Music from KPop Demon Hunters rules Billboard‘s Top Movie Songs chart, powered by Tunefind (a Songtradr company), yet again, but songs not featured in the Netflix hit make the slightest of inroads on the November 2025 list.

Rankings for the Top Movie Songs chart are based on song and film data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of September 2025. The ranking generally includes newly released films from the preceding three months, with exceptions given to movies whose music is still experiencing a high volume of public interest.

Said public interest has continued for KPop Demon Hunters, as breakout hit “Golden” by HUNTR/X spent the entirety of November at No. 2 on the weekly Billboard Hot 100, a stat that very much explains its standing at No. 1 on November 2025’s Top Movie Songs chart.

In November, the track earned 117.9 million official on-demand U.S. streams and sold 24,000 downloads, according to Luminate. The singing voices of HUNTR/X (EJAE, Audrey Nuna and REI AMI) even performed the song during the Macy’s Thanksgiving Day Parade on Nov. 27.

KPop Demon Hunters has been a force on Top Movie Songs since July, following its June 20 premiere. But while the film has more recently held the entire top seven of the 10-position chart, November sees a minute shift, as it instead occupies the top six, as well as seven of the top eight.

The interloper is Ariana Grande and Cynthia Erivo’s Wicked: For Good centerpiece “For Good,” which bows at No. 7 following the movie’s Nov. 21 premiere. Even via a partial month of tracking, “For Good” racked up 14.3 million streams and 8,000 downloads.

More activity for Wicked: For Good is possible on the December 2025 ranking following the movie’s first full month of release.

See the full top 10, which also features music from Deliver Me From Nowhere and Now You See Me: Now You Don’t, below.

Rank, Song, Artist, Movie

  1. “Golden” HUNTR/X, KPop Demon Hunters
  2. “Soda Pop,” Saja Boys, KPop Demon Hunters
  3. “How It’s Done,” HUNTR/X, KPop Demon Hunters
  4. “Your Idol,” Saja Boys, KPop Demon Hunters
  5. “What It Sounds Like,” HUNTR/X, KPop Demon Hunters
  6. “Takedown,” HUNTR/X, KPop Demon Hunters
  7. “For Good,” Ariana Grande & Cynthia Erivo, Wicked: For Good
  8. “Free,” EJAE & Andrew Choi, KPop Demon Hunters
  9. “Hungry Heart,” Bruce Springsteen, Deliver Me From Nowhere
  10. “Lucky,” Renee Rapp, Now You See Me: Now You Don’t


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Pink Floyd’s classic LP Wish You Were Here is the U.K.’s Christmas No. 1 album for 2025 on the chart dated Dec. 19, five decades years on from when it first hit the top spot.

A new digital and physical reissue of the 1975 LP features a number of previously unreleased alternate versions and demos of songs such as “Shine on You Crazy Diamond” and its title track, “Wish You Were Here.” 

By returning to the No. 1 spot, the band achieves a rare feat, becoming the longest span between its first No. 1 album to its last No. 1 at over 50 years (2,620 weeks). Wish You Were Here hit No. 1 on release in 1975, but Dark Side of the Moon (1973) peaked at only No. 2. They overtake The Beatles and Abbey Road, who previously held the title with 49 years and 252 days between No. 1s, first hitting the summit in 1969 before regaining the top spot in 2019. 

This becomes the Floyd’s second No. 1 album of the 2025 after the re-release Pink Floyd at Pompeii – MCMLXXII, a live show from 1971, hit the top spot in May. It’s the band’s first Christmas No. 1 Album, though the group did secure the Christmas No. 1 single in 1979 with “Another Brick in the Wall.”

Olivia Dean’s The Art of Loving closes at No. 2, and the record scores a 12th consecutive week in the top five. Taylor Swift’s The Life of a Showgirl lifts one place to No. 3 ,while Michael Bublé’s Christmas also rises one spot to No. 4 and Sabrina Carpenter’s Man’s Best Friend rounds out the top five at No. 5.

There’s three spots for Oasis in the top 40 with (What’s the Story) Morning Glory? back up to No. 10,  (What’s the Story) Morning Glory? – Singles Box, a 7″ singles box set which commemorates 30 years of the LP’s release, landing at No. 23, while debut album Definitely Maybe jumps five places to No. 26.


