Nick Cannon and model Amber Rose recently bonded over their lives in the public eye and their mutual support for the MAGA agenda. In a chat on Cannon’s Big Drive podcast on Friday (March 27), the pair went for a spin in a beach cruiser as Cannon asked Rose about her support for President Donald Trump — Rose spoke at the 2024 Republican National Convention — and Cannon noted that he used to have former President Barack Obama’s BlackBerry number, but is now firmly on Team Trump.

Asking Rose if there might be a position for her in Trump’s administration, Cannon noted that the OnlyFans model “100%” has the president’s ear. After Rose, once best known for hosting her empowering Slut Walk protests, expressed her opinion that “left-wing liberal” feminism “took us back,” she shared her opinion that “it’s not illegal to be racist” and that she is a “former liberal, former Democrat.” Cannon backed her up and added that people “change their views and opinions” sometimes.

Earlier in the chat, he appeared to confirm that his views have also changed, after he asked Rose if she switched parties because “the bag has got so intense” and her earnings so heavy that she became part of the “elite.” Rose said no, opining, “Democrats don’t care about Black people and they don’t care about people of color,” as Cannon laughed at what Rose dubbed the “misconception” about the GOP.

“I agree with you 100%,” said multi-hyphenate Cannon, who is a recording artist, radio DJ who and host of The Masked Singer. “People don’t know that the Democrats is the party of the KKK. People don’t know that the Republicans are the party that freed the slaves.” According to Politifact, the racist Ku Klux Klan group attracted many ex-Confederate soldiers after the Civil War, as well as Southerners who opposed Reconstruction, most of whom were Democrats, but the claim that the Democratic Party started the Civil War to preserve slavery and founded the KKK is false. The Republican Party was founded in 1854 by anti-slavery activists and in 1863 Republican President Abraham Lincoln issued the Emancipation Proclamation, freeing all the slaves living in Confederate states.

Cannon noted that both he and Rose have “some conservative views,” but that she is just more outspoken than him.

Cannon also said that he actually doesn’t support either major party and that his political North Star is the late historian and civil rights activist W.E.B. Du Bois, whose famous quote about the American political system he paraphrased, “there’s no such thing as two parties. It’s just one evil party with two different names.”

Rose said she voted for Trump because he was “the better option,” describing how she agrees with a lot of the former reality TV star’s policies in his second administration, with Cannon enthusiastically adding, “motherf–ker cleanin’ house! He’s doing what he said he was gonna do!… I f–k with Trump!”

It’s not the first time Cannon has taken a controversial stance. Back in 2020, he was fired by ViacomCBS for statements on his Cannon’s Class podcast that were deemed racist and antisemitic during a conversation with former Public Enemy “Minister of Information” Professor Griff. In the interview, Griff doubled down on his past condemnation of Jewish people and Cannon repeated hateful tropes about alleged Jewish control of the media and banking, comments he later apologized for.

Watch Cannon and Rose discuss their support for MAGA below.


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BLACKPINK‘s LISA will make history this fall when she takes the stage at the Colosseum at Caesars Palace for her VIVA LA LISA residency run. The singer will become the first K-pop artist to mount a Las Vegas residency during the two-weekend November stay-put slated to take place on Nov. 13 and 14 and Nov. 27 and 28.

Fans can sign up for the LISA presale beginning on April 22 at 10 a.m. PT through 10 p.m. PT on April 19; artist presales on Ticketmaster do not require a code, with more information available here. The artist presale will run from 10 a.m. PT on April 22 through 10 p.m. PT, followed by a general on sale beginning on April 23 at 10 a.m. PT.

LISA released her debut solo album, Alter Ego, in March of last year, with the collection debuting at No. 1 on Billboard‘s Top Album Sales chart. She became the second member of BLACKPINK to land a solo top 10 album on the Top Album Sales chart, following bandmate ROSÉ’s rosie, which hit No. 3 on the list dated Dec. 21, 2024.

