Some 15 years after his breakthrough, Jamie T is now a U.K. chart topper.

The Wimbledon-born indie rock artist blasts to No. 1 with The Theory of Whatever (Polydor), for his fifth successive Top 5, following his 2007 debut Panic Prevention (No. 4), 2009’s Kings & Queens (No. 2), 2014’s Carry on the Grudge (No. 4) and 2016’s Trick (No. 3)

Theory is his first leader on the Official U.K. Albums Chart, and it’s the week’s best-seller on wax.

Meanwhile, Jack White also bags a fifth Top 5 entry with Entering Heaven Alive (Third Man), following 2012’s leader Blunderbuss, 2014’s Lazaretto (No. 4), 2018’s Boarding House Reach (No. 5) and his first album release from 2022, Fear of the Dawn (No. 3). Heaven starts at No. 4.

The King is closing in on a return to the U.K. Top 10. Elvis Presley’s career retrospective ELV1S – 30 Number 1 (RCA) lifts 24-13, fueled by Baz Luhrmann’s Elvis biopic. ELV1S topped the chart upon its release in 2002, and is one of the late singing legend’s 53 Top 10 appearances on the U.K. albums tally.

Further down the list, ‘80s pop outfit Bananarama peel away their highest U.K. chart position in 34 years with Masquerade (In Synk), their twelfth studio effort. It’s new at No. 22. Masquerade is the sixth Top 40 appearance for the “Cruel Summer” singers, now a duo of Sara Dallin and Keren Woodward, and the followup to 2019’s In Stereo (peaking at No. 29).

Also new to the chart this week is Brighton indie rock band The Kooks, as Echo in the Dark (Lonely Cat) bows at No. 32. It’s the Kooks’ seventh U.K. Top 40 appearance.

When J-Hope joined the Lollapalooza lineup as a new headliner, the BTS member had already made history as the first Korean artist to headline a major U.S. music festival. But the star didn’t rest on those historic laurels when putting together his 70-minute set.

J-Hope’s headlining set for the famous Chicago festival — nicknamed #HOBIPALOOZA by Twitter fans since its announcement — was a more extensive representation of different aspects that make up the star. Viewers got to see J-Hope’s electrifying onstage persona, his respect for hip-hop, the social messages he believes in, his humility, and much more.

“I pour my heart and my soul into my music,” J-Hope told the crowd early into his set. “Even if we speak different languages, I hope you listen to my story.”

Get a sense of that larger story with 10 standout moments from J-Hope’s history-making set.

1. The literal Jack in the Box introduction

In J-Hope’s first major performance for Jack in the Box, the BTS star kicked off by bringing his solo album to life. After the lyrics of the album “Intro” played across the massive LED screens, fireworks shot into the Chicago night sky, and J-Hope jumped out of his own box to take centerstage of the gigantic Bud Light stage.

2. The live band opening with “More”

Already heavy on the percussion and guitar elements, the opening track “More” was uplifted with the live band backing J-Hope on his Lolla debut. With a bassist, drummer, guitarist and keyboardist behind him, #HOBIPALOOZA was that much more musically special.

3. The cursing!

J-Hope wasn’t just wiling out with his performance, but we got multiple moments where the K-pop star got playful and let his mouth run wild too. Something was so cool but cute, as the star told the crowd, “You guys are f—ing crazy” with a huge smile on his face. The affirming screams all pointed to the crowd loving it as well.

4. A BTS “Cypher” moment

Some of the best moments in a BTS concert are when the group performs one of their “Cypher” tracks, which they’ve recorded since their earliest releases in 2013. J-Hope took it back to the group’s O!RUL8,2? album by performing “BTS Cypher Pt.1” for, as J-Hope said, “the older A.R.M.Y. out there.” But the crowd’s electric reaction as he began showed that everyone enjoyed the inclusion.

