Musicians and celebrities are paying tribute to Coolio, the late rap star who was behind one of hip-hop’s greatest hits, and whose own moniker would become shorthand for a good result.
According to reports, Coolio was found dead on the bathroom floor at his friend’s house on Wednesday (Sept. 28). First responders initially suspect that he suffered cardiac arrest, however, at the time of writing, an official cause of death has yet to be determined.
The U.S. artist (real name Artis Leon Ivey Jr.) landed one of the all-time hip-hop standouts with “Gangsta’s Paradise,” a song that which interpolates Stevie Wonder’s 1976 song “Pastime Paradise” and featured in the Michelle Pfeiffer-starring film from 1995, Dangerous Minds.
“Gangsta’s Paradise” was no run-of-the-mill hit. It went supernova, everywhere. In Australia, the single led the national ARIA Chart for an unbroken 13 weeks in 1995 – a streak that stood until Ed Sheeran’s “Shape of You” ruled the survey for 14 straight weeks following its release in 2017.
The enduring nature of the song was confirmed when, in July of this year, “Gangsta’s Paradise” joined YouTube’s one billion views club.
The official music video scooped the best rap video category at the 1995 MTV Video Music Awards, the same year it was crowned the best-selling single on Billboard‘s year-end Billboard Hot 100 chart after spending 12 weeks in the top two positions; it logged a total of 62 weeks on the chart, including 3 at No. 1 and 11 weeks at No. 1 on Billboard‘s hot rap songs tally.
The track, one of Coolio’s six hits on the Billboard Hot 100 chart, would go on to win the Billboard Music Award for single of the year, and a Grammy Award for best rap solo performance.
If everything in your life was “coolio” in the 1990s, you were doing just fine.
Tributes are pouring in for Coolio, including messages from the likes of Questlove, Ice Cube and Weird Al Yankovic, who parodied “Gangsta’s Paradise” with “Amish Paradise.”
RIP Coolio, whose one massive hit overshadowed a formidable run of classic West Coast bangers. An original member of the Maad Circle & Compton representative – with an undeniable star quality, humor, charisma, and a gift for making street tales mainstream without sanitizing them pic.twitter.com/DEyMqEOJfs
Man. @Coolio my brother. We hit it all across the land man. I’m broken about this. Here is some blonde beggin us both for some Meatsauce. RIP my bro. pic.twitter.com/8DqczqeQAT
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Coolio died on Wednesday (Sept. 28) in Los Angeles, California. He was 59 years old.
According to TMZ, who first reported the news, the rapper, born Artis Leon Ivey Jr. was found dead on the bathroom floor at his friend’s house, and paramedics initially suspect that he suffered cardiac arrest. However, an official cause of death has yet to be determined. Billboard has reached out to his reps for more information.
Coolio placed six hits on the Billboard Hot 100 songs chart, including the No. 1 smash “Gangsta’s Paradise,” featuring L.V, from the film Dangerous Minds. The single spent three weeks atop the list in 1995 and finished as the year-end No. 1 song on the Hot 100. It also ruled the Hot Rap Songs list for 11 consecutive weeks. The track would go on to win the Billboard Music Award for single of the year, and a Grammy Award for best rap solo performance. In 2021, “Gangsta’s Paradise” ranked among the 100 Greatest of All Time Hot 100 Songs.
All five of Coolio’s other Hot 100 hits all reached the top 40, including his breakthrough single, “Fantastic Voyage,” which peaked at No. 3 in 1994. He also scored a top 10 hit with “1, 2, 3, 4 (Sumpin’ New)” in 1996, which climbed to No. 5.
On the Billboard 200 albums chart, he notched a trio of entries, including two top 10s: It Takes a Thief (No. 8 in 1994) and Gangsta’s Paradise (No. 9, 1996).
Coolio also had a television career, and often made guest appearances in shows including Sabrina the Teenage Witch, Black Jesus, All That, The Nanny and Futurama. He also took part in a number of competition shows such as Fear Factor and Rachael vs Guy: Celebrity Cook-Off.
Following the news of his death, a number of stars took to social media to mourn the loss of the hip-hop great. “Peaceful Journey Brother,” Questlove wrote, while Hot Ones host Sean Evans shared, “First CD I ever bought in my life and the most legendary Wing 10 Last Dab these eyes have ever seen.”
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This week’s episode of The Masked Singer delivered three more shocking reveals, thanks to this season’s latest format changes.
The Vegas-themed second episode kicked off with a fitting performance by guest judge Donny Osmond, who also starred in the show’s first season, ending as the runner-up against eventual winner T-Pain. Osmond then joined judges Ken Jeong, Jenny McCarthy Wahlberg, Nicole Scherzinger and Robin Thicke on the panel.
