J-pop duo YOASOBI are set to release a new single called “Tsubame” on Oct. 25.

The track is being featured as theme of NHK’s SDGs TV series for children Hirogare! Irotoridori, a show that introduces projects and special programs that make learning about Sustainable Development Goals fun and accessible.

The title of the song means “swallow” and it was written based on a Japanese story with a title that translates to “A Little Swallow’s Big Dream” by Nana Otsutsuki. The story won the grand prize in the TV show’s project that invited submissions to collaborate with the breakout male-female duo to write a new future-themed song.

The jacket artwork is by Ai Niina (name in Japanese order, surname first), a rising young visual artist who has created YOASOBI’s animated music video for their monster hit “Yoru ni kakeru” and more. The new illustration vibrantly depicts the swallow from the story soaring towards the city in the distance, and the music video for the song will also feature her distinctive animation.

On Thursday, the Democratic Party of Virginia posted and then pulled down “Swifties Against Youngkin” merchandise from their web store.

The move follows Terry McAuliffe — the Democratic candidate for Virginia governor — running ads across Facebook, Instagram and Google starting Tuesday that highlighted his Republican opponent Glenn Youngkin’s connection to the sale of Taylor Swift’s masters back in June 2019. Youngkin was the co-CEO of the Carlyle Group, which helped back Scooter Braun’s infamous purchase of Swift’s Big Machine master recordings. The digital ads included photos of Swift and the hashtag #WeStandWithTaylor.

“Did you know that Republican candidate for Governor, Glenn Youngkin, helped buy Taylor Swift’s masters out from under her when he was co-CEO of Carlyle Group?” one of the targeted ads states.

Piggybacking off the ads, the Democratic Party of Virginia started selling hats, mugs and buttons with the phrase “Swifties Against Youngkin” emblazoned on them in magenta writing, as reported by Washingtonian magazine on Thursday. A screenshot of the merch was tweeted Friday (Oct. 8) by Mediate reporter Katherine Higgins.

There’s no word yet why the merch was pulled, but back in February 2017, Swift filed a series of trademarks for the word “Swifties” — the nickname for her fanbase.

Swift’s spokeswoman has not responded to requests to comment about the singer/songwriter’s unwitting involvement in the Virginia gubernatorial race.

In a statement to Billboard about McAuliffe’s Swiftie-targeting ad campaign, Democratic Party of Virginia spokesman Manuel Bonder said: “No matter the industry, Youngkin has shown he would rip off anyone for a profit. What happened here is a continuation of Glenn Youngkin’s abhorrent track record of shipping jobs overseas, raising rents on seniors, and harming working families across our country. When it comes to Taylor Swift’s music: What did Glenn know and when did he know it? Virginians deserve answers.”

For his part, Youngkin rep Christian Martinez responded: “Terry McAuliffe has reached the stage of desperation in his campaign where he’s rolling out the most baseless attacks to see what sticks. It’s a pathetic fall that could only be achieved by a 43-year political hack.”

Swift is now re-recording her first six records as a response to the sale of her master recordings, beginning with the April release of Fearless (Taylor’s Version) and continuing Nov. 12 with Red (Taylor’s Version).

This weekend, Eric Church will perform two solo concerts on his The Gather Again Tour after members of his band tested positive for COVID-19. Church will turn his Friday (Oct. 8) show in Pittsburgh and his Saturday show in Philadelphia into solo performances.

On Friday, Church posted a message on social media explaining the situation. “Despite thorough safety protocols, a limited number of breakthrough cases have occurred within the Eric Church Band. In the best interest of everyone’s health and safety, Eric Church will perform this weekend’s shows in Pittsburgh and Philadelphia as a special solo performance. Get ready PA.”

Church launched the aptly named tour Sept. 17 at Lexington, Ky.’s Rupp Arena. The tour is slated to run through May 20, 2022, culminating with a show at New York’s Madison Square Garden. Church’s Gather Again Tour has been a joyous reunion for the artist and his fans alike, marking his return to the road after the pandemic forced the postponement of both Church’s Heart & Soul triple album and his 2020 tour. It also marks the first time Church has used an in-the-round stage for his tour.

For a Billboard cover story earlier this year, Church received his COVID-19 vaccination during his Billboard photo shoot.

“It became very clear to me that the only way to really get back to normal is through vaccinations,” he told Billboard at the time. “You’ve got to get needles in arms.”

After his two Pennsylvania concert dates, Church is slated for a show in Denver on Oct. 15. Church, the reigning CMA entertainer of the year, is also one of the most-nominated artists heading into November’s Country Music Association Awards, including another nod for the coveted entertainer of the year trophy.