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Kylie Minogue has received the most coveted gift of the year as her song “XMAS” takes the U.K.’s Official Chart’s Christmas No. 1 Single for 2025 on the list dated Dec. 19.

Awarded on the final Friday before Christmas Day, the prize is highly sought-after among artists; this is the first time that Minogue has achieved the feat as a soloist. (She appeared on 1989’s No. 1 “Do They Know its Christmas?” as a singer for Band Aid II.)

“XMAS” features as an Amazon Music exclusive on the newly reissued edition of Kylie Christmas, first released in 2015, alongside three other new songs. The LP took the top spot on the Official Albums Chart on Dec. 12. 

The No. 1 gives Kylie her first U.K. chart-topping single since 2003’s “Slow” and is her eighth No. 1 overall. She also becomes the first female artist to boast U.K. No. 1 singles across four different decades (’80s, ’90s, ’00s, ’20s), joining Elton John, Elvis and Queen with the total; Cliff Richard boasts chart-toppers across five decades.

She knocks off Wham!’s “Last Christmas” from the top spot (down one spot to No. 2 week-on-week), with the pop duo holding the Christmas No. 1 single title for the past two years. In the overall leader boards, Wham! is tied with Queen on two No. 1s, behind the Spice Girls with three, The Beatles with four and the current record-holders, LadBaby, with a whopping five. The latter, the moniker for YouTube influencer Mark Hoyle, holds the record for number of Christmas chart-toppers with five different songs hitting No. 1 between 2018 and 2022.

Speaking to the Official Charts Company, Minogue said, “It’s hard to put into words how special this feels. Being Christmas No. 1 really is the most wonderful gift! I’m so thankful to everyone who’s been listening and sharing the love and I’m wishing you all a very Merry Christmas!”    

Festive classics populate the remainder of the top five, with Mariah Carey’s “All I Want for Christmas Is You” at No. 3 and Brenda Lee’s “Rockin’ Around the Christmas Tree” at No. 4. Together for Palestine, a charity group raising funds for urgent humanitarian care in Gaza, sees its song “Lullaby” break into No. 5. 


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There’s one thing you can say about 2025 musically: it was a very good year for R&B. After years of naysayers pronouncing R&B dead or irrelevant, the genre yielded a welcome embarrassment of riches this year that illuminated the genre’s vast, versatile scope — and mainstream appeal.

As Billboard staff writer Kyle Denis noted in his insightful essay “Why Did Everything Finally Seem to Click for R&B on a Mainstream Level in 2025?”: “This year is the direct result of several intersecting scenes that have ridden larger cultural and sociopolitical shifts to usher in a new, rich, diverse era of R&B.” Examples of those “intersecting scenes” range from recent Super Bowl halftime shows featuring R&B/pop stars like The Weeknd, Usher, Rihanna and SZA and viral TikTok revivalist trends sparked by older R&B hits like Miguel’s “Sure Thing,” to the burgeoning international R&B/soul crossover movement led by rising talents such as FLO,  kwn, Elmiene and Odeal.

Billboard’s R&B/hip-hop team sorted through a bumper crop of more than 60 R&B album releases – an additional testament to the genre’s robust 2025 output. And the yield came in all flavors from both the major labels and, increasingly, the indie sector: traditional, blues, contemporary, alternative and experimental It was a year marked by major breakthroughs (Leon Thomas, Mariah the Scientist); the return of icons (Mariah Carey, The Weeknd, Mavis Staples) and established stars (Teyana Taylor, Ledisi, Miguel, Estelle, Q Parker and the funkateer himself, Bootsy Collins); promising early-career releases (Alex Isley, JayDon, Mereba, Jenevieve) and attention-grabbing works from genre disruptors (Destin Conrad, Dijon, Durand Bernarr).

Needless to say, this bounty gave way to lively discussions and sometimes tense debates as the team took on the tough task of composing the 20-album list below (in descending order). This year’s honorable mentions go to Fridayy’s Some Days I’m Good, Some Days I’m Not, Mariah Carey’s Here for It All, Mariah the Scientist’s Hearts Sold Separately and Eric Benet’s The Co-Star.


