When the 2023 Grammy nominations were unveiled on Tuesday (Nov. 15), there were a lot of names we were expecting in the Big Four categories, including leading nominees Beyoncé (9), Kendrick Lamar (8), and Grammy faves Adele and Brandi Carlile (7 each).
But there were also some names we weren’t expecting – or hadn’t even seen before, especially in the best new artist field. On the new Billboard Pop Shop Podcast (listen below), Katie & Keith are joined by Pop Shop founder Jason Lipshutz to share our fast first impressions of the top categories: record of the year, album of the year, song of the year and best new artist.
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Listen below to get our hot takes:
Also on the show, we’ve got chart news on how Drake and 21 Savage team up for the year’s biggest hip-hop debut as Her Loss starts atop the Billboard 200 and gives Drake his 12th No. 1 album. Plus, Taylor Swift stays put atop the Billboard Hot 100 songs chart with “Anti Hero,” while eight songs from Her Loss start in the top 10.
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard‘s senior director of charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2022-11-16 03:18:302022-11-16 03:18:302023 Grammy Nominations: Our Fast First Impressions of the Big Four
Puerto Rican producer Mora notches his third top 10 on Billboard’s Top Latin Albums chart as his third-studio album Paraíso, debuts at No. 4 on the Nov. 19-dated list. The set was released Nov. 3 via Rimas Entertainment.
Paraíso earned 9,000 equivalent album units after its first full tracking week ending Nov. 10, according to Luminate. Most of the set’s opening sum stems from streaming-equivalent album units. That sum equals 12.8 million official on-demand streams of the album’s songs.
On the multimetric Top Latin Albums chart each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
The 26-year-old, born Gabriel Mora Quintero, debuts in the top 10 on Top Latin Albums mirroring his predecessor effort Microdosis. His sophomore studio album likewise launched at No. 4 (April 16-dated ranking) and held in the upper region for two weeks within its 34-week period and counting (No. 44 on the current list). Previously, Mora secured a first top 10 through his album debut Primer Día de Clases (No. 7 high in 2021).
Elsewhere, Paraíso arrives at No. 3 on Latin Rhythm Albums, also his third straight top 10 there. Further, it grants Mora his second and highest entry on Billboard 200, debuting at No. 114.
Unlike Mora’s previous efforts, the 14-track set parades through his usual reggaetón mold, yet it also dives into dance-styled and pop-peppered tunes, products of his long stay in Europe (in support of his last project, Microdosis) induced mainly by Ibiza’s “party vibe,” as he’s referred to. The album features an amalgam of artists: De La Ghetto, Quevedo, Danny Ocean, YOVNCHIMI and paopao.
As Paraíso launches, two of its songs debut on the all-metric Hot Latin Songs chart, which blends airplay, streams and digital sales: “Domingo de Bote” at No. 34, and “Modelito,” with YOVNCHIMI, at No. 42.
“Domingo de Bote” leads in streams, with 1.74 million official on-demand streams in the week. Meanwhile, “Modelito” generated 1.49 million in its first week.
On the Global front, “Domingo” debuts at No. 193 on the Billboard Global Excl. U.S. chart. Meanwhile, “Apa,” with Quevedo,” yields a better start, at No. 132, while locks the album’s only entry on the Billboard Global 200 tally, at No. 198.