5. Paying respect to hip-hop greats

Throughout their careers, BTS has done a great job at showing love to the hip-hop artists that have inspired them. One of the standout tracks on Jack in the Box, “What If…,” samples the classic Ol’ Dirty Bastard single “Shimmy Shimmy Ya,” and J-Hope included a tribute to the late Wu-Tang Clan rapper by showing his picture on stage as the song began.

Later in the set, after performing his solo single “Chicken Noodle Soup,” the K-pop star also shouted out DJ Webstar and Young B, the artists who originally released the song this track samples. J-Hope didn’t just make the night about himself, but about the artists that helped allow him to be on that stage.

6. The social messages in “Equal Sign”

Another standout on Jack in the Box is the anthem “=(Equal Sign)” which includes lyrics like, “Hate’ll paralyze your mind/ Gotta see the other side/ It costs ya nothin’ to be kind.” J-Hope took a mic stand to sing the song centerstage as powerful statements were shown like “All Our Bodies Deserve Respect,” “Why’s It a Crime to Be Different?” and “Let’s Come Together.”

BTS has stood apart from their peers by never shying away from important social messages. It was powerful to see J-Hope sing this track with pertinent messages for the thousands (if not millions, including the live streams) watching him live.

7. His remixed “Dynamite” return

After a quick outfit change, J-Hope popped back on stage (through his onstage jack in the box, once again) with a troupe of dancers for a choreography-heavy performance of the tropical remix to BTS’ Hot 100 No. 1 “Dynamite.” With his backup dancers and during solo moments, J-Hope got to spotlight his dance skills and reset the mood.

8. Becky G‘s surprise appearance

Becky G made a surprise appearance for J-Hope to give the first-ever live performance of their collaboration “Chicken Noodle Soup.” Becky didn’t miss a beat of the trilingual track’s playful choreography and showed why this set was a once-in-a-lifetime moment.

9. Becky’s sweet speech

After their “CNS” performance, Becky G took a moment to show her appreciation for her collaborator. “As an artist, this moment right here means so much to me,” she told the crowd. “So much to me because I’m not only so honored to be here, but also so proud. I’m so proud of you, [J-Hope]; I’m so thankful for our friendship and for this opportunity.”

The tender moment culminated with a big hug between the two, who undoubtedly recognized the importance of this major festival moment as artists who don’t operate in the traditional musical mainstream.

10. Shoutouts to the band, dancers and A.R.M.Y

No one would hold it against J-Hope if he was overwhelmed with emotions or excitement by the end of his set. Still, the star showed his professionalism and humility by making sure to introduce and thank all the members of his band and his dancers, giving them a moment in the spotlight on stage. And, of course, he couldn’t end without thanking his A.R.M.Y. fans, who lit up Chicago’s Grant Park with their lightstick bongs.

Bonus: J-Hope and Jimin’s live stream afterward

After #HOBIPALOOZA and the rest of Lollapalooza officially ended, J-Hope hopped on the group’s V Live account to hold a live stream with fans and BTS member Jimin, who was in attendance in Chicago. Jimin showered his band mate with praise — including pointing out how cool he was for swearing — and the two celebrated the milestone with their fans.

North West brought out her creative and goofy side while hanging out with her mom, Kim Kardashian, on Monday (Aug. 1).

The nine-year-old daughter of the SKIMS founder and Kanye West took part in a TikTok trend in which participants use makeup to transform their subject into a Minion from the Despicable Me franchise.

In the clip shared to the duo’s “Kim and North” TikTok page, North uses colorful makeup palettes and covers her mom’s face in yellow makeup, going on to draw the popular animated characters’ iconic goggles and topping off the look with a shimmery blue lip. Kardashian poses in her glam at the end of the video, throwing up a peace sign and puckering her lips.

“MOMMY MINION,” the reality TV star’s daughter captioned the adorable mother-daughter moment.

