Which songs play when World Cup stars are celebrating scoring a goal? Each country seems to have their own preference.
FBI Director Chris Wray is raising national security concerns about TikTok, warning Friday that control of the popular video sharing app is in the hands of a Chinese government “that doesn’t share our values.”
Wray said the FBI was concerned that the Chinese had the ability to control the app’s recommendation algorithm, “which allows them to manipulate content, and if they want to, to use it for influence operations.” He also asserted that China could use the app to collect data on its users that could be used for traditional espionage operations.
“All of these things are in the hands of a government that doesn’t share our values, and that has a mission that’s very much at odds with what’s in the best interests of the United States. That should concern us,” Wray told an audience at the University of Michigan’s Gerald R. Ford School of Public Policy.
Those concerns are similar to ones he raised during congressional appearances last month when the issue came up. And they’re being voiced during ongoing dialogue in Washington about the app.
Concerned about China’s influence over TikTok, the Trump administration in 2020 threatened to ban the app within the U.S. and pressured ByteDance to sell TikTok to a U.S. company. U.S. officials and the company are now in talks over a possible agreement that would resolve American security concerns, a process that Wray said was taking place across U.S. government agencies.
“As Director Wray has previously said, the FBI’s input is being considered as part of our ongoing negotiations with the U.S. Government,” TikTok spokesperson Brooke Oberwetter said in an emailed statement. “While we can’t comment on the specifics of those confidential discussions, we are confident that we are on a path to fully satisfy all reasonable U.S. national security concerns and have already made significant strides toward implementing those solutions.”
TikTok is owned by Beijing-based ByteDance. The TikTok statement Friday noted that ByteDance is a private company and that “TikTok Inc., which offers the TikTok service in the United States, is a U.S. company bound by U.S. laws.”
At a Senate hearing in September, TikTok Chief Operating Officer Vanessa Pappas responded to questions from members of both parties by saying that the company protects all data from American users and that Chinese government officials have no access to it.
“We will never share data, period,” Pappas said.
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One of K-pop’s most famous love stories ended after HyunA and Dawn shared that they had broken up after six years of dating but remain friendly.
On Nov. 30, HyunA shared a post on Instagram announcing the breakup. The starlet shared that the couple broke up but decided to remain good friends and colleagues moving forward. HyunA thanked fans for their support.
Dawn followed up with his own statement on Instagram to denounce a comment meant to look like it was written by the singer-rapper and former boy band member insinuating his ex was meeting other men and hiding other secrets about her past. The 28-year-old shared that he would be taking legal action against the original person who spread the rumor and those sharing the information. Dawn also doubled down on his affection for HyunA, saying she remains precious to him and an artist he loves despite the breakup.
After beginning to secretly date when HyunA and Dawn were first recording as part of the K-pop trio Triple H (alongside Dawn’s former bandmate Hui) in 2016, the couple’s rumored relationship broke through local Korean media in August 2018. Both artists’ label management at the time, Cube Entertainment, denied the news. Still, HyunA and Dawn met with the Korean news agency Yonhap, without their label’s consent, to confirm their relationship of more than two years. In response, Cube canceled the surrounding promotion around a new Triple H album and terminated the artists’ contracts by September. The string of events garnered international news coverage, with many fans divided about the artists’ and label’s decisions in handling the news, alongside a sea of social-media support behind the K-pop stars standing up for their relationship.
By 2019, HyunA and Dawn both signed as new artists to PSY‘s recently launched P NATION label. PSY told Billboard that year how HyunA was vital in getting Dawn a deal with the label. The “Gangnam Style” singer also laughed when describing the “strange” couple, sharing how “they dance together, they write songs together, and they compete with each other… it’s very creative.”
Under P NATION, HyunA returned to the top of the charts with multiple EPs, along with the hit single “I’m Not Cool,” while Dawn released his first solo songs including “Money” and “Dawndididawn.” Under their new label, the two broke new ground in the K-pop industry in 2021 by releasing a joint EP under the name “HyunA&Dawn” with the single “Ping Pong”; its music video boasts more than 110 million views to date. The couple was said to be engaged when they showed off matching rings on an Instagram post in February this year, where Dawn commented, “MARRY ME.” HyunA wrote, “Of course, it’s a yes,” in a post now deleted from her account.
Dating is typically considered taboo in the K-pop industry, with some artists contractually required to refrain from dating. While relationships going public have rocked some K-pop careers, the attitude around these couples appears to be slowly changing from the fan, artist and management level. Industry leaders like HYBE and YG Entertainment have recently refused to comment on relationship rumors between their artists, citing the singer’s private lives. At the same time, HyunA and Dawn booked magazine covers and photo shoots together being openly affectionate with one another. Not to mention, the millions of social-media followers supporting the many updates and photos of HyunA and Dawn — including thousands of comments sending their good wishes on the couple’s breakup posts — point to a future where dating may not be so off-limits or controversial in K-pop.
One of the biggest girl groups in K-pop history has returned to celebrate their milestone 15th anniversary while also including a touching tribute to their late member.
KARA made their comeback with a new, four-song EP titled Move Again with members Gyuri, Seungyeon, Nicole, Jiyoung and Youngji taking part. The release is centered on the new single “When I Move,” which sees the girl group step right back into their signature mix of modern and vintage dance sounds heard in some of their biggest singles like “Honey,” “Step” and “Pandora.”
