President Joe Biden said Tuesday it remains to be seen if artificial intelligence is dangerous, but that he believes technology companies must ensure their products are safe before releasing them to the public.

Biden met with his council of advisers on science and technology about the risks and opportunities that rapid advancements in artificial intelligence pose for individual users and national security.

“AI can help deal with some very difficult challenges like disease and climate change, but it also has to address the potential risks to our society, to our economy, to our national security,” Biden told the group, which includes academics as well as executives from Microsoft and Google.

Artificial intelligence burst to the forefront in the national and global conversation in recent months after the release of the popular ChatGPT AI chatbot, which helped spark a race among tech giants to unveil similar tools, while raising ethical and societal concerns about technology that can generate convincing prose or imagery that looks like it’s the work of humans.

The White House said the Democratic president was using the AI meeting to “discuss the importance of protecting rights and safety to ensure responsible innovation and appropriate safeguards” and to reiterate his call for Congress to pass legislation to protect children and curtail data collection by technology companies.

Italy last week temporarily blocked ChatGPT over data privacy concerns, and European Union lawmakers have been negotiating the passage of new rules to limit high-risk AI products across the 27-nation bloc.

The U.S. so far has taken a different approach. The Biden administration last year unveiled a set of far-reaching goals aimed at averting harms caused by the rise of AI systems, including guidelines for how to protect people’s personal data and limit surveillance.

The Blueprint for an AI Bill of Rights notably did not set out specific enforcement actions, but instead was intended as a call to action for the U.S. government to safeguard digital and civil rights in an AI-fueled world.

Biden’s council, known as PCAST, is composed of science, engineering, technology and medical experts and is co-chaired by the Cabinet-ranked director of the White House Office of Science and Technology Policy, Arati Prabhakar.

Asked if AI is dangerous, Biden said Tuesday, “It remains to be seen. Could be.”

Kane Brown and Jelly Roll made history at the 2023 CMT Music Awards, which were presented on Sunday at Moody Center in Austin, Texas. The show aired on CBS for the second year in a row.

Brown became the first person in 20 years to both host or co-host the show and win the top award, video of the year. He co-hosted with Kelsea Ballerini for the third year in a row. He won video of the year for “Thank God,” his hit duet with his wife Katelyn Brown. The last person to accomplish this double feat was Toby Keith, who co-hosted the 2003 CMT Music Awards with actress Pamela Anderson and took the video of the year award for his post-9/11 song “Courtesy of the Red, White & Blue (The Angry American).”

This is the third year in a row that a collaborative video has won video of the year. “If I Didn’t Love You” by Jason Aldean and Carrie Underwood won last year. “Hallelujah” by Underwood featuring John Legend won two years ago.

Jelly Roll won both male video of the year and breakthrough male video of the year for “Son of a Sinner.” This marks the fourth time in the show’s history that someone has won the award for the year’s top male, female, group or duo video and a breakthrough award in the same year. In 2005, Gretchen Wilson took female video of the year for “When I Think About Cheatin’” and breakthrough video of the year for “Redneck Woman.” The following year, Underwood took both awards for “Jesus, Take the Wheel.” In 2013, Florida Georgia Line took breakthrough video and duo video of the year for “Cruise.”

Underwood didn’t add to her record-setting collection of 25 CMT Music Awards. She was nominated for video of the year for “Hate My Heart,” but lost to the Browns’ smash. She was nominated for female video of the year for “Ghost Story,” but lost to Lainey Wilson’s “Heart Like a Truck.” This marks the first time in 12 years that Underwood hasn’t won in at least one of those marquee categories.

Wilson, who led the pack with four nominations, won two: female video of the year for “Heart Like a Truck” and collaborative video of the year for her featured role on HARDY’s “wait in the truck.” HARDY and Wilson beat the Browns’ “Thank God” in the latter category, though there was a reversal of fortune in the video of the year category where the two videos again competed.

Zac Brown Band took group/duo video of the year for “Out in the Middle.” It’s their second win in the group video category, following a 2019 win for “Someone I Used to Know.” Rascal Flatts is the top winner in the category, with seven wins, followed by Lady A with five and Little Big Town with four.

Cody Johnson’s performance of “Til You Can’t” on last year’s CMT Music Awards won for CMT performance of the year. Johnson won male video of the year for the smash at last year’s show.

Megan Moroney’s “Tennessee Orange” won breakthrough female video of the year.

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Chlöe Bailey is celebrating the release of her debut album, In Pieces, with a T-shirts, hoodies and a baseball cap that fans can cop right now. The “Pray It Away” singer rocked platform heels from Jennifer Lopez’s shoe collaboration with Revolve to showcase the album merch on Instagram on Saturday (April 1).

“In Pieces merch looks good on me, don’t ya think?” Chlöe captioned the gallery of photos and videos wearing an In Pieces album cover tee with black stiletto, over-the-knee boots. Another photo shows Chlöe in an album-cover hooded sweatshirt, short shorts and Beverly Platform Heels ($180) from the JLo by Jennifer Lopez x Revolve capsule collection.

The JLo by Jennifer Lopez x Revolve Beverly Platform Heel is available in silver and black in sizes ranging from 6-10. The shimmery shoe features a six-inch heel, two-inch platform, faux patent leather and PVC upper with a manmade sole, ankle buckle closure, faux leather lining with a crystal embellished spool heel and platform. Lopez’s 12-piece collection includes sandals, boots, mules and platforms priced at $150 and up.

The Swarm actress has had a busy past few months leading up to the album release. Chlöe attended the launch of Lopez’s shoe collab with Revolve alongside her sister, Hailey Bailey, in Beverly Hills, Calif., last month and in February, Chlöe debuted in a Beats by Dre commercial featuring new colorways of Beats Fit Pro earbuds now available in tidal blue, stone purple and volt yellow.

On the music front, Chlöe revealed that she produced nearly all of the songs on her album during a Twitter Q&A on Monday (April 3) ahead of the premiere of her new movie, Praise This, debuting on Peacock on April 7.

“I executive produced [the album], produced on 12 out of the 14 songs, wrote the lyrics, engineered my own self at times, just like [I] did [with] the [Chlöe x Halle] group records,” she tweeted in response to a fan asking if she had “complete creative freedom” on the album.

Shop Chlöe’s J Lo by Jennifer Lopez platform heels below.