Gunna scored his second No. 1 on the Billboard 200 albums chart with DS4Ever, which kicked off 2022 with its January 7 release date.

The album is full of high-profile collaborations with fellow hip-hop and R&B stars including 21 SavageChris BrownFutureLil BabyRoddy Ricch and Young Thug. However, a 20-track edition of the album, which added “P Power” featuring Drake, was released late in the day on Jan. 13 and helped push the already bubbling excitement over the album.

If you need a guide to follow along with Gunna and Drake’s powerful collaboration, find them all below:

(If Young Metro don’t trust you, I’m gon’ shoot you)

She wanna go viral (viral), keep f—in’ for hours (hours)
That p—y got power, that p—y got power
She wet in the shower (wet), that p—y gettin’ louder (louder)
We ain’t saying no vow (vow), she f—in’ no coward (nope)
I’m di–in’ it deep (deep), she wanna get geeked (geek her, uh)
She sniffin’ that flour (flour), we geekin’ for hours (skeet-skeet)
Get play as a player (we player), that P get devoured (P)
Told my brother, “She ours” (she ours, slatty)

I’m comin’, my baby, f— it, I’ll crocodile Birkin the baby (f— it)
We don’t take breaks, she wan’ f— on the daily
Had to stop, get some Percs for this lady
We go CC, make her wanna go crazy
I hit Mercedes inside a Mercedes
Power, that P got you poppin’ in places (P)
I’m givin’ her the D, I’m the d-boy, baby (I’m giving her the D, I’m the d-boy, baby)
I’m in her gut like a sit-up (sit-up)
I drop the di– off like a dealer (yeah)
I left a few racks, pay your rent up (rent up)
She make that lil’ p—y pop like a pimple
I’m parkin’ right here in the center (yeah)
I tell her, “Pull up,” she gon’ mop all the drip up
That’s why I upgraded her denture (why?)
In her mouth, in love with your dentals

She wanna go viral (viral), keep f—in’ for hours (hours)
That p—y got power, that p—y got power
She wet in the shower (wet), that p—y gettin’ louder (louder)
We ain’t sayin’ no vow (vow), she f—in’ no coward (nope)
I’m di–in’ it deep (deep), she wanna get geeked (geek her, uh)
She sniffin’ that flour (flour), we geekin’ for hours (skeet-skeet)
Get play as a player (we player), that P get devoured (P)
Told my brother, “She ours” (she ours)

I’m comin’, my baby, forget a crocodile Birkin, my baby
Show you a link, now you workin’, my baby
You f— on me, it feel personal, baby
Trust me, it’s comin’ full circle, my baby
The dash in the Benz is virtual, baby
You seein’ 3D off a Perky, my baby
Seein’ HD off the 2C, my baby
31 gang get spooky, my baby
How can I worry ’bout blockin’ with buttons
When n—as is out here and Glockies is bussin’?
How can I not be the topic discussion
When n—as got rich off of droppin’ my govy?
How do you even be rockin’ with buddy?
The pictures I’ve seen, I’m like, “Damn, he got lucky”
Take it from him and I leave him with nothin’

She wanna go viral (viral), keep f—in’ for hours (hours)
That p—y got power, that p—y got power
She wet in the shower (wet), that p—y gettin’ louder (louder)
We ain’t sayin’ no vow (vow), she f—in’ no coward (nope)
I’m di–in’ it deep (deep), she wanna get geeked (geek her, uh)
She sniffin’ that flour (flour), we geekin’ for hours (skeet-skeet)
Get play as a player (we player), that P get devoured (P)
Told my brother, “She ours” (she ours, slatty)

Lyrics licensed & provided by LyricFind

Lyrics © Warner Chappell Music, Inc.

Written by: Aubrey Graham, Leland Wayne, Sergio Kitchens

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

If you’ve happened to check Twitter on the weekend, then you may have seen Power Book II: Ghost on the list of trending topics. Season 2 of the spinoff series, starring Michael Rainey Jr., debuted last year, but for those who want to catch up on the show before a new episode arrives this Sunday (Jan. 30), Starz is offering a limited promo that lets you join the service for less than $1 a month for the first six months.