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A fight over jobs, the environment and expanding development into areas most at risk from climate change is coming to a head on Tuesday, as Miami-Dade County Mayor Daniella Levine … Click to Continue »
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Despite pounding parts of the East Coast, Hurricane Nicole will not hit Florida’s insurance market as hard as Hurricane Ian. CoreLogic, a property-information and analytics firm, released an early estimate … Click to Continue »
A federal judge dismissed a lawsuit by former Trump Organization lawyer Michael Cohen accusing the U.S. government and former President Donald Trump of retaliating against him for publishing a book. … Click to Continue »
Administrators of Florida’s long-troubled compensation fund for infants born with catastrophic brain injuries have resolved one of the program’s thorniest and longest-standing disputes: the claim that they avoided hundreds of … Click to Continue »
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https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2022-11-15 03:18:402022-11-15 03:18:4021 Savage Says Nas Isn’t Relevant In Recent Interview | Billboard News
A tourism minister for the Bahamas is throwing cold water on Billy McFarland‘s comeback plans. In a statement Monday (Nov. 14), Chester Cooper, the country’s Deputy Prime Minister for Tourism, said that the creator of the disastrous Fyre Festival is still considered a “fugitive” in the country and that anyone knowing his whereabouts should contact the Royal Bahamian Police Force. In response, McFarland issued a letter to the Bahamian government later that day apologizing for Fyre Fest and promising, “I will spend the rest of my life working to right my wrongs.”
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The news — first reported by local newspaper The Tribune— comes after McFarland was earlier this year released from prison and later home confinement for crimes he committed while raising money for the 2017 festival. Last month, McFarland released a video on TikTok teasing out a new Bahamas-based project that would be promoted through a treasure hunt set to begin this week on the Caribbean island nation.
“The public is advised that no application has been made to the Government for consideration of any event promoted by Billy McFarland or any entity or parties known to be associated with him,” said Cooper in a statement. “McFarland was the organizer of the Fyre Festival several years ago, a notorious charade for which McFarland was convicted and sent to prison in the USA.
“The Government of The Bahamas will not endorse or approve any event in The Bahamas associated with him.
“He is considered to be a fugitive, with several pending complaints made against him with the Royal Bahamas Police Force (RBPF).”
McFarland first announced his plans for PYRT on Oct. 24 after serving four years in prison, noting he’s “working on something new” that’s “a little crazier but a whole lot bigger than anything I’ve ever tried before.” In the video announcement, he then flipped a whiteboard to reveal a treasure map taped to the other side and a phone number to call for more information.
In addition to his prison sentence, McFarland was ordered to pay roughly $26 million in restitution for his crimes. In May, his attorney Jason Russo told Billboard that McFarland was focused on finding “the best way to generate income to pay this restitution back and make amends,” adding, “Any new projects that he does become involved in will be done solely for the purpose of generating the restitution for paying back his victims.”
Later Monday, a representative for McFarland provided Billboard with a copy of a letter McFarland says was sent to the Bahamian government in response to Cooper’s statement. In it, he says he has been working to “make amends” with the Bahamian people and pledges to “make these families whole as soon I am allowed.” He goes on to “ask for guidance on whom to speak with to begin my journey to do right by the incredible people of the Bahamas and Family Islands.”
Read it in full here:
Dear Government of The Bahamas,
I am writing to you to profusely apologize for my actions 5 years ago. I was completely wrong and I wholly regret my actions.
I’ve now served my punishment in prison and now that I am out, my main focus is how I can right my wrongs and how I can make the Bahamas and Family Islands, a region I care so deeply about, whole again.
Over the years, and particularly since my release on August 30, I have been in constant touch with the people throughout the Islands. Their generosity and kind hearts have been a constant guide and motivation for me. I have been re-engaging with the families of the islands to see what I can do to begin making amends.
I don’t have much right now, but I am committed to make these families whole as soon I am allowed. I ask for guidance on whom to speak with to begin my journey to do right by the incredible people of the Bahamas and Family Islands.
I truly acknowledge the hurt I caused to the people, and region, and I will spend the rest of my life working to right my wrongs.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2022-11-15 03:18:402022-11-15 03:18:40Billy McFarland Still Considered ‘Fugitive’ for Fyre Fest Disaster, Says Bahamian Tourism Minister
The ongoing legal battle between Megan Thee Stallion and her label 1501 Certified Entertainment has taken another nasty turn around this weekend’s American Music Awards.
