An Atlanta judge on Thursday (June 2) refused to release Young Thug from jail while he awaits trial in a sweeping RICO case because of fears of witness intimidation, despite impassioned testimony from music executive Kevin Liles and promises to keep the rapper under strict house arrest.
At a hearing in Fulton County Superior Court, Judge Ural Glanville denied bond to Young Thug (real name Jeffery Williams), a week after doing the same with Gunna. Like in Gunna‘s case, the judge was seemingly swayed by warnings that Young Thug might intimidate witnesses if released.
“I realize that Mr. Williams is presumed innocent,” Judge Glanville said. “However, in this particular circumstance there have been significant [claims] about Mr. Williams being a danger to the community.”
Young Thug’s attorney, Brian Steel, assured Judge Glanville that the rapper would personally pay for an “incredibly expensive” house arrest plan to allay those fears, including bugging all of his communications and providing around-the-clock monitoring by dozens of off-duty police officers.
But prosecutor Don Geary told Judge Glanville that Young Thug should not be allowed to “buy” his way out of jail, and that state’s witnesses were already being “threatened with serious violence and death.” Geary said other alleged gang members had admitted to prosecutors that they feared Young Thug and retaliation.
“They have stated uniformly that Mr. Williams is dangerous, they are afraid of him, that if they cross him he will kill them and their family,” Geary told Judge Glanville. “And they were very clear about that.”
The order means that Young Thug will be in jail until trial, which is currently scheduled for January 9, 2023.
Thursday’s hearing came three weeks after prosecutors unveiled an 88-page indictment against Young Thug, Gunna and 26 others, claiming that the rapper’s “YSL” was not a record label called “Young Stoner Life” but really a violent street gang called “Young Slime Life” that had wrought “havoc” on Atlanta for the past decade. The charges included allegations of murder, carjacking, armed robbery, drug dealing and illegal firearm possession.
The case is built around Georgia’s Racketeer Influenced and Corrupt Organizations Act, a law based on the more famous federal RICO statute that’s been used to target the mafia, drug cartels and other forms of organized crime. Such laws make it easier for prosecutors to sweep up many members of an alleged criminal conspiracy based on many smaller acts that aren’t directly related.
In a trial-like proceeding that lasted for hours, Steel called multiple witnesses to testify as to why Young Thug deserved release ahead of trial. That included a private security professional who designed the house-arrest plan, as well as several residents of Young Thug’s Cleveland Avenue neighborhood in Atlanta, who spoke at length about the rapper’s good acts in the community.
Most notably, Steel took testimony from Liles, the founder and CEO of 300 Entertainment, the Warner Music Group unit that signed Young Thug and owns the rapper’s YSL Records imprint. At times holding back tears, Liles vowed to support the rapper “personally and professionally” because he was certain of his innocence.
“I truly believe, this whole thing, it’s not him,” Liles said. “That’s not the Jeffery I know. The Jeffery I know would give me the clothes off his back.” When warned by Steel that Liles could be subjected to financial penalties if Young Thug violated his bond and asked if he still wanted to back him, Liles was unequivocal: “He’s like a son to me. Yes, without hesitation.”
Liles also sharply criticized the DA’s use of Young Thug’s rap lyrics as evidence in the case – a controversial practice that’s become widespread in criminal cases against hip-hop artists. “We don’t argue about movies or other genres of music. We don’t bring those things to court. But our music, we’ve been on trial and we’re constantly on trial over what we are and who we are.”
In a surprise twist, pre-taped video testimony in favor of Young Thug was also submitted to the court from superstar Machine Gun Kelly, as well as from Lyor Cohen, another music exec and the co-founder of 300 Entertainment along with Liles.
But when prosecutors took over, they argued that good deeds were not enough to secure release on extremely serious charges – especially when relayed by people like Liles who were “financially dependent” on Young Thug. Geary recounted, at length, the various allegations against Young Thug, and called him the “leader, the top dog, the most dangerous guy” of the 28 indicted.
“I implore you not to grant him a bond. He is dangerous,” Geary said. “I normally don’t do this, but I don’t hesitate in this case. Respectfully judge, I believe if you give him a bond, we’re going to have more witnesses in danger or missing. I believe he’s that dangerous, judge.”
Like with Gunna, those warnings were seemingly enough to sway Judge Glanville. In denying bond, he said was particularly persuaded by the alleged statements from other gang members that they feared for their families, as well as a 2015 text message, offered by prosecutors, in which Thug allegedly told YSL members: “Anybody goes into a courtroom and tells the god honest truth they’ll be f—ing killed.”
“This threat is still being talked about, so that is of concern to the court as regards to the threats to persons in the community,” the judge wrote.
With the decision against Young Thug, all of the prominent musical artists involved in the RICO case have now been refused pre-trial release. Earlier at the same hearing on Thursday, Judge Glanville also denied bond to Yak Gotti, another YSL rapper named in the indictment, on similar grounds. Just as in the hearings against Gunna and Young Thug, prosecutors quoted from his music to help convince the judge to deny bond.
Like Liles, Yak Gotti’s attorney Jay Abt decried the practice, saying it was “sending a message to the music industry in Atlanta that’s going to have a massive chilling effect.”
“The message that the DA’s office is sending to our community and our country is that you better not come to Atlanta and make rap videos, because we’re going to use them against you in court,” Abt added.
