[Spoiler alert: This story contains the identity of the eliminated contestant on Wednesday night’s (May 5The Masked Singer.] 

The competition is heating up on The Masked Singer, as Wednesday night’s (May 5) Spicy 6 episode ended with a surprising elimination. Robopine was sent packing, but not without making one last impression with his performance of Boyz II Men’s “Water Runs Dry.”

The prickly machine wowed the judges and audience early on with his soulful voice and performances of classic R&B songs like “Never Too Much” by Luther Vandross, “Killing Me Softly” by Roberta Flack and “Let’s Get It On” by Marvin Gaye.

In Week 3, his performance of “All of Me” by John Legend brought judge Nicole Scherzinger to tears, and it soon became evident that the man under the half-robot half-porcupine costume was an actual singer. Guest panelist Chrissy Metz and Scherzinger were able to combine their hunches based on the clue packages and correctly guess that Robopine was singer/songwriter/actor Tyrese.

“It’s one of the most exciting things I’ve done all year that I couldn’t post about,” he says. “I had to definitely practice restraint, because I love posting. I love talking about things and inspiring people and addressing politics, police brutality and whatever is going on in the world.”

Billboard spoke to Tyrese about why he pretended to be 60 years old and how it felt being compared to Jamie Foxx.

How did you end up on the show?

Well, I have to give my daughter credit for that, my 13-year-old Shayla. During the COVID pandemic, we’re all at home, and of course my daughter’s on Netflix and Hulu and she’s binge-watching all these seasons of everything. She started watching all the seasons of The Masked Singer, and it’s like full blast. She’s like, “Dad, you should do this show. I know you would win this.” I appreciated her vote of confidence, but I was like, “Shayla, I don’t be wearing no masks. I don’t really know if this is something that makes sense for me.” Then all of a sudden, I got a phone call that I got an offer to come and do the show! And after I booked [it], I couldn’t even tell my daughter, and I was like, “Well, why not?!” So I would just leave the house every day and tell my daughter I’m going somewhere to do something and could not tell her that I was doing The Masked Singer. She’s the one who told me about this, so it became a very unique experience, to say the least.

Why Robopine?

Robopine was one of the costumes that they presented to me, and because I’m a creative and I love to collaborate, I said, “I want to add a red eye to Robo. I want to add a red fingertip on Robo.” I wanted to really kind of hand this all up. I said to them, “I want to add a whole lot of muscles [but] please don’t make it unbearable for me to walk around.” It took two to three people to get me in and out of my costume every day. It was just really interesting, everything about the whole process.

You also made a lot of references to being 60 years old — what was that about?

I did that because my fans and supporters who’ve been rocking with me from day one, they all know everything about my life. I’m kind of known in my own little way as like a motivational speaker person, and you can’t motivate anybody if you’re not willing to share and unpack. I had to tell [the judges] 60 years old, grandfather, two grandkids because I just wanted to throw them completely off. Because if [I told] them my actual story, they think that people aren’t going to be smart enough to put two and three and four together. So every episode, “It’s Eddie Levert! It’s Jamie Foxx!” They were always hinting at people that were a little older than me. And I’m 42, so I was like, “Well, let me throw people off.” So every time they were guessing someone older than me, I was like, “Now we’re talking. Maybe I’ll be able to get through a few more episodes if they actually believe I’m 60.”

Some of the judges were adamant on you being Jamie Foxx. What did you think of that comparison?

I love that, because Jamie Foxx is truly one of the most giftedly talented people out there. He was just at my house a couple of days ago. He won his second Oscar and all that happened in my living room. [Editor’s note: Foxx starred in best animated feature winner Soul, but that award goes to the producers of the Disney/Pixar film, not the cast.]

Oh really?

Yeah, I posted it on my Instagram, and the crazy thing is we’ve never even done music together. He’s in Atlanta right now just like me, and we live like five minutes from each other, so when I uploaded that video of him celebrating his Oscar win in my living room, even that threw people off. Like, “Wait, how is Tyrese and Jamie Foxx in the same room? I don’t think they would do that if either one of them was on The Masked Singer.”

You performed a lot of classics. Walk me through those song choices.

I’m an R&B soul singer, so I haven’t really tapped into what a lot of the younger artists are doing and singing these days. When I listen to music, I pull from the things that inspire me, how I sing and do background. I don’t listen to anything that’s happening right now. I tend to listen to stuff from that era. And that’s no disrespect to the new artists, I just think the music and the culture of music has shifted. It’s a lot of Auto-Tune and this is what radio is playing, this is what they’re used to. So I didn’t really want to get on there and play this game of make believe that I’m 17 and I’m gonna get out there trying to dance and be something that I’m not. I was like, let me sing the records that I know I can sing and go about it in a confident way.

