It sounds like Mamma Mia! Here We Go Again director Ol Parker might be ready to take a chance on pursuing another film in the musical franchise.

Parker, who helmed Universal Pictures’ 2018 follow-up to director Phyllida Lloyd’s 2008 hit Mamma Mia!, told Screen Rant in an interview published online Saturday (Dec. 17) that producer Judy Craymer has always intended to make a film trilogy. Craymer has credits on both films and also the ABBA-centric jukebox musical of the same name, which was the basis for the first movie and has had runs on the West End and Broadway.

“Judy Craymer, the genius producer behind the musical and the first two films, always plans for it to be a trilogy,” Parker teased. “That’s all I can say. The first one made an enormous amount of money, and I think we made a fair amount too.”

The Ticket to Paradise filmmaker continued, “I know that there is a hunger for a third, and I know that she has a plan. Wouldn’t it be lovely?”

Mamma Mia! Here We Go Again brought back such castmembers from the first film as Meryl Streep, Amanda Seyfried, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Dominic Cooper and Christine Baranski, along with adding new players including Lily James and Cher.

In her review for The Hollywood Reporter, film critic Leslie Felperin noted that the sequel’s selection of ABBA tunes was less notable than that of the first: “Indeed, the movie’s biggest failing is that so much of its soundtrack, the very engine that propels it, is made up of far too many actual B-sides, or at least lesser-known tunes from the back catalogue of Benny Andersson and Bjorn Ulvaeus, the two Swedish singer-songwriters who made up half of the 1970s pop quartet ABBA.”

Here We Go Again collected $395 million worldwide, which was well below the 2008 film’s $609 million global take.

This article originally appeared on The Hollywood Reporter.

Cecily Strong is the latest cast member to depart NBC’s Saturday Night Live.

Strong’s final show will be Saturday night’s (Dec. 17) edition. The news was announced Saturday on SNL’s social media accounts (see below).

She joined the sketch show, executive produced by Lorne Michaels, in 2012, its 38th season. Over the years, she created such characters as “The Girl You Wish You Hadn’t Started a Conversation With at a Party” and impersonated such celebrities as Kendall Jenner, Megyn Kelly and Liz Cheney.

It’s understood that the plan had been for Strong to return for only the first half of the current season. Fans had noticed her absence from the opening credits of the season premiere in October, but at the time she was appearing in The Search for Signs of Intelligent Life in the Universe at the Mark Taper Forum in Los Angeles and thus was unable to tape SNL in New York.

Strong next stars in the second season of AppleTV+ Schmigadoon!, which is also executive produced by Michaels. She also took a hiatus from SNL while filming that series.

Strong follows on the heels of other cast members who have recently left SNL, including Kate McKinnon, Aidy Bryant and Pete Davidson.

Saturday night’s SNL features host Austin Butler and musical guest Lizzo.

On Friday night (Dec. 16), lines formed outside of a relatively unmarked warehouse space in downtown Los Angeles for “Club Renaissance,” a two-night event in celebration of Renaissance, Beyoncé‘s seventh studio album. The album, released in July, is a kaleidoscopic exploration of genre, escapism and self-expression; on it, Beyoncé experiments with different shades of dance, house, disco, pop and R&B.

The party’s unspoken 1970s-era theme was interpreted by attendees for their outfits in a range of ways, much like the sonic versatility of the project itself. The event, presented by Amazon Music and Parkwood Entertainment, featured several musicians in attendance, including singers Syd, Victoria Monét and Lucky Daye.

The building was lined with graphic posters of a Renaissance promotional image, which several partygoers used as a backdrop for their photographs. And there was another wall ripe for photo opportunities, decorated with neon signs that bore song lyrics and titles from the album, like “Church Girl” and “Cozy.”

Guests chatted and sipped thematically named cocktails (“Cuff It” and “Alien Superstar,” also Renaissance titles) once doors were open, and approximately an hour after the event started at 9 p.m., the DJ began to play Renaissance top to bottom and in spatial audio. Attendees enjoyed it from the dance floor for the duration, creating the very Studio 54-esque dance party the project promises. (A group of engineers tucked along the periphery were controlling the sensory displays, which included strobe lights and fog elements.)

The glowing, holographic horse Beyoncé is seated on in the album’s cover art was prominently placed in the center of the room, enclosed in a glass box like a museum artifact. Throughout the night, the air was buzzing with the question of if Beyoncé herself would join the event, like she did in previous cities (ultimately, she did not).

Saturday’s event is expected to draw more of the singer’s fan base. Free tickets were released online to her subscribers earlier this week and sold out in under 20 minutes.

The first “Club Renaissance” was essentially the album’s official release party and was held in August at Times Square Edition hotel in New York. There was also a Parisian edition of the event in October during Paris Fashion Week.

This article originally appeared on The Hollywood Reporter.