In addition to touring with BLACKPINK last year and joining ROSÉ, JENNIE and Jisoo on the quartet’s Deadline world tour, LISA got in the studio with her mates for last month’s Deadline EP. She also made her acting debut in 2025 as part of the cast of HBO’s White Lotus and will be the subject of a documentary from Sony Music Vision that is slated to follow a year in her life as she takes time away from BLACKPINK to focus on her solo endeavors.


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Becky G, Joy and Julieta Venegas will be honored at the fourth annual Billboard Latin Women in Music special, Billboard and Telemundo announced on Monday (March 30). The program will air live exclusively on Telemundo on April 24 at 9 p.m. ET.

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Once again, the two-hour musical special will pay tribute to “Latin female artists who are driving meaningful change and championing inclusion across the music industry,” according to a press release. It will also stream on Peacock and the Telemundo app.

Among the first group of honorees announced, Becky G will receive the Global Impact award for her ability to connect with audiences worldwide. With more than a decade career, the Mexican-American singer has gone from being a breakout teen artist into an international star, with Billboard chart-toppers including “MAMIII” with Karol G — which spent 10 weeks at No. 1 on Hot Latin Songs in 2022 — and Latin Airplay No. 1s including “Mayores” with Bad Bunny, “Sin Pijama” with Natti Natasha, and more. And her influence extends beyond music, as she proudly represents her roots as an actress and entrepreneur.

“A passionate advocate for Latino representation, immigrant communities, women’s empowerment and mental health awareness, she leads with authenticity and purpose,” Billboard and Telemundo stated in their release. “Through every endeavor, she continues to elevate Latin culture on a global stage while inspiring the next generation.”

Meanwhile, Joy — the lead vocalist of the popular Latin pop duo Jesse & Joy — will be honored with the Spirit of Change award, which recognizes artists who use their platform to drive meaningful impact within music and beyond. For more than two decades, the singer and songwriter has consistently used her voice to advocate for immigrant rights, LGBTQ+ equality, women’s empowerment, the fight against gender-based violence, and animal welfare.

On the Billboard charts, she has achieved two top 10s on Latin Airplay as part of Jesse & Joy, including the No. 1 hit “¡Corre!”. Last year, her Broadway debut as a co-writer of the songs for the musical Real Women Have Curves earned her a Tony Award nomination for best original score. “Through her music, her activism and her unwavering commitment to inclusion and justice, Joy continues to inspire change, embodying the true spirit of an artist who understands the power of her influence to shape a better world,” reads the statement.

Rounding out the list of honorees in this initial announcement, Julieta Venegas will receive the Artistic Excellence award, recognizing an artist whose work is defined by exceptional craftsmanship, consistency, and a distinct creative identity. With over three decades in music, the Mexican singer-songwriter has defined the sound of Latin alternative pop through deeply personal songwriting, poetic lyricism, and her distinctive talent as a multi-instrumentalist, particularly on the accordion and piano.

On Billboard charts, she has achieved multiple entries on Top Latin Albums and Latin Pop Albums, including standout hits like Limón y Sal, which earned her her first top 10 on Top Latin Albums, as well as iconic tracks like “Me Voy” and “Andar Conmigo.” In 2023, her latest album Tu Historia won the Latin Grammy for best pop vocal album. She is currently leading Mexican radio with “Tengo Que Contarte” alongside Natalia Lafourcade.

“Beyond commercial success, she has expanded the role of the female singer-songwriter in Latin music, maintaining creative control as a composer, producer, and instrumentalist while redefining what sustained mainstream success can look like without compromising authenticity,” notes the press release. “Her timeless catalog has transcended trends, resonated across generations and borders, and left an enduring cultural imprint, embodying true artistic excellence.”

More honorees, as well as presenters and performers, will be announced.

Billboard Latin Women in Music is the only annual televised gala celebrating Latin women artists who are driving positive changes and fostering greater inclusion in the music industry. Now in its fourth successful year, it has established itself as a powerful platform where the most prominent artists in Latin music come together for an extraordinary night of music and camaraderie.

