DJ Khaled took the stage at Soundstorm Festival in Riyadh, Saudi Arabia, on Friday night (Dec. 2), where he took a moment to honor his friend and former musical collaborator, Migos‘ Takeoff, who was shot and killed at age 28 on Nov. 1.

“We love you brother,” Khaled declared from the stage, as captured by Billboard from the festival. “You’re one of the nicest people I ever met in my life. Every time I talk to you, you said you love me. I hit you back, and said I love you. I’ll never forget my last text with Takeoff. Long live forever Takeoff. He said, ‘Khaled, I’m so happy to call you my brother.’ I’m so happy to you call you my brother, Takeoff.”

The Grammy winning producer went on to play a series of Migos hits including “Fight Night” and “Versace,” before he revealed that the hip-hop trio was scheduled to perform with him at the festival. “It was going to be my surprise guest,” Khaled revealed. “They’re still here. Make some noise for my brother, Takeoff. Takeoff is here right now. We love you. We appreciate you.” I’m doing this for hip-hop. I represent hip-hop across the world.”

Earlier in the day, Houston Police Department Chief Troy Finner announced during a news conference that a man has been arrested and charged in connection to Takeoff’s murder. 33-year-old Patrick Xavier Clark was arrested on the east side of Houston, Texas, on Thursday (Nov. 1), and charged with murder, while another man, 22-year-old Cameron Joshua, was arrested and charged with the unlawful carrying of a weapon.

FBI Director Chris Wray is raising national security concerns about TikTok, warning Friday that control of the popular video sharing app is in the hands of a Chinese government “that doesn’t share our values.”

Wray said the FBI was concerned that the Chinese had the ability to control the app’s recommendation algorithm, “which allows them to manipulate content, and if they want to, to use it for influence operations.” He also asserted that China could use the app to collect data on its users that could be used for traditional espionage operations.

“All of these things are in the hands of a government that doesn’t share our values, and that has a mission that’s very much at odds with what’s in the best interests of the United States. That should concern us,” Wray told an audience at the University of Michigan’s Gerald R. Ford School of Public Policy.

Those concerns are similar to ones he raised during congressional appearances last month when the issue came up. And they’re being voiced during ongoing dialogue in Washington about the app.

Concerned about China’s influence over TikTok, the Trump administration in 2020 threatened to ban the app within the U.S. and pressured ByteDance to sell TikTok to a U.S. company. U.S. officials and the company are now in talks over a possible agreement that would resolve American security concerns, a process that Wray said was taking place across U.S. government agencies.

“As Director Wray has previously said, the FBI’s input is being considered as part of our ongoing negotiations with the U.S. Government,” TikTok spokesperson Brooke Oberwetter said in an emailed statement. “While we can’t comment on the specifics of those confidential discussions, we are confident that we are on a path to fully satisfy all reasonable U.S. national security concerns and have already made significant strides toward implementing those solutions.”

TikTok is owned by Beijing-based ByteDance. The TikTok statement Friday noted that ByteDance is a private company and that “TikTok Inc., which offers the TikTok service in the United States, is a U.S. company bound by U.S. laws.”

At a Senate hearing in September, TikTok Chief Operating Officer Vanessa Pappas responded to questions from members of both parties by saying that the company protects all data from American users and that Chinese government officials have no access to it.

“We will never share data, period,” Pappas said.

One of the biggest girl groups in K-pop history has returned to celebrate their milestone 15th anniversary while also including a touching tribute to their late member.

KARA made their comeback with a new, four-song EP titled Move Again with members Gyuri, Seungyeon, Nicole, Jiyoung and Youngji taking part. The release is centered on the new single “When I Move,” which sees the girl group step right back into their signature mix of modern and vintage dance sounds heard in some of their biggest singles like “Honey,” “Step” and “Pandora.”

While KARA went through some lineup changes during their time, the outfit’s return to music after seven-a-half-years marks the first release where newest member Youngji (who joined the group in 2014) is performing alongside Nicole and Jiyoung (who both exited the group that same year). Notably, it is also the first KARA release not to include Goo Hara, who was found dead in her Seoul home in 2019 at age 28.

But the memory of Hara lives on in KARA with the accompanying music video for “When I Move.” Tributes to the late singer appear throughout the visual, like the sixth table setting during a scene where the members celebrate the 15th anniversary with cake and champagne. At the end of the video credits, six microphone stands are shown onstage, symbolizing Hara as an eternal group member.

KARA returned to the stage this week at the 2022 MAMA Awards held in Japan, a suitable place for their comeback performance as the group was a pioneer in helping K-pop cross over into the lucrative Japanese market during the ’10s.

Gyuri, Seungyeon, Nicole, Jiyoung and Youngji performed a medley of classic KARA hits including “Lupin,” “Step” and “Mister” (that had K-pop stars in attendance like TREASURE, Kep1er and NMIXX singing and dancing along) before giving the live debut of “When I Move.” Montage videos detailing the group’s history from debut to today with personal photos, classic TV clips, and reflections from the group on their worries and excitement about returning to the stage introduced both performances.

While next week will determine where KARA return on the Billboard charts, the group’s chart legacy includes three hits on World Digital Song Sales (peaking with 2015’s “Cupid” that reached No. 12) and multiple entries on the K-Pop Hot 100 and Japan Hot 100 (including two No. 1s on the latter with 2012’s “Electric Boy” and 2013’s “Thank You Summer Love”).