. “When they’re tryna get to you, Maggie I’ll be your guitar player,” he sang in place of the original line: “When they’re tryna get to you, baby I’ll be the fighter.”


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