According to court documents obtained by Billboard, the “Savage” rapper (born Megan Pete) was granted a restraining order against 1501, along with her distributor 300 Entertainment, after claiming 1501 “unlawfully” took steps “to block or interfere with Pete exploiting, licensing, or publishing her music” in the lead-up to the upcoming AMAs on Sunday (Nov. 20). Filed in Harris County District Court in Texas, the order says Megan “provided evidence” that the company “recently engaged and will continue to engage in threatening and retaliatory behavior that will irreparably harm” her music career.
Without providing further detail on what 1501 or 300 allegedly did, the court notes that it filed an ex parte order — essentially, a type of emergency order granted without waiting for a response from the other side — “because there was not enough time to give notice to Defendants, hold a hearing, and issue a restraining order before the irreparable injury, loss, or damage would occur.” It adds that voting for the AMAs, where Megan is nominated for favorite female hip-hop artist, closes on Monday night (Nov. 14) at midnight, and that Megan “will suffer irreparable harm if her music cannot be used in conjunction with her promotion for the AMAs.”
Under the order, 1501, 300 and anyone acting “in concert or participation with” them are restricted from “preventing or blocking the use and exploitation” of Megan’s music in promotional content for the AMAs, — including by “threatening or otherwise attempting to intimidate or coerce” third parties not to use it — through Nov. 20. It also sets a hearing on Megan’s restraining order request for Nov. 22.
The restraining order is just the latest volley in a more than two-year-old legal battle that began in 2020 when Megan filed a lawsuit alleging that 1501 founder Carl Crawford tricked her into signing an “unconscionable” record deal in 2018 that was well below industry standards. She claims that upon signing a management deal with Jay-Z‘s Roc Nation the following year, she got “real lawyers” who showed her that the 1501 agreement was “crazy.”
In February, Megan filed a separate lawsuit claiming 1501 had refused to count her 2021 Something for Thee Hotties release as an album — a pivotal definition, as her 1501 deal states that she must produce three albums to fulfill her obligations. 1501 quickly countersued, arguing that Thee Hotties included just 29 minutes of original material and therefore didn’t qualify.
In September, Megan filed yet another lawsuit seeking more than $1 million in damages, claiming that 1501 “systematically failed” to pay her the proper amount of royalties she was owed and had “wrongfully allowed for excessive marketing and promotion charges,” in addition to allegations that the label leaked her most recent album Traumazine. In response, attorneys for the label argued it was actually Megan who had failed to pay 1501 its fair share of money she made from endorsements, partnerships and other business deals, as well as requirements related to publishing royalties. They further added that any claims of underpayment of royalties should be redirected to 300 Entertainment.
Representatives from 1501 and 300 did not immediately respond to Billboard‘s request for comment.
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Harry Styles sat down with the cast and director of My Policeman for a roundtable discussion about the LGTBQ drama, explaining why he was the first to sign on for the Prime Video project.
“I just thought it was a really beautiful script,” the pop star said about his first impressions of the film. “I was really moved by, there’s so many parts of the story that kind of show the great nuances of being a human.”
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During the discussion, director Michael Grandage said the superstar came “phenomenally prepared” for his first day on set, adding, “He’d read it so much. Quite often, directors have to sit opposite actors and convince them to be in things. That’s sometimes how it works. It was really gorgeous being opposite somebody who wanted to play the role and could talk articulately about the role, and already knew bits from the script.”
The sextet of actors who star in the film — Styles and Linus Roache as the younger and older Tom, Emma Corrin and Gina McKee as Marion, and David Dawson and Rupert Everett as Patrick — all take part in the roundtable discussion, and they reveal that Grandage asked them all to meet with their counterparts to discuss their joint roles.
“I was more excited at the premise that I might end up looking like Linus,” Styles deadpanned, to laughter around the table. “I’ll take that ,thank you,” Roache said with a warm grin. “I’m very flattered to be the older Harry Styles!”
Roache said he channeled Styles’ “natural” acting abilities to connect the two Toms, 40 years part.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2022-11-15 03:18:392022-11-15 03:18:39Here’s Why Harry Styles Was ‘Moved’ to Join the LGBTQ+ Drama ‘My Policeman’