Last year, honorees included Anitta (Vanguard award), Belinda (Evolution award), Celia Cruz (Legend), Chiquis (Impact award), Ha*Ash (Unbreakable award), Natti Natasha (Unstoppable Artist), Olga Tañón (Lifetime Achievement) and Selena Gomez (Woman of the Year). Previous years’ honorees include Gloria Estefan, Thalia, Shakira and more.

TLC‘s Rozonda “Chilli” Thomas has spoken out about reports that she made multiple donations to Donald Trump’s 2024 presidential campaign after receiving backlash from fans. “I WANT TO BE CLEAR: I am not MAGA and do not support any of the many policies that are causing great harm to the American people,” Thomas wrote in an Instagram post on Sunday (March 29).

“I made a mistake too many make: I did not read the fine print. I thought I was supporting causes against human trafficking and for veterans,” she added. “Two things I care deeply about as my dad is a veteran and everyone knows I love children. I have learned a valuable lesson and ask for grace as I navigate this.”

Federal Election Commission (FEC) records appear to show that a Rozonda Thomas of Georgia made 17 donations to a variety of organizations in 2024, including WinRed (a fundraising platform for the Republican Party), the Trump National Committee JFC, INC. and Never Surrender, Inc. (a political leadership PAC associated with Trump.)

Thomas also posted a video addressing the reports she called “very concerning” tied to another since-deleted post from earlier this month in which she allegedly reshared a right-wing conspiracy theory alleging that former First Lady Michelle Obama is not a biological woman. “I have the utmost respect and admiration for Michelle Obama, and I would never say or do anything that is disrespectful to her or to any woman. I would never do that,” Thomas said. “And I had no clue that this repost had happened until I started getting phone calls and text messages from everybody, and I immediately went to my page to see what was going on.”

Thomas, who said she was “not very computer savvy,” appeared to suggest the repost was accidental. “I’m looking for this repost button, and I see that all of them, all of these buttons are very, very close to each other, and clearly I was scrolling and my thumb hit the repost button,” she said. Again, I had no clue that something like this happened until I got all the calls.”

The controversy came just days after TLC announced that they were joining two other ’90s hip-hop/R&B icons for the It’s Iconic tour, which will also feature coheadliners Salt-N-Pepa and openers En Vogue. The trio of groups announced the dates for the tour three days before they performed together for the first time at the 2026 iHeartRadio Music Awards last Thursday. The It’s Iconic tour is slated to kick off on Aug. 15 in Franklin, Tenn.


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Benson Boone is just two weeks out from wrapping his American Heart tour in England, so naturally on Sunday (March 29) he announced the dates for his upcoming summer 2026 Wanted Man summer tour. Boone announced the dates with a funny cake baking video in which he flexed his biceps to smash eggs and, weirdly, added watermelon, bananas and onions to the mix for a beautiful pastry featuring a picture of the singer in frosting along with some self-deprecating digs at his perceived public persona (“The One Hit Wonder” — The Whole Internet and “Backflips & Magic Included”).

The 34-date tour is slated to kick off on July 7 at PPG Paints Arena before moving on to Baltimore, Brooklyn, Newark, Boston, Albany, Cincinnati, Indianapolis, Milwaukee, St. Louis, Denver, Seattle, Los Angeles, Las Vegas, San Diego, Phoenix, Dallas, New Orleans, Jacksonville and Kansas City before wrapping up on Sept. 3 in Casper, Wyo. at the Ford Wyoming Center.

A presale will begin on Wednesday (April 1) at 11 a.m. local, with the official onsale kicking off on Friday April 3) at 11 a.m.; click here for ticket information. No support acts have been announced yet.

Boone wrapped up his 50-show American Heart tour in Birmingham, England on March 15 in support of his 2025 American Heart album, with the new tour taking its name from the album’s final track, “Young American Heart.”