Kehlani is taking their Blue Water Road Trip tour into Australia and New Zealand in the early weeks of 2023.
The Bay Area singer and songwriter will kick of their trek in Auckland, New Zealand on Jan. 20 followed by stops in Sydney, Melbourne, Adelaide and Perth, with a date in Brisbane to be announced “very soon,” according to Live Nation, which is producing the visit Down Under.
Tickets go on sale June 3 at 9am local time, and earlier, on June 1 (from 11am), for My Live Nation members.
The North America circuit of the Blue Water Road tour begins July 30 at Red Hat Amphitheater in Raleigh, N.C., followed by a European leg starting in Copenhagen, Denmark, on Thursday, Nov. 17.
The multiple-Grammy Award-nominated artist has collected over 20 gold and platinum RIAA certifications, and accumulated 5 billion streams in a three-album-strong career.
Kehlani’s Blue Water Road LP, which features appearances from Justin Bieber, Syd and Jessie Reyez, debuted at No. 3 on Billboard’s Top R&B Albums chart, and No. 13 on the all-genre Billboard 200.
It’s the followup to 2020’s It Was Good Until It Wasn’t, which hit No. 2 on the Billboard 200 chart.
Visit Kehlani.com/tour for additional information.
Kehlani’s Blue Water Road Trip World Tour Australia / New Zealand 2023:
Jan. 20 — Spark Arena, Auckland
Jan. 25 — Hordern Pavilion, Sydney
Jan. 27 — Sidney Myer Music Bowl, Melbourne
Jan. 29 — Hindley St Music Hall, Adelaide
Jan. 31 — Metro City, Perth
Cryptocurrency exchange company Binance has signed on as the official sponsor of The Weeknd‘s upcoming After Hours Til Dawn tour, it was announced Thursday (June 2). In a press release, the company calls the “crypto-powered” venture the “first global concert tour to integrate Web 3.0 technology for an enhanced fan experience.” Binance is the world’s largest cryptocurrency exchange by trading volume.
A pillar of the collaboration will be a tour-centric NFT collection created in partnership with HXOUSE, the Toronto-based youth talent incubator founded by The Weeknd’s creative director, La Mar C. Taylor. Virtual ticket stubs from the shows will also unlock access to commemorative NFTs providing a variety of experiences. The partnership will also feature co-branded (non-NFT) tour merchandise.
Another key component of the partnership is Binance’s $2 million donation to the XO Humanitarian Fund, launched by The Weeknd in early 2022 to support the World Food Programme’s lifesaving emergency operations in global regions with acute levels of hunger. Five percent of sales from the NFT collaboration will benefit the fund, which is administered by World Food Program USA.
“Excited to partner with Binance and BinanceUS for my After Hours Til Dawn tour !!!” The Weeknd tweeted Thursday. “We’ll use innovative Web 3 tech to connect with you in NEW creative ways and collaborate on charitable efforts to provide food to those in need.”
More details on the partnership will be revealed at a later date.
The After Hours Til Dawn stadium tour launches July 8 in Toronto, Canada and extends across North America in July and August, closing with a pair of shows at Los Angeles’ SoFi Stadium on September 2-3 before moving on to Europe, South America, Asia, the Middle East, Australia and Africa. (Dates for these global legs of the tour have not yet been announced.) The Weeknd’s first international tour since 2017, After Hours Til Dawn will showcase material from the singer’s most recent LP, 2022’s Dawn FM, and 2020’s After Hours, the tour for which was previously rescheduled three separate times due to the pandemic.
Bad Bunny talks about being cast in a new Marvel movie and continues to prove that there is nothing he can’t do.
30 years ago on June 2, history was made. Mariah Carey‘s MTV Unplugged aired, which she filmed in a rumored attempt to silence naysayers who doubted her vocals on her 1990 self titled album and 1991’s Emotions, and questioned her ability to replicate it in the live setting.
Carey got the last laugh, though: The EP for the singer’s Unplugged appearance sold 2.7 million records and was a catalyst for her superstardom. Now, Carey is reflecting on appearing on the show 30 years later.
“Happy anniversary to my ‘MTV Unplugged’ show! Happy anniversary to that girl on stage who was so nervous and scared to even sing in front of a crowd. Also she had no idea this last minute ‘unplugged’ show would become a ‘thing!’” she wrote in a Friday (June 2) Instagram post, which featured clips from her now-iconic appearance on the program. “During that performance, I remember having a breakthrough moment…the realization that all I needed to do was SING and actually CONNECT with the people in the audience and be in the moment with THEM!!! And then we were in it together.”
She continued, “When I watch this now, it’s revelatory how many insanely talented musicians and singers I had the privilege of sharing that small stage with and I truly feel blessed. I am thankful to that majestic group of people who made that stage come to life and to the audience in the room for sharing what became a life changing experience for me and as always…Thank you my fans for sharing this journey with me. You save my life each day. #MC30.”
The pop singer’s MTV Unplugged EP went on to peak at No. 3 on the Billboard 200 and stayed on the chart for a total of 57 weeks. Carey sang a total of seven songs during her set, all of which charted within the top five of the Billboard Hot 100. Her Unplugged cover of The Jackson 5’s “I’ll Be There,” feat. Trey Lorenz, earned Carey her sixth No. 1 in June 1992.
See Carey’s anniversary post for MTV Unplugged below.

