John Farnham has made a rare public appearance, marking his first sighting in several months following treatment for oral cancer.

The Australian music icon, 76, was photographed with family over the Christmas period in images shared by his sons on social media.

One photo, posted by son Rob Farnham on Facebook, showed the singer seated at a table surrounded by family on Boxing Day, smiling alongside his wife, Jill. “Boxing Day shenanigans,” the caption read.

A second image, shared on Instagram by Farnham’s other son, James Farnham, featured a similar family gathering with the caption, “Merry Christmas from the Farnhams.”

The appearances mark Farnham’s first public glimpse since early 2025, when he attended a birthday celebration for his wife. Since then, the singer has largely remained out of the public eye following a major health battle that began in 2022, when doctors discovered a tumour in his mouth.

Farnham underwent a 12-hour surgery that required the removal of parts of his mouth and jaw, followed by eight weeks of radiation treatment. He was later declared cancer-free, though the surgery significantly affected his ability to speak and sing.

The singer addressed the impact of the operation in his 2024 memoir The Voice Inside, writing candidly about the physical and emotional toll of the procedure. “My facial disfigurement from the surgery means I can’t open my mouth wide enough for a strip of spaghetti, let alone to sing,” he wrote. “I can’t get the movement to make the sounds I want to make… It’s a very disconcerting thing. And trying hurts.”

Widely regarded as one of Australia’s most beloved performers, Farnham’s career spans more than three decades, with enduring hits including “You’re the Voice.” He remains the only Australian artist to have a No. 1 album in five consecutive decades.

This Christmas also marked a personal milestone for Farnham, who celebrated the holiday as a grandfather for the first time. His son James and partner Dr. Tessa Effendi welcomed their son, Jett, in June.

Reflecting on that chapter in his memoir, Farnham wrote that while his performing days may be behind him, music remains part of his life. “I think it is fair to say the only singing I’ll be doing is lullabies — and the only performing will be for a special audience of one; my first grandchild,” he wrote, before adding, “But you know me… never say never.”

After months of speculation and years of anticipation, Bizarrap and J Balvin have finally joined forces for “BZRP Music Sessions #62” on Friday (Dec. 26), closing out the year on a high note.

Clocking in at just over three minutes, the track showcases Balvin’s romantic side over a vallenato-tinged production with a splash of EDM, courtesy of Bizarrap. “Siento que tu nombre está en todos mis pensamientos/ No te puedo ver pero estás como el viento” (“I feel like your name is in all of my thoughts/ I can’t see you but you’re like the wind”), the Medellín artist belts out, donning a dapper blue suit.

The Argentine producer and the Colombian reggaetón superstar announced the unexpected collaboration on Christmas Day with a playful photo posted on social media. The snapshot, where both artists hold sneakers as if they were phones, was captioned, “BZRP Music Session #62. Mañana. Feliz Navidad,” immediately igniting fan excitement.

This union also carries historical weight, subtly alluding to Balvin’s complicated past with Bizarrap, specifically 2022’s “BZRP Music Session #49” with Residente. The nearly 10-minute diss track famously targeted the Colombian superstar, fueling debates across the Latin music world. Now, with Session #62, Balvin appears to turn the page, using the platform to reflect on his resilience and personal growth.

This release comes just days after another public moment of introspection and reconciliation: J Balvin’s surprise appearance during Bad Bunny’s final Debí Tirar Más Fotos World Tour show in Mexico City. The two artists, who had a falling out in 2022 partly due to the Residente-Latin Grammys controversy, shared a heartfelt moment, exchanged apologies, and performed hits from their 2019 collaborative Oasis album for the first time in years.

Fueled by his viral collabs with artists like Shakira, Daddy Yankee, and Peso Pluma, Bizarrap keeps building hype with every session he drops.

Watch Bizarrap and J Balvin’s “BZRP Music Sessions #62” above.

Russell Wilson and Ciara are definitely in the giving spirit this holiday season, with the couple donating millions of dollars to the Mount Sinai Karvis Children’s Hospital to close out a year of charitable efforts through the football player’s Why Not You Foundation.

As announced Friday (Dec. 26) through a Good Morning America segment, Wilson and the singer have contributed $3 million to the medical center’s pediatric programs. The money will go toward improving the hospital’s common area — where patients are free to engage in therapeutic and creative activities as a respite from doctors and treatments — as well as the children’s holiday shop.

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The donation comes as Wilson has been visiting the children’s hospital every Tuesday on his days off from practice and games with the New York Giants. “I started going to children’s hospitals, because my dad was unfortunately always in the hospital — he had diabetes — and my mom was an ER nurse,” he said in an interview with GMA.