Check out the dates for Benson Boone’s 2026 Wanted Man tour:

  • July 7: Pittsburgh, Pa. @ PPG Paints Arena 
  • July 8: Baltimore, Md. @ CFG Bank Arena 
  • July 10: Brooklyn, N.Y. @ Barclays Center
  • July 11: Brooklyn, N.Y. @ Barclays Center
  • July 13: Newark, N.J. @ Prudential Center
  • July 15: Boston, Mass. @ TD Garden 
  • July 16: Albany, N.Y. @ MVP Arena 
  • July 18: Cincinnati, Ohio @ Heritage Bank Center 
  • July 19: Indianapolis, Ind. @ Gainbridge Fieldhouse 
  • July 22: Milwaukee, Wis. @ Fiserv Forum 
  • July 24: Rosemont, Ill. @ Allstate Arena 
  • July 27: St. Louis, Mo. @ Enterprise Center 
  • July 28: Tulsa, Okla. @ BOK Center 
  • July 30: Denver, Colo. @ Ball Arena 
  • Aug. 2: Spokane, Wash. @ Numerica Veterans Arena 
  • Aug. 4: Seattle, Wash. @ Climate Pledge Arena 
  • Aug. 5: Portland, Ore. @ Moda Center 
  • Aug. 7: San Jose, Calif. @ SAP Center
  • Aug. 8: Sacramento, Calif. @ Golden 1 Center 
  • Aug. 10: Los Angeles, Calif. @ Crypto.com Arena 
  • Aug. 11: Los Angeles, Calif. @ Crypto.com Arena
  • Aug. 14: Las Vegas, Nev. @ T-Mobile Arena 
  • Aug. 15: San Diego, Calif. Pechanga Arena San Diego 
  • Aug. 17: Phoenix, Ariz. @ Mortgage Matchup Center 
  • Aug. 20: San Antonio, Texas @ Frost Bank Center 
  • Aug. 21: Dallas, Texas @ American Airlines Center 
  • Aug. 23: New Orleans, La. @ Smoothie King Center 
  • Aug. 25: Jacksonville, Fla. @ VyStar Veterans Memorial Arena 
  • Aug. 26: Charlotte, N.C. @ Spectrum Center 
  • Aug. 28: Birmingham, Ala. @ Legacy Arena at the BJCC 
  • Aug. 29: North Little Rock, Ark. @ Simmons Bank Arena 
  • Aug. 31: Kansas City, Mo. @ T-Mobile Center 
  • Sept. 1: Omaha, Neb. @ CHI Health Center 
  • Sept. 3: Casper, Wyo. @ Ford Wyoming Center


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Marquee Skydeck at Edge is officially set to reopen for its second season on May 1, bringing elevated nightlife back to one of New York City’s most iconic open-air venues, more than 1,100 feet above the ground. 

The venue, perched atop Edge — the highest outdoor sky deck in the Western Hemisphere at 1,131 feet — transforms the observation deck into a high-energy nightlife destination each summer. Operated by Tao Group Hospitality, Marquee Skydeck combines panoramic city views with high-energy DJ sets.

Last year, the 2025 season opened with a kickoff performance by Maceo Plex on May 31, preceded by a sneak peek set from Carlita on May 16. Events ran Friday and Saturday nights throughout the summer, setting the stage for Marquee Skydeck as a seasonal staple in New York City’s nightlife scene.

This year’s 2026 season will feature performances from Benny Benassi, MK, Cassian, Gareth Emery, Kaz James, Layla Benitez and Hot Since 82, with additional artists expected to be announced. 

Edge, which opened in 2020, has become one of New York City’s most prominent observation destinations. The angular terrace extends 65 feet from the 100th floor of Hudson Yards and is surrounded by clear panoramic glass, giving visitors the sensation of floating above Manhattan while taking in its skyline views.

According to Andrew Lustgarten, executive chairman of Hudson Yards Experience, Marquee Skydeck is aimed at “the most discerning New Yorkers,” offering an after-hours experience unlike any other in the city. The 2026 season will run throughout the summer, with tickets and full event details to be released soon.


