Donald Trump announced data center agreements, as he tries to block states from passing state-level regulations. Florida wants to anyway.
Caribbean leaders opened a four-day summit Tuesday in their smallest sovereign state amid mounting regional tensions and fragmentation, pressure from the United States and a changing global landscape.
“We want to open the spigot of U.S. fuel exports to Cuba, so long as the ultimate beneficiary is the private sector,” a source with knowledge of the plan told the Miami Herald.
The stolen items ranged from a PlayStation to a Snickers bar.
Authorities are telling drivers to not use their high beams, slow down, do not stop, watch out for slow-moving cars and reduce distractions.
Faith No More may very well be no more.
While FNM last performed back in 2016 with Chuck Mosley, Mike Patton hasn’t fronted the group since the conclusion of their Sol Invictus Tour in 2015. The ‘90s alternative rock heavyweights touted a global live return in 2020, but those plans were crushed by pandemic.
Then, the band was booked for concerts in 2021, but those too were scrapped as Patton tackled mental health issues, which he later explained was a diagnosis of agoraphobia.
In a new interview for Consequence of Sound’s Kyle Meredith With, Patton suggests he has moved on.
When asked whether there was a “sense of closure” during FNM’s dates in 2016, given that the band appears to no longer be active, he remarked: “I didn’t really think so at the time, but, yeah, maybe. And I think that we all kind of felt it, but it was unspoken.”
He continued: “And it’s funny: when you’ve been in a band or a musical situation for a period of time, you always, in the back of your head, you’re kind of thinking, ‘Well, maybe this is it.’ And I don’t mind that feeling. I don’t see it as a sad thing. I see it as being present and being able to really appreciate it while it’s happening.”
Patton’s comments could be news to his bandmates. Last year, founding member Billy Gould admitted he was unsure about the band’s future. “I don’t know. I honestly don’t know,” Gould told Chile’s Radio Futuro.
The three-time Grammy-nominated act has released seven studio albums, but only one of those has dropped in the last quarter century, 2015’s Sol Invictus, which hit No. 15 on the Billboard 200. Sol Invictus is one of five titles that have cracked the all-genres albums chart, including a top 10 for 1992’s Angel Dust, reaching No. 9. The band has three appearances on the Billboard Hot 100, including a top 10 appearance with 1990’s breakout “Epic,” peaking at No. 9.
Patton officially joined Faith No More in 1988, following the departure of ex-singer Chuck Mosley, who died in 2017, aged 57. Mosley sang on FNM’s first two albums, 1985’s We Care A Lot and 1987’s Introduce Yourself.
Where the future of FNM remains uncertain, Patton has returned to his band Tomahawk, which will embark on a first tour in 13 years this summer, with the Melvins. Tomahawk, like Mr Bungle and Patton’s various other music outlets, are often described as “side projects.” That’s no entirely accurate, he says in the new podcast.
“I’d never really understood, and I had to figure this out very early on, was the concept of a side project, that’s assuming that there’s a main one,” Patton explains. “And for me, I really never had one. There were projects like Faith No More where I spent more time on, in terms of touring and promoting, quote-unquote, if you will, but everything that I’ve done was of equal importance to me. They just weren’t viewed that way. And the public, for whatever reason, needs to have a hierarchy kind of built in there just to make themselves feel better about it, I guess. I don’t know.”
Stream the interview here.
American Eagle has gone country.
Two weeks after debuting a Spring 2026 collection with Ella Langley, the clothing brand is going all in with partnerships with Bailey Zimmerman and Stagecoach, where it will be the exclusive denim and apparel sponsor. Zimmerman and Langley are both playing the April 24-26 festival on opening night.
“Country music is defining culture these days,” says American Eagle chief marketing officer Craig Brommers. “American Eagle had some of the most talked about marketing campaigns in 2025,” he said, including a provocative Sydney Sweeney campaign and a collection with Travis Kelce. “In order to keep that momentum, we looked at the cultural landscape and where we could participate next and it was just such a natural progression as we start 2026 to get into the country music genre space.”