“For me, I thought, like, ‘How can I make a difference somewhere?’” the athlete continued. “Every time I walk in a room, I’m praying for a miracle, something great to happen. And I’ve seen those miracles happen time and time again.”

The $3 million comes by way of Wilson’s Why Not You Foundation, which he founded in 2014. “My dad used to always say, ‘Son, why not you?’ It kind of became the mantra of my life,” he recalled, adding that he and Ciara decided to name the organization in honor of the phrase as “our parents both instilled that ‘Why not you?’ attitude in us.”

Six weeks prior to the Mount Sinai news, Wilson wrote on Instagram that the Why Not You Foundation had raised more than $21 million to go toward its programs championing education, children’s health and the fight against poverty. Some of the money also went to The V Foundation for Cancer Research.

Ciara, who works closely with her husband’s Why Not You Foundation, also recently attended an event at St. Peter’s Church in Atlanta to pledge $2 million to programs combating food insecurity.

As for what he hopes to see his donation accomplish, Wilson told GMA, “I want [the kids] to be inspired, and I want them to take their mind a little bit off of the pain they’re going through.”

“It’s probably been the greatest thing I’ve been able to do in my career so far,” he added of helping young hospital patients. “It’s better than any touchdown or any trophy.”

Learn more about Wilson and Ciara’s donation to Mount Sinai Karvis below.


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Over the past year, Billboard‘s Latin Artist on the Rise series has spotlighted a curated group of artists who achieved breakthroughs within or beyond their genre, reached notable chart milestones, and/or generated undeniable buzz.

This series has long highlighted artists on the verge of stardom — much like we spotlighted Peso Pluma in March 2023 or Xavi in January 2024, just before their global breakthroughs — and this year has been no different.

Regional Mexican hitmaker Netón Vega was February’s Latin Artist of the Rise of 2025, and it’s safe to say he went on to have an extraordinary year. The Baja California Sur singer-songwriter earned the title of new artist of the year at the 2025 Billboard Latin Music Awards and dropped two albums this year, his debut Mi Vida Mi Muerte in February and Delirium last month. Furthermore, he scored the No. 1 spot on Billboard‘s New Latin Artists of 2025 list.

Argentine duo CA7RIEL & Paco Amoroso were April’s Latin Artist on the Rise since skyrocketing to stardom ever since their NPR Tiny Desk performance. They embarked on a 60-date world tour, which included stops in global festivals like Coachella (U.S.), Fuji Rock (Japan), Glastonbury (England), Roskilde (Denmark), and Lollapalooza (Berlin, Paris). And they won five Latin Grammys this year, including best alternative music album (Papota), best pop song (“El Día Del Amigo”), and best alternative song (“#Tetas”).

Other acts that were part of our Latin Artist on the Rise series this year were Beéle, Yailin La Más Viral, Bebeshito and, most recently, Milo J. Below, we showcase all 12 artists featured throughout 2025.

Soso no Frieren (Frieren: Beyond Journey’s End) Vol. 15 rules this week’s Billboard Japan Book Hot 100, a comprehensive list integrating physical books, e-books, library loans, and subscription-based metrics such as social media.

On the chart released Dec. 25, the latest volume of the popular high fantasy manga series (released Dec. 18) leads both physical-store sales and e-books, while also coming in at No. 3 for EC and landing within the top 50 on social media. The series is set to return with a second anime season beginning in January next year.

At No. 2 is Vol. 21 of the comic adaptation of Kusuriya no Hitorigoto (The Apothecary Diaries), currently serialized in Monthly Sunday GX. Following at No. 3 is Hirohiko Araki’s The JOJOLands Vol. 7, making its chart debut in the top 3. The volume enters the top 20 across three metrics, placing No. 2 in physical stores, No. 14 in EC, and No. 7 in e-books.

The comic adaptation of Uketsu’s popular novel Henna Ie (The Strange House) Vol. 6 opens at No. 7, coming in at No. 5 for physical stores and No. 11 for e-books. Close behind, Kanae Minato’s Ningen Hyouhon (Human Specimens) jumps from outside the top 20 last week to No. 8, following the launch of its live-action drama adaptation on Prime Video beginning on the 19th. The book places No. 11 in physical stores and No. 7 in social media, while also earning points from EC, e-books, and subscriptions, charting across all five metrics of the Japan Book Hot 100 methodology.

Check out the top 10 titles for this week:

Japan Book Hot 100 Top 10

(Numbers in parentheses indicate the title’s metric placements for physical stores, EC, e-books, subscriptions, and social media, top 20 only. English title given if translations or adaptations exist.)