Last month, North made headlines when she improvised a straightforward way of telling off photographers at a Paris Fashion Week runway show while seated in the front row with her mom.

In a moment captured by a now viral video from the show, North stares into the camera of one person taking a video of her. Without smiling, she holds up a piece of paper with one word written on it in pencil: “Stop.”

“For anyone who knows North knows how funny she finds this video!” Kardashian wrote about the moment in a July 7 tweet. “North I guess had it with the people taking pictures of her.”

“She wrote on her invite STOP and held it up,” she continued. “And wanted them to just focus on the show.”

Songwriter Diane Warren came under fire on Monday (August 1) after seemingly calling out Beyoncé for her latest album, Renaissance, of which each song has a number of writing credits due to her use of throwback samples and interpolations.

“How can there be 24 writers on a song? [eye roll emoji],” Warren — who has written songs for stars like Cher, Celine Dion and Bey herself — tweeted, before adding, “This isn’t meant as shade, I’m just curious.”

While Beyoncé wasn’t directly mentioned, fans widely believed that the jab was directed towards the 28-time Grammy winner, whose new track “Alien Superstar,” for example, is credited to more than 20 writers.

Singer-songwriter The-Dream chimed in on the heated discussion that ensued in the original tweet’s replies, writing, “You mean how’s does our (Black) culture have so many writers, well it started because we couldn’t afford certain things starting out, so we started sampling and it became an Artform, a major part of the Black Culture (hip hop) in America. Had that era not happen who knows. U good?”

In response, Warren wrote, “I didn’t mean that as an attack or as disrespect. I didn’t know this, thank U for making me aware of it. No need to be mean about it.”

Soon after the backlash, Warren had a change of heart, tweeting out, “Ok, it’s prob samples that add up the ammount of writerrs [sic],” before referring to Bey directly. “Ok, I meant no disrespect to @Beyonce, who I’ve worked with and admire. I’m sorry for the misunderstanding.”

See below.

BLACKPINK announces and teases their highly anticipated world tour, Justin Bieber is back on tour following his health scare, Travis Scott is coming to Las Vegas, Ne-Yo’s wife accuses him of cheating and more

A week after The X Factor showed exactly how the show put together One Direction, the music competition series is sharing the original, extended cut of Harry Styles‘ audition as a solo artist.

Although it was Styles’ soulful, a capella rendition of Stevie Wonder‘s “Isn’t She Lovely” that made it to air back in 2010, he actually first brought a Train song to the stage — and now, that moment has been unearthed and uploaded to YouTube.

The then-16-year-old Styles sang the group’s 2009 earworm “Hey, Soul Sister” for the judges, but Simon Cowell wanted to hear his voice without the distraction of the track.

“I don’t know whether it’s the track that’s throwing you, but can I hear something just you, without any music?” Cowell asked. Styles then launched into the Wonder classic, which ultimately moved him on to the next round.

The previously unseen footage from The X Factor also includes some banter about Styles’ former weekend bakery job — where, he said, Viennese fancies and millionaire’s shortbread were the top picks — and how his “mum’s always” told him he was a good singer.

“I think I could do it, but I think with your help I could be a lot better than I am,” Styles said.

Watch the full audition below.

Kate Bush is still running on Australia’s singles chart, and no one can catch her.

The veteran English singer’s mid-80s classic “Running Up That Hill” (via Warner) reigns supreme over the ARIA Singles Chart for a seventh week, thanks to its appearance in season four of Stranger Things.

Further down the chart, Steve Lacy impacts the Top 5 with “Bad Habit” (RCA/Sony), up 9-5 for a new peak in its third week.

Meanwhile, Central Cee makes his first appearance in the top tier as “Doja” (ADA/Warner) bows at No. 8, for the highest new entry on the current frame.

Also new to the chart this week is Billie Eilish’s “Guitar Songs” release “TV,” part of a two-pack which dropped July 21 and also includes “The 30th.” “TV” is new at No. 23.

