Ahead of next month’s Virginia gubernatorial election, Democratic candidate Terry McAuliffe is targeting the state’s Taylor Swift fans  for support.

McAuliffe has launched a series of negative Facebook, Instagram and Google search ads tying the Republican candidate Glenn Youngkin to Scooter Braun’s 2019 purchase of the pop star’s master recordings, asking her fans to #StandWithTaylor — and vote for McAuliffe instead.

“Did you know that Republican candidate for Governor, Glenn Youngkin, helped buy Taylor Swift’s masters out from under her when he was co-CEO of Carlyle Group?” one of the targeted ads states.

Youngkin was co-CEO of private equity firm The Carlyle Group when it funded Scooter Braun’s $300 million acquisition of The Big Machine Label Group, including Swift’s master recordings, through his former media company Ithaca Holdings. The June 2019 acquisition infuriated Swift, who addressed the deal at the 2019 Billboard Women in Music event on Dec. 12 of that year. “This just happened to me without my approval, consultation or consent,” Swift said during her speech, which called out Braun, Carlyle and the other investors involved in the deal. “After I was denied the chance to purchase my music outright, my entire catalog was sold to Scooter Braun’s Ithaca Holdings in a deal that I’m told was funded by the Soros family, 23 Capital and that Carlyle Group.”

Although a Nov. 24, 2019 New York Times story reported that Carlyle had intervened to urge Braun to reach out to Swift and “brought the bitter fight closer to a resolution,” Swift, in her remarks at the Women in Music event, added that, “to this day, none of these investors have bothered to contact me or my team directly — to perform their due diligence on their investment. On their investment in me. To ask how I might feel about the new owner of my art, the music I wrote, the videos I created, photos of me, my handwriting, my album designs.”

In November 2020, Ithaca sold Swifts catalog to Shamrock Capital for $300 million.

Youngkin was named co-CEO of The Carlyle Group with Hewsong Lee at the beginning of 2018 and after a two-and-a-half year power struggle that Bloomberg Quint described as “increasingly acrimonious,” announced his retirement from the company in September 2020. He announced he was running for governor in January 2021.

“No matter the industry, Youngkin has shown he would rip off anyone for a profit,” Democratic Party of Virginia Spokesman Manuel Bonder said in his statement. “What happened here is a continuation of Glenn Youngkin’s abhorrent track record of shipping jobs overseas, raising rents on seniors, and harming working families across our country. When it comes to Taylor Swift’s music: what did Glenn know and when did he know it? Virginians deserve answers.”

Youngkin spokesperson Christian Martinez responded: “Terry McAuliffe has reached the stage of desperation in his campaign where he’s rolling out the most baseless attacks to see what sticks. It’s a pathetic fall that could only be achieved by a 43-year political hack.”

McAuliffe, who was governor of the state from 2014 to 2018 and co-chairman of Bill Clinton’s 1996 reelection campaign, has repeatedly used Youngkin’s tenure at Carlyle — which manages $260 billion in assets, according to its first-quarter 2021 report — as a sign that his opponent is not a man who will look out for working-class Virginians’ best interests. In reference to the sale of Swift’s masters, his camp also points to a YouTube video of a political meet-and-greet in which Youngkin says, “I will own everything that happened at Carlyle [when he was there]” and “will never walk away from anything I did in my business career.”

As with most things having to do with politics, the story is not so cut-and-dry. In July, Axios reported that McAuliffe had personally invested in co-investment vehicles tied to the Carlyle Group’s third and fourth buyout funds, plus an energy fund. His wife also invested alongside Carlyle Partners IV. At the time a spokesperson for the campaign told Axios that McAuliffe currently has less than $5,000 of exposure to Carlyle funds, which is below the amount that the candidate would have had to disclose publicly.

Carlyle first invested in Ithaca in 2017, a deal that was overseen by the head of the firm’s media, retail and consumer team, Jay Sammons. After helping to fund Braun’s acquisition of Big Machine, Carlyle sold its stake in Braun’s company when HYBE, the Korean company behind BTS, acquired Ithaca for $1.05 billion in stock and cash.

Swift’s spokeswoman did not respond to requests to comment.

The leaves are falling, the temperatures are dipping, and it’s almost sweater weather. That can only mean one thing: Adele Season has officially arrived.

