Lil Uzi Vert notched his first top 10 on Billboard’s Hot R&B/Hip-Hop Songs in two years as “Just Wanna Rock” rallied 19-8 on the list dated Dec. 3. 

He first visited the tier as a featured act on Migos’ “Bad and Boujee,” and last appeared in the area nearly two years ago, in November 2020, on “Drankin n Smokin,” with Future.

If you need a guide to follow along with Lil Uzi Vert’s “Just Wanna Rock,” find the lyrics below:

Ah, ah, ah, ah
Ah, ah, ah
I just wanna rock
Body-ody, yeah (shake it down)

Damn
Damn
(MC, make another hit) whoa
This ain’t what you want (Project, Project X)
This ain’t what you want
This ain’t what you want

Ha, 1600 block, I just wanna rock (shake it down)
I just wanna, ah, ah, ah, ah, ah, ah, ah
I just wanna rock, body-ody, yeah (shake it down)
Shawty got that body-ody, ah, ah, ah (shake it down)
Hit it once, no ties (shake it, shake it)
How the f— you gon’ kill my vibe? (shake it down)
Stand on my money, don’t know my size (shake it, shake it)
Pick them sides (shake it down)
And you better choose wisely (shake it, shake it down-down)
That’s my high, one, two, three, four, throw up the five (shake it, shake it)

That’s my high
Damn
Damn (one, two, three, four, throw up the five)

(MC, make another hit) whoa
This ain’t what you want (Project, Project X)
This ain’t what you want
This ain’t what you want

Buh, buh, buh, buh (down, down)
Buh, buh, buh, buh (down, down)
Buh, buh, buh, buh (down, down)
Buh, buh, buh, buh (shake it down)
Buh, buh, buh, buh (down, down)
Buh, buh, buh, buh (down, down)
Buh, buh, buh, buh (down, down)
Buh, buh, buh, damn (shake it down)
(Shake it down-down)
(Shake it, shake it down-down)
(Shake it down-down)
(Shake it, shake it down-down)
(Shake it down-down)
(Shake it, shake it down-down)
(Shake it down-down)
(Shake it, shake it, shake it)

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.

Written by: Javier Mercado, Mohamed Camara, Symere Woods

HARDY and Lainey Wilson teamed up for a rare murder ballad in country’s modern era. 

“You rarely hear songs like this that bring light to heavy situations that people are really scared to talk about,” Wilson told Billboard of the track. “I feel, in my heart, that our job is to sing about the things that people are afraid to talk about. It’s a song that definitely starts a conversation.”

If you need a guide to follow along with the lyrics to HARDY and Lainey Wilson’s “Wait in the Track,” find the lyrics below:

I got turned around in some little town
I’d never been to before
Working my way through a middle of June
Midnight thunderstorm
There was something in the headlights
It stopped me on a dime
Well, she was scared to death
So I said “Climb in” and in she climbed
Oh, yeah

Well, she was bruised and broke from head to toe
With a tear in her blood stained shirt
She didn’t tell the whole truth but she didn’t have to
I knew what had happened to her
I didn’t load her down with questions
That girl had been through enough
I just threw it in drive, looked in those eyes
And I asked her where he was

I don’t know if he’s an angel
‘Cause angels don’t do what he did
He was hellbent to find the man behind
All the whiskey scars I hid
I never thought my day of justice
Would come from a judge under a seat
But I knew right then I’d never get hit again
When he said to me

“Wait in the truck”
“Just wait in the truck”

Well, I knocked and knocked and no one came
So I kicked in his double wide door
I let the hammer drop before he got
To that 12 he was reaching for
I didn’t try to hide my pistol
I didn’t even try to run
I just sat on the porch, smoking one of his cigarettes
And waited for the cops to come

I don’t know if he’s an angel
‘Cause angels don’t do what he did
He was hellbent to find the man behind
All the whiskey scars I hid
I never thought my day of justice
Would come from a judge under a seat
But I knew right then I’d never get hit again
When he said to me

“Wait in the truck”
“Just wait in the truck”
Whoa (oh)
Have mercy on me, Lord
Have mercy on me
Have mercy on me (oh), Lord