1. Soso no Frieren (Frieren: Beyond Journey’s End) Vol. 15, Kanehito Yamada, Tsukasa Abe (1・3・1・-・-)

2. Kusuriya no Hitorigoto ~ Maomao no Kokyu Nazotoki Techo ~ (The Apothecary Diaries) Vol. 21, Hyuuganatsu, Minoji Kurata, Touko Shino (3・-・2・-・-)


3. The JOJOLands Vol. 7, Hirohiko Araki (2・14・7・-・-)

4. Uma Musume: Cinderella Gray Vol. 22, Taiyo Kuzumi, Masafumi Sugiura & Pita, Junnosuke Ito (4・-・4・-・-)


5. Jun Shison Anniversary Photo Book “final”, Jun Shison (-・1・-・-・-)

6. Naruse wa Miyako wo Kakenukeru, Mina Miyajima (10・-・-・-・3)


7. Henna Ie (The Strange House) Vol. 6, Uketsu, Kyo Ayano (5・-・11・-・-)

8. Ningen Hyouhon (Human Specimens), Kanae Minato (11・-・-・-・7)


9. Naruse wa Tenka wo Toriniiku, Mina Miyajima (-・-・-・1・4)

10. World Trigger Vol. 29, Daisuke Ashihara (6・-・16・-・-)

Note: There will be no chart release on Jan. 1, 2026. The chart covering Dec. 22–28 will be published on Jan. 8, followed by the chart covering Dec. 29–Jan. 4, on Jan. 9.


Kenshi Yonezu’s “IRIS OUT” returns to No. 1 on the Billboard Japan Hot 100, on the chart released Dec. 24.

The Chainsaw Man – The Movie: Reze Arc theme rebounds to the summit for the first time in two weeks, marking its 11th total week at No. 1. Week over week, downloads rise to 114%, streaming to 102%, and video views to 101%. The track also holds No. 1 for a 13th consecutive week on the Global Japan Songs Excl. Japan chart dated Dec. 18. While its combined video and audio streams outside Japan total 9.86 million, falling short of 10 million, it nonetheless maintains the top spot.

Debuting at No. 2 is “Are wa Fairy,” the title track of Bokuga Mitakatta Aozora’s seventh single. The CD launched with 120,035 copies to take No. 2 for sales and comes in at No. 3 for radio. Panda Dragon’s “Winter Song Boeitai” bows at No. 3. The title track of the five-member boy band’s 13th single leads sales with 131,384 copies, but places third on the Japan Hot 100 this week due to a lack of support from other metrics. Also making its first appearance on the chart at No. 4 is OCTPATH’s “Starlight Rendezvous.” The title track of the group’s eighth single sold 85,717 copies to take No. 3 for the metric. This week, sales-driven titles fill the slots from No. 2 through No. 4.

At No. 5 is HANA’s “NON STOP,” down a notch from last week. Downloads fall to 54% of the prior frame, streaming to 81%, and radio to 75%.

Elsewhere on the Japan Hot 100, songs by back number see a broad resurgence, with 12 tracks landing on the tally. “Christmas Song” is up to 123% in total points, while “Heroine” rises to 109% and “Suiheisen” to 108% week-over-week. Released in 2011, “Shiawase” makes its first-ever appearance on the chart this week.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Dec. 15 to 21, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

Los Tigres del Norte is coming to Springfield for a surprising collaboration with The Simpsons. The storied regional Mexican music band will appear Sunday (Dec. 28) in an episode of the iconic animated series, performing a new song titled “El Corrido de Pedro y Homero,” the show and the band announced jointly on Friday (Dec. 26).

“A legendary band. An original song. A very Simpsons twist,” reads a shared post on Instagram, which includes two images of the animated version of the members of Los Tigres on stage wearing their signature outfits. In one of them, they are accompanied by Homer Simpson wearing a charro hat, and Bumblebee Man, who in an episode titled “Team Homer,” is referred to as Pedro.

The alliance between Los Tigres del Norte and The Simpsons isn’t far fetched. Now in its 37th season, Fox’s animated series has addressed timeless themes such as social classes and societal issues, and hasn’t shied away from political and current topics. Los Tigres del Norte, meanwhile, has been known for over half a century for raising their voices in support of immigrants and speaking out on various social causes. Songs such as “La Reina del Sur,” “La Lotería,” “Pedro y Pablo” and of course “Jefe de Jefes” are part of the band’s extensive repertoire.

Sunday’s episode of The Simpsons, whose title has not yet been revealed, will air on Fox and stream on Disney+.

Check out the announcement of the collaboration below.


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Even if it’s time to spread some holiday cheer, 50 Cent stays ready to beef at all times.

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After the rapper took shots at the Let’s Rap About It podcast for its Sean Combs: The Reckoning criticism, cohosts Maino, Dave East, Jim Jones and Fabolous stepped into the booth to return fire with their “Christmas Special” freestyle titled “Squatter’s Rights” on Thursday (Dec. 25).

