Kelly Clarkson put her own spin on a dance track, proving she really can sing any genre.

For her popular “Kellyoke” segment on Tuesday (May 17), the singer performed David Guetta, Galantis and Little Mix’s 2021 collaboration, “Heartbreak Anthem,” on her eponymous talk show.

“This ain’t a heartbreak anthem / I don’t care what happened / But I ain’t got no time to dwell on it,” Clarkson, dressed in a floral maxi dress complete with a smokey eye makeup look, belted in the sleek pop chorus.

The song, which was recorded before the coronavirus pandemic, before ultimately getting released over a year later, peaked at No. 6 on Billboard’s Hot Dance/Electronic Songs chart dated July 10, 2021 and spent 26 weeks total on the chart.

Other recent “Kellyoke” picks by the American Idol champ-turned-The Voice coach include Stevie Nicks’ classic “Edge of Seventeen,” Kool & the Gang’s “Get Down On It,” A Flock of Seagulls’ “I Ran (So Far Away)” and her very own “All I Ever Wanted,” which served as the title track to her 2009 album of the same name.

Watch Kelly Clarkson perform “Heartbreak Anthem” below.

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Spanish star Rosalía stars in the latest SKIMS campaign, marking her fashion partnership debut in the brand’s Cotton Collection. The partnership between the “Saoko” singer also marks a first for SKIMS as this becomes their first bilingual campaign with content distributed in both Spanish and English.

Machine Gun Kelly‘s Mainstream Sellout album closer, “Twin Flame,” is a sweet ode to the love of his life, Megan Fox.

The rocker performed the ballad at the 2022 Billboard Music Awards on Sunday night (May 15), wishing the Jennifer’s Body actress, whom he affectionately called his “wife,” a happy birthday, as she turned 36 the next day.

If you need a guide to follow along with Machine Gun Kelly’s “Twin Flame,” find the lyrics below:

Yeah
It’s been six days since the last time
I saw your face and you asked my sign
I told you mine, I questioned why
And you said, “Everything’s aligned”
On the first day, you told me
I was your twin flame from a past life
And tonight, the moon is full
So take me anywhere outside
I cannot kiss you yet, you’re magic
So I’ll just stare at you instead
I get insecure and panic
‘Cause I know you’re too pure for this

You’re too good for me
I’m too bad to keep
I’m too sad, lonely
I want you only

Ayy
I got six ways to say that I
Fell in love with you at first sight
I wish that I could frame the way
You look at me with those eyes
Freeze time, baby, rewind
Maybe ask you earlier, “Be mine”
See, I didn’t understand
Deja vu ’til I met you

You’re too good for me
I’m too bad to keep
I’m too sad, lonely
I want you only
You’re too good for me
I’m too bad to keep
I’m too sad, lonely
I want you only

I feel like, um, just leaving here, and
(You feel like what?)
Me and you could just drive somewhere, could just leave
(In this film I know) (okay, I love you)
(There’s no happy endings) I love you
(In this film I know)
(There’s no happy endings)

Go to sleep
I’ll see you in my dreams
This changes everything
Now I have to set you free

Lyrics licensed & provided by LyricFind

Lyrics © Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.

Written by: Richard Colson Baker, Nicholas Alex Long, Omer Fedi, Travis L. Barker

The effects of government intervention on Tencent Music Entertainment, the leading music streaming platform in China, were visible in the first quarter as the company’s revenues dropped 15.1% to RMB 6.64 billion ($1.05 billion) from the prior-year period. Shenzhen-based TME operates QQ Music, Kugou Music, Kuwo Music and WeSing.

In a statement, executive chairman Cussion Pang attributed the decline to “headwinds in an evolving market landscape,” a reference to the difficulties created by increased Chinese regulations and increased competition from Cloud Village, the music streaming platform spun off by Netease in Dec. 2021, and Quishiu Yinyue, a new music service by Douyin, the Chinese version of short-form video platform TikTok.

 

The quarterly report's bright spot was music subscriptions: Paying customers rose 31.7% to 80.2 million from the prior-year period, primarily due to content, services, promotions and "improvement in paying user loyalty," stated TME. Subscriptions now account for 13.3% of mobile monthly active users, up from 9.9% a year earlier. However, following a trend seen at other music platforms, each TME subscriber paid less in the first quarter, with monthly average revenue per user falling 10.8% to RMB 8.3 ($1.22) in the prior-year period, primarily due to "promotions offered to attract users," according to TME.

But TME suffered another decline in users of its mobile music apps. In the first quarter, music MAUs dropped 1.9% year-over-year to 604 million, after falling from 636 million in the third quarter of 2021 to 615 million in the fourth quarter. The annual decline in music mobile MAUs was primarily churn of casual users and reduced marketing spend.