It’s been sixty months and she still comes
To see me from time to time
It was worth the price, to see a brighter side
Of the girl I picked up that night
And I might be here forever
It ain’t paradise that’s true
But it’s a whole hell of a lot better
Than the place I sent him to, yeah

(Have mercy, have mercy, have mercy on me)
Wait in the truck (have mercy on me)
Just wait in the truck
(Have mercy, have mercy, have mercy on me)
Wait in the truck (Lord, have mercy)
Just wait in the truck
(Have mercy, have mercy, have mercy on me)
Have mercy on me, Lord
Have mercy on me
(Have mercy, have mercy, have mercy on me)
Have mercy on me, Lord
(Have mercy on me)
(Have mercy, have mercy, have mercy on me)
Wait in the truck
Just wait in the truck
(Have mercy, have mercy, have mercy on me)
Wait in the truck (please, have mercy)
Just wait in the truck (please, have mercy)

Lyrics licensed & provided by LyricFind

Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.

Written by: Hunter Phelps, Jordan Mark Schmidt, Michael Hardy, Renee Blair

Meghan Trainor re-entered the pop world with a blazing hit, “Made You Look,” which made its rounds on TikTok thanks to a viral dance trend started by users Brookie and Jessie.

“It was one of the last songs I wrote for the album,” the star previously told Billboard of the track, which appears on her recent LP Takin’ it Back. “I knew I needed my self-confident banger that I always do on my albums, and I was really studying “All About That Bass.” I was like, “Why did this work so well?” I think everyone just loves to sing along to a song that’s like, “I am awesome, I am the sh-t, I am hot.” Especially after having a baby, I was already struggling to love my body. I was covered in a C-section scar crossing over all my stretch marks and I was really struggling to like myself, but also like myself in front of my own husband.

If you need a guide to follow along with Meghan Trainor’s “Made You Look,” find the lyrics below:

I could have my Gucci on
I could wear my Louis Vuitton
But even with nothin’ on
Bet I made you look (I made you look)

I’ll make you double take soon as I walk away
Call up your chiropractor just in case your neck break
Ooh, tell me what you, what you, what you gon’ do, ooh
‘Cause I’m ’bout to make a scene, double up that sunscreen
I’m ’bout to turn the heat up, gonna make your glasses steam
Ooh, tell me what you, what you, what you gon’ do, ooh

When I do my walk, walk (oh)
I can guarantee your jaw will drop, drop (oh)
‘Cause they don’t make a lot of what I got, got (ah, ah)
Ladies if you feel me, this your bop, bop (bop-bop-bop)

I could have my Gucci on (Gucci on)
I could wear my Louis Vuitton
But even with nothin’ on
Bet I made you look (I made you look)
Yeah, I look good in my Versace dress (take it off)
But I’m hotter when my morning hair’s a mess
‘Cause even with my hoodie on
Bet I made you look (I made you look)
Mhm-hm-hm

And once you get a taste (woo), you’ll never be the same
This ain’t that ordinary, this that 14 karat cake
Ooh, tell me what you, what you, what you gon’ do, ooh (what you gon’ do, ooh, ooh)

When I do my walk, walk (oh)
I can guarantee your jaw will drop, drop (oh) (I guarantee your jaw will drop, drop)
‘Cause they don’t make a lot of what I got, got (ah, ah)
Ladies if you feel me, this your bop, bop (bop-bop-bop)

Oh, I could have my Gucci on (Gucci on)
I could wear my Louis Vuitton
But even with nothin’ on
Bet I made you look (said, I made you look)
Yeah, I look good in my Versace dress (take it off, baby)
But I’m hotter when my morning hair’s a mess
‘Cause even with my hoodie on
Bet I made you look (said, I made you look)

Lyrics licensed & provided by LyricFind

Lyrics © DistroKid, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.

Written by: Luis Federico Vindver Arosa, Meghan Trainor, Sean Maxwell Douglas

SZA got vengeful in her SOS fan favorite track, “Kill Bill,” in which she executes a murder of her ex-boyfriend and his new girlfriend.

