On Saturday, April 4, Sky Ferreira dropped in a fan’s Instagram comments after they reposted a clip of the singer’s 2012 music video “Everything Is Embarrassing” on X (formerly known as Twitter). With the retweet, they questioned: “i wonder what’s her form of income.”

Ferreira was led to the user’s Instagram page, commenting on their most recent post, writing: “Someone sent me your X account. I toured for years. I work. I hate to break it to you, but your favorite artist records my old songs.I hope that answers your question. Xoxoxo”

In a since-deleted post, the same X user also uploaded a screenshot to the platform of a text conversation with an “industry insider” who alleged that two songs on Charli’s Wuthering Heights album were “ripped” from Ferreira demos dating back to 2018 and 2015. Ferreira responded to those claims via Instagram comments as well, sharing, “Your industry ‘insider’ is wrong. Close but wrong…It isn’t worth the trouble bc I know how the world works.”‘

Ferreira is, however, credited as a featured artist, co-writer and vocal producer on Wuthering Heights track “Eyes of the World.”

The exchange continued, with Ferreira also writing in the comments: “I wasn’t going to say anything…It brought back a lot of things I have worked really hard to move past.”

Charli has yet to reply, and her team confirms she is currently in Kyoto filming a movie and finishing her forthcoming new studio album. When asked for comment, her management team shared the following statement with Billboard:

“Charli has made seven albums, four mixtapes and one EP, and has written countless songs for other artists throughout her career. She began as a songwriter with ‘I Love It,’ and her work has been recorded by and pitched to multiple artists. She has her own personal history with publishing and production negotiations and because of this, she always shares credits fairly and appropriately, and values her collaborators tremendously. 

“Ahead of the Wuthering Heights album release, a standard review process was conducted on a small number of tracks from the album, including fragments of material originating from earlier sessions. This process involved managers, legal representatives, artists and producers, and included a thorough review of archival materials and demo recordings.

“All relevant parties were consulted throughout, and the album was played in full in advance of release to everyone. Songwriting credits and splits were determined and agreed collectively in writing, with reference to documented timelines and contributions.

“All credits were finalized and formally approved by the appropriate parties prior to the album’s release.”

Billboard has reached out to Ferreira for comment.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

If you’re hitting up any music festivals this year, a great bag is an absolute necessity, and few brands make a better festival carry-all than Lululemon.

The brand’s All Night Festival Bag has been a bestseller since it arrived a few years ago, with reviewers praising its roomy (but still compact) size, its weather-resistant material and a zipper around the top that keeps everything safe and secure.

Now, Lululemon has released the latest version of its Festival Bag, in a sleek and minimalist black colorway with gold zipper detailing.

BESTSELLER

Lululemon All Night Festival Bag 5L

$78

Buy Now at lululemon

While the bag was available last year in a viral pink colorway, we much prefer the wearability and fashionable aesthetic of this black color, which works with almost any festival outfit or personal style. The streetwear-inspired silhouette is also firmly unisex, with a fold-over design that’s part-messenger bag and part-trendy crescent bag. More proof of its fashion cred: Even if we weren’t heading to Lollapalooza or Stagecoach, we would still wear this bag to brunch or for a night out.

---

Another quality that makes this bag ideal for any outdoor events is that it’s made of durable, water-repellent fabric. It has an adjustable strap that makes it easy to wear over the shoulder or as a crossbody bag, which is great if you want to switch up the way you wear it throughout the day. It also has an easily accessible front pocket that has a covered zipper.

The fold-over design keeps things chic and compact but you can also expand the bag say, if you’re hoping to carry a water bottle, sunscreen or any larger items for the long days of shows. The 5L capacity offers plenty of space and the material will stretch a little bit to cram everything in. If you decide to fold the bag in half, the bag features magnets to hold the folded-over flap firmly in place.

If you are looking for a great summer music festival option, make sure you go ahead and add this to your cart as Lululemon’s bags are popular and known to sell out. At only $78 — and available now in this classic black color — this Festival Bag is sure to sell quickly too. See more details here.