American Eagle is the leading jean brand among Gen Z, which encompasses people born between 1997 and 2012; Langley and Zimmerman, both 26, fall squarely in the demo.
American Eagle’s research also showed that country is the most listened to music genre among its customers in that age range, which played into the decision to pivot to country. “We really are listening to what Gen Z is excited about and trying to be on the pulse of what’s happening in culture,” Brommers says. “Ella, obviously, is having her moment and then Bailey has so much energy. He just lights up a room. It was really about us embracing this moment.”
Only a few weeks in, American Eagle Jeans Country campaign is already yielding success from the Langley association, with Brommers saying the kick boot and flare jeans she wears in the campaign are “flying off the shelves.”
Zimmerman, whose campaign launches Wednesday (Feb. 25) shared his love for the brand two years ago when he hopped on stage in peach American Eagle underwear. “I’ve always loved their boxers. They’ve got all the crazy designs — pickles, reindeer, whatever — and I just thought that was the coolest thing. There’s just a lot of history there for me,” he tells Billboard.
His relationship with the brand, which launched in 1977 as American Eagle Outfitters, goes back nearly 20 years. “I’ve been wearing American Eagle for as long as I can remember — six, seven, eight years old –whenever I could finally fit into it. Growing up, my dad was around, but I was a mama’s boy for sure. We didn’t have much, so back-to-school shopping was a big deal for us. Going to the mall felt like a vacation. We’d go to American Eagle because it was a brand we could count on. It fit my style, it fit our budget, and we knew we’d walk out with stuff I was excited to wear.”
Displays featuring Langley and Zimmerman will be in the windows of more than 900 American Eagles stores around North America. They are also taking over American Eagles website and social media, and Langley is featured on a 3D billboard in New York’s Times Square. When asked if there will be more artists joining the campaign, Brommers says, “we do have some tricks up our sleeve as we get closer to Stagecoach,” but declined to mention specifics.
While the campaign with Stagecoach is multi-year, the deals with Langley and Zimmerman are shorter term and are being used to launch the Stagecoach partnership. Brommers declined to put a price tag on the campaign, but added, “We have budgets that will allow us to align with almost anything out there. We are knowingly choosing country because of the cultural defining moment that it’s having.”
While Brommers says he knows the “narrative” is that country fans may be more conservative than other audiences, he disavows that, and adds, “We’re a 50-state audience. It’s important that we are as aspirational as possible to everyone. [Country music] is a national phenomenon and we’re not a niche brand. We have to do things that are inclusive. Ella Langley had the No. 1 song [with ‘Choosin’ Texas’] on the Billboard Hot 100, topping Olivia Dean, Taylor Swift, Bad Bunny and Harry Styles. This is not niche.”
Wrangler has been aligned with country music and cowboy culture for decades thanks to artists like George Strait and Garth Brooks (and even younger artists like Lainey Wilson who has her own Wrangler collection), but Bommer says the decision to move into country “didn’t start from a competitive perspective,” but from what “the customer cares about… We have to think on a very broad scale. Country is at that moment. Anything that has a Western-influenced esthetic in the American Eagle assortment over the last year or so is selling.”
Zimmerman likes the organic feel of the association. “American Eagle and country both feel real,” he says. “They’re about showing up as you are and being confident in that. Country music is rooted in storytelling and everyday life, and American Eagle is the same. And if you’re country, you love denim. American Eagle is all about denim.”
The Stagecoach X American Eagle collection will debut online and in select stores on March 25 and will include jeans, tees, fleece and multiple other options. The brand will have a large physical presence at the Indio, California festival that Bommer promised “is going to have people dropping their jaws. You’re really going to feel denim in the desert like never before.”
As for his collaboration with American Eagle for his Stagecoach gear, Zimmerman already has some solid ideas: “I want to do patches because I think patches are the move right now,” he says. “I’m loving patches. They’re sick.”