Picking up where its predecessor left off, Power Book II follows Tariq (Rainey Jr.) as he navigates life while trying to escape his father’s haunting legacy.

Method Man, Mary J. Blige, Gianni Paolo, Larenz Tate, Daniel Sunjata, Shane Johnson, Woody McClain, Daniel Bellomy, Lovell Adams-Gray and Paige Hurd are among the ensemble cast.

The crime drama, created by Courtney Kemp and executive produced by 50 Cent, premiered in 2020. Season 2 arrived on Starz in November 2021 and filming for season 3 is already under way, according to 50 Cent who shared behind-the-scenes footage via Instagram on Tuesday (Jan. 25).

All 10 episodes from season 1 are currently available for on-demand viewing, as well as the first eight episodes from the second season, which will be updated as the episodes premiere. New episodes drop Sundays at midnight via the Starz app. The show also airs on the network at 9 p.m. ET every Sunday.

How to Watch ‘Power Book 2: Ghost’ Online from Any Device

Power Book II is streaming exclusively on Starz and can be accessed directly through the app or by logging in through Starz.com. The network is offering up to a 44 percent discount on its monthly membership, bringing the price down to just $5 for six months and you can cancel at any time (click here to sign up).

Available to new and returning subscribers, the limited deal includes Unlimited HD streaming and downloads on up to four devices. The Starz app is compatible with Android, Apple and Chromecast, which means that you can stream from your TV, smartphone, laptop or a compatible notebook device. If you’re an Amazon Prime member, you can watch Starz through Prime Video and stream for free for the seven days.

Starz is home to Power Book II and the entire Power franchise including season one of the prequel series, Power Book III: Raising Kanan. Other shows on the Starz roster include BMF, Run the World, City of Lies, Blindspotting, American Gods, The Gloaming and P-Valley.

For movie buffs, Starz has a huge film catalog filled with dramas, comedies, romance flicks, horror movies, action and fantasy films, crime dramas, sci-fi, kids films, cult classics, westerns, Black films, women-directed movies, documentaries and Oscar-winning and nominated releases such as The Devil Wears Prada, Forrest Gump, American Hustle, Juno, Inglorious Bastards and The Hurt Locker.

Starz features classic film favorites as well like Trading Places, Donnie Brasco, Black Sheep and Mr. & Mrs. Smith, alongside more recent releases such as Spiral: From the Book of Saw, Bad Boys for Life, Bloodshot and Jumanji: Welcome to the Jungle.

Power Book VI: Force, the newest addition to the Power family, will premiere on Starz on Sunday, Feb. 6.

The Lumineers land its third straight, and total, No. 1 on Billboard’s Top Album Sales chart (dated Jan. 29), as the act’s latest release, Brightside, opens atop the list with nearly 26,000 copies sold in the U.S. in the week ending Jan. 20, according to MRC Data. The Lumineers previously led the list with its last two full-length studio albums, III (in 2019) and Cleopatra (in 2016).

Brightside leads a busy top 10 on Top Album Sales, as the latest efforts from ENHYPEN, Skillet, Underoath and Casting Crowns all debut in the region.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now MRC Data. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Brightside’s 25,600 copies sold in its first week, physical sales comprise 19,100 (15,000 on vinyl LP; 3,800 on CD and 300 cassette tape) and digital sales comprise 6,500 sold. Brightside also launches at No. 1 on the Vinyl Albums chart.

ENHYPEN’s Dimension: Answer arrives at No. 2 with 21,000 sold. Physical sales comprise over 99% of the set’s first-week sales – all from its CD edition. (It’s digital album sold a negligible sum.) Like many K-pop releases, the CD edition of the album was issued in collectible packages (three total, including one Target-exclusive edition), each with randomized internal paper goods (such as photocards and bookmarks).

After eight straight weeks at No. 1, Adele’s 30 falls from the top slot for the first time, dipping to No. 3 in its ninth week on the list (18,000 sold; down 16%).