Considering you’re an actual singer and this is a singing competition, did you think you were going to win?

I didn’t think I would make it to as many episodes as I did. Literally I was like, “All right, well this will be my last episode,” and then they voted somebody else off and voted somebody else. It’s just such a world, you know? And then I was asking questions about other stars that’s been on the show in the past, how far they made it, this and that. And I was like, “Wait, such-and-such got voted off?! She sold more records than me or he’s won Grammys. Sh–, I might not make it to the end.” I started feeling like, “Let’s not think you got this thing in the bank, you know? Ain’t no guarantee you’re going to go all the way to the end.” They kept the competition thick.

Over the past decade, Britney Spears has scored hit singles, released chart-topping albums and headlined a must-see Las Vegas residency — among other achievements for one of the most influential pop artists of the past quarter-century. Yet these accomplishments have arrived as Spears remains under a conservatorship, with her father controlling her finances and fans across the globe advocating for that level of control to cease.

Why is Britney Spears still under a conservatorship? And how did her fans turn her freedom into a worldwide movement?

In the latest episode of Billboard Explains, Billboard dives deep into Spears’ 13-year conservatorship under her father, Jamie Spears, and what caused fans to speak out in recent years. Hear what Spears herself has had to say on the matter, and how the circumstances of her conservatorship may eventually evolve.

After the video, catch up on more Billboard Explains clips and learn about the rise of K-pop in the U.S., why Taylor Swift is re-recording her first six albums, the boom of hit all-female collaborations, how Grammy nominees and winners are chosenwhy songwriters are selling their publishing catalogs, how the Super Bowl halftime show is booked and why Olivia Rodrigo’s “Drivers License” was able to shoot to No. 1 on the Hot 100.

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HYBE Corporation, the label and management home of K-pop superstars BTS, turned in revenues of $158.7 million and a profit of $14 million in the first quarter of 2021, the company announced Tuesday (May 4).

Without tours or big music releases, HYBE needed gains in what it calls “artist indirect involvement” for a 29% jump in revenue compared to the first quarter of 2020. Merchandising, licensing, content and fan club revenues rose 123% while “artist direct-involvement” — recorded music and concerts — fell 24%.

These positive first-quarter results don’t, however, come close to the company’s impressive previous quarter, Q4 2020. Then, still without touring income, HYBE produced livestreamed concerts and had strong music sales — 159% greater than 2021’s first quarter — and closed 2020 with quarterly revenue of $278 million and a $23.7 million profit.

HYBE didn’t provide guidance on concert revenue in 2021, saying “with pandemic conditions still in place, forecasts are still unclear on the possibility of in-person concerts in the second half of this year.” In the meantime, HYBE said it will offer more livestream concerts and “other diverse content.”

Much of the earnings release focused on HYBE’s acquisition of Scooter Braun’s Ithaca Holdings, which was announced April 2, noting it was the the largest acquisition “in history for a Korean entertainment company and the first acquisition of an international label.” It outlined how the deal helps HYBE’s “fandom expansion,” as HYBE calls it: Ithaca increases HYBE’s YouTube subscribers from 120 million to 290 million and social media followers from 440 million to 1.26 billion. HYBE plans to take Ithaca artists onto its WeVerse platform, which had 4.9 million monthly active users in the first quarter.

HYBE’s earnings presentation also laid Ithaca’s business segments: SB Projects is talent management; Big Machine is the record label and publisher; Silent Content Ventures houses premium content such as TV shows, documentaries, movies and other content that can now leverage HYBE artists; and Venture & Consumer houses “consumer brands based on artist IP.”

In March, HYBE changed its name from Big Hit Entertainment and restructured itself into three segments: Big Hit Music houses the labels BELIFT Lab, Source Music, PLEDIS Entertainment and KOZ Entertainment; HYBE IP and HYBE 360 encompasses HYBE Edu and Superb; and WeVerse is HYBE’s social media platform that had 4.9 million monthly average users during 2021’s first quarter, up from 2.4 million a year earlier.

Except for the total revenue figures, the below metrics are provided in Korean won (KRW) and can be converted at $1 to 1,125.9 won.