On Tuesday (Oct. 5), Adele announced her first new music in almost six years, teasing the Oct. 15 release of “Easy On Me” — the presumptive lead single from her upcoming fourth album — with a 10-second snippet of a piano melody. Billboard also reported Tuesday that Adele is shopping a Las Vegas residency for next year to perform all this potential new music.

But what else do we know so far? On the new Billboard Pop Shop Podcast, Katie & Keith dive into all the hints and breadcrumbs Adele has dropped over the past week-plus pointing toward her new album cycle. What will the new music sound like? Is the album definitely called 30? Can “Easy On Me” possibly make us cry as hard as “Hello” did? Listen below:

Also on the show, we’ve got chart news on how YoungBoy Never Broke Again becomes just the second artist — and first rapper — with a No. 1 album on the Billboard 200 in 2021, 2020 and 2019, as his latest release, Sincerely, Kentrell, debuts atop the tally. Plus, how Coldplay and BTS’ “My Universe” debuts straight in at No. 1 on the Billboard Hot 100.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard’s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard’s executive digital director, West Coast, Katie Atkinson and senior director of Billboard charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

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The sky’s the limit for Coldplay and BTS, as their collaborative new single “My Universe” debuts at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Plus, Elton John and Dua Lipa’s “Cold Heart (Pnau Remix)” reaches the Global Excl. U.S. top 10, climbing 11-9.

Billboard’s two global charts (the latest of which are dated Oct. 9) began in September 2020 and rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by MRC Data. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

‘Universe’ Rules the World

Britain’s Coldplay and South Korea’s BTS blast off at No. 1 on the Billboard Global 200 with “My Universe.” Released Sept. 24, the single, sung mostly in English with some lyrics in Korean, starts with 95.4 million streams and 142,400 downloads sold worldwide in the Sept. 24-30 tracking week. It’s BTS’ record-extending sixth leader on the list and Coldplay’s first over the chart’s year-plus archives.

The Kid LAROI and Justin Bieber’s “Stay” slips to No. 2 on the Global 200 after nine weeks on top, the most for any song so far. The track drew 106.2 million streams (down 8%) and sold 17,200 downloads (down 17%) and, notably, pushes its unprecedented run to eight consecutive weeks with over 100 million global streams, after tallying 115.6 million (Oct. 2), 115.7 million (Sept. 25), 119.8 million (Sept. 18), 125.7 million (Sept. 11), 124.9 million (Sept. 4), 123.7 million (Aug. 28) and 108.5 million (Aug. 21).

Lil Nas X and Jack Harlow’s “Industry Baby” backtracks to No. 3 on the Global 200, from its No. 2 high.

Nigeria’s CKay surges 8-4 on the Global 200 with “Love Nwantiti (Ah Ah Ah).” In its third week on the chart, the Afrobeat song sports gains of 36% to 68.9 million streams and 76% to 4,500 sold worldwide. It’s the first entry by an artist from Africa to hit the top five (after becoming the first such top 10) on the chart.

Rounding out the Global 200’s top five, Ed Sheeran’s “Bad Habits” drops 3-5, following a week at No. 1.

Collabs Likewise Top Two on Global Excl. U.S.; John & Lipa Hit Top 10

Coldplay and BTS’ “My Universe” bounds onto the Billboard Global Excl. U.S. chart at No. 1 with 84.4 million streams and 90,500 downloads sold in territories outside the U.S. in the Sept. 24-30 tracking week. BTS earns its fifth No. 1 on the tally and Coldplay achieves its first.

The Kid LAROI and Justin Bieber’s “Stay” descends to No. 2 after seven weeks atop the Global Excl. U.S. chart, with 84.2 million streams (down 8%) and 8,800 sold (down 13%).

CKay’s “Love Nwantiti (Ah Ah Ah)” rises 4-3 for a new high on the Global Excl. U.S. ranking; Ed Sheeran’s “Bad Habits” dips 3-4, after five weeks at No. 1; and Lil Nas X and Jack Harlow’s “Industry Baby” retreats to No. 5 from its No. 2 best.