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Surprise, surprise: A new season of Stranger Things equals a strong showing on Billboard’s Top TV Songs chart, powered by Tunefind (a Songtradr company), with multiple songs dotting the November 2025 tally, led again by Kate Bush’s “Running Up That Hill (A Deal With God).”

Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of November 2025.

“Running Up That Hill” previously reigned on the Top TV Songs rankings in May and June 2022, buoyed by its synch in season four of Stranger Things. That needle drop led to the 1985 track returning to multiple weekly Billboard charts that spring and summer, driving it all the way to No. 3 on the Billboard Hot 100 dated July 30, 2022.

With the premiere of the first four episode of Stranger Things’ fifth season, its final edition, on Nov. 26, “Running Up That Hill” makes a comeback after multiple appearances in the season so far. That drives it back to No. 1 on Top TV Songs thanks to 14.2 million official on-demand U.S. streams earned and 3,000 downloads sold in November 2025, according to Luminate.

Concurrently, “Running Up That Hill” returned to the Hot Rock & Alternative Songs chart dated Dec. 6 at No. 15 and rose to No. 8 the following week.

In all, Stranger Things accounts for seven of the Top TV Songs chart’s 10 positions for November. The others aren’t repeats like “Running Up That Hill,” led by Tiffany’s “I Think We’re Alone Now,” which bows at No. 2 (4.9 million streams, 1,000 downloads) 38 years after the song reached No. 1 on the Hot 100 in 1987.

Music from Stranger Things should also figure heavily into the December 2025 tally; three more episodes air on Dec. 25, followed by the series finale on Dec. 31.

The other three songs that reach the latest Top TV Songs survey are from three different series (though two are from the same creator, Taylor Sheridan). Tulsa King is the highest non-Stranger Things entry thanks to Five Finger Death Punch’s cover of Bad Company’s “Bad Company” (4.5 million streams, 1,000 downloads), followed by Wet Leg’s “mangetout” from Heated Rivalry (No. 6; 1.5 million streams, 1,000 downloads) and Benjamin Tod’s “Wyoming” from Landman (No. 8; 364,000 streams, 1,000 downloads).

See the full top 10 below.

Rank, Song, Artist, Show (Network)

  1. “Running Up That Hill (A Deal With God),” Kate Bush, Stranger Things (Netflix)
  2. “I Think We’re Alone Now,” Tiffany, Stranger Things (Netflix)
  3. “Bad Company,” Five Finger Death Punch, Tulsa King (Paramount+)
  4. “Upside Down,” Diana Ross, Stranger Things (Netflix)
  5. “Fernando,” ABBA, Stranger Things (Netflix)
  6. “Mangetout,” Wet Leg, Heated Rivalry (Crave)
  7. “Mr. Sandman,” The Chordettes, Stranger Things (Netflix)
  8. “Wyoming,” Benjamin Tod, Landman (Paramount+)
  9. “Rockin’ Robin,” Michael Jackson, Stranger Things (Netflix)
  10. “Oh Yeah,” Yello, Stranger Things (Netflix)


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The 28th annual Family Film & TV Awards are almost here.

The show, which celebrates excellence in family-oriented film and television, will be available on CBS Saturday, Dec. 20, from 8 to 9 p.m. ET/PT. Julie Chen Moonves of Big Brother fame will be hosting the show, while Survivor host Jeff Probst will be honored during the ceremony, receiving the Icon Award in celebration of family-oriented film and television.

Some of this year’s nominees have long contributed to the family TV and film landscape, with big names such as Adam Sandler, Jamie Lee Curtis and Liam Neeson. You’ve also got popular films, including animated nominations, up for awards, such as The Naked Gun, Freakier Friday, 2025’s Lilo & Stitch, Superman, F1: The Movie and more. Some of the categories to watch this year will include favorite competition television series, favorite iconic family film, favorite classic television series and favorite actor in a feature film.

“Film and television have a wonderful way of bringing families together, whether you’re watching with your children, your grandchildren, or rediscovering stories you’ve loved for years. The best storytelling connects generations and reminds us of what truly matters. At Family Film & TV Awards, we’re proud to honor the programs that inspire, entertain and celebrate family in all its forms,” said Family Film & TV Awards co-chairperson and executive producer Laura McKenzie in a statement.