Loso batted clean-up and they saved the best for last, as Fab went directly at 50 while taking a shot at the G-Unit mogul’s ex Daphne Joy, who dated Diddy and was named in a civil suit against the embattled Bad Boy boss. (50 also filed a lawsuit against Joy, with whom he shares a child, in May while he denied her allegations of physical abuse.)

“You know I got power/ Your shorty got hot showered/ Catch her trying to leave like Tasha shot LaLa,” Fab raps over G-Unit’s “Rider, Pt. 2.” “The b—h hot Myla and no you not Allah/ You can both meet the creator, his first name not Tyler.”

The rest of the rapper podcasting foursome opted for lighter subliminal jabs, which saw Maino rhyming over 50’s “Back Down,” Capo choosing “I’ll Whip Ya Head” and Dave East smoking “A Baltimore Love Thing.”

50 Cent has yet to directly respond to Fabolous or his podcast running mates on social media. Billboard has reached out to the Queens rapper for comment.

Tensions between the Let’s Rap About It podcast hosts and 50 were raised when the G-Unit rapper posted an alleged voicemail claiming Jim Jones owed money to the owner of the studio where Jim, Dave, Maino and Fab record their podcast. 50 referred to the foursome as squatters and taunted the crew, saying he was looking into buying the building where they record so he could be collecting their checks in the future.

Listen to the “Let’s Wrap About It: Christmas Special” dissing 50 below.


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Perry Bamonte, The Cure‘s guitarist and keyboardist, died over the Christmas break, the band announced in a message posted to its website on Friday (Dec. 26). The musician was 65 years old.

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“It is with enormous sadness that we confirm the death of our great friend and bandmate Perry Bamonte, who passed away after a short illness at home over Christmas,” the Grammy-nominated band began its statement. “Quiet, intense, intuitive, constant and hugely creative, ‘Teddy’ was a warm-hearted and vital part of The Cure story.”

The musician joined the band — which is comprised of frontman Robert Smith, Simon Gallup, Reeves Gabrels and Jason Cooper — full time in 1990 after initially joining as a roadie in 1984. He played the guitar, six-string bass and keyboard on 1992’s Grammy-nominated Wish, which peaked at No. 2 on the Billboard 200 and included Billboard Hot 100 hit “Friday I’m in Love”; 1996’s Wild Mood Swings, which reached No. 12; 2000’s Bloodflowers; 2001’s Acoustic Hits and 2004’s self-titled album.

Bamonte — who was born Sept. 3, 1960, in London — left the band in 2005 after 14 years and more than 400 shows together. He was inducted into the Rock Hall of Fame alongside The Cure in 2019, with Nine Inch Nails frontman Trent Reznor delivering the induction speech. Since the English rock band launched its debut album, Three Imaginary Boys, in 1979, it has been cited by numerous musicians as a major musical influence, including NIN, Deftones, My Chemical Romance, The Smashing Pumpkins, Phoebe Bridgers and Oasis.

“He rejoined The Cure in 2022, playing another 90 shows, some of the best in the band’s history, culminating with The Show of a Lost World concert in London 1st November 2024,” the band’s statement and tribute to Bamonte noted before its conclusion. “Our thoughts and condolences are with all his family. He will be very greatly missed.”


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As Recording Academy voters pore over the 2026 nominations list before final-round voting closes on Jan. 5, they are sure to notice that the nominees for record and song of the year are nearly identical. Seven of the eight record of the year nominees are also up for song of the year.

The only difference between the two lists is that Chappell Roan’s “The Subway” is nominated for record of the year but not song of the year, and HUNTR/X’s “Golden” is nominated for song of the year but not record of the year.

Other than that, the lineups overlap exactly: Bad Bunny’s “DtMF,” Sabrina Carpenter’s “Manchild,” Doechii’s “Anxiety,” Billie Eilish’s “Wildflower,” Lady Gaga’s “Abracadabra,” Kendrick Lamar with SZA’s “luther” and Rosé & Bruno Mars’ “APT.”

It’s the first time in 11 years that there is just one difference in the lineups for record and song of the year.

You probably know, but to refresh you: Record of the year honors a specific recording of a song; song of the year honors the song itself. Record of the year is awarded to the artist and producer(s), recording engineer(s) and/or mixer(s) and mastering engineer(s), if other than the artist. Song of the year is awarded solely to the songwriters.

Since the first Grammy ceremony in 1959, there was just one year when the record and song of the year nominees overlapped 100%. That was at the 1973 ceremony.

Here’s a complete list of all the times there was no more than one difference between the rosters of record and song of the year nominees. The years shown are the years of the Grammy ceremonies.