Adele is gearing up to release her fourth studio album, which fans believe is titled 30 due to mysterious billboards that have popped up around the world. The British singer recently sat down with British and American Vogue to share several details about the upcoming release, including lyrical content, song inspirations and overarching themes on the album.

Below, we’ve rounded up the most important revelations from Adele’s interviews with Vogue.

Don’t Expect a “Hello” Anthem

In Adele’s interview, she mentioned that she hasn’t tried to replicate the success of “Hello,” which hit the No. 1 spot on the Billboard Hot 100 in 2015. “I don’t want another song like that. That song catapulted me in fame to another level that I don’t want to happen again. I’m not saying I’ve got ‘Hello’s in my pocket. I was just conscious that I didn’t want my story on this album to sound like that,” the singer explained.

It’s Her Most Personal Album

“It’s sensitive for me, this record, just in how much I love it,” Adele told American Vogue. “I always say that 21 doesn’t belong to me anymore. Everyone else took it into their hearts so much. I’m not letting go of this one. This is my album. I want to share myself with everyone, but I don’t think I’ll ever let this one go.”

The “Rolling In the Deep” singer also shared that she placed her personal interests at the forefront of making the record. “I was drunk as a fart on 21; I really don’t remember much, I just remember being really sad. On 25, I was obviously sober as anything, because I was a new mum. That one, I was sort of more in tune with what I thought people might want or not want. With this one,” she said of the upcoming release, “I made the very conscious decision to be like, for the first time in my life, actually, ‘What do I want?’”

“I feel like this album is self-destruction,” Adele added, “then self-reflection and then sort of self-redemption. But I feel ready. I really want people to hear my side of the story this time.”

Though the 33-year-old spent a large portion of her interview discussing her divorce from ex-husband Simon Konecki, fans shouldn’t expect the album to be solely about their split. “I assumed it would be about my divorce, but it’s kind of not,” with the magazine describing the body of work as “her usual singer-songwriter gear to midnight chanteuse to chilled Balearic club at sundown.”

Several Lyrics Have Been Released 

The singer revealed that “Easy On Me” will be the first single from the album after sharing a snippet of the song on Oct. 5. The clip didn’t include any lyrics, but the feature revealed some lines from the piano-heavy track: “Go easy on me baby/ I was still a child/ Didn’t get the chance to/ Feel the world around me.”

Adele did not share any of the song’s titles with the interviewers, but the writers shared two additional sets of lyrics: “My little love/ I see your eyes/ Widen like an ocean/ When you look at me/ So full of my emotions” and “I just want to love you for free/ Everybody wants something from me/ You just want me,” lines from two separate songs.

There Are No Traditional Features

While there are no official artist features on Adele’s album, the singer did incorporate VoiceNotes from Tyler, the Creator and Skepta on the record. “I thought it might be a nice touch, seeing as everyone’s been at my door for the last 10 years, as a fan, to be like, Would you like to come in?” she said.

Adele’s friends also make an appearance on the record, singing the words “Just hold on, just hold on,” over and over on a gospel-infused track. “The thing that they’re all singing is what my friends used to say to me,” she explained. “That’s why I wanted them to sing it, rather than an actual choir.”

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Organizers of the annual South by Southwest festival in Austin are suing Federal Insurance Company for not covering the event’s legal fees in an ongoing class action suit from attendees wanting thousands of dollars in refunds for last year’s canceled event.

After being told it’s policy excludes coverage for refunds, Austin attorney Peter D. Kennedy filed a complaint Wednesday in the U.S. District Court for Western Texas, saying SXSW purchased a $1 million policy from Federal Insurance in August 2019 and argued that the company is not living up to its obligation to defend and indemnify the event.

SXSW was one of the first major music events to be canceled in March 2020 due to the coronavirus pandemic. Organizers could not provide refunds “because SXSW must spend enormous sums of cash to prepare to host a festival,” Kennedy wrote, but the event did offer the option to defer 2020 credentials to a future date as well as the right to purchase credentials for another year at a 50% discount. Approximately 80% of credential purchasers accepted this offer. A number of attendees did not, however, leading to an April 27 class action lawsuit against South by Southwest filed by attendees Steven Leventhal, Maria Bromley and Kleber Pauta alleging breach of contract, conversion and unjust enrichment.

Kennedy argues that South by Southwest’s Federal Insurance policy includes liability coverage and requires the company to pay for SXSW’s legal defense in the class action lawsuit, but Federal Insurance says there is language in the policy excluding coverage related to contractual disputes and professional services. Kennedy argues that Federal Insurance is misreading the contract and is still obligated to defend the organization against the conversion and unjust enrichment claims.