Ahead of the show, we’ll be showing you how to tune in for free, so you and your kids won’t miss out on any of the action.

Here’s How to Watch the 28th Annual Family Film & TV Awards

One of the many ways you can tune in to the award show is via DIRECTV. A standard subscription to DIRECTV, which gives you access to watch CBS, will run you just $49.99 a month for the first month right now under the service’s ENTERTAINMENT plan. If you’re unsure about committing to a new subscription, you can simply try the service out for free for five days, which will give you plenty of time to watch the show and cancel if you see fit.

If you do happen to keep your subscription after the five days, you’ll get access to live TV, local networks such as NBC, ABC and PBS, and you can also watch a slew of entertainment networks, including AMC, Bravo, E!, FX, FXX, Freeform, HGTV, Hallmark Channel, Lifetime and Paramount Network. That’s more than 90-plus channels that you can tap into.

Another way to watch the awards show via CBS is on Fubo, which has a week-long free trial available here. This will give you plenty of time to watch the award show before the trial ends. If you do want to keep your subscription, Fubo’s package includes a free DVR so you record the broadcast to watch the show back on-demand. Continue with one of Fubo’s streaming deals or cancel before your free trial is up to avoid being charged. See details here.

You can also watch the family event via Paramount+’s Premium plan, a no ads plan which will run you $12.99 a month. Subscribers will have access to stream live via the live feed of their local CBS affiliate on the service as well as on demand. Essential-tier, which will run you $7.99 a month, subscribers will have access to on-demand the day after the special airs.

The streaming service also offers a seven-day free trial, which should give you plenty of time to watch the award show and cancel anytime after. If you do happen to keep your subscription, you’ll have access to a vast library of more than 40,000+ ad-free episodes and movies, including music-themed hits such as Love & Hip Hop: Miami, School of Rock, Lolla: The Story of Lollapalooza and much more. Paramount+ Premium plan holders will also be able to stream the service on three devices at once, gain access to SHOWTIME® Originals, download movies and shows and Stream CBS live, with more sports and events.

ENHYPEN are gearing up to take fans in a dark direction in 2026. The seven-man K-pop boy band dropped the album teaser for their upcoming seventh mini album on Friday morning (Dec. 19) giving their ENGENE fan base some spooky visuals to dissect over the holidays in advance of the Jan. 16 release of THE SIN : VANISH.

The 50-second trailer is filled with ominous images of members JUNGWON, HEESEUNG, JAY, JAKE, SUNGHOON, SUNOO and NI-KI running from an unseen terror, as well as shots of the septet enjoying fun meals and laughs. But hanging over all of that is the image of a sky full of bats, a message of doom amplified by the caption on the YouTube video: “Vampire is coming.”

According to a release, the project marks the group’s “most direct exploration yet of the vampire mythology that has defined their ongoing narrative universe.” The follow-up to June’s sixth mini album, DESIRE : UNLEASH, is described as centering on a forbidden escape story of lovers who “break an absolute taboo in a world where humans and vampires coexist. Designed as a ‘concept album,’ it adopts the format of a fictional investigative broadcast program, which revisits an unresolved case within vampire society from a third-party perspective. To heighten immersion, the album incorporates narration and skits alongside the music, creating the sensation of tuning into an actual investigative program — an unconventional and bold approach to album storytelling.”

The moodily shot clip opens with the singers dressed all in black laying on their backs in what looks like sparkly sand as a throbbing electronic beat bubbles up and we see them sprinting through alleyways, a dark cave and the city streets at night as they glance back at a shadowy menace. A brief moment of joy as they share some refreshments and hang out in their casual gear at a diner meal gives way to more apparent peril, including fleeting glimpses of the singer’s faces bearing scars and cuts.

And then come the bats. So many bats.

The flurry of night fliers gives way to a shadowy image of one of the men getting staked through the chest with long knife and a bulletin board with “missing” flyers of the group offering a reward for their return. The final shot finds the group slow walking towards a strobing void as the screen fades to back and reads: “The Story Begins,” along with a seeming tease of what the release said was the “next chapter of the story,” due out on Monday (Dec. 22).

Watch ENHYPEN’s THE SIN : VANISH album teaser video below.


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Taylor Swift proved every night on the first year of her Eras Tour that she could do it with a broken heart, but in her new docuseries, the pop star explains that the trek was actually what empowered her to get through those heartbreaks.

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In the new episodes of The End of an Era, which dropped Friday (Dec. 19) on Disney+, Swift makes a rare comment about her splits from Joe Alwyn and Matty Healy. The 14-time Grammy winner was in a relationship with the former for six years before they called it quits in April 2023 — just one month after the Eras Tour kicked off — and dated the latter that summer for about two months, breaking up in June.

“I went through two breakups on the first half of this tour,” Swift says in episode four. “That’s a lot of breakups, actually.”

“This show is what gave me purpose and what I could use to get me out of bed,” she continues. “The tour has never been the hard thing in my life. The tour has been the thing that allowed me to find purpose outside of the s–t that was going on in my life.”

Swift went on to say that there were points “where the tour was really the only thing keeping me going in my life.”

“But there were never points in the tour where I thought, ‘Oh I want to quit the tour because the tour is hard,’” she added. “No, my personal life was hard.”

The Eras Tour wrapped after two years in December 2024. It garnered more than $2 billion in revenue, making it unequivocally the highest grossing trek of all time.

The third and fourth episodes of Swift’s six-part Eras doc arrived ahead of the final two installments coming Dec. 23, two days ahead of the originally scheduled Christmas Day release date. “Thank you for everything, happy holidays you guys,” the musician said when announcing the change on X.

In addition to touching on her difficult splits in the series, Swift also discusses how now-fiancé Travis Kelce came into her life while she was still on the road. On her 17-week Billboard 200-topper The Tortured Poets Department — which dropped in 2024, midway through the Eras Tour — she laments the challenges of performing on stage every night despite battling heartbreak.

But on 2025’s The Life of a Showgirl, she sings about finding new love in the Kansas City Chiefs tight end, about whom she wrote on No. 1 Billboard Hot 100 hit “The Fate of Ophelia”: “All that time
I sat alone in my tower, you were just honing your powers, now I can see it all/ Late one night, you dug me out of my grave and, saved my heart from the fate of Ophelia.”

“I’d been very non-athlete, because I’m not one, and I’ve always been like, ‘What would we talk about?’” Swift says of her past dating history in a candid The End of an Era scene, in which she converses with mom Andrea Swift, who remembered encouraging her famous daughter to give Kelce a chance.

The singer recalls with a laugh to her mother, “You said something to the effect of, like, ‘You gotta start doing something different.’”

The first four episodes of The End of an Era are now streaming on Disney+.


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Jerry Ragovoy, a prolific songwriter and producer whose gospel-infused soul compositions shaped some of the most enduring music of the 1960s, is the latest songwriter to be posthumously inducted into the Songwriters Hall of Fame. Ragovoy, who died in 2011 at age 80, was honored during an intimate ceremony held on Dec. 16 in New York City.

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While the annual SHOF gala in June does not usually include posthumous inductions, the organization has hit upon the idea of hosting inductions for writers voted in posthumously at unique venues and events. This is the sixth posthumous induction in less than two years — and the third just this month — following Cindy Walker in May 2024, Prince in July 2024, Bert Berns in September 2025, Hugo & Luigi on Dec. 9 and Donna Summer on Dec. 15.

Ragovoy’s best-known song is probably “Piece of My Heart,” which he cowrote with Bert Berns, who, as noted, was inducted into the SHOF posthumously in September. The song has been a Billboard Hot 100 hit five times, for Erma Franklin, Big Brother & the Holding Company, Sammy Hagar, Shaggy, and Melissa Etheridge and Joss Stone. The song appeared on Big Brother’s album Cheap Thrills, which topped the Billboard 200 for two weeks in 1968. In 2005, when Janis Joplin received a lifetime achievement award from the Recording Academy, Etheridge and Stone performed a medley of it and “Cry Baby,” another Ragovoy-Berns song that Joplin had recorded, on the Grammy telecast. That live performance reached No. 32 on the Hot 100.