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Beyond The Music will return in 2026 in a brand new venue, Billboard U.K. can exclusively reveal.

The third edition of the music conference and festival will take place at Salford’s MediaCity from Oct. 7-9 and bring together leading figures from across music, culture, tech, politics and beyond. 

The news arrives as Greater Manchester celebrates another bumper year for music, having played host to the 2026 BRIT Awards and the MOBO Awards at the city’s Co-op Live venue. The former had never been held outside for London before, and is also set to be the host of 2027’s 50th anniversary edition.

Beyond The Music will utilise the MediaCity campus, including dock10 Media City studios and various iconic Salford music venues. The programming will feature a number of keynote conversations, industry showcases, networking opportunities and cross-sector partnerships. 

The event will coincide with Salford’s centenary celebrations, honoring the 100th anniversary of the Royal Charter that granted Salford city status; the city forms part of the Greater Manchester metropolitan area.

Andy Burnham, the mayor of Greater Manchester, will host the All Content AI Summit with the aim of being together “leading practitioners and policymakers from every content industry together to align on a shared, rights and integrity-first position for AI.” The event will take place on Oct. 9 and comes as the U.K. government abandoned its plans for an ‘opt-out’ approach to licensing by AI firms; the move was celebrated by a number of the U.K. music industry.

Beyond the Music will utilize a variety of multi-purpose spaces across the campus, studios and the adjoining Quayside shopping centre, with a number of shows to be held at some of Salford’s existing venues. MediaCity is home to a number of broadcasters and media organizations including the BBC and ITV Studios.

Tickets for the event are on sale now, including the introduction of the Pay It Forward scheme, which aims to maximise accessibility for those who are hoping to advance their career within the music industry but may not be able to afford the full ticket price.

Speaking on the announcement, Burnham said, “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation. That’s why I’m proud to host the All Content AI Summit, which will provide a space to consider the ethical questions raised by new technologies and how we can protect creators’ rights.”

He added, “Greater Manchester has always been willing to take a stand on the issues that matter — standing up for the people behind the music, making sure they are recognised, rewarded, and able to build sustainable careers. That’s what we mean by balancing growth with responsible innovation. With its move to MediaCity and bigger than ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”

Further lineup announcements will be made in the coming months.

BBC Radio 2 DJ Scott Mills has been fired following allegations made over his personal conduct. Mills hosted Radio 2’s popular Breakfast Show, which reached 6.5 million listeners on a weekly basis and made it the U.K.’s most popular show in the slot.

The announcement was made by the U.K.’s public service broadcaster on Monday morning (March 30) with a spokesperson saying that “while we do not comment on matters relating to individuals we can confirm Scott Mills is no longer contracted and has left the BBC“. Mills has not yet commented on the announcement.

Mills regularly hosted a number of high-profile interviews with recent appearances from Harry Styles, Taylor Swift, Louis Tomlinson, Robbie Williams and more. He took the slot in 2025 following Zoe Ball’s departure and joined the Radio 2 schedule in 2022. 

In an email sent to staff, Lorna Clarke, the BBC’s director of music said: “I know that this news will be sudden and unexpected and therefore must come as a shock. Not least as so many of us have worked with Scott over a great many years, across a broad range of our programs on R1, 5Live, R2 and TV I felt it was important to share this news with you at the earliest opportunity.”

Mills joined the BBC in 1998 and held a number of roles at Radio 1, the BBC’s youth-focused radio station. In 2022, he departed the station after 24 years to replace Steve Wright.

Alongside the Breakfast Show, he appeared on a number of television shows for the BBC including music TV show The Pop Years and the corporation’s coverage of the Eurovision Song Contest. Mills earned £355,000 – £359,999 ($469,000) according to the latest annual report, making him the 11th biggest paid star.

Mills was absent from Monday’s broadcast, with Gary Davies assuming broadcasting duties. Davies is set to appear for the remainder of the week.