Kennedy is asking a district court judge to force the insurance provider to fund SXSW’s legal defense and pay damages, interests and legals costs as a result of charges of breach of contract and violations of Texas’ insurance codes.

Billboard’s parent company P-MRC made a 50% investment in SXSW in April.

ITZY’s Crazy in Love: The 1st Album debuts at No. 1 on Billboard’s Top Album Sales chart (dated Oct. 9), marking the first leader, and second entry, for the Korean pop group. The set, which is promoted as the act’s debut full-length studio album, sold 22,000 copies in the U.S. in the week ending Sep. 30, according to MRC Data.

Crazy follows one other entry for the group, the Guess Who EP, which peaked at No. 23 this May.

Crazy in Love: The 1st Album leads five debuts in the top 10 on Top Album Sales, as new efforts from Angels & Airwaves, YoungBoy Never Broke Again, Billy Strings and Sufjan Stevens and Angelo De Augustine arrive.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now MRC Data. Pure album sales were the measurement solely utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram. 

Of Crazy in Love: The 1st Album’s sales of 22,000, physical album sales comprise 21,000 (all from CD sales) and 1,000 via digital download. Like many K-pop releases, the CD edition of the album was issued in multiple collectible packages (including a Target-exclusive edition).

ITZY replaces another Korean pop act at No. 1, as NCT 127’s Sticker: The 3rd Album falls from No. 1 to No. 2 in its second week (15,000; down 76%).

Angels & Airwaves’ new studio album Lifeforms bows at No. 3 with 13,000 sold while YoungBoy Never Broke Again’s Sincerely, Kentrell starts at No. 4 with 10,000. Metallica’s self-titled former No. 1 is up one spot to No. 5 with 9,000 (down 26%) and Olivia Rodrigo’s chart-topping Sour climbs 7-6 with nearly 9,000 (down 26%).

Billy Strings’ Renewal launches at No. 7 (8,000 sold), Billie Eilish’s former No. 1 Happier Than Ever climbs 11-8 (7,000; down 9%), Sufjan Stevens and Angelo De Augustine’s A Beginner’s Mind debuts at No. 9 (nearly 7,000) and Kacey MusgravesStar-Crossed falls 4-10 in its third week (nearly 7,000; down 54%).

Billboard’s Top Holiday Albums chart returns for the 2021 holiday season, with Carrie Underwood’s 2020 release My Gift leading the list (dated Oct. 9).

The Top Holiday Albums tally will continue to be published on a weekly basis through early January of 2022, when it will jingle away until the next holiday season. (The chart generally returns every October.)

My Gift spends a seventh nonconsecutive week atop the tally, after six weeks at No. 1 last season following its release on Sept. 25, 2020. The album was reissued on Sept. 24, 2021 with three bonus tracks.

The Top Holiday Albums chart ranks the 50 most popular seasonal albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

The Oct. 9-dated Top Holiday Albums chart is filled with familiar favorites in the world of seasonal albums, including Vince Guaraldi Trio’s soundtrack to A Charlie Brown Christmas, Michael Bublé’s Christmas, Mariah Carey’s Merry Christmas and Nat “King” Cole’s The Christmas Song. The chart’s highest debut is Chris Tomlin’s Emmanuel: Christmas Songs of Worship, which starts at No. 8 following its release on Sept. 24.

Upcoming holiday album releases that will likely impact the Top Holiday Albums chart include: Darren CrissA Very Darren Christmas (due out Oct. 8), Josh Turner’s King Size Manger (Oct. 8), Kelly Clarkson’s When Christmas Comes Around (Oct. 15), Norah JonesI Dream of Christmas (Oct. 15), Jim Brickman’s A Christmas Symphony (Oct. 22), Kristin Chenoweth’s Happiness Is… Christmas! (Oct. 22), Brett Eldredge’s Mr. Christmas (Oct. 22), Zach WilliamsI Don’t Want Christmas To End (Oct. 22), Brett Young & Friends’ Sing the Christmas Classics (Oct. 22), Pistol AnniesHell of a Holiday (Oct. 22), Rob ThomasSomething About Christmas Time (Oct. 22), Nat “King” Cole’s A Sentimental Christmas With Nat “King” Cole and Friends: Cole Classics Reimagined (Oct. 29), Pentatonix’s Evergreen (Oct. 29), Matthew West’s We Need Christmas (Oct. 29) and Steve Perry’s The Season (Nov. 5).