One thing to note: this is great for outdoor festivals where bag rules are a little more relaxed. For outdoor concerts or sporting events, you’ll still want to check the venue’s website for a list of stadium-approved bags.

ALSO CONSIDER

Lululemon Everywhere Belt Bag 1L (Clear)

$39

Buy Now AT LULULEMON

Most stadiums and concert venues are still requiring you to carry everything in a clear bag in order to enter. Luckily for us, Lululemon makes one of those too.

---

This bag is a see-through take on the brand’s bestselling Everywhere Belt Bag, and an easy way to get your phone, keys and accessories through concert security with ease.

BTS’ ARIRANG rules the Billboard 200 albums chart (dated April 11) for a second week, earning 187,000 equivalent album units in the United States in the week ending April 2, according to Luminate. That’s down 71% compared the album’s opening week of 641,000, the biggest week of 2026 thus far. With a second week at No. 1, ARIRANG now has the most weeks atop the chart among BTS’ seven leaders — the other six each spent one week at No. 1.

Also in the top 10 of the latest Billboard 200 chart, the latest albums from Ye (formerly Kanye West), Melanie Martinez and Yeat debut.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 11, 2026-dated chart will be posted in full on Billboard‘s website on April 7. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of ARIRANG’s 187,000 equivalent album units earned in the latest tracking week, album sales comprise 114,000 (down 79%; it’s No. 1 on Top Album Sales for a second week), SEA units comprise 65,000 (down 31%, equaling 68.49 million on-demand official streams of the set’s songs; it falls 1-3 on Top Streaming Albums) and TEA units comprise 8,000 (down 49%).

Ye scores his 14th top 10 album on the Billboard 200 — all of which have reached the top two — as BULLY debuts at No. 2 with 152,000 equivalent album units earned in the tracking week ending Thursday, April 2. Of that sum, SEA units comprise 96,000 (equaling 98.43 million on-demand official streams of the set’s songs; it debuts at No. 1 on Top Streaming Albums), album sales comprise 56,000 (it debuts at No. 3 on Top Album Sales) and TEA units comprise the remainder.

The album arrived at physical retail on March 27 (on CD, vinyl and cassette), and at digital retail and streaming services on March 28. Also on March 28, Ye dropped the music video for the album’s “FATHER,” featuring Travis Scott and directed by Bianca Censori.

During BULLY’s release week, Ye staged his first major U.S. concert in nearly five years, playing SoFi Stadium in Inglewood, Calif., on April 1. A second SoFi show took place on Friday (April 3), one day after BULLY’s first chart tracking week closed.

First-week sales of BULLY were aided by its availability across multiple color vinyl variants, deluxe boxed sets containing branded merch and a copy of the CD, as well as signed vinyl and CD editions.

Melanie Martinez notches her fourth top 10-charting set on the Billboard 200 as HADES bows at No. 3 with 84,000 equivalent album units earned. Of that sum, album sales comprise 63,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 21,000 (equaling 22.85 million on-demand official streams of the set’s songs; it debuts at No. 28 on Top Streaming Albums) and TEA units comprise a negligible sum.

Martinez previously hit the top 10 on the Billboard 200 with PORTALS (No. 2 in 2023), K-12 (No. 3, 2019) and Cry Baby (No. 6, 2015).

HADES’ first-week sales were bolstered by its availability across multiple vinyl and CD variants, deluxe boxed set editions containing branded merch and a copy of the physical album, and signed vinyl and CD editions.

Morgan Wallen’s chart-topping I’m the Problem falls 3-4 on the Billboard 200 with 76,000 equivalent album units earned (down less than 1%).

Yeat collects his seventh top 10-charted effort on the Billboard 200 as ADL arrives at No. 5 with 57,000 equivalent album units earned. Of that sum, album sales comprise 26,000 (it debuts at No. 4 on Top Album Sales), SEA units comprise 31,000 (equaling 32.53 million on-demand official streams of the set’s songs; it debuts at No. 12 on Top Streaming Albums) and TEA units comprise a negligible sum.

