We’re weeks away from Rihanna taking over the Super Bowl LVII halftime show on Feb. 12. But before the superstar makes her sure-to-be-triumphant return to the stage, let’s look back on the halftime spectacles that have come before her.

The 2023 game marks 30 years since Michael Jackson‘s Super Bowl performance of 1993, which marked the beginning of a new kind of halftime show — one where fans began expecting to see the superstars they love enlisted to put on a career-defining set filled with lights, music and often a special surprise or two.

Throughout the last three decades, everyone from Katy Perry and Madonna to Paul McCartney and The Rolling Stones have graced center stage between the goalposts, and we want to know which halftime performance is your all-time favorite.

In Billboard‘s official ranking, staffers put Prince‘s 2007 set at the very top thanks to The Purple One’s mix of his own hits with covers of Queen (“We Will Rock You”), Bob Dylan (“All Along the Watchtower”) and Creedence Clearwater Revival by way of Tina Turner (“Proud Mary”), though the defining act of his halftime show was the extended coda of “Purple Rain” as actual rain poured down in the stadium.

Then there’s U2‘s set just months after the terrorist attacks of Sept. 11, which brought the still-mourning nation together for a special tribute that included “Beautiful Day,” “MLK” and “Where the Streets Have No Name.”

Of course, the most memorable Super Bowl moment of all time occurred in 2004 when Janet Jackson and Justin Timberlake headlined and an accidental tear-away (or expertly planned shock to the system, depending on who you ask) in the closing strains of “Rock Your Body” rocketed the phrase “wardrobe malfunction” into the cultural vernacular.

Other modern triumphs at the Super Bowl halftime show have come in recent years courtesy of Beyoncé, whose incredible 2013 set shut down the power in the third quarter of the game; Lady Gaga, who kicked off her 2017 performance by singing “God Bless America” and jumping from the roof of the stadium; and Jennifer Lopez and Shakira, whose combined dance moves and costumes sparked a flood of controversy just weeks before the coronavirus pandemic took over the world.

And last year, Dr. Dre and Snoop Dogg headlined an epic hip-hop show with help from Mary J. Blige, Eminem, Kendrick Lamar, 50 Cent and Anderson .Paak that electrified the hometown crowd at L.A.’s SoFi Stadium with hits like “California Love,” “No More Drama” and “Still D.R.E.”

Vote for your favorite Super Bowl halftime show below!

The mayor of the northern French town of Amiens is appealing to pop star Madonna to loan them what they believe is a missing 200-year-old Neoclassical painting that disappeared from their museum during World War I.

But is Madonna’s version the genuine article, or a copy?

Brigitte Fouré, the mayor, says in a video that the oil painting the singer reportedly owns, called Diana and Endymion, was “probably a work that was lent to the Amiens museum by the Louvre before the first world war after which we lost trace of it,” according to a report in The Guardian.

Now Fouré wants the “Material Girl” singer to provide the artwork as a loaner to help Amiens’ bid to become the European capital of culture in 2028. 

The painting, which depicts the Roman goddess Diana falling in love with Endymion, is thought to have been painted by Jérôme-Martin Langlois, and dates to 1822. After being commissioned by Louis XVIII to hang in the Palace of Versailles, it was acquired by the French republic in 1873, and was exhibited in Amiens at the Musée des Beaux-Arts – now the Musée de Picardie – beginning in 1878. 

The Langlois went missing after the Germans pounded Amiens with bombs and artillery fire for 28 days in March 1917, destroying much of the city including part of the museum. The paintings were taken to safety, but after the war the Langlois was listed as “untraceable” and later deemed to have been “destroyed by the falling of a bomb on the museum,” the Guardian reports.

The painting — or one nearly identical to it — reappeared in 1989 at a New York auction where Madonna paid $1.3 million for it, more than three times its estimated price, says French newspaper Le Figaro.

Madonna is an avid art collector known to have a collection worth an estimated $100 million, People magazine has reported. It includes Frida Kahlo’s My Birth (1932), one of only five painting she created while in Detroit; an extensive collection by Polish Art Deco painter Tamar de Lempicka; and Pablo Picasso’s Buste de Femme à la Frange (1938), which she paid almost $5 million for at Christie’s in 2000.

In 2015, a sharp-eyed curator from Amiens spotted the Langlois painting in the background of a photograph of Madonna at her home that was published in Paris Match magazine.

The painting Madonna bought is reportedly one inch (three centimeters) smaller than the artwork that disappeared from Amiens and was unsigned and undated, leading experts to wonder if it is the original — or a copy.

The museum has lodged legal action against “persons unknown” for the theft of the painting, the Guardian reports. But Fouré, the mayor, says the town doesn’t dispute that Madonna acquired the work in a “perfectly legal auction.” 

The singer “bought it and she owns it,” the mayor says. “I’m not asking her to give it to us but to allow us to borrow it for just a few weeks so people here can see it.”

Fouré would welcome a visit by Madonna to Amiens, a town best known for textiles and its gothic cathedral, and as the birthplace of French President Emmanuel Macron. 

“It would be amazing to have her come here but I can’t imagine it happening,” she says. “Still, now everyone is talking about Amiens!” 

Billboard reached out to Madonna’s team, which had no comment.

Encore presentations of the fifth Urban One Honors will air Thursday at 9 p.m. ET (8 p.m. CT) and Sunday at 6 p.m ET (5 p.m. Central) on TV One and CLEO TV.

Under the theme “Icons of the Culture,” the fifth annual Urban One Honors premiered on Monday, Martin Luther King Jr. Day. R&B star Tank hosted the show, which was taped at The Eastern in Atlanta on Dec. 2. Former Destiny’s Child member LeToya Luckett hosted a special backstage pass segment.

LL Cool J received the Entertainment Icon honor. Other top awards went to Bobby Brown (the inaugural Phoenix Honor), Pharrell Williams (the Music Innovation Honor), David Mann and his wife, Tamela Mann (the Inspirational Impact Honor), and Congresswoman Maxine Waters (D-Calif.) (a Lifetime Achievement Honor).

The ceremony included performances by Keke Wyatt and Marvin Sapp; a celebration of the 50th anniversary of hip hop with DJ Spinderella, Monie Love and Doug E. Fresh; and a finale performance from T.I. (Clifford Harris) and his son Domani Harris.

Roland Martin, Pusha T, Rev. Run, Lamman Rucker, Keisha Lance Bottoms (former Atlanta mayor and currently director of the office of public engagement in the White House) and Michelle Rice (TV One/CLEO TV president) also appeared on the broadcast.

The show was executive produced by Eric Tomosunas and James Seppelfrick of Swirl Films. Daniel Moore served as musical director; Marilyn Gill as executive producer.

Kashon Powell is vice president of programming for Radio One and Susan Henry is the network’s executive producer in charge of production.