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The Juno Awards may have had trouble attracting a-list young stars at Saturday night’s industry gala, but plenty of legends showed up for the broadcast on Sunday night (March 29) at TD Coliseum in Hamilton. The gala presented the bulk of trophies, with only four plaques handed out on the broadcast, plus a hall of fame induction for Nelly Furtado and a special lifetime achievement award for Joni Mitchell.

Pre-Junos, the greatest excitement around this year’s broadcast came with news that Mitchell would attend in person to accept her lifetime achievement award, with noted Canadian artists led by Sarah McLachlan and Allison Russell on hand to pay tribute by performing such Mitchell classics as “Case Of You,” “Both Sides Now” and “Big Yellow Taxi.” The finale saw all the performers join in on the classic, including Nelly Furtado, Jully Black, The Beaches, Alessia Cara, Sofia Camara members of Arkells, Billy Talent and more. Then, Joni herself joined in for the final notes “and put up a parking lot” to major applause.

That segment closed out the two-hour show, living up to expectations. Mitchell was introduced by Prime Minister Mark Carney, and she was visibly touched by the honor. “I’m so glad to be back in Canada,” she said, praising Carney multiple times. “I live in the States, and we know what’s happening here.”

Rush Reunites

The broadcast kicked off with a bang, and a surprise one at that. With minimal intro, hard rock global superstars Rush made their first-ever Junos appearance, delivering a high-octane version of “Finding My Way,” the first song on their first album. It was the first Rush performance since 2015 and the 2020 death of drummer Neil Peart, ahead of their upcoming stadium tour.

In the media room after, singer Geddy Lee explained that “choosing a song was impossible, so we asked management to choose one.” They settled on the first song on their first album, from 1974. Guitarist/founding member Alex Lifeson joked that he hopes he survives the upcoming global Rush tour.

“It is 85 shows, more than we’ve done in a long time. It’ll be exhausting, but we’ll come out stronger.” Both Rush members praised their recently recruited new drummer, Anika Nilles, and, referencing late drummer/lyricist Peart, Lee noted “music is still a part of us. Music lives beyond tragedy.”

The Beaches, Daniel Caesar and Cameron Whitcomb Win Big Awards

After appearing at the podium at Saturday’s gala as winners in the rock album of the year category, Toronto rock quartet The Beaches returned to the winner’s circle for the prestigious group of the year category. This marks the third straight year they have won this award, a rare and highly impressive feat. On the broadcast, they chose to play a powerful ballad, backed by strings, and then hopped back on stage to accept their Juno. In a short acceptance speech, the group stressed “there is no better feeling than coming home.”

Two other winners from last night also got to shine by both performing on the broadcast and accepting another Juno. At the Awards Gala, young B.C. country singer-songwriter Cameron Whitcomb took home the trophy for country album of the year, for The Hard Way, and tonight he was victorious as breakthrough artist or group of the year. Whitcomb has earned that title in rapid fashion, and he is now back in the charts with a brand new single, “You And Me.”

In his acceptance speech he noted that “I still don’t know why I’m blessed with this opportunity, but I won’t squander it. I’ll stay sober.” To the press later, he added this advice: “Don’t drink, don’t do drugs, stay low-key.”

Daniel Caesar was the winner in the coveted songwriter of the year category last night, but was not in attendance to accept. He did show up to both perform and collect a special international achievement award, recognizing the strides he has made in global markets. His 2025 album, Son of Spergybecame his third top 10 album on the Billboard Canadian Albums chart. He has made multiple appearances on influential NPR performance series Tiny Desk, and appeared on the cover of Billboard and Billboard Canada last year.

Helping induct Caesar with the international achievement award was fellow R&B star Mustafa, who referenced “the infinite brotherhood we cultivated, he from Oshawa, me from Regent Park.” Mustafa noted “you hear a stillness in his songs, and he took that stillness to a global stage.” Accompanied by his own guitar and subtle backing vocals, Caesar delivered a typically soulful ballad.”

Caesar also collected the Juno for contemporary R&B recording of the year for Son of Spergy, one of just four trophies handed out during the broadcast. When he accepted this Juno, Caesar brought up his dad, the titular Spergy.