ADL’s opening-week sales were aided by its availability across multiple vinyl and CD variants, deluxe boxed set editions containing branded merch and a copy of the physical album, and signed editions.

Luke Combs’ The Way I Am dips 2-6 in its second week on the Billboard 200 with 55,000 equivalent album units earned (down 45%), while Olivia Dean’s The Art of Loving shifts 6-7 (54,000 units, up 1%). The rest of the top 10 comprises former No. 1s, as Don Toliver’s OCTANE moves 5-8 (53,000 units, down 3%), Bad Bunny’s DeBÍ TiRAR MáS FOToS drops 7-9 (50,000 units, down 7%) and Harry Styles’ Kiss All the Time. Disco, Occasionally. falls 4-10 (48,000 units, down 25%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Jack White returned to Saturday Night Live with a pair of brand new songs.

After making a cameo in a star-studded monologue alongside host Jack Black, the 50-year-old Detroit rocker took the stage to deliver two just-released, electrifying tracks: “Derecho Demonico” and “G.O.D. And The Broken Ribs.”

For his first performance, White appeared on a blue-lit stage stacked with wooden crates and a white statue featuring a glass skeleton head, performing “Derecho Demonico” with a backing band. Later in the show, he returned wearing a jacket emblazoned with a NASA logo — likely a nod to the recently launched, moon-bound Artemis II mission — to deliver the feral “G.O.D. and the Broken Ribs.

“Well, it’s the beginning of the world now/ And there’s nobody left… Let’s start again… Let’s do it all over again,” the artist sings on the track.

White’s most recent solo album, No Name, was released in 2024.

During the opening monologue, White joined in for a surprise performance of the White Stripes’ “Seven Nation Army.” The segment also featured host Black alongside several returning members of the show’s Five-Timers Club, including Tina Fey, Jonah Hill, Candice Bergen and Melissa McCarthy.

Saturday’s episode marked Black’s fifth time hosting, while White served as the musical guest for the sixth time, including his SNL debut with the White Stripes in 2002.

Black is currently promoting his return as the voice of Bowser in the animated sequel The Super Mario Galaxy Movie, which arrived in theaters on April 1. He made his solo Billboard Hot 100 debut in 2023 with “Peaches” from The Super Mario Bros. Movie, which peaked at No. 56 on the chart.

Watch White’s SNL performances below, and find all the ways to stream the full episode here.

Jack Black and Jack White teamed up for a surprise performance of “Seven Nation Army” during the latest episode of Saturday Night Live, delivering a collaborative moment that leaned into the show’s rare double-booking of the two artists.

The crossover occurred during Black’s monologue, which marked his induction into the show’s Five-Timers Club — an honor reserved for hosts who have appeared five times. As part of the segment, Black was joined by several returning members of the club, including Tina Fey, Jonah Hill, Candice Bergen and Melissa McCarthy, before the sketch pivoted into a musical performance.

White then entered the scene, joining Black for a reworked rendition of “Seven Nation Army,” the signature 2003 single by The White Stripes.

The performance featured altered lyrics referencing the Five-Timers Club and the night’s episode, while maintaining the song’s iconic guitar riff.

It comes following Saturday Night Live sharing a promo featuring Black on Wednesday (April 1), following tar as he films a “Get Ready With Me” (aka “GRWM”) vertical video before he hosts SNL. The actor and comedian, clad in a bathrobe with a towel wrapped around his head.

“The musical guest is my brother from another color, Jack White,” the similarly named comedian quips before breaking out into an air guitar solo. “And because I’m hosting the show for the one, two, three, four — count ’em — fifth time!”

Originally released on The White Stripes’ album Elephant, “Seven Nation Army” has become one of the most recognizable rock songs of the 21st century, known for its enduring riff and widespread use in sports and popular culture. White has continued to perform the track throughout his solo career, while also revisiting his catalog in various live settings

Black, meanwhile, is no stranger to musical performances within comedy, both through his work with Tenacious D and his previous appearances on Saturday Night Live.