The album, which bowed at No. 1 on the Billboard 200 dated Dec. 24, landed comfortably in the top spot for a third week on Jan. 7. Meanwhile, “Kill Bill” remains just outside of the top 10 of the Billboard Hot 100, two weeks after scoring the album’s highest debut on the chart with its No. 3 entrance.

If you need a guide to follow along with SZA’s “Kill Bill,” find the lyrics below:

I’m still a fan even though I was salty
Hate to see you with some other broad, know you happy
Hate to see you happy if I’m not the one driving
I’m so mature, I’m so mature, I’m so mature
Got me a therapist to tell me there’s other men
I don’t want none, I just want you
If I can’t have you, no one should

I might
I might kill my ex
Not the best idea
His new girlfriend’s next
How’d I get here?
I might kill my ex
I still love him though
Rather be in jail than alone

I get the sense that it’s a lost cause
I get the sense that you might really love her
The text gon’ be evidence, this text is evidence
I tried to ration with you, no murders or crime of passion
But damn, you was out of reach
You was at the farmers market with your perfect peach
Now I’m in amazement, planning home invasion
Now you laying facedown
Got me singing over a beat

I’m so mature, I’m so mature, I’m so mature
Got me a therapist to tell me there’s other men
I don’t want none, I just want you
If I can’t have you, no one will (I might)

I might kill my ex
Not the best idea
His new girlfriend’s next
How’d I get here?
I might kill my ex
I still love him though
Rather be in jail than alone

I did it all for love (love)
I did it all on no drugs (drugs)
I did all of this sober
I did it all for us, oh

I did it all for love (love)
I did all of this on no drugs (drugs)
I did all of this sober
Don’t you know I did it all for us? (I’ll kill your ex tonight)

Oh
I just killed my ex
Not the best idea (idea)
Killed his girlfriend next
How’d I get here?
I just killed my ex
I still love him though (I do)
Rather be in hell than alone

Lyrics licensed & provided by LyricFind

Lyrics © Universal Music Publishing Group

Written by: Solana Imani Rowe

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Luke Combs released his most recent project, Growin’ Up, in 2022, but the singer-songwriter has plenty more songs in the tank — so much so that he’s releasing a new album March 24, with a hefty 18 songs. The upcoming set will mark the reigning Country Music Association entertainer of the year’s fourth full-length studio album.

Though no track list has been released for the album, it’s a fair bet that the upcoming project will include many songs written by the prolific Combs himself. He previously told Billboard that though he’s not opposed to recording songs by outside writers (and indeed, recorded an outside song during the process of making Growin’ Up, though it did not make the final track list), “I just like that part of it so much, the writing thing. I’m sure that my albums would probably be even more successful if I cut outside songs because [there are] songwriters a lot better than I am, but I just can’t bring myself to do it.”

As is his custom, Combs has regularly been sharing snippets of new music on social media, with songs including “Tattoo on a Sunburn.”

Growin’ Up is nominated for best country album at the upcoming Grammy Awards on Feb. 5, which are slated to be held at Crypto.com Arena in Los Angeles. He’s also nominated for best country duo/group performance, for “Outrunnin’ Your Memory” with Miranda Lambert, as well as best country song (“Doin’ This,” which he wrote with Drew Parker and Robert Williford). Growin’ Up also landed on Billboard‘s list of the best albums of 2022, as well as Billboard‘s list of the best country albums of 2022.

A prominent ’90s hip-hop duo is suing Universal Music Group for withholding royalties tied to what they’re alleging is a “sweetheart” deal the label reached with Spotify in the late 2000s.

Filed Wednesday (Jan. 4) in U.S. district court in New York by attorneys representing Andres Titus (Dres) and William McLean (Mista Lawnge), members of the hip-hop duo Black Sheep, the lawsuit claims UMG owes its artists approximately $750 million in royalties deriving from the company’s stock in Spotify. Under a licensing deal they claim UMG and the streaming giant reached in 2008, the label agreed to receive lower royalty payments in exchange for equity in the then-nascent streaming company. But Titus and McLean say the label breached their contract with Black Sheep and other artists by withholding what they argue is the artists’ rightful 50% share of UMG’s now-lucrative Spotify stock — and otherwise failing to compensate them for the lower royalty payments they received as a result of the alleged deal.