Joni Mitchell Speaks & Sings

When talking to the media at the conclusion of the gala, McLachlan was clearly excited about paying tribute to Joni Mitchell, a crucial inspiration, at tonight’s show. “I idolized her and I dissected her music,” said McLachlan. “Joni had asked me to create a medley around her songs for the tribute. She showed up at rehearsals today, and that was the first time she’d heard it.”

Another major surprise was a video tribute to Nelly Furtado by one of Canada’s biggest stars, Drake. The rapper praised the influence he took from her, imagining as a kid that he could have the same heights and Billboard hits that she did. He tipped his hat to her making strides as a woman in music, and said “the men in this industry do not make it easy.” He joked that her influence was so vast that he even broke his Junos boycott, staying away since he hosted the show in 2011 but was shut out of all his awards.

A cast of Juno Award-winning artists gathered to pay tribute to Furtado, who was inducted into the Canadian Music Hall of Fame at the event. Those performing included Alessia Cara, Lido Pimienta, Jully Black, Kardinal Offishall, Shawn Desman and Tanya Tagaq, and they joined Furtado’s own band, led by musical director Herag Sanbalian, who curated the selection of her greatest hits.

In her acceptance speech, Furtado expressed her great pride in Canada. “I’m a product of the Canadian dream. I live and work here, I totally believe in Canada,” she stated. She also singled out the Canadian black music community: “They embraced me so much early in my career.”

Majid Jordan also presented the fan choice award to bbno$, winning for the second year in a row. He made memorable headlines last year for his comments about Elon Musk, but was not there to accept this time around.

Here are all the winners from the Juno Awards broadcast:

JUNO FAN CHOICE

WINNER: bbno$ (Independent*Broke/CMG)

Cameron Whitcomb Atlantic/Warner

James Barker Band Universal

Josh Ross Core Entertainment/Universal

Justin Bieber Island/Def Jam/Universal

Karan Aujla Warner

Shawn Mendes Island/Universal

Shubh Independent

Tate McRae RCA/Sony

The Weeknd XO/Republic/Universal

BREAKTHROUGH ARTIST OR GROUP OF THE YEAR

WINNER: Cameron Whitcomb (Atlantic/Warner)

Goldie Boutilier Independent

Jade LeMac Warner

Jutes Position Music

MICO Wasted Years/Columbia/Sony

Noeline Hofmann La Honda/The Orchard

Sacha Sony

Saya Gray Dirty Hit/Virgin

Sofia Camara 21 Entertainment/Universal

yung kai BMG/Flood Division

GROUP OF THE YEAR

Arcade Fire Columbia/Sony

Mother Mother Warner

Peach Pit Columbia/Sony

WINNER: The Beaches (AWAL)

Three Days Grace RCA/Sony

CONTEMPORARY R&B RECORDING OF THE YEAR

Set Me Free Adria Kain ArtHaus/Circle of 5ths/APG

Mirage Avenoir LISTEN TO THE KIDS/Santa Anna/Sony

WINNER: Son Of Spergy Daniel Caesar Hollace/Republic/Universal

PAID IN MEMORIES Jessie Reyez FMLY/Island’Universal

Life 2 Majid Jordan OVO/Sony

THERAPIST SadBoi LVRN/The Orchard


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When Kevin Lyman launched Vans Warped Tour in 1995, he made a decision that confused a lot of people in the industry: no headliners.

Every artist on the bill listed alphabetically, given equal billing, equal space on the poster. Three decades later, with Warped returning for its biggest edition yet — five two-day U.S. festivals across Washington D.C., Long Beach and Orlando, plus international debuts in Montreal and Mexico City — that decision looks less like idealism and more like foresight.

“The industry talks a big game about artist development,” Lyman tells Billboard. “But we are willing to die trying.”