Advertising revenues fell year over year "due to the impact from industry adjustments on splash ads and the COVID-19 pandemic in some major cities," the company stated. Especially popular in China, a splash ad is an all-encompassing form of advertising that appears on a screen for a few seconds after an app is launched. In November, China's State Administration of Market Regulation proposed new rules for online advertising namely live streaming platforms that promote goods or services that ensure ads do not mislead users or interfere with normal internet use. In addition, online platforms must create a system for registering advertisers and reviewing ads' content.

Gross margin fell 24.6% to RMB 1.86 billion ($293 million). As a percent of revenue, gross margin fell to 28.0% from 31.5% in the prior-year period. Pang pointed to TME's "efforts to optimize cost structure and improve operating efficiency." While cost of revenues did decrease 7.7% year-over-year, that was lower than the 12.3% decline in revenue. Net profit was RMB 649 million ($102 million), down 31.5% from the prior-year period.

TME's social entertainment business fell across most metrics from the first quarter of 2021: Revenue dropped 18.1% to RMB 6.6 billion ($635 million) and paying users declined 26.5% to 8.3 million. Social entertainment's ARPU increased 8.1% to RMB 161.8 ($23.84). The company said it is improving the competitiveness of its social entertainment division through audio live streaming, virtual interactive product offerings and international expansion. Live streaming in particular got more difficult last week, however, after Chinese regulators banned minors under 16 from buying and sending virtual gifts — a common way to tip content creators on live streaming platforms. 

In China, a music platform can no longer differentiate itself through exclusive licensing agreements that give a deep-pocketed music company an advantage over its competitors. So, TME and other platforms emphasize original content and tools for independent musicians to expand their audiences. Over the last 12 months, TME distributed over RMB 200 million ($29.5 million) on the Tencent Musician Platform, a suite of self-service tools for independent artists that attracted over 100,000 creators in the quarter.

"In an era of increasing entertainment choices, the ability to sustain a competitive advantage is awarded to those who offer users a differentiated experience," said Pang. "We are encouraged by the increasing benefits our original content production investments and Tencent Musician Platform have brought to our users, musicians and the overall content ecosystem. With these initiatives, we continue to make critical investments that align with our long-term strategic goals and create sustainable value for all our music stakeholders."

TME's share price rose more than 1% to $4.20 in after-hours trading following the earnings release. TME shares rebounded from a low of $2.95 on March 14 but have remained depressed following numerous Chinese regulator interventions in 2021. In addition, investors view TME and other Chinese stocks with uncertainty due to the Holding Foreign Companies Accountable Act, a 2020 U.S. law that de-lists foreign corporations listed on U.S. exchanges that do not submit to financial auditing by the Public Company Accounting Oversight Board. TME trades on the New York Stock Exchange.

Financial metrics

  • Revenue: RMB 6.64 billion ($1.05 billion), -15.1% y/y
  • Gross profit: RMB 1.86 billion ($293 million), -24.6% y/y
  • Gross margin percentage: 28.0%, down from 31.5% y/y
  • Net profit: RMB 649 million ($102 million), -33.7% y/y

User metrics

  • Online music MAUs: 604 million, -1.8% y/y
  • Social entertainment MAUs: 162 million, -27.7% y/y
  • Online music subscribers: 80.2 million, +31.7% y/y
  • Social entertainment subscribers: 8.3 million, -26.5% y/y
  • Online music monthly ARPU: RMB 8.3 ($1.22), -10.8% y/y
  • Social entertainment monthly ARPU: RMB 161.8 ($23.84), +8.1% y/y

Jungkook is looking smooth like butter with his new mullet, which he showed off in a Twitter ad by vacuum company Coway.

In the 25-second video released on Monday (May 16), all seven members of BTS are dressed in sleek white suits, with Jungkook hanging out on a couch with his shoulder-length new ‘do.

As expected, the ARMY was loving the mullet on Twitter, though eagle-eyed and longtime fans have pointed out that the star has rocked the 80s-inspired hairstyle before, proving that he truly looks good in anything.

Jungkook’s style switch-up comes less than a month before BTS is set to release Proof, an anthology of the Grammy-nominated group’s most notable songs from throughout their career, plus a few new tracks. One of those new tracks, “Yet to Come,” will be released on June 8. The official video for the lead single will arrive on June 10.

The new anthology, which is also out on June 10, follows the 2020 full length album Be, which marked BTS’ fifth No. 1 album on the Billboard 200 chart. Be was also the second chart-topper of 2020 for the pop group, following Map of the Soul: 7, which debuted at No. 1 on the chart dated March 7.

While waiting for Proof to arrive, see below for some of the best reactions to Jungkook’s new mullet.

Ukrainian artist Max Barskih talks about the Ukrainian-Russian war going on, pulling his music from Russia, dealing with negative Russian fan reactions, and more backstage at MusicCon 2022.