That works for Brommers, who adds, “This is really about denim domination.”
Don’t run to the hills. A new Iron Maiden documentary is coming to a theater near you.
Universal Pictures International (UPI) unveils Iron Maiden: Burning Ambition, a feature film that’s said to trace the British heavy metal legends’ “remarkable five‑decade journey” with “unprecedented access” to the rockers’ official archives.
The doc releases exclusively in cinemas from May 7, and includes interviews with the band and contributions from the likes of actor Javier Bardem, Metallica’s Lars Ulrich and Public Enemy emcee Chuck D.
Directed by Malcolm Venville (Churchill at War) and produced by Dominic Freeman (Spirits in the Forest – A Depeche Mode Film), the “electrifying film offers an intimate look at their uncompromising vision and unwavering connection with their global army of fans,” reads a statement.
Spanish illustrator Alberto “Akirant” Quirantes contributes newly created key art, following his work on Iron Maiden 50th anniversary coin for the Royal Mint, which was released to celebrate the band’s milestone in 2025.
Formed in East London in 1975, Iron Maiden are giants of their scene, with 17 studio albums, over 100 million records sold, and more than 2,500 performances across 64 countries.
Fewer than five years ago, in September 2021, Iron Maiden earned its highest charting album ever on the Billboard 200 as Senjutsu debuted at No. 3. The veteran hard rock outfit previously peaked at No. 4 on the all-genres chart with its previous two studio releases: The Book of Souls (in 2015) and The Final Frontier (2010). In total, Senjutsu was Iron Maiden’s 15th top 40-charting album (dating to its first, The Number of the Beast, in 1982), of which four have hit the top 10.
The doc is announced as the band continues its two-year Run For Your Lives world tour, which expanded with the EddFest at Knebworth Park, England, on July 11, one of more than 50 shows booked worldwide this year. That run includes headline spots at this fall’s Louder Than Life festival in Louisville, KY, and France’s Hellfest.
This year is an unusually packed one for Iron Maiden docs. A separate film about the life and health struggles of early Iron Maiden singer Paul Di’Anno will be released this summer, through Cleopatra Entertainment. Di’Anno: Iron Maiden’s Lost Singer is directed by Wes Orshoski (Lemmy), who shot the film in England, Croatia, Brazil and the United States, and completed it shortly before Di’Anno’s death in October 2023, aged 66.
Tickets for Iron Maiden: Burning Ambition go on sale March 19.
Keli Holiday is coming to America.
The award-winning Australia artist will embark on his debut tour of North America with a show May 1 at The Echo in Los Angeles, CA. Next up, performances at Schubas Tavern in Chicago, IL (on May 3); The Dance Cave in Toronto, ON (May 6); and Baby’s All Right in Brooklyn, NY (May 7).
Holiday is the solo project of Adam Hyde, one half of the electronic duo Peking Duk. And he’s heading north with hits in his pocket.
As previously reported, Holiday is the highest-flying homegrown artist on the latest ARIA Albums Chart with Capital Fiction, his second collection, which opens its account at No. 3. As a member of Peking Duk, he peaked at No. 12 with 2018’s Reprisal.
Capital Fiction houses the cut “Dancing2,” which recounts the story of how Hyde met his partner and love of his life, Sydney media personality Abbie Chatfield. The single came in at No. 2 on triple j’s Hottest 100 countdown for 2025, won for best video at the last year’s ARIA Awards, and Holiday performed it at the top of the recording industry’s annual ceremony.
“This album feels like the first Keli Holiday offering that is true to who I am,” he says of Capital Fiction. “It explores themes of longing for more, finding love in a crowded room, and the union of sex. I have spent the majority of my days since the birth of Keli Holiday focusing on what I want to say, how I want to say it, and what I want it to sound like.”