Then the regal Panther came out and blew the panel away with his silky falsetto on Nina Simone’s “Feeling Good.” He was followed by Pi-Rat, who tried his best on Elton John’s “Crocodile Rock,” which only seemed to confuse Osmond, as the singer stayed consistently behind the beat. And then there was Harp, who came back to defend her first-week crown for another crusher via a cover of Whitney Houston’s “I Have Nothing,” which nearly brought Osmond to tears.
When it came to the eliminations, it was the Panther who truly stumped the judges. After crowd-pleasing performances of “Feeling Good” and “Born to Be Wild,” the big cat was revealed to be “This Is How We Do It” singer Montell Jordan. (The episode’s other elimination, Pi-Rat, turned out to be comedian Jeff Dunham.)
Jordan shared that he chose to begin with Simone’s soulful “Feeling Good,” forgoing Michael Bublé’s more recent version, to honor Vegas’ jazz spirit. His performance was indeed evocative of Simone’s soulful crescendo and sultry tone, earning him comparisons ranging from Billy Porter to the Jackson 5.
The Panther’s staggering height took the spotlight as well. Jordan, who stands at a striking 6-foot-8, was thought to be an NBA star like Andre Drummond or Dwight Howard, with Thicke joking that Tito Jackson could never measure up in height.
Panther’s classic execution of “Born to Be Wild” threw the judges off with his bellowing rock voice, in stark contrast to his prior homage to Simone. Jordan, who’s dedicated himself to ministry and recently launched his virtual “Victory World Church,” left behind his R&B style for a chest-heavy tone he attributes to his time and work in the church. The shift prompted comparisons to ventriloquist Terry Fator, comedian Dana Carvey, and even The Office star Steve Carell.
Jordan’s distinctive claim that he was able to attend his own funeral stood out as clue: He was notably the victim of a celebrity death hoax in 2012. While a unique experience, it wasn’t enough for judges to uncover the real man behind the mask. Jordan spoke to Billboard ahead of the episode airing about his experience on The Masked Singer.
What inspired you to go on the show?
People have thought it was me on many different occasions, so I thought that if I could disguise my voice and who I am enough for people to see more sides, styles and sounds of me, it would be a great opportunity to fool the judges and allow the world to be able to see that there’s so much more than what they thought was in my biggest song, “This Is How We Do It.”
I noticed that you did threw us off with a completely different vocal tone in that final battle royale. So did you enter planning to execute with a different tone?
Absolutely. In the world of R&B and in “This Is How We Do It,” there’s a very nasal tone, and people joke with that. But as my music progressed throughout the years, my tone and R&B stylings changed. Even with my love for jazz , I have different stylings that I’m able to use. And then in ministry, when I lead worship for people, I have something that I call “rock voice.” It’s this “growl” type of real big, toned, rock sound that comes out of me, an R&B singer. So when I got the opportunity to do “Born to Be Wild,” I thought, “I’m bringing my rock voice out,” because nobody would know my rock voice unless they’ve heard it before, and much of the world hasn’t. It’s great for people to be able to see I can sound jazzy on a Nina Simone/Michael Bublé re-record but then also can sound like a rock singer on a rock song. I’m just trying to give them [my vocal diversity].
It’s true, there’s so much musical diversity in the church. And are you a Nina Simone fan?
I am! That was funny, because when the show offered me suggestions of songs, it was listed as a Michael Bublé song. When I looked at it, I thought, “This isn’t Bublé. He did it, but this is Nina Simone.” I wanted to make sure that when I performed the song, it wasn’t just the Vegas-style showman or Sinatra-feeling version that he did. I wanted to make sure that I brought the dark, sultry jazz of Nina Simone’s version, and marry those two together.
Yeah, I think you did that perfectly.
You’ve seen more than I have. I was there experiencing it, but I haven’t seen it. I’m watching it for the first time tonight as it airs.
That’ll be fun! And how’d you choose the Panther’s costume and its clues?
They presented Panther as being the strength of a family and being a protector. For me, it was a no-brainer.
Now with the battle royale, I felt like I really had a chance to to move on. Had it been a previous season, I think I could have definitely gone further. But with only one person able to move forward … I gave my best.
I know you received a lot of basketball players as guesses — Andre Drummond, for example. Did these guesses surprise you at all?
Those guesses didn’t really surprise me just because Panther is tall — it’s a big costume. Naturally, people automatically think it’s got to be an athlete. But I’m hoping that when the voice came out of Panther, people [realized] if you’re an athlete, and you’re singing that well, you’re probably in the wrong profession.
Well, speaking of athletes, you’re competing with some athletes in Fox’s upcoming reality competition Special Forces. How was it going from this competitive-but-very-musical show to that one?
