As we close the chapter on 2025, one fact is clear: Latin music continues to grow bigger, bolder and more boundary-breaking than ever. Whether it’s the heart-pounding pulse of regional Mexican music, the sultry sway of tropical rhythms, or experimental fusions of pop, rock and electronic sounds, Latin music continues to connect with fans worldwide on a profound level.

This year’s hits showcased that duality — global in reach yet deeply rooted in tradition. Bad Bunny captivated listeners with the salsa escapade of “Baile Inolvidable,” while Fuerza Regida painted vivid tales through the arresting corrido tumble of “Marlboro Rojo,” proving once again that Latin music is as diverse as it is unifying.

Rosalía spun waltzing puns and heartache on “La Perla,” joined by Yahritza y Su Esencia, while Romeo Santos and Prince Royce exchanged verses on the classic-sounding bachata cut “Dardos.” Experimentation and storytelling reigned supreme, with Greeicy delivering buoyant pop gem “Limonar” and DannyLux exploring a haunting sierreño odyssey in “Sirena.” These artists gave us windows into their worlds, blending genres and breaking norms with fearless creativity.

Karol G’s soul-searching “Coleccionando Heridas” alongside Marco Antonio Solís struck an emotional chord, while Rauw Alejandro’s playful “Carita Linda” and Peso Pluma and Tito Double P’s brass-blaring “intro” further helped showcase the year’s dynamic range in sound.

Whether you’re here to relive your favorites or discover hidden gems, dive into our list of the 25 Best Latin Songs of 2025, curated by the Billboard Latin and Billboard Español team, to celebrate the tracks that shaped music this past year.


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What was the most played song on Gabb Music for 2025? Despite a late-year surge of music from the KPop Demon Hunters soundtrack, the answer is Alex Warren’s “Ordinary.”

“Ordinary,” which topped the weekly Billboard Hot 100 beginning in June and reigned for 10 weeks, eventually settling at No. 7 on the recently revealed year-end Billboard Hot 100 ranking for 2025, received the most streams on Gabb Music for the year, Gabb Wireless revealed Friday (Dec. 19).

Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts.

The reign of “Ordinary” comes despite an interesting quirk: It topped the monthly Top Gabb Music Songs chart only once, and that rule occurred on the most recently published tally, November 2025.

That’s because its run on Gabb was about more than racking up months at No. 1. The tune debuted at No. 6 on the April 2025 ranking and rose steadily to No. 3 in May and to No. 2 in June.

Then KPop Demon Hunters happened. The Netflix film’s hit soundtrack presided over the chart for the next few months, reigning every time from July to October between Saja Boys’ “Your Idol” and “Soda Pop” and HUNTR/X’s “Golden.”

Even then, “Ordinary” persisted. It was the highest charting non-KPop Demon Hunters song each month during that span, culminating with its No. 1 coronation in November.

Speaking of KPop Demon Hunters, Saja Boys end up reigning over HUNTR/X on the year-end list, as “Your Idol” ends 2025 at No. 2, ahead of “Golden” at No. 3. The latter was also a multiweek Hot 100 No. 1, ruling for eight frames beginning in August.

HUNTR/X did, however, achieve a feat Saja Boys couldn’t: the group is the act with the most appearances on the 25-position year-end ranking with four, including two in the top 10, as “Takedown” ranks at No. 10.

Benson Boone’s “Beautiful Things” and Lady Gaga and Bruno Mars’ “Die With a Smile” round out the top five of the survey as the first two songs that were available for the entirety of the calendar year.

Boone is the top-performing solo act on the chart in terms of volume of appearances, nabbing three; “Sorry I’m Here for Someone Else” follows “Beautiful Things” as his second-biggest title at No. 7.

All of the songs in the top 12 were released in the 2020s; the top song otherwise, Drake’s “God’s Plan” (2018), ranks at No. 13.

2025 Year-End Top Gabb Music Songs

  1. “Ordinary,” Alex Warren
  2. “Your Idol,” Saja Boