On Wednesday (Jan. 19), the Los Angeles Press Club announced nominations for the National Arts & Entertainment Journalism Awards, where Billboard nabbed 12 nods.

The L.A. Press Club’s 14th annual National Arts & Entertainment Journalism Awards is “a national contest aimed at arts and entertainment reporters, photographers, editors and critics across the country, including foreign journalists,” according to its categories and rules page. All published work that was considered for nominations was published between July 2020 and June 2021.

In the creative/performing arts feature (over 1,000 words) and business, music/theater/performing arts related categories, Billboard‘s executive editor, features Rebecca Milzoff received nominations for the “Making a Movement” November 2020 cover story about famed choreographer JaQuel Knight. In the celebrity features (over 1,000 words) category as well as diversity in the entertainment industry, print, Billboard contributor Mitchell Kuga received nominations for the “Call Her By Her Name” Pride 2021 cover story about Rina Sawayama alongside executive editor, West Coast/Nashville Melinda Newman for the “Dreamer-in-Chief” 2020 Country Power Players cover story about Dolly Parton.

The photos from the Parton cover scored senior photo director Jenny Sargent, former executive photo and video director for Billboard and The Hollywood Reporter Jennifer Laski and photographer Miller Mobley a nod in the portrait photo field. Sargent received a solo nod in the feature photo category from the Doja Cat April 2021 cover story, with the cover photo itself earning Sargent, photo editor Samantha Xu, creative director Alexis Cook and photographer Ramona Rosales a nomination in the cover art category. Billboard had two nominations in the photo essay category for the Sawayama cover (Sargent and photographer Zoe McConnell) and The Weeknd 2021 Change Agents cover story (Sargent, Xu and photographer Micaiah Carter).

Milzoff as well as senior editors Nolan Feeney and Lyndsey Havens scored a nod in the entertainment publication – magazine or supplement field for “The No. 1s issue.” The Billboard staff overall was recognized in the entertainment website field for Billboard.com.

See all of the finalists for the National Arts & Entertainment Journalism Awards here.

It’s not often that U2’s Bono and The Edge express envy over a song they wish they’d written, but on Tuesday’s The Hollywood Reporter Awards Chatter podcast, hosted by Scott Feinberg, the duo threw some love at The New Radicals’ 1998 pop classic “You Get What You Give,” written by frontman Gregg Alexander with Rick Nowels.

Bono and The Edge were on Feinberg’s podcast to talk about “Your Song Saved My Life” from Sing 2, which has been shortlisted by the Oscars for best original song (nominations will be announced Feb. 8 for the March 27 ceremony).

When Feinberg asked what they felt was the greatest song not by U2, Edge responded with “You Get What You Give.” “When I first heard that on the radio, we were in the studio working on something, and I was like ‘What?’” he says. “And I promptly went and wrote a song that I thought was mildly influenced by that tune. It turned out that like within an hour of playing it where everyone was going, ‘What are you doing? That’s the same as the New Radicals,’ so it never saw the light of day.”

Bono added of Alexander, “Yeah, stunning songwriter, stunning songwriter. He’s amazing.”

Understandably, Alexander is very flattered and a little shocked by the comments (although the pair have previously professed their love for the song over the years).

“Wow, it’s like being complimented by The Beatles,” Alexander exclusively tells Billboard. He then went on to repay the compliment and praise “Your Song Saved My Life”: “Their Sing 2 tune is brilliant not only because it’s a great song, but because they’ve probably already written about a dozen songs that saved everybody else’s life.” Alexander is familiar with the Oscar race, having been nominated for co-writing “Lost Stars” from Begin Again, which was nominated for best original song in 2015.

The praise for “You Get What You Give” comes almost exactly a year to the day after Alexander came out of semi-retirement to perform the song as part of President Joe Biden’s inauguration. The New Radicals broke up before their second single was even released, but “You Get What You Give” has only grown in popularity after peaking at No. 36 on the Billboard Hot 100; Biden even mentioned in his book Promise Me, Dad: A Year of Hope, Hardship and Purpose, that his late son Beau cranked up the song before his chemotherapy appointments, which led to Alexander performing the song for the Biden inauguration.

For Alexander, the continued love for the song is a blessing. “Our album Maybe You’ve Been Brainwashed, Too had its true believers,” he says. “King of Critics, Robert Christgau, gave it an A and Todd Rundgren & Hall & Oates later covered our second single, ‘Someday We’ll Know,’ but as the new generations’ attention spans are all about ‘the song,’ I’m just thankful having one of the few that survived the ’90s!”

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It’s been nearly seven years since the 2015 release of Hilary Duff‘s fifth album, Breathe In, Breathe Out — and the star is ready to make some music again.

Duff chatted with Cosmopolitan about her role in Hulu’s How I Met Your Father, and was asked about the possibility of a new album. “I’m not working on music right now but I have been talking to my husband [fellow artist Matthew Koma] about getting into the studio and starting to stretch the muscles a little bit,” she revealed. “I really want to, but I need time to figure out what I’m saying, what kind of record I’m making, and who it’s for. But, yes, I want to.”