The 2026 edition, produced in partnership with Insomniac Events, is the most ambitious iteration of Warped since the touring festival wrapped its original run in 2018. Each two-day event will feature over 100 artists spanning rock, pop punk, alternative, emo, hip-hop, ska and beyond, alongside world-class skateboarders and action sports athletes. But before a single fan sets foot on the grounds, Lyman has already started doing things differently — rolling out the lineup one artist at a time over a 30-day period exclusively on Warped’s social platforms, rather than dropping the full bill in one announcement.

The strategy is grounded in something Lyman has been quietly researching for years. “In my personal research, talking to as many students and young people as possible, I ask how many lines do you normally read down a poster before you decide if you like a festival,” he says. “The answer is two or three. That leaves little chance for artist development.” By announcing artists individually, each act gets a moment in the spotlight that a traditional poster drop simply can’t offer.

The results have been measurable — each band has received a minimum of 80,000 views on their announcement videos, with many reaching upward of 200,000.

It’s an approach that extends a philosophy Warped has held since day one. In an era where an artist’s stream count is publicly visible and algorithms dictate discovery, the festival’s insistence on alphabetical listing and no headliners is a quiet act of resistance.

“The larger bands will continue to gain streams,” Lyman says, “but our goal is to find bands that we can help double theirs.”

Warped has a track record of doing exactly that. Eminem, Katy Perry, Paramore and Fall Out Boy all built crucial early momentum on its stages. Lyman sees the current landscape as wide open. “There are so many bands, and it’s awesome to see more diversity within this scene than ever — so many incredible women taking the lead right now.”

Perhaps the most striking element of Warped’s fan-first model is that tickets go on sale before the full lineup is even announced — and fans buy them anyway.

“Warped has a die-hard group of true music fans who trust us to deliver a full day of music, culture and fun at a fair price,” Lyman says. “That trust means everything.”

What that trust buys, in practice, goes beyond the music. Lyman is careful to point out that, despite the existence of a VIP tier, there is no VIP area in front of the stage — general admission gets to the barricade. And the festival’s best moments, he says, are the ones nobody planned.

“Last summer, things like Tony Hawk singing ‘Superman’ with Goldfinger and then grabbing a board and dropping into the ramp weren’t planned or marketed,” he says. “Vic Fuentes from Pierce the Veil came by for a surprise acoustic set. Deryck Whibley jammed with School of Rock. You walk around a corner and Ice-T is in the Borderlands Rage Room smashing things.”

The effect, he says, is that fans leave with stories that belong entirely to them.

Taking the festival international for the first time at this scale required finding partners who could carry that spirit across borders. In Mexico, Lyman is working with Ocesa, with point person Jose Miguel Romo Reyes — who grew up attending Warped — leading the charge. In Canada, longtime promoter Evenko is back on board. “If the people on the ground don’t live and breathe it, it doesn’t translate,” Lyman says.

The Insomniac partnership, meanwhile, came together more naturally than Lyman expected. “Many people at Insomniac worked on Warped with me in the past and understood the ethos,” he says. “Pasquale [Rotella] and I are just as passionate about our communities as each other.”

One of the partnership’s non-negotiables was the ticket price — keeping it accessible, as it has always been, to the kind of young fan Warped was built for.

And it is that fan Lyman keeps coming back to when he talks about what the festival is trying to do in 2026 — the Gen Z kid who has never had a music discovery experience that wasn’t mediated by an algorithm. “Hopefully goosebumps,” he says simply, when asked what a live stage can offer that a playlist cannot. “Like I got 40 years ago. The kind you only get from a live performance.”

As for what that looks like at its best, Lyman doesn’t have to think long. Watching Hayley Williams grow across three consecutive years on Warped into the artist she became is one answer. But last summer gave him another. “Watching The All-American Rejects close out the show in Long Beach — after a year of playing backyard concerts — in front of 50,000 people,” he says.

“That’s what this is all about.”

Vans Warped Tour 2026 runs across Washington D.C., Long Beach, Orlando, Montreal and Mexico City. Full lineup and ticketing details at vanswarpedtour.com.