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Is your T-shirt collection lacking a little Swiftie flair? If you’re both a Swiftie and a Disney fan, the Disney Store just dropped a women’s tee in a dreamy pink that makes reference to a fan-favorite Taylor Swift track, 2010’s “Today Was a Fairytale.” The graphic tee, retailing for $32.99, features that exact wording affixed to the front in black with dainty bow detailing, contrasting the pink background, accompanied by a graphic on the back featuring a few favorite Disney Princess. There’s Tiana, Cinderella, Aurora, Belle and Jasmine all smiles with sparkle graphics around them.

This tee is made of a comfy and breathable jersey knit in an oversized fit. The neckline is a ribbed style that transitions into dropped shoulders and a high-low hem, offering the otherwise basic tee a stylistic flair. Sizing for the tee is currently available from XS to 3XL. To style, we’d recommend wearing solo with a skirt or layered over a long sleeve or under a jean jacket. The style meshes two of the world’s most loyal fandoms — Swift and Disney.

Disney Princess “Today Was a Fairytale” T-Shirt for Women

$32.99

Buy Now at disney store

A women’s pink T-shirt from the Disney Store.

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The Disney Store has a slew of stylish tees available to shop on the website, giving fans fashion-forward merch at an affordable price tag. If your wardrobe is lacking whimsey, this tee is an easy way to introduce color into your wardrobe, since the pink hue is gentle on the eyes and goes with just about everything.

Swift’s track “Today Was a Fairytale” was released in 2010 for the film Valentine’s Day, starring Julia Roberts, Jessica Biel, Anne Hathaway and Bradley Cooper, among others. The track is a mix of country and pop, and makes reference to a picture-perfect date Swift went on, whether real or fake. While the song is about 15 years old, it still holds up, still making waves with fans to this day.

This isn’t the only track of Swift’s that the star offered to use in the film. The Valentine’s Day soundtrack also features the song “Jump Then Fall.” The film soundtrack also features songs from other hit artists, including Maroon 5, Jewel, Stevie Wonder, Jamiroquai, Willie Nelson, Will.i.am, Foreigner, Nat “King” Cole and Jamie Foxx. The soundtrack peaked at No. 20 on the Billboard 200, while on Billboard’s Top Soundtracks charts, it reached No. 2.

Howie Klein, the influential and forward-thinkinrecord executive and political activist whose artist-first philosophy helped bring alternative music into the mainstream, died Wednesday (Dec. 24) after a battle with pancreatic cancer, his sister announced on social media. He was 77.

Widely respected for championing creative freedom and resisting censorship, Klein left his mark on the music business through influential roles at Sire Records and Reprise Records, as well as earlier work in radio and independent labels.

Born in Brooklyn, Klein began his music career while attending Stony Brook University in the late 1960s, where he wrote about music and booked concerts. After relocating to San Francisco in the 1970s, he emerged as a prominent DJ at KSAN-FM and co-founded 415 Records, an indie label that became a key incubator for punk and new wave acts including Romeo Void, Translator, Wire Train and the Nuns. At 415, Klein also developed forward-thinking ideas about record promotion, arguing as early as 1980 that labels should target college radio stations strategically rather than flooding the system with unwanted promo copies — an approach that anticipated modern data-driven marketing.

In the mid-1980s, Klein joined Seymour Stein’s Sire Records, working closely with a roster that included Lou Reed, the Ramones, Talking Heads, Depeche Mode and Uncle Tupelo. When Stein moved Sire’s distribution from one Warner Music label to another (Warner Bros. Records -> Elektra) in the mid-1990s, Klein hung back and was named president of Reprise Records. During his six-year tenure, he oversaw a remarkably eclectic lineup, including Green Day, Alanis Morissette, Neil Young, Joni Mitchell, Wilco, Fleetwood Mac, Paul Westerberg and Enya.

Known for his hands-on, artist-friendly leadership style, Klein earned deep loyalty from musicians, particularly those who felt marginalized elsewhere in the industry. All-female rockers Babes in Toyland, for example, publicly praised his accessibility and respect for artists. “He came out and met us, and he was very excited about the record and was really pumped up,” the band’s Lori Barbero told Billboard in 1995. “They have a lot of women that work there, and they are not just secretaries… They don’t treat us like we’re stupid, and if we have a problem, we feel we can call Howie Klein, and he’ll talk to us.”

Klein’s steady leadership at Reprise made the label a haven for artists, and his sudden departure in 2001 following the Time Warner–AOL merger triggered a rift with one of its most acclaimed acts: Wilco. Soon after he left, execs asked the band to alter its finished album, Yankee Hotel Foxtrot. Confident in the record as it stood, Wilco refused, sparking tense negotiations. Ultimately, the band bought back the rights to the album and exited its contract, which had called for several more releases.