The soundtrack to Disney’s Encanto posts a gain in sales, rising 4% to 17,000 sold – but is pushed down 2-4, owed to the two debuts at Nos. 1 and 2.

Skillet’s Dominion debuts at No. 5 (12,000 sold), Olivia Rodrigo’s former No. 1 Sour falls 4-6 (9,000; down 13%), Taylor Swift’s chart-topping Red (Taylor’s Version) dips 5-7 (8,000; down 13%), Underoath’s Voyeurist starts at No. 8 (7,000), Casting Crowns’ Healer bows at No. 9 (nearly 7,000) and Fleetwood Mac’s Rumours moves 6-10 (6,000; down 18%).

In the week ending Jan. 20, there were 1.729 million albums sold in the U.S. (up 0.8% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.326 million (up 0.6%) and digital albums comprised 403,000 (up 1.3%).

Year-to-date album sales total 5.270 million (down 13.6% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 4.069 million (down 12.2%) and digital album sales total 1.202 million (down 18.2%).

Madonna wants to bring the headline-making moment of the 2003 MTV Video Music Awards to 2022.

In a recent Instagram Live session, Madonna was asked if she would ever do a world tour again. “Hell yeah, I have to,” she replied. “Stadium, baby. Me and Britney [Spears], what about that? Yeah, I’m not sure she’d be into it, but it would be really cool. We could, like, reenact the original kiss.”

Madame X, of course, was referring to her 2003 VMAs performance with Spears, Missy Elliott and Christina Aguilera, where the trio performed a medley of hits including “Like a Virgin” and “Hollywood.”

Madonna then surprised everyone by kissing Spears onstage. After a quick camera cut to the pop princess’ ex-boyfriend, Justin Timberlake, Madonna then smooched Aguilera. But it was the Britney-Madonna kiss that made news.

At the height of the #FreeBritney movement, Madonna advocated for an end of Spears’ 13-year conservatorship, which was officially terminated by a Los Angeles judge in November.

In July 2021, Madonna wrote on her Instagram Story that the justice system needs to “give this woman her life back.”

Over a photo of herself wearing a Britney T-shirt, Madonna wrote: “Give this woman her life back. Slavery was abolished so long ago! Death to the greedy patriarchy that has been doing this to women for centuries. This is a violation of human rights! Britney we coming to get you out of jail!”

Are you feeling the pressure to learn every word to the mile-a-minute Encanto song “Surface Pressure”? Fear no more, because you can follow along with Lin-Manuel Miranda‘s trademark rapid-fire lyrics below.

The song — performed by Jessica Darrow as Luisa, the freakishly strong oldest sister of the Madgrigal family, in Disney’s animated film — conveys the relentless weight many families put on elder siblings. Get a grip, grip, grip on every word of the breakout song (now a Billboard Hot 100 top 10 hit) below:

I’m the strong one, I’m not nervous
I’m as tough as the crust of the Earth is
I move mountains, I move churches
And I glow ’cause I know what my worth is

I don’t ask how hard the work is
Got a rough, indestructible surface
Diamonds and platinum, I find ’em, I flatten ’em
I take what I’m handed, I break what’s demanded, but

Under the surface
I feel berserk as a tightrope walker in a three-ring circus
Under the surface
Was Hercules ever like, “Yo, I don’t wanna fight Cerberus”?
Under the surface
I’m pretty sure I’m worthless if I can’t be of service

A flaw or a crack
The straw in the stack
That breaks the camel’s back
What breaks the camel’s back?

It’s pressure like a drip, drip, drip, that’ll never stop, whoa
Pressure that’ll tip, tip, tip, ’til you just go pop, whoa-oh-oh
Give it to your sister, your sister’s older
Give her all the heavy things we can’t shoulder
Who am I if I can’t run with the ball?
If I fold to

Pressure like a grip, grip, grip, and it won’t let go, whoa
Pressure like a tick, tick, tick, ’til it’s ready to blow, whoa-oh-oh
Give it to your sister, your sister’s stronger
See if she can hang on a little longer
Who am I if I can’t carry it all?
If I falter

Under the surface
I hide my nerves and it worsens, I worry something is gonna hurt us
Under the surface
The ship doesn’t swerve as it heard how big the iceberg is
Under the surface
I think about my purpose, can I somehow preserve this?