She continued, “You know how annoying it is to go to a concert, and they don’t play the hits? I want to serve people what they want, but I also want it to be authentic to who I am now, and that’s very complicated.”

As for her extensive, decades-spanning discography, Duff shared a cute anecdote about how much her three-year-old daughter Banks loves her 2015 hit “Sparks.”

“I can’t get away from [“Sparks”] because someone exposed my three-year-old to it,” she told the publication. “We get in the car, and I have to listen to my own music because my daughter’s screaming, ‘I want ‘parks, I want ‘parks.’ I’m rolling up to her preschool, and every time I turn it way down she’s like, ‘Why do you turn it off? Why you turn it off?’ Like, girl. I’m not rolling up to your preschool blasting my own s—. So embarrassing.”

The first two episodes of How I Met Your Fathers starring Duff as Sophie arrived on Hulu Tuesday (Jan. 18). The sequel to How I Met Your Mother flips the narrative of its predecessor by focusing on a woman telling her son the story of how she met his father.

How I Met Your Mother is streaming exclusively on Hulu, but if you’re not subscribed, join today, and watch the series and any other content on the platform for free (for the first month). Hulu’s cheapest, and most popular, subscription plan starts at $6.99 a month after a free 30-day trial.

 

Mick Fleetwood is teaming with Fox for a musical drama called 13 Songs.

The Fleetwood Mac co-founder and Rock and Roll Hall of Famer will serve as an executive producer and contribute creative ideas and music for the drama, which has received a script order at the broadcast network.

From writers Will Reiser (50/50) and Jonathan Prince (Four Weddings and a Funeral), 13 Songs revolves around rock legend Jasper Jones, who with his band, The Grift, once made music that spoke to a generation of Americans. Decades later, after being diagnosed with terminal cancer, Jasper is given only a few months to live. As a final love letter to his fans, Jasper reconnects with his band to write and record 13 final songs and leave his mark on the world forever.

The drama hails from Lionsgate, Polygram Entertainment, Thruline Entertainment and Megamix. Fleetwood exec produces alongside Thruline’s Willie Mercer and Ron West; Megamix’s Gillian Bohrer and Polygram’s David Blackman.

13 Songs arrives as Fox continues to look to musical-driven scripted originals for its primetime roster. The broadcast network recently pushed Monarch to fall in a bid to have the serialized country music drama air without interruption.

In success, music-driven scripted fare generates ancillary revenue from music and album sales. Such was the case with Fox’s Empire and Glee, the latter of which became a massive franchise thanks in part to global tours, downloads and merchandising.

Fleetwood is repped by CAA; Reiser is with UTA, Thruline and Jamie Feldman; Prince is with Thruline, Rothman Brecher and Brad Small; Levine is with CAA and Carlos Goodman.

This article was originally published by The Hollywood Reporter.

UTA is bolstering its diversity, equity and inclusion initiatives with the hire of Lindsay Wagner, who has been hired as the company’s new chief diversity officer.

“As UTA grows, we must continue to cultivate a more diverse, multifaceted and inclusive culture,” said UTA CEO Jeremy Zimmer in a release. “Lindsay has a proven track record of pushing the envelope and leading with a fresh and unique perspective. I am confident that she will bring ingenuity to this new role and will be a great steward for the cause.”

In the newly created position, Wagner will amplify UTA’s existing values and commitments to the creative and business community. This includes the company’s previously announced pledge of $1 million to social justice causes, which accompanied a series of internal initiatives — from raising pay for entry-level positions to unconscious bias training for all employees and promoting senior agents of color to the UTA Board and Partnership, among other actions. Additionally, she will counsel the company’s clients and devise and execute tactics that align with UTA’s dedication to upholding diverse perspectives and projects.

“Entertainment sits at the cross-section of culture, storytelling and influence and therefore it’s critical that we collectively continue to identify and amplify authentic representation inside and outside of the organization,” said Wagner in a statement. “I am honored to join UTA and contribute to this purpose-led team focused on building a more diverse, equitable and inclusive community and industry now and for generations to come.”

Prior to joining UTA, Wagner served as senior vp and head of diversity, equity and inclusion, North America at the global communications consulting firm Ketchum. During her tenure, she developed and executed a community-centered DEI strategy and structure that included auditing the firm’s existing programs to positively impact the recruitment, retention and engagement of diverse talent. She also led the company’s partnership with the HBCU Week Foundation and worked across parent company Omnicom’s wider network to help establish the first-ever global town hall for Black employees.

“I’m thrilled to welcome Lindsay to the UTA family. With her wide-ranging experience and expertise, we know that she will elevate our mission to foster an inclusive environment, which allows for our colleagues to thrive and will attract the most inspiring and dynamic people to our company,” said UTA partner and chief people officer Jean-Rene Zetrenne in a release.

Wagner is a member of Justice League NYC & CA — a task force for The Gathering For Justice — which organizes large-scale direct action dedicated to ending racial inequality in the criminal justice system. She has also served as executive director of the New York City chapter of ColorComm, the nation’s leading women’s platform addressing diversity and inclusion across the communications and media industries.

At UTA, Wagner will be based in Los Angeles and report jointly to Zimmer and Zetrenne.