“Rather than distribute to artists their 50% of Spotify stock or pay artists their true and accurate royalty payments, for years Universal shortchanged artists and deprived Plaintiffs and Class Members of the full royalty payments they were owed under Universal’s contract,” the complaint reads. Titus and McLean further claim that Universal deliberately omitted from royalty statements both the company’s ownership of Spotify stock and the lower streaming royalty payments that resulted from its alleged deal with the streaming service.

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“Over time, the value of the Spotify stock that Universal improperly withheld from artists has ballooned to hundreds of millions of dollars,” the complaint continues. “These and the other wrongful conduct detailed herein resulted in the Company’s breaching its contracts with artists, violating the covenant of good faith and fair dealing that is implicit in those contracts, and unjust enrichment at the expense of its artists.”

In a statement sent to Billboard, a UMG spokesperson denied Titus and McLean’s claims: “Universal Music Group’s innovative leadership has led to the renewed growth of the music ecosystem to the benefit of recording artists, songwriters and creators around the world. UMG has a well-established track record of fighting for artist compensation and the claim that it would take equity at the expense of artist compensation is patently false and absurd. Given that this is pending litigation, we cannot comment on all aspects of the complaint.”

According to the lawsuit, Titus and McLean signed a record contract with Polygram in July 1990 (later amended and revised in July 1991) as Black Sheep — the duo best known for the hit rap single “The Choice Is Yours (Revisited)” from their RIAA Gold-selling 1991 album A Wolf in Sheep’s Clothing. Black Sheep’s record contract was then assumed by UMG after the company merged with Polygram in 1998.

UMG acquired just over 5% of Spotify shares “in or around the summer of 2008” in a licensing agreement in exchange for lower royalty payments, the complaint adds, citing a 2018 Music Business Worldwide report. It claims that Universal acquired additional Spotify shares through its 2011 purchase of EMI, which had acquired shares in the streaming company around the same time, the suit alleges. It then cites UMG’s own prospectus, released in September 2021, revealing that the label held roughly 6.49 million, or roughly 3.35%, of Spotify shares as of June 30, 2021, valued at 1.475 billion euros ($1.79 billion).

It’s worth noting that UMG’s stake in Spotify has become significantly less lucrative since June 30, 2021, however. As of Wednesday’s closing price, UMG’s stake in Spotify is now worth just $560 million — the result of Spotify shares falling 70.5% over the past 18 months. Notably, Spotify isn’t the only streaming service UMG has equity in; according to the same prospectus, it also owns 0.73% of Tencent Music Entertainment shares, a stake that’s currently worth $112.5 million.

Included as an exhibit in the complaint is Black Sheep’s amended July 1991 contract with Polygram, which states that royalties paid to Titus and McLean “‘shall be a sum equal to fifty percent (50%) of [Universal’s] net receipts with respect to’ the ‘exploitation’ for any ‘use or exploitation’ of ‘Master Recordings’ created by Plaintiffs.” The plaintiffs claim they and other UMG artists are thereby entitled to 50% of the labels’ Spotify stock but that UMG has failed to pay it. This demand stems from a couple of broad assumptions: that all artists in the class signed similar contracts and that they were similarly not compensated with a portion of UMG’s stock holdings in Spotify.

The plaintiffs are asking for compensatory damages, punitive damages and an injunction “or other appropriate equitable relief” requiring UMG “to refrain from engaging in deceptive practices” as outlined in the lawsuit.

UMG isn’t alone among the major labels in acquiring Spotify stock — both Sony and Warner Music, as well as indie Merlin, also have or had stakes in the company. In May 2018, Sony sold half of its 5.707% stake in Spotify for an estimated $761 million, while that same month Merlin announced it sold its entire stake for an unknown amount and had shared the proceeds with its members. Warner followed suit in August 2018 when it sold its entire 2% stake in the streamer for $504 million, with the company announcing that around $126 million of the proceeds would be paid out to the company’s artists.

UMG has yet to sell any of its stock in the streaming giant.

-Additional reporting by Glenn Peoples

You can read the full lawsuit below.