On Capital Fiction, the Canberra-raised artist worked with producers Konstantin Kersting and Golden Features, in addition to U.S.-based, Australia-born artist Alex Cameron, with Belgian-born, Australia-based Romanie lending her vocals to “Ecstasy,” a spicy track that made headlines in these parts last November.
Holiday will kick off a tour of Australia March 6 at Sydney’s Metro Theatre. Expect more international dates to be announced in the weeks ahead.
“I love this job and I’m grateful to continue the pursuit of ideas,” he explains. “I will be releasing Keli Holiday albums until the day I drop dead. I want to continue to chronicle my life in strange little words on a bed of music that feels right for that zone in my life.”
Keli Holiday’s 2026 North America tour
May 1 – Los Angeles, CA – The Echo
May 3 – Chicago, IL – Schubas Tavern
May 6 – Toronto, ON – The Dance Cave
May 7 – Brooklyn, NY – Baby’s All Right
Luke Combs is getting vulnerable, and his fans are happy to see it.
On Tuesday (Feb. 24), the country singer joined music critic Jon Caramanica and reporter Joe Coscarelli on the latest installment of Popcast, the New York Times podcast on all things music. In the episode, the trio discuss a range of topics, including Combs’ Billboard Hot 100 No. 2 cover of Tracy Chapman’s “Fast Car,” his earliest musical influences, and politics in country music.
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Toward the end of the interview, the hosts have Combs pick a card from a standard deck. Whichever card he chose determined a pre-written question he must answer. When the singer pulled out the 4 of spades, Caramanica asked him, “What self-doubt did you face on the way to stardom?”
In a moment of extreme vulnerability, Combs responded by speaking openly about his struggles with body image. “Definitely my appearance,” he replied. “It was like, am I really not going to get a shot because I’m just like a bigger dude or whatever?”
He continued on to say that while he had full confidence in his ability to perform and write songs, he feared that he would not get a shot at stardom because of the way he looks. “That was, like, a hard pill to swallow, ’cause you can’t really change the way you look,” he said.
In response, Coscarelli asked if anyone from Combs’ team had ever tried to change his image or if the singer felt pressure to wake up one day looking like fellow country star Sam Hunt.
Combs explained that he has changed aspects of his diet, including fasting and going gluten-free, which has helped him alleviate some symptoms of his OCD as well as fight insulin resistance. “The gluten-free thing started for mental health stuff,” he said. “I have a really rare form of OCD that I have struggled with quite a bit for basically my whole life.”
Though these changes have helped Combs with some of his struggles, he continues to battle with his weight. “I have always struggled with my weight. It bugs me a lot that I can’t figure it out,” he said.
He then went on to explain that he’s trying to do it all: take care of himself physically and mentally, be a good dad to his three kids, and do his job as a performer. He admits that it’s hard, but he’d prefer that over taking what he views as the easy way out.
“I don’t want my life to be this life of ease,” he said. “I like when stuff’s hard.”
It’s part of the reason why he personally chooses to avoid taking weight-loss drugs. He says that though his path to success was difficult, because he enjoyed it, he doesn’t feel as if he’s done anything truly hard in his life.
“Sure there were days that were tough. Sure there were times I was tired,” he said. “But I’m not out digging ditches. It’s not that hard of a job.”
To him, the struggle with body image has been the one thing he can’t conquer.
“And I will do it; but I’m not gonna do it the short way,” he said before acknowledging that there’s nothing wrong with that — this is just how he wants to do it. Watch a clip of the moment below:
Following the release of the episode, Popcast shared a truncated version of the body image discussion to their Instagram page, and many fans took to the comments to share support for Combs and applaud his openness, including several folks in the industry.
“I really love him,” fellow country star Brandi Carlile commented.
“As a fellow huge dude in showbiz instead of digging ditches, I feel so seen by this and really appreciate it,” commented folk singer Willi Carlisle.
“I really appreciate the honesty,” replied model and singer Gabriella Lascano.
That level of honesty may make its way on to Combs’ forthcoming album, The Way I Am, releasing on March 20. Watch the full episode below:
