Pre-pandemic, Beyoncé and Jay-Z’s Oscars afterparty in the Chateau Marmont’s parking garage had become the most coveted invite of the big night. Revelers at the 2020 event, known as the Gold Party, which features a no-phones policy, included Rihanna, Reese Witherspoon, Kanye West, Kim Kardashian, Travis Scott, Gabrielle Union and Charlize Theron.

Now, after a two-year absence, Jay-Z is set to throw the Oscar-night event in a lounge space on the Sunset Strip hotel’s storied property that was once home to Bar Marmont. The hitch: There is an ongoing boycott of the property, led by the local hotel workers’ union, over the Chateau Marmont’s alleged treatment of employees. The campaign — which has the backing of an array of Hollywood unions and celebrities and has already put a stop to at least two production shoots (for Being the Ricardos and The Offer) — has highlighted claims of racial discrimination and sexual harassment in the workplace.

“For Jay-Z to choose the Chateau Marmont for their Gold Party is shockingly insensitive,” said Kurt Petersen, co-president of UNITE HERE Local 11, in a statement. “They must move their event and choose an after-party hot spot that treats its workers, especially Black women, with dignity and respect. Jay-Z has a responsibility to do better.” He added: “We hope Jay-Z joins Gabrielle Union, Spike Lee, Issa Rae, Robin Thede, Quinta Brunson, Ta-Nehisi Coates, Roxane Gay, Ashley Nicole Black and Samira Wiley in boycotting Chateau Marmont.” All of the names noted by Petersen, per the union, have previously signed its boycott pledge.

The union – whose boycott is also supported by the WGA — has initiated plans to organize a picket line outside of the party, beginning at 8 p.m. on Sunday, March 27.

Thomasina Gross, a former events server at the hotel who is Black, filed a lawsuit against the hotel in 2021 alleging, among other issues, racial discrimination, noting that she’d been repeatedly passed over for higher-paying roles in favor of several white hires who she in turn was responsible for training in their new duties. “I’m a huge fan of Beyoncé and Jay-Z, so working at their Gold Party year after year was such an honor and pleasure,” she said. “They made it a point to acknowledge our hard work and treated us like human beings, not just servers. They said our presence meant a lot to them in terms of helping their party be a success. As I allege in my lawsuit I faced sexual harassment as a Black woman while working other events at Chateau. I can’t help but think if Jay-Z knew how Chateau treats their workers, they wouldn’t ignore this fact and continue to throw parties there.”

Representatives for Jay-Z and the hotel didn’t return requests for comment. The couple have been vocal in the fight for racial equality, leveraging their platforms to speak out on legislation (such as New York State’s recent “Rap Music on Trial” bill) and in support of the Black Lives Matters movement.

In 2020, The Hollywood Reporter published an investigation of allegations against the Chateau Marmont. Employees said that the Chateau’s culture of prejudice extended to its treatment of prominent Black and Latino visitors who were stopped, questioned and challenged on arrival at a higher rate than their white equivalents. A representative for Tiffany Haddish confirmed two such incidents.

In THR‘s story, Jimmy Cahue, a former guest relations staffer who had worked at the hotel since 1995, said there was an exclusionary screening process at the Chateau Marmont which involved Bar Marmont. “There were times when we’d have a Black couple who was trying to have dinner and we had room to accommodate them,” he said. “We would call upstairs, we’d say, ‘an African American couple,’ they’d ask if they were celebrities, and if not, they’d say, ‘We can put them in the dining room,’ which is secluded and where newcomers are seated. The main spot to dine is the garden area, so people seated [inside] felt isolated. Oftentimes they’d go, be disappointed, and then we’d offer them Bar Marmont.”

Chateau owner Andre Balazs, himself the subject of discrimination and harassment claims, has been renovating the Bar Marmont space. Insiders previously described his plans to convert it into a members-only club. Safe deposit boxes have been added for visitors to stow their phones, ensuring privacy.

–Katie Kilkenny contributed additional reporting.

This article was originally published by The Hollywood Reporter.

If there’s one game that has defined 2022 thus far, it’s Wordle. The viral game created (and cleverly named) by software engineer Josh Wardle (get it?) first caught the attention of the Twitterverse thanks to users posting their cryptic results to their feeds, causing many a future Wordle addict to wonder what the varying formations of black, green and yellow squares could possibly mean.

And like any passing trend in the Internet age, the game spawned countless copycats, reinventions and hyper-specific niche versions as it continued to blow up. Which brings us to the musical subgenre within the the wide world of Wordle. Some versions are artist specific, catering to fans of Taylor Swift, BTS or Weezer. Others set to challenge the broad knowledge of any given listener by incorporating actual music into the game’s simple format.