Elsewhere in the Global Excl. U.S. chart’s top 10, Elton John and Dua Lipa’s “Cold Heart (Pnau Remix)” ascends to the tier, climbing 11-9 with 25.9 million streams (up 10%) and 17,900 sold (up 1%) beyond the U.S. John logs his first top on the ranking and Lipa lands her third.

In the mash-up, John sings part of his 1990 hit “Sacrifice” and Lipa reprises his 1972 classic “Rocket Man,” as well as his 1983 single “Kiss the Bride” (while the single’s coda interpolates John’s 1976 track “Where’s the Shoorah?”) Joining the two British stars, Australian trio Pnau sports co-writing and co-production credit on “Cold Heart.”

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Oct. 9) will update on Billboard.com tomorrow (Oct. 5). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Additional reporting by Eric Frankenberg

Six years after Next Big Sound was acquired by Pandora, the music analytics platform is going quiet. In a blog post published Friday, the brand said it will be shutting down effective Nov. 1.

“It’s been a wild ride,” reads the post, signed by “The Next Big Sound Team.” “After 12 years of tracking music data across hundreds of thousands of artists and hundreds of billions of streams, it’s time to say goodbye.”

The post characterizes the platform’s closure as “the final step of a multi-year transition,” adding that the Next Big Sound team “is excited to focus on improving and expanding” Pandora’s Artist Marketing Platform (AMP), which provides artists with streaming data around their music on the service. The AMP tools have been a focus for Next Big Sound since shortly after Pandora’s acquisition of the company in 2015. Moving forward, AMP will continue sharing Pandora streaming data with Next Big Sound partners including Billboard, MRC Data and Chartmetric.

Next Big Sound adds it is working to ensure that the integration process “is as seamless as possible for all of our users and partners,” noting that full track-level reporting is already available in Pandora’s AMP dashboard. That said, there will be some changes once the brand fully shutters at the start of November. In perhaps the biggest news on that front, Next Big Sound will not be moving its trove of social media data over to AMP. This means that the Pandora Predictions chart – which harnessed both social and streaming data to highlight artists on the rise – will be discontinued. Notably, the post points Next Big Sound’s current users to Chartmetric, another music analytics service where artists can track their social media data.

Next Big Sound’s programming notification emails, which update artists on where their music is being programmed on Pandora, will be making the transition over to AMP, albeit “with a new look and feel.” Lastly, its Pandora charts — Top Spins, Trendsetters and the recently-launched Top Thumb Hundred — will also be continued, albeit with “a facelift and some tweaks.” All three charts will continue to be curated weekly, with chart emails to resume once the development of AMP’s new email system is completed in a few months.

Launched in 2009, Next Big Sound was a trailblazer in the music analytics space, compiling data from multiple streaming services into a single dashboard. In May 2015, it was snapped up by Pandora in the wake of Spotify and Apple’s acquisitions of two of Next Big Sound’s music data competitors: The Echo Nest and Musicmetric’s parent company Semetric, respectively. Following Pandora’s purchase, the DSP’s rivals ceased providing data to Next Big Sound, which pivoted its efforts to working on projects within the Pandora ecosystem.

Nick Cannon says he’s taking a break from sex.

After welcoming four children in less than a year, the dad of seven revealed that he’s practicing celibacy.

“I’m celibate right now,” The Masked Singer host told DJ EFN and N.O.R.E. during an interview on Revolt’s Drink Champs that aired Friday. “I’m going to see if I could make it to 2022.

“I’m trying to chill out,” he said. “I’m kind of stepping away, getting focused, going within, getting my celibacy on. I have enough children, enough frolicking, I’m good right now.”

When the hosts joked that Cannon isn’t really celibate, he responded, “Nah, y’all said I ain’t really. I’m saying I’m going in.”

Last month, the actor told TMZ  that he’s open to having more children. When asked if he wants to continue expanding his family, he said, “God willing. If God sees it that way, then that’s what I’m going to keep doing.”

Cannon welcomed his eldest children, twins Monroe and Moroccan, with ex-wife Mariah Carey in 2011. He shares 3-year-old son Golden “Sagon” with Brittany Belland and the pair welcomed a daughter, named Powerful Queen, in December. Cannon became dad to another set of twins on June 17, when Abby de la Rosa gave birth to boys Zion and Zillion. One week later, Alyssa Scott birthed his youngest child, son Zen.