Musically competitive and physically and mentally competitive are very different. This show was in my wheelhouse as a singer. … When it comes to Special Forces, that is the peak or the pinnacle of the limits that I’ve ever pushed myself to. I’ve pledged a national fraternity and I’ve done stuff that I thought was kind of pushing me to the limit of what I thought I was capable of, and the Ultimate Test literally blew that out of the water. It was the most challenging thing I’ve ever done in my life. It’s also the most rewarding thing I think I’ve done because I got some new friends, and we forged a brother and a sisterhood that I get to keep now.
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On their win for U.K. independent breakthrough, Wet Leg said via videolink: “Thanks so much for the breakthrough award. It’s been a really wild year for us and we just want to take this opportunity to thank our team and all the other members of our new-found family. As a great man once said, ‘To infinity and beyond!’”
Stormzy was honored as diversity champion for using his platform to level the playing field in the music industry. Collecting his award via video link, Stormzy said: “I encourage everyone in the room today to not just use diversity as a buzzword. Whatever position you lot are in, whatever roles you might play, try to be a real driving factor for it and not just see it as a quota or a box to tick and really see the worth and value in being diverse. Thank you to the AIM Awards and to God be the glory.”
This year marked the introduction of two new categories: best independent EP/mixtape and music entrepreneur of the year, won by Scottish producer Taahliah‘s Angelica (untitled (recs)) and Corey Johnson (CEO & founder of Defenders Ent.), respectively. The latter is recognized for his work founding The Digital Holdings studio to create a safe space in the U.K. rap scene.
The show included performances from The Libertines, Lethal Bizzle and Pixey.
In opening this year’s ceremony, AIM CEO Paul Pacifico said: “Tonight is about us as a community celebrating the incredible successes of the world-beating U.K. independent music sector. It is a hugely competitive market out there, but we understand that we are stronger together and a win for one of us is a win for all of us.”
Here’s a complete list of 2022 nominees with winners marked:
Best independent album
Boj – Gbagada Express (Moves Recordings)
Children Of Zeus – Balance (First Word Records)
WINNER: Cleo Sol – Mother (Forever Living Originals)
Dave – We’re All Alone in This Together (Neighbourhood Recordings)
Dave Okumu – Knopperz (Transgressive Records)
Emma-Jean Thackray – Yellow (Movementt)
Mustafa – When Smoke Rises (Young)
Nilüfer Yanya – Painless (ATO Records)
SAULT – NINE (Forever Living Originals)
Walt Disco – Unlearning (Lucky Number)
Best independent track
Anz – “You Could Be” (ft. George Riley) (Ninja Tune)
Dave – “Starlight” (Neighbourhood Recordings)
FKA twigs – “tears in the club” ft. the weeknd (Young)
Jeshi – “Protein” feat. Obongjayar (Because Music)
Knucks, SL – “Nice & Good” (No Days Off)
WINNER: Nova Twins – “Antagonist” (Marshall Records)
Overmono – “So U Kno” (XL Recordings)
Wet Leg – “Chaise Longue” (Domino Recording Company)
Wu-Lu – “Broken Homes” (Warp Records)
Yves Tumor – “Jackie” (Warp Records)
U.K. independent breakthrough
Children of Zeus (First Word Records)
Knucks (No Days Off)
Nova Twins (Marshall Records)
Warmduscher (Bella Union)
WINNER: Wet Leg (Domino Recording Company)
International breakthrough
Amyl & the Sniffers (Rough Trade)
WINNER: Blxst (Red Bull Records)
Kokoroko (Brownswood Recordings)
Mdou Moctar (Matador Records)
Mitski (Dead Oceans)
Best live performer
Ben Böhmer (Anjunadeep)
IDLES (Partisan Records)
WINNER: Mitski (Dead Oceans)
Shao Dow (DiY Gang Entertainment)
The Hu (Better Noise)
Best [difficult] second album
Black Country, New Road – Ants From Up There (Ninja Tune)
Jana Rush – Painful Enlightenment (Planet Mu Records)
WINNER: Nilüfer Yanya – Painless (ATO Records)
Ross From Friends – Tread (Brainfeeder)
Tirzah – Colourgrade (Domino Recording Company)
Best independent EP/mixtape
FKA twigs – CAPRISONGS (Young)
Joy Orbison – still slipping vol.1 (XL Recordings)
Surya Sen – At What Cost? (Skint Records)
WINNER: TAAHLIAH – Angelica (untitled (recs))
Wesley Joseph – ULTRAMARINE (EEVITWINN)
Best independent remix
ATO / FLOHIO remix of ATO – “no caroline” (MCMXCV)
Mura Masa remix of Erika de Casier – “Polite” (4AD)
WINNER: Champion remix of Ibeyi – “Lavender & Red Roses ft. Jorja Smith” (XL Recordings)
Thom Yorke “Man on Fire” remix of MF DOOM – ‘Gazzillion Ear’ (Lex Records)
Kaydy Cain remix of Shygirl – “BDE” (Because Music)