Billboard has rounded up several of the music-related offshoots of the OG game made for fans of every type. Check them out below.


Heardle

Developed shortly after the launch of Wordle, Heardle is the original audio take on the viral guessing game. Music lovers must correctly identify songs by hearing only snippets of each track’s intro.

Taylor Swift — Taylordle

The Wordle clone perfect for Swifties of all types was developed by the Holy Swift podcast. Within six tries, users have to correctly guess the word related somehow to the superstar’s sizable canon of lyrics, songs and career. And they’ve recently expanded beyond five-word answers to include more Taylor-related terms.

Weezer — Weezle

Rivers Cuomo himself announced the Weezer-themed offshoot via Twitter on March 3, writing, “If you like Wordle and Weezer, you’ll probably like Weezle,” along with a link to the web-based interface.

BTS — BTS Wordle

While it doesn’t come with a clever play on the name of the game like other artist-specific takes, BTS Wordle immerses ARMY into the universe of their favorite idols with a daily litany of five-letter words related to the band’s ongoing legacy.

BTS — BTS Heardle

If you thought the rabid fandom of BTS had only inspired one version of the game, think again: There’s also a Heardle spin-off dedicated to the boy band. The rules go like this: ARMY get seven guesses to predict the game’s BTS song of the day. For their first guess, fans can only use lyrics as an initial hint. With each successive round, ARMY can then listen to more and more of the song’s intro to get it right.

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Ghost’s Impera blasts in at No. 1 on Billboard’s Top Album Sales chart (dated March 26) with 2022’s biggest sales week for an album – 62,500 copies sold in the U.S. in the week ending March 17, according to Luminate, formerly MRC Data. It’s the first chart-topper for the rock band on Top Album Sales, and the act’s fourth top 10 overall.

Elsewhere in the top 10 of Top Album Sales, for KING & COUNTRY’s What Are We Waiting For? debuts at No. 2, Rex Orange County’s Who Cares? starts at No. 3, Benny the Butcher’s Tana Talk 4 enters at No. 8, and Joell Ortiz and KXNG Crooked’s Rise & Fall of Slaughterhouse bows at No. 10.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now MRC Data. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new March 26-dated chart will be posted in full on Billboard‘s website on March 22. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Impera has the biggest week, by album sales, for any album in the 2022 tracking year so far, surpassing the 37,000 copies sold of The Weeknd’s Dawn FM after its CD was released (week ending Feb. 3). Further, Impera has the largest sales week for a rock or hard rock album since the debut of Foo Fighters’ Medicine at Midnight (64,000; week ending Feb. 11, 2021). (Rock and hard rock albums are defined as those that have hit Billboard’s Top Rock Albums and Top Hard Rock Albums chart, respectively.)

Notably, Impera logs Ghost’s best sales week ever, surpassing the 61,500 start of its last full-length studio album, 2018’s Prequelle. The latter’s first-week number was boosted by a concert ticket/album sale redemption offer. Ticket/album bundles, like merchandise/album bundles, ceased to count towards chart sales as of Oct. 9, 2020.

Of Impera’s 62,500 copies sold in the week end March 17, physical sales comprise 51,000 (28,000 on vinyl; 21,000 on CD and 2,000 on cassette) and digital sales comprise nearly 12,000. The album’s sales were enhanced by its availability on a variety of vinyl LP and CD editions. Impera was released in numerous color vinyl variants, including color versions available exclusively via Target, Walmart, Newbury Comics, Zia Records, independent record stores in general, as well as the band’s official webstore.

In total, Impera’s 28,000 copies sold on vinyl LP marks the largest sales week for a rock album on vinyl in over a year, since Paul McCartney’s McCartney III sold 32,000 in its debut frame (Jan. 2, 2021-dated chart). Further, Impera logs the biggest sales week for a hard rock album on vinyl since 1994, when Pearl Jam’s Vitalogy sold 33,500 copies in its opening week (chart dated Dec. 10, 1994). Vitalogy was exclusively available on vinyl in its first two weeks of release, before it became available on CD.

Impera also debuts at No. 1 on Top Rock Albums, Top Hard Rock Albums, Independent Albums, Vinyl Albums, Tastemaker Albums and Top Current Album Sales.

Top Rock Albums and Top Hard Rock Albums rank the week’s most popular rock and hard rock releases, respectively, by equivalent album units. Independent Albums reflects the week’s most popular albums released by independent record labels. Tastemaker Albums ranks the best-selling albums at independent and small chain record stores. Vinyl Albums lists the top-selling vinyl albums of the week across all sellers. Top Current Album Sales ranks the week’s biggest-selling current albums (not including catalog – older – releases).