Line up the dominoes
A light wind blows
You try to stop it tumbling
But on and on it goes

But wait, if I could shake
The crushing weight of expectations
Would that free some room up for joy?
Or relaxation? Or simple pleasure?
Instead, we measure this growing pressure
Keeps growing, keep going
‘Cause all we know is

Pressure like a drip, drip, drip, that’ll never stop, whoa
Pressure that’ll tip, tip, tip, ’til you just go pop, whoa-oh-oh
Give it to your sister, it doesn’t hurt and
See if she can handle every family burden
Watch as she buckles and bends but never breaks
No mistakes, just

Pressure like a grip, grip, grip, and it won’t let go, whoa
Pressure like a tick, tick, tick, ’til it’s ready to blow, whoa-oh-oh
Give it to your sister and never wonder
If the same pressure would’ve pulled you under
Who am I if I don’t have what it takes?
No cracks, no breaks
No mistakes, no pressure

Lyrics licensed & provided by LyricFind

Lyrics © WALT DISNEY MUSIC COMPANY

Written by: Lin-Manuel Miranda

LACMA previewed a new exhibit Wednesday night, and if you happened to pore over the guest list thinking it was a roster for a summer music festival, few could blame you.

The museum hosted Billie Eilish and her brother FinneasOlivia RodrigoJared LetoMachine Gun Kelly, Lana Del Rey, Kelly Rowland, Karen O, Trent Reznor, Atticus Ross, Alexander 23 and members of No Doubt, among others, for the unveiling of Artists Inspired by Music: Interscope Reimagined. Timed to coincide with Interscope’s 30th anniversary, the exhibit is comprised of more than 50 pieces created by visual artists as inspired by albums and sounds of Interscope’s stable of artists.

There’s a reason many of the aforementioned names were making the rounds inside the Resnick Pavilion as Eilish, Rodrigo, MGK, Nine Inch Nails and No Doubt are among the stars that inspired artworks. Also on that list are 2Pac, Dr. Dre, Eminem, Gwen Stefani, Juice WRLD, Kendrick Lamar, Lady Gaga, Mary J. Blige, Selena Gomez, Snoop Dogg and U2, among others. The works were created by such leading visual artists as Cecily Brown, Julie Curtiss, Shepard Fairey, Lauren Halsey, Damien Hirst, Rashid Johnson, Takashi Murakami, Richard Prince, Ed Ruscha, Kehinde Wiley, and others.

The project was shepherded by Interscope co-founder Jimmy Iovine, chairman John Janick, Pulse Music Group co-founder Josh Abraham, and Interscope vice chairman Steve Berman, who worked closely with all of the music and visual artists. Also in the mix was LACMA associate curator of decorative arts and design Staci Steinberger. All were in attendance along with Brian Grazer, Deborah McLeod, Fergie, Ferrari Sheppard, Finneas, Genesis Tramaine, Henry Taylor, Hilary Pecis, Nine Inch Nail’s Ilan Rubin, Jeffrey Deitch, Jennifer Guidi, Jeremy Erlich, Justin Lubliner, Larry Jackson, Liberty Ross, Lucy Bull, Max Lousada, Megan Fox, Nick Zinner, Shepard Fairey, Steve Stoute, Ted Field, The Game, Umar Rashid, Willow Bay, Zane Lowe, Tom Whalley, and No Doubt’s Adrian Young, Tom Dumont and Tony Kanal.

The exhibit, which officially opens Jan. 30 and is on view through Feb. 13, arrives with a few raised eyebrows. The Los Angeles Times posted a commentary from art critic Christopher Knight that questions why an institution like LACMA would partner on such a project, one he criticizes as art conceived as a corporate marketing tool. “Strip away the diverting celebrity names, and what’s left is just a museum show of a corporate collection,” he writes.

This article was originally published by The Hollywood Reporter.

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