Beyond music, Klein was a passionate advocate for free expression and progressive causes. He supported Rock the Vote, opposed censorship and received honors including the Spirit of Liberty Award (his co-honoree? Rob Reiner) and the ACLU’s Bill of Rights Award. In 1994, while still at Sire, he curated the pro-choice compilation Just Say Roe, emphasizing music’s ability to spark debate on prickly topics.  “[Sire’s] goal as a label is to expose Sire artists and to sell records — I readily admit that,” he told Billboard. “But why can’t we also evoke positive thought and debate about important issues?”

After leaving Reprise, Klein turned his focus to political activism, serving on the board of People for the American Way and launching the ultra-liberal blog DownWithTyranny!. “From the beginning of time, singers and songwriters have always had a special role to play in alerting the public in current affairs,” Klein told Billboard‘s Steve Knopper following the election of Donald Trump in 2016. “This isn’t just a regular situation, of a Richard Nixon or Ronald Reagan, or, for a Republican, a Barack Obama. This is something unique in American history. Donald Trump is an anomaly.”

In 2011, the Rock & Roll Hall of Fame and Museum archived the Howie Klein Collection, preserving materials from his career that document a transformative era in modern music history.

Celine Dion definitely got the Christmas assignment. The iconic pop superstar went fully method for her holiday video this year, slipping into a lime green Grinch costume on Christmas Eve (Dec. 24) for a recitation of the holiday baddie’s overstuffed schedule.

In a clip shared this week, the singer posted up in a chair by a fire pit in the backyard and crooned her indelible cover of Eric Carmen’s maudlin ballad “All By Myself,” which Dion first recorded for her fourth English-language album, 1996’s Falling Into You. Of course, the sight of famously well-attired Dion goofily crooning the song while wearing a Santa getup over her green, furry costume was enough of a gift.

But then Dion made it a notch sillier by cutting to a shot of her holding one of her little pups on her lap while reciting a version of the Grinch’s lament about his busy schedule from the 2000 Ron Howard-directed, Jim Carrey-starring How the Grinch Stole Christmas.

“The nerve of those Whos, inviting me down there on such short notice. Even if I wanted to go, my schedule wouldn’t allow it!” Dion says as the dog wearing antlers like the Grinch’s pooch, Max, wriggles out of her grasp. “4:00 — exercise my voice. 4:30 — wake my children up. 5:00 — solve world hunger. Tell no one. 5:30 — jazzercize. 6:30 — dinner with me. I can’t cancel that again! 7:00 — wrestle with my creative ideas.”

The dramatic recitation goes on, as Dion-as-Grinch honks, “I’m booked! Of course, if I bumped my creative ideas to 9:00, I’ll still have time to lay in bed and scroll TikTok videos endlessly. Or I can just simply wish everyone a merry Christmas and a happy new year,” she adds mock contentedly before shouting, “boring!”

The video winds down with Dion crooning a bit more of the song, casually singing, “When I was young/ I never needed anyone.”

The appearance was one of the rare public outings this year from Dion, who was diagnosed with the neurological disorder stiff-person syndrome in 2022, which seriously affected her voice and caused uncontrolled tremors, forcing her to cancel a planned 2023-2024 world tour to focus on her health.

There are muses, and there is Coco Jones — an R&B artist who gives NBA star Donovan Mitchell a lift when she’s in the house.

Mitchell is an elite scorer for his Cleveland Cavaliers, a walking highlight package who combines deep range with flair for getting to the hoop, and impressive hops.

When the Cavs stopped by Madison Square Garden on Christmas Day to face off with the New York Knicks, Jones sat courtside as her fiancé got to work, notching 34 points, along with seven rebounds and six assists.

The six-time NBA All-Star and 2018 Sam Dunk Contest champion Mitchell also got up for some nasty slam dunks, inspired by his partner. The 6’2” shooting guard was mic’d up for the game, which aired on ESPN, and admitted Jones gave him wings. “I ain’t dunk in like three months. I only dunk when she here,” remarked Mitchell, per SportsCenter.

Their combined efforts weren’t enough as the Knicks ran out winners 126-124. It’s a long season.

Mitchell and Jones announced their engagement in July 2025, after dating for more than a year. Earlier, in March, Jones confirmed they were dating during an appearance on Club Shay Shay. “I love the Internet because they definitely clocked my tea. Little spies everywhere,” she told Shannon Sharpe. “I’m happy and I will say, my music is my outlet where I tell my stories and my truth. Some things I keep for myself because this is my life, too. I say some things and you can hear it on my album.”

Jones continued: “Secrecy is not what I prefer. I don’t want to feel like I have to be somebody secret. I don’t want to make anybody feel like they’re mine. For me, I’m trying to protect myself, and I’m trying to protect my family and who I love, so I am more private.”

While Mitchell is balling out in the NBA, Jones dropped her anticipated Why Not More? debut album in April, following the release last year of several singles, including her Grammy-nominated hit “Here We Go (Uh Oh),” which was up for best R&B song and best R&B performance at this year’s awards show. “Here We Go (Uh Oh)” also became her first No. 1 on Adult R&B Airplay and received a remix with Leon Thomas.