Brother duo for KING & COUNTRY bows at No. 2 on Top Album Sales with What Are We Waiting For?, selling 28,000 copies. It’s the third top 10 on the tally for the act. The new album’s sales were bolstered by its availability in a CD signed edition on the act’s official webstore. (In total for the week, CD sales comprise nearly 22,000 – both signed and unsigned across all sellers, while digital album sales comprise 6,000. The set is due out on vinyl LP on May 20.)

Rex Orange County’s Who Cares? debuts at No. 3 on Top Album Sales with 20,000 sold, marking the second top 10 for the artist. Of the set’s starting sum, vinyl LP sales accounted for nearly half of its sales – 9,600 copies. The album also got an assist from a pair of boxed sets sold through the artist’s webstore.

Dolly Parton’s Run, Rose, Run falls 2-4 in its second week on Top Album Sales with 8,000 sold (down 49%) and the No. 1 Encanto soundtrack dips 4-5 with 7,000 (down 14%). Nirvana’s Nevermind vaults 11-6 (nearly 7,000) as it basks in the buzz generated by its album cut “Something in the Way” being used in the film The Batman. Olivia Rodrigo’s former No. 1 Sour rises 8-7 with 6,500 sold (down 4%).

Benny the Butcher’s Tana Talk 4 starts at No. 8 with 6,000 sold; Adele’s chart-topping 30 is a non-mover at No. 9 with 5,500 (down 17%) and Joell Ortiz and KXNG Crooked’s Rise & Fall of Slaughterhouse debuts at No. 10 with a little over 5,000.

Devo, the New Wave music group known for hits like “Whip It,” said they will donate their licensing revenue from their song catalog for the entire month of April, along with personal monetary contributions, to organizations that are helping support the Ukrainian people and refugees.

The money will be earmarked for Music Saves UA and World Central Kitchen. Devo is asking others in the music industry to join them in this effort.

“Vladimir Putin’s rape of a sovereign nation, Ukraine, whose citizens are committed to democratic rule of law should not and cannot stand in the 21st Century,” said Mark Mothersbaugh and Gerald Casale of Devo. “To help the victims of Putin’s unprovoked war, Devo will be donating these revenues from the licenses of our song catalog throughout the month of April. We invite our rights holder partners in masters and publishing matters to join us in doing the same. Further we encourage all successful recording artists to do something similar to help make this gesture reach critical mass.”

Music Saves UA is a nonprofit fundraising project that was created to provide immediate humanitarian help, including medical, food, water and hygiene items, to those who need it most right now in Ukraine.

“The whole team at Music Saves UA is incredibly grateful for all the donations and constant help and support from the world of music and culture,” Music Save UA representative Vlad Yaremchuk said. “Our incredible team and dozens of volunteers who joined our cause are working 24/7 to provide supplies and aid via our humanitarian HQ in Kyiv. Every penny that reaches us is put to good use immediately, especially as we work to establish new centers on the Moldovian and Romanian borders for those fleeing. Every act of support is invaluable for us and we deeply appreciate it.”

World Central Kitchen, which was founded by Chef José Andrés in 2010, is a nonprofit organization that “provides fresh meals in response to crises while working to build resilient food systems with locally led solutions.” In response to the Ukraine invasion, WCK is providing meals not only in Ukraine but also in Poland, Romania, Moldova and Hungary at border crossings, shelters and other locations.

Devo, whose other hits have included “Beautiful World” and “That’s Good,” has made it a priority to support political and social causes in addition to “using music and performance art as commentary on conformity, emotional repression and dehumanization.”

This article originally appeared in THR.com.

The Grammy-winning siblings Billie Eilish and Finneas are now confirmed to perform their Oscar-nominated song “No Time to Die,” from the James Bond film of the same name, during the 94th Oscars ceremony on Sunday night, The Hollywood Reporter has learned from a source involved with the show.

The first-time nominees — who are 20 and 24, respectively — are widely considered the favorites to take home the best original song Oscar statuette, having already been awarded the equivalent Golden Globe, Critics Choice, Grammy and Society of Composers and Lyricists prizes.

Over the past decade, two other Bond songs have won Oscars: Adele’s “Skyfall” from 2012’s Skyfall and Sam Smith’s “Writing’s on the Wall” from 2015’s Spectre.

Billie and Finneas extensively discussed “No Time to Die” — and their odds-defying journey to it — on a November 2021 episode of The Hollywood Reporter‘s Awards Chatter podcast. Find Billboard‘s conversations with every 2022 Oscar song and score nominee — including Billie and Finneas — here.

This article was originally published by The Hollywood Reporter.