Former Disney CEO Bob Iger (and his avatar) is entering the metaverse.

Iger is investing in and joining the board of a company called Genies, which lets users create their own digital avatars for use in virtual worlds (you can see Iger’s avatar above). Iger joins Genies CEO and co-founder Akash Nigam, Genies co-founder Evan Rosenbaum, and venture capitalists Mary Meeker and Rick Yang on the Genies board.

Genies has become popular among stars including Jennifer Lopez, Rihanna and Lil Nas X. The company also has partnerships with Universal Music Group and Warner Music Group for avatars and NFTs.

“I’ve always been drawn to the intersection between technology and art, and Genies provides unique and compelling opportunities to harness the power of that combination to enable new forms of creativity, expression and communication,” said Iger in a statement. “After spending the last few months getting to know Akash and learning more about Genies, I am very excited about his vision and how it will be fulfilled and I look forward to working with the entire team.”

With talk of both the metaverse and web3 (a buzzword closely associated with crypto technology), Genies is trying to position itself as the future of online identity, whether that future is in virtual worlds or on the blockchain … or both. The hope is that after users create their avatar, it can be used everywhere and in every app (or virtual world).

And Iger, who officially left Disney at the end of the year, is exploring the metaverse just as his successor Bob Chapek begins exploring similar territory. Chapek cited the metaverse in his memo outlining three strategic “pillars” for the company in January. And in February, Disney tapped executive Mike White to lead its metaverse strategy. But while Disney is presumably looking at the metaverse as an opportunity to tell stories, Iger is betting that soon enough each one of us will be experiencing that Disney content in the metaverse through our own cartoon versions of ourselves.

This article was originally published by The Hollywood Reporter.

Em Beihold shares the feelings behind depression and anxiety in her relatable 2022 single, “Numb Little Bug.”

If you need a guide to follow along with Em Beihold’s “Numb Little Bug,” find the lyrics below:

I don’t feel a single thing
Have the pills done too much
Haven’t caught up with my friends in weeks
And now we’re outta touch
I’ve been driving in L.A.
And the world it feels too big
Like a floating ball that’s bound to break
Snap my psyche like a twig

And I just wanna see if you feel the same as me

Do you ever get a little bit tired of life
Like you’re not really happy but you don’t wanna die
Like you’re hanging by a thread but you gotta survive
‘Cause you gotta survive
Like your body’s in the room but you’re not really there
Like you have empathy inside but you don’t really care
Like you’re fresh outta love but it’s been in the air
Am I past repair

A little bit tired of tryin’ to care when I don’t
A little bit tired of quick repairs to cope
A little bit tired of sinkin’
There’s water in my boat
I’m barely breathin’
Tryna stay afloat
So I got these quick repairs to cope
Guess I’m just broken and broke

The prescriptions on its way
With a name I can’t pronounce
And the dose I gotta take
Boy, I wish that I could count

‘Cause I just wanna see if this could make me happy

Do you ever get a little bit tired of life
Like you’re not really happy but you don’t wanna die
Like you’re hanging by a thread but you gotta survive
‘Cause you gotta survive
Like your body’s in the room but you’re not really there
Like you have empathy inside but you don’t really care
Like you’re fresh outta love but it’s been in the air
Am I past repair

A little bit tired of tryin’ to care when I don’t
A little bit tired of quick repairs to cope
A little bit tired of sinking
There’s water in my boat
I’m barely breathin’
Tryna stay afloat
So I got these quick repairs to cope

Do you ever get a little bit tired of life
Like you’re not really happy but you don’t wanna die
Like a numb little bug that’s gotta survive
That’s gotta survive

Lyrics licensed & provided by LyricFind

Lyrics © Songtrust Ave

Written by: Andrew DeCaro, Emily Beihold, Nick Lopez

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Less than a year after launching, Becky G’s Treslúce Beauty is joining the likes of Rihanna’s Fenty Beauty and other celebrity makeup lines that are available at Ulta Beauty. The makeup collection, which was created in celebration and support of Latinx heritage and culture, includes essentials for your eyes, lips, cheeks and lashes, in addition to makeup brushes and other must-have beauty tools.

“It was a dream come true to bring Treslúce Beauty to life, and I cannot begin to fully express the happiness it gives me to launch at Ulta Beauty,” the 25-year-old singer-songwriter and actress said in a statement. “I am so honored and cannot wait to introduce brand and products to Ulta Beauty guests everywhere.”

Environmentally friendly and cruelty-free, Treslúce products and packaging are infused with Latin sourced ingredients as well as art and starts at $8 up to $75 for some of the more expensive sets.

Prior to launching her own line, the Mexican entertainer, who loved to play in makeup as a child, appeared in campaigns with CoverGirl and other beauty brands. Treslúce last June with just six products. Only certain pieces from the collection are available at Ulta Beauty, like the Treslúce Beauty Illusion Premium Lashes ($14), Eterno Liquid Eyeliner ($15) and the sold-out Line It Up Edge Corrector ($12).

“We are overjoyed to welcome Treslúce Beauty to the Ulta Beauty family,” said Marcia Salcedo, senior vice president of merchandising, Ulta Beauty. “As we continue to bring culturally relevant, trend-forward brands in our assortment, we are confident our guests will embrace these products’ unique and vegan ingredients as well as its deep, meaningful heritage.”

Shop some of the items that are still available at Ulta via the links below.