Ragovoy’s emotionally raw songwriting resonated with Joplin, whose recordings of his songs became some of the defining works of her career. Ragovoy cowrote “Try (Just a Little Bit Harder),” which appeared on Joplin’s first solo album, I Got Dem Ol’ Kozmic Blues Again Mama! He cowrote three of the 10 songs on Joplin’s second solo album Pearl, which topped the Billboard 200 for nine weeks in 1971. He cowrote “Cry Baby” with Bert Berns and cowrote “My Baby” and “Get It While You Can” with Mort Shuman.

“Cry Baby” was originally recorded by Garnet Mimms and the Enchanters. Their version reached No. 4 on the Hot 100 in October 1963.

Pictured at the Songwriters Hall of Fame induction of Jerry Ragovoy on December 16, 2025 (Left to Right): SHOF Board member Charlie Feldman; Melissa Ragavoy, daughter of Jerry Ragovoy; Bev Ragovoy, wife of Jerry Ragovoy; and Pete Ganbarg, SHOF Board member and Chairman of the SHOF Legacy Committee.

Pictured at the Songwriters Hall of Fame induction of Jerry Ragovoy on December 16, 2025 (Left to Right): SHOF Board member Charlie Feldman; Melissa Ragavoy, daughter of Jerry Ragovoy; Bev Ragovoy, wife of Jerry Ragovoy; and Pete Ganbarg, SHOF Board member and Chairman of the SHOF Legacy Committee.

Courtesy of Songwriters Hall of Fame

Ragovoy wrote “Time Is on My Side,” which Irma Thomas recorded in 1964 and which The Rolling Stones covered that year. Their version became their first top 10 hit on the Hot 100, reaching No. 6 in December 1964.

He cowrote the Afro-pop dance song “Pata Pata” with Miriam Makeba; the song reached No. 12 on the Hot 100 in November 1967 and was voted into the Grammy Hall of Fame in 2019.

Some of Ragovoy’s other best-known songs are “Ain’t Nobody Home,” “A Wonderful Dream,” “Stay with Me” and “I’m Gonna Rock My Way to Heaven.”

Ragovoy founded the New York recording studio The Hit Factory in 1969, producing and arranging artists such as Dionne Warwick and Bonnie Raitt before selling it in 1975.

In 2008, Ace Records released a compilation album, The Jerry Ragovoy Story: Time Is on My Side.

Ironically, Ragovoy’s only Grammy Award was as a producer, not a songwriter. In 1973, he won best score from an original cast show album as the producer of Don’t Bother Me, I Can’t Cope, which was composed by Micki Grant.


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As we close the chapter on 2025, one fact is clear: Latin music continues to grow bigger, bolder and more boundary-breaking than ever. Whether it’s the heart-pounding pulse of regional Mexican music, the sultry sway of tropical rhythms, or experimental fusions of pop, rock and electronic sounds, Latin music continues to connect with fans worldwide on a profound level.

This year’s hits showcased that duality — global in reach yet deeply rooted in tradition. Bad Bunny captivated listeners with the salsa escapade of “Baile Inolvidable,” while Fuerza Regida painted vivid tales through the arresting corrido tumble of “Marlboro Rojo,” proving once again that Latin music is as diverse as it is unifying.

Rosalía spun waltzing puns and heartache on “La Perla,” joined by Yahritza y Su Esencia, while Romeo Santos and Prince Royce exchanged verses on the classic-sounding bachata cut “Dardos.” Experimentation and storytelling reigned supreme, with Greeicy delivering buoyant pop gem “Limonar” and DannyLux exploring a haunting sierreño odyssey in “Sirena.” These artists gave us windows into their worlds, blending genres and breaking norms with fearless creativity.

Karol G’s soul-searching “Coleccionando Heridas” alongside Marco Antonio Solís struck an emotional chord, while Rauw Alejandro’s playful “Carita Linda” and Peso Pluma and Tito Double P’s brass-blaring “intro” further helped showcase the year’s dynamic range in sound.

Whether you’re here to relive your favorites or discover hidden gems, dive into our list of the 25 Best Latin Songs of 2025, curated by the Billboard Latin and Billboard Español team, to celebrate the tracks that shaped music this past year.


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