While KARA went through some lineup changes during their time, the outfit’s return to music after seven-a-half-years marks the first release where newest member Youngji (who joined the group in 2014) is performing alongside Nicole and Jiyoung (who both exited the group that same year). Notably, it is also the first KARA release not to include Goo Hara, who was found dead in her Seoul home in 2019 at age 28.
But the memory of Hara lives on in KARA with the accompanying music video for “When I Move.” Tributes to the late singer appear throughout the visual, like the sixth table setting during a scene where the members celebrate the 15th anniversary with cake and champagne. At the end of the video credits, six microphone stands are shown onstage, symbolizing Hara as an eternal group member.
KARA returned to the stage this week at the 2022 MAMA Awards held in Japan, a suitable place for their comeback performance as the group was a pioneer in helping K-pop cross over into the lucrative Japanese market during the ’10s.
Gyuri, Seungyeon, Nicole, Jiyoung and Youngji performed a medley of classic KARA hits including “Lupin,” “Step” and “Mister” (that had K-pop stars in attendance like TREASURE, Kep1er and NMIXX singing and dancing along) before giving the live debut of “When I Move.” Montage videos detailing the group’s history from debut to today with personal photos, classic TV clips, and reflections from the group on their worries and excitement about returning to the stage introduced both performances.
While next week will determine where KARA return on the Billboard charts, the group’s chart legacy includes three hits on World Digital Song Sales (peaking with 2015’s “Cupid” that reached No. 12) and multiple entries on the K-Pop Hot 100 and Japan Hot 100 (including two No. 1s on the latter with 2012’s “Electric Boy” and 2013’s “Thank You Summer Love”).
The first trailer for Guardians of the Galaxy Vol. 3 marks the end of an era for Marvel.
The film is the final adventure of this iteration of the cosmic team, and it is also a final Marvel bow for James Gunn, who has departed the MCU to take a job as a top executive at DC Studios, where he co-runs its film, TV and animation efforts.
Guardians of the Galaxy Vol. 3 stars Chris Pratt, Zoe Saldaña, Dave Bautista, Karen Gillan, Pom Klementieff, Sean Gunn, Bradley Cooper and Vin Diesel, and introduces the character Adam Warlock, played by Will Poulter.
The first Guardians of the Galaxy was a game-changer for Marvel, which had already made $1 billion brands out of so-called “B-level” characters such as Iron Man. But 2014’s Guardians took that formula to new heights, turning obscure characters into a global brand. The film, which earned $773.3 million internationally, ushered in an era in which quirky filmmakers such as Gunn put their own stamps on Marvel properties. A sequel followed in 2017, with the third eyed for 2020 before Gunn was fired from the property over old, offensive tweets before eventually being reinstated.
The Guardians, and the voice Gunn established, have been important to Marvel in between Vols. 2 and 3. The characters appeared in Avengers: Infinity War (2018), Avengers: Endgame (2019), Thor: Love and Thunder (2022) and The Guardians of the Galaxy Holiday Special, released last month on Disney+.
Guardians of the Galaxy Vol. 3 debuts May 5, 2023. The new trailer is soundtracked by the 1996 top 40 Billboard Hot 100 hit “In the Meantime,” by (appropriate to the intergalactic films) Spacehog.
The soundtracks to the first two installments in the Guardians of the Galaxy franchise, both of which were studded with carefully curated 1970s pop gems, were both big hits. Guardians of the Galaxy: Awesome Mix Vol. 1, which featured such hits as Blue Swede’s “Hooked on a Feeling” and Redbone’s “Come and Get Your Love,” topped the Billboard 200 for two consecutive weeks in August 2014. Guardians of the Galaxy: Awesome Mix Vol. 2, which contained such hits as ELO’s “Mr. Blue Sky” and Looking Glass’ “Brandy (You’re a Fine Girl),” reached No. 4 in 2017.
This article was originally published by The Hollywood Reporter.
BLACKPINK in your area! After launching their hotly anticipated Born Pink World Tour in Seoul, the girl group headed to North America for a run of 14 concerts that ended Nov. 19 and 20 with back-to-back shows in Los Angeles.
Taking over Banc of California Stadium, Jisoo, Rosé, Lisa and Jennie shut it down time and time again over the course of their two-hour set, electrifying the stadium full of ecstatic Blinks with hits like “Kill This Love,” “How You Like That,” “Whistle” and “Pink Venom.”
Whether they were running through fan favorites like “Savage Love” and “Ddu-Du Ddu-Du” or live-debuting Born Pink album cuts like “Typa Girl” and “Tally,” the idols demonstrated that their live show has only gotten better and more refined since the release of their debut LP The Album in 2020 and their 2021 online concert BLACKPINK: The Show.
Each of the members also shone during their own solo sets, with Jisoo bringing out Camila Cabello to duet on the latter’s 2019 single “Liar,” Jennie teasing a yet-to-be-released track with a shadowy dance number, Rosé delivering a one-two punch with “On the Ground” and Born Pink solo cut “Hard to Love,” and Lisa combining her pole-dancing prowess and undeniable star power on “Lalisa” and “Money.”
Below, Billboard was on the ground for BLACKPINK’s two L.A. shows. Click through for some of the best photos from the concerts.