One to watch
Barry Can’t Swim (Technicolour / Ninja Tune)
Jeshi (Because Music)
Léa Sen (Partisan Records)
WINNER: Nia Archives (HIJINXX)
TAAHLIAH (untitled (recs))
Best independent video
Arlo Parks – “Softly” (Transgressive Records)
Ibeyi – “Made of Gold ft. Pa Salieu” (XL Recordings)
WINNER: Jeshi – “3210” (Because Music)
Wesley Joseph – “Cold Summer” (Secretly Canadian)
FKA twigs – “tears in the club” ft. the weeknd (Young)
PPL award for most played new independent artist
Arlo Parks (Transgressive Records)
WINNER: D.O.D (Axtone Records)
KC Lights (Toolroom Productions)
Rathbone Place (Good Company Records)
Wet Leg (Domino Recording Company)
Best creative campaign
Fontaines D.C. – “Skinty Fia” campaign from Partisan Records
WINNER: Maylee Todd – “Maloo” campaign from Stones Throw Records
Mitski – “Laurel Hell” campaign from Dead Oceans
Obongjayar – “Some Nights I Dream of Doors” campaign from September Recordings
Radiohead – “KID A MNESIA” campaign from XL Recordings
Best independent label
Domino Recording Company
Ninja Tune
Partisan Records
WINNER: Rough Trade Records
Soundway Records
Best boutique label
Chess Club
Edition Records
Finesse Foreva
WINNER: Local Action
Rough Bones
Music entrepreneur of the year
WINNER: Corey Johnson – CEO & founder of Defenders Ent.
Jamie Oborne – founder of Dirty Hit/All On Red Management
Karen Emanuel – CEO & founder of Key Production
Laura Lewis-Paul – CEO & founder of Saffron Music
Peter Adarkwah – label owner of BBE Music
And here are the recipients of five non-competitive awards:
Diversity champion: Stormzy
Innovator award: Rina Sawayama
Outstanding contribution to music: Lethal Bizzle
Special recognition: The Libertines (Rough Trade)
Independent champion: Kenny Gates and Michel Lambot of [PIAS]
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Hialeah police say high-school student Bryan Perez in May pretended to be an underage girl online, convinced a 20-year-old man to send a picture of his penis and then meet … Click to Continue »
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At what could be ground zero for looming Hurricane Ian, the main avenue was desolate Tuesday afternoon. Some small boutiques had plywood boards over the windows. Only a few shop … Click to Continue »
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Cruise lines are canceling voyages and adjusting their routes as Hurricane Ian tears through the Caribbean and heads toward Florida. The Port of Tampa Bay and Jacksonville’s JaxPort are closed … Click to Continue »
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SAN DIEGO — Border Patrol agents early this week found six people who suffered injuries after apparently falling from the U.S.-Mexico border wall during a foggy night, federal authorities said … Click to Continue »
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On Sunday, Rihanna set the Internet ablaze when she posted an image to her socials of her tattooed hand holding an NFL-branded football aloft. Not long after, Roc Nation, the NFL and Apple Music confirmed the news: Rihanna will headline the 2023 Super Bowl halftime show.
But what will that halftime show look and sound like? On the latest Billboard Pop Shop Podcast, Katie & Keith are throwing out rapid-fire questions about what to expect from the Big Game concert. Will Rihanna bring out guests, like frequent collaborators Jay-Z, Eminem or Drake? And does she even need them? Also, how does an artist with dozens of top 10 Billboard Hot 100 hits (including 14 No. 1s!) whittle down their catalog for a 12-minute showcase? Does this mean Rihanna’s new album is imminent — or at least a new song? Or maybe she’ll compile a greatest-hits album, like The Weeknd did in 2021 timed to his halftime show. Plus, after reportedly passing on the 2019 halftime show to show support for exiled former NFL quarterback Colin Kaepernick, will Rihanna use this international platform to make a statement?
Listen to the Pop Shop Podcast below to hear our full discussion:
Also on the show, we’ve got chart news on how, for the first time in over a decade, a female group has the No. 1 album in America as BLACKPINK’s Born Pink debuts atop the tally. Plus, Harry Styles’ “As It Was” notches an incredible 15th week at No. 1 on the Hot 100, while Luke Combs lands his second top 10 hit on the chart with “The Kind of Love We Make.”
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard’s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard’s executive digital director, West Coast, Katie Atkinson and Billboard’s senior director of charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
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