Over on the ARIA Albums Chart for the week Aug. 1, 2022, Harry StylesHarry’s House (Columbia/Sony) locks-up another week at No. 1.

Australian country start Amber Lawrence starts at No. 5 on the albums survey with Living For The Highlights (ABC/Orchard), her seventh studio album. It’s the followup to 2019’s Spark, which peaked at No. 13.

A smattering of new releases drop further down the list, including titles by Odesza (The Last Goodbye at No. 22 via Ninja Tune/Inertia), Joey Bada$$ (2000 at No. 41 via Columbia/Sony), Jack White (Entering Heaven Alive at No. 43 via Third Man Records/Orchard), and Alex the Astronaut (How To Grow A Sunflower Underwater at No. 47 via Warner).

Finally, a muddy edition of Splendour in the Grass was just ticket for Tyler, the Creator, who enjoys sales spikes after his headline performance at the three-day fest.

Igor (Columbia/Sony) rises 50-26 and Call Me If You Get Lost (Columbia/Sony) lifts 86-31.

Mark Vaughan lands at Live Nation, where he leads the promoter team for Australia and New Zealand as vice president – talent and artist development.

With effect from Monday (Aug. 1), Vaughan works alongside LN’s existing promoter team to continue to “best serve artists as they hit the road,” reads a statement welcoming the new recruit.

The Australian concerts veteran has spent much of his career in Europe, where he served as partner/promoter at Norway’s All Things Live, said to be the largest independent concert promoter in the Nordics.

At the Oslo-based live music specialist, he worked with such artists as Rammstein, Justin Bieber, Twenty-One Pilots, Kendrick Lamar, Green Day, Shawn Mendes, Lorde and others.

“For a long time I have been closely following the live market in Australia and New Zealand and admiring the work of Live Nation,” Vaughan comments. “The team are delivering a stellar roster and growing number of tours from entry-level club acts to stadium artists, and it’s super exciting to come back home and lead a talented, successful and dynamic promoter team.”

Live Nation Concerts’ Talent & Touring team produces hundreds of tours each year across Australia and New Zealand, and beyond, working the likes of Beyoncé, BTS, Crowded House, Dua Lipa, Lady Gaga, Drake, U2, Jay-Z, Post Malone, Billie Eilish, Pink, Red Hot Chilli Peppers, and more.

Bringing in a “world-class promoter” like Vaughan is a “great add to our Live Nation team as he brings in-depth knowledge of Australia, New Zealand and the global touring market,” notes Roger Field, president of Live Nation Asia Pacific, “especially as artists continue expanding their tours around the world. Mark has a proven track record of delivering hit tours for huge artists, and we look forward to him continuing that success at Live Nation and welcoming him home.”

Vaughan is the latest piece in the constantly-growing concerts machine that is LN’s Australasian affiliate.

In recent weeks, LN added Anita’s Theatre, in Thirroul, a northern seaside suburb of Wollongong, about 40 miles south of Sydney, to its venues portfolio, which already includes The Palais Theatre in Melbourne, the Fortitude Music Hall in Brisbane, and the soon-to-open Hindley Street Music Hall in Adelaide. The historic theater becomes LN’s first regional venue in Australia.

Separately, LN announced the mid-July strategic acquisition of Bec Sutherland’s Jubilee Street, one of the region’s prominent comedy artist management companies. With that arrangement, Sutherlands steps down from her role as VP of comedy at Live Nation APAC, to focus as managing director of Jubilee Street, overseeing her 11-strong roster which includes Julia Morris, Urzila Carlson, Nazeem Hussain, Kate Langbroek and Melanie Bracewell.

Also, LN is partnering with Melbourne Royal on the 11-night live music program for 2022 Melbourne Royal Show – The Show After Dark. Running from Sept. 22 to Oct. 2, the program’s headliners include The Veronicas, Baker Boy, Bag Raiders and Sneaky Sound System.