Financial metrics:

  • Revenue: 178.3 billion KRW ($158.7 million) in Q1 2021 — up 29% from 138.5 billion KRW ($120.6 million) in Q1 2020; down 43% from 312.3 billion KRW ($277.9 million) in Q4 2020.
  • Operating profit: 21.7 billion KRW in Q1 2021 — up 9% from 19.9 billion KRW in Q1 2020; down 39% from 256.7 million KRW in Q4 2020.
  • Net profit: 15.8 billion KRW in Q1 2021, up 11% from 14.2 billion KRW in Q1 2020; down 41% from 26.7 billion in Q4 2020.

Revenue streams metrics: 

  • Albums: 54.5 billion KRW in Q1 2021 — up 33% from 80.8 billion KRW; down 61% from 80.8 billion KRW in Q4 2021.
  • Concerts: 0 KRW in Q1 2021 — down 100% from 100 million KRW in Q1 2020; even at 0 KRW in Q4 2020.
  • Ads and appearances: 13.0 billion KRW in Q1 2020 — up 63% from 8.0 billion KRW in Q1 2020; down 5% from 13.8 billion KRW in Q4 2020.
  • Merchandise and licensing: 64.7 billion KRW in Q1 2021 — down 89% from 34.3 billion KRW in Q1 2020; down 4% from 67.3 billion KRW in Q4 2020.
  • Content: 37.2 billion KRW in Q1 2021 — up 360% from 7.2 million KRW in Q1 2020; down 54% from 80.9 billion KRW in Q4 2020.
  • Fan clubs and other: 8.9 billion KRW in Q1 2021 — up 24% from 7.2 billion KRW in Q1 2020, down 6% from 9.5 billion KRW in Q4 2020.

Guidance for Q2 2021:

  • Operating expenses will increase “slightly” compared to the first quarter due to expenses related to the Ithaca Holdings acquisition and preparation for second quarter music releases.
  • If concerts resume, HYBE expects second-half revenues “to greatly outpace not only the first half but the second half of the same period last year as well.”

Stock market:

  • Market capitalization on May 4, 2021: $7.6 billion.
  • One-year increase in HYBE’s share price: 149%

Nothing is safe from the flames in DJ Khaled’s new “Every Chance I Get” video, featuring Lil Baby and Lil Durk.

In the red-hot clip, Lil Baby and Lil Durk rap their verses while cars burn and lightning strikes around them. Despite the chaos, the trio of Baby, Durk and Khaled also manage to turn the destruction into a party, surrounded by beautiful women and bottles of booze.

“Every Chance I Get” is from Khaled’s 12th studio album, Khaled Khaled, which arrived last week along with a music video for “Sorry Not Sorry,” featuring Nas, Jay-Z and James Fauntleroy. The first two singles from project arrived simultaneously in July 2020: “Popstar” and “Greece,” both featuring Drake.

Watch the latest Khaled Khaled visual below:

Tommy West, a music producer, singer and songwriter who played a major role in the short-lived career of musician Jim Croce, died of complications associated with Parkinson’s disease, his family said. He was 78.

West died Sunday in hospice care.

Born Thomas Picardo Jr. in Jersey City, New Jersey, he developed his musical talents after his family moved to Neptune, according to his friend Mike Ragogna.

“His musical career began in 1958 as co-founder of the doo-wop group, The Criterions, with childhood friend and future Manhattan Transfer founder, Tim Hauser,” Ragogna said.

West had met Croce while both were students at Villanova University in 1961.

West and Terry Cashman co-produced three albums for Croce in the early 1970s, which went on to platinum status. You Don’t Mess Around With Jim, Life and Times and I Got a Name included the Billboard Hot 100 No. 1 singles “Bad, Bad Leroy Brown” and “Time in a Bottle.” You Don’t Mess Around With Jim topped the Billboard 200 albums chart for five consecutive weeks in early 1974. “Leroy Brown” received a Grammy nomination for record of the year for both Croce and Cashman & West.

Croce was killed in a plane crash in Louisiana at age 30 in 1973.

In 1972, Cashman & West had a top 30 hit on the Hot 100 as recording artists. The single, “American City Suite,” was a three-part suite that ran 7:44. They released it on Dunhill/ABC, which was Croce’s record label.

The team also wrote songs for the television musical sitcom The Partridge Family, featuring David Cassidy and his stepmother Shirley Jones.

West partnered with Mary Tyler Moore’s MTM Records in Nashville in the 1980s to produce for country artists including Holly Dunn and Judy Rodman.

In his later career, West operated his Somewhere in New Jersey studio from inside a barn in the northern part of the state.

He is survived by his wife, a daughter and two stepsons.

His funeral will be private, his family said.