Buy: Bold y Atrevida Liquid Lip Tint ($18)

Buy: La Flor de México Shadow Pallettte ($30)

Buy: I Am Shadow Pallette ($25)

Buy: Intenso Liner ($12)

Buy: Illusion Premium Lashes ($14)

Buy: Ready to Bounce Cream Blush ($16)

Buy: Like an Artista Brush Set ($35)

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Former President Barack Obama said on Sunday (March 13) that he had tested positive for COVID-19, though he’s feeling relatively healthy and his wife, Michelle, tested negative.

“I’ve had a scratchy throat for a couple days, but am feeling fine otherwise,” Obama said on Twitter. “Michelle and I are grateful to be vaccinated and boosted.”

Obama encouraged more Americans to get vaccinated against the coronavirus, despite the declining infection rate in the U.S. There were roughly 35,000 infections on average over the past week, down sharply from mid-January when that average was closer to 800,000.

The Centers for Disease Control and Prevention report that 75.2% of U.S. adults are fully vaccinated and 47.7% of the fully vaccinated have received a booster shot. The CDC relaxed its guidelines for indoor masking in late February, taking a more holistic approach that meant the vast majority of Americans live in areas without the recommendation for indoor masking in public.

Hans Zimmer’s score for Dune won at both the BAFTA Film Awards and the Critics Choice Awards on Sunday (March 13), which puts it in a strong position heading into the 94th annual Academy Awards on March 27.

But here’s something to keep in mind: Germaine Franco’s score for Encanto, which may be Zimmer’s strongest challenger for the Oscar, wasn’t nominated for either the BAFTA or Critics Choice Award. Encanto beat Dune at the SCL Awards, presented by the Society of Composers & Lyricists, on March 8.

The eventual Oscar winner for best original score in each of the past two years — Hildur Guðnadóttir’s Joker and Trent Reznor & Atticus Ross and Jon Batiste’s Soul — won all three of these preliminary awards. Because there has been a lack of unanimity in the walk-up shows this year, the race is seen as close and unsettled.

Billie Eilish and Finneas’ “No Time to Die” from the James Bond film of the same name won best song at the Critics Choice Awards. (The BAFTA Film Awards, also known as the EE British Academy Film Awards, don’t have a song category.) “No Time to Die” beat what is seen as its strongest challenger for the Oscar – Lin-Manuel Miranda’s “Dos Oruguitas” from Encanto.

Last year’s best song winner at the Critics Choice Awards, “Speak Now” from One Night in Miami…, did not go on to win the Oscar, but the four previous Critics Choice winners – “City of Stars” from La La Land, “Remember Me” from Coco, “Shallow” from A Star Is Born and “(I’m Gonna) Love Me Again” from Rocketman – all did go on to Oscar glory (the Rocketman song tied for the win at the Critics Choice Awards.)

“No Time to Die” has won many other awards, starting with a Grammy for best song written for visual media at the 63rd Grammy Awards in March 2021. It also won at the Golden Globes, the SCL Awards and the Hollywood Music in Media Awards.

Summer of Soul (Or, When the Revolution Could Not Be Televised), produced by Ahmir “Questlove” Thompson, David Dinerstein, Robert Fyvolent and Joseph Patel, won the documentary award at the BAFTA Film Awards. There is no comparable category at the Critics Choice Awards, but the film is nominated for an Oscar for best documentary feature.

The 75th annual BAFTA Film Awards, hosted by Rebel Wilson, were held at Royal Albert Hall in London. The 27th Critics Choice Awards, hosted by Taye Diggs and Nicole Byer, were held at the Fairmont Century Plaza Hotel in Los Angeles, with some awards presented at the Savoy Hotel in London.

Final-round voting for the 94th annual Academy Awards extends from March 17-22. The winners will be revealed on March 27 when the Oscars return to their usual home, the Dolby Theater in Hollywood, after last year’s pandemic-prompted move to Union Station in Los Angeles.  Regina Hall, Amy Schumer and Wanda Sykes are set to host the show.

Here are the nominees and winners in the music categories at the two awards shows that aired on Sunday:

BAFTAs: original score

Being the Ricardos, Daniel Pemberton

Don’t Look Up, Nicholas Britell

WINNER: Dune, Hans Zimmer

The French Dispatch, Alexandre Desplat

The Power of the Dog, Jonny Greenwood

 

Critics Choice Awards: best score

Nicholas Britell – Don’t Look Up

Jonny Greenwood – The Power of the Dog

Jonny Greenwood – Spencer

Nathan Johnson – Nightmare Alley

WINNER: Hans Zimmer – Dune

 

Critics Choice Awards: best song

“Be Alive” – King Richard

“Dos Oruguitas” – Encanto

“Guns Go Bang” – The Harder They Fall

“Just Look Up” – Don’t Look Up

WINNER: “No Time to Die” – No Time to Die

 

The score from Dune wasn’t the only dual winner on Sunday. Here are other nominees that won at both the BAFTAs and the Critics Choice Awards:

Best picture: The Power of the Dog

Best actor: Will Smith – King Richard

Best supporting actor: Troy Kotsur – CODA

Best supporting actress: Ariana DeBose – West Side Story

Best director: Jane Campion – The Power of the Dog

Best costume design: Jenny Beavan – Cruella

Best hair and makeup: The Eyes of Tammy Faye

Best production design: Patrice Vermette, Zsuzsanna Sipos – Dune

Best foreign language film: Drive My Car