Ne-Yo‘s wife, Crystal Renay, says she will not be staying with her husband after claiming he has been unfaithful to her for eight years.

Renay shared a personal update about her marriage with Ne-Yo on social media on Saturday (July 30), telling followers that saying she is “heartbroken and disgusted” over the situation would be an “understatement.”

“For the sake of our children, my family and I will work through our challenges behind closed doors,” Ne-Yo responded on Twitter Sunday afternoon (July 31), a day after Renay posted a lengthy note on Instagram. “Personal matters are not meant to be addressed and dissected in public forums. I simply ask that you please respect me and my family’s privacy at this time.”

On Saturday, Renay had written: “8 years of lies and deception. 8 years of unknowingly sharing my life and husband with numerous of women who sell their bodies to him unprotected … every last one of them! To say I’m heartbroken and disgusted is an understatement. To ask me to stay and accept it is absolutely insane. The mentality of a narcissist.”

“I will no longer lie to the public or pretend that this is something it isn’t,” she said of the allegations. “I choose me, I choose my happiness and health and my respect. I gained 3 beautiful children out of this but nothing else but wasted years and heartache. I ask that you all please stop sending me videos or information of him cheating because what he does is no longer my concern. I am not a victim. I’m choosing to stand tall with my head held high. If someone can’t love you the way you deserve then it’s up to you to love yourself. With no hate in my heart I wish him nothing but the best.”

Ne-Yo recently addressed prior marital problems he endured with Renay in an interview with Billboard. Earlier this month, while speaking about new album Self-Explanatory, he said, “It’s no secret that during the course of the pandemic” the pair were briefly considering divorce. But he said the couple, who wed in 2016 and renewed their vows in 2022, worked it out at the time.

“It took the pandemic for us to really sit and have those necessary, yet really uncomfortable conversations … Those situations for whatever reason always make for incredible song lyrics. A lot of those song lyrics are on this album,” the R&B singer had said of the experience with his wife.

The pair welcomed their third child together last year, in June 2021. Ne-Yo is also the father of two more children from a previous relationship.

See Crystal’s note and Ne-Yo’s response from this weekend below.

Beyoncé‘s seventh studio album, Renaissance, has topped this week’s new music poll.

Music fans voted in a poll published Friday (July 29) on Billboard, choosing the superstar singer’s first solo studio release since 2016’s Lemonade as their favorite new music release of the past week.

Renaissance brought in nearly 57% of the vote, beating out new music by BLACKPINK (“Ready For Love” music video), Rosalía (“Despechá”), Hayley Kiyoko (Panorama), Maggie Rogers (Surrender), and $uicideboy$ (Sing Me a Lullaby, My Sweet Temptation).

Recorded over three years during the pandemic, Renaissance is “Act 1” of three. The 16-song project is crammed with features from Grace Jones, BEAM and Tems, along with production assists from husband Jay-Z, Drake, Skrillex, Giorgio Moroder, Nile Rodgers and others.

The house-infused “Break My Soul,” released in late June, was the first single from Renaissance. The song hit No. 7 on the Billboard Hot 100 chart dated July 7, 2022, marking Beyoncé’s milestone 20th top 10 as a soloist.

Renaissance follows 2016’s Lemonade, Queen Bey’s landmark album that debuted at No. 1 on the Billboard 200, earning Beyoncé her sixth-chart topper. The set included guest appearances by Jack White, James Blake, The Weeknd and Kendrick Lamar.

Placing second on the past week’s tally with almost 15% of the vote was the music video for BLACKPINK’s newly released song “Ready For Love.” The K-pop quartet — Jisoo, Jennie, Rosé and Lisa — first unveiled the track in their recent in-game concert for PUGB Mobile, titled “THE VIRTUAL,” which featured the members performing a medley of their hits through virtual versions of their human forms.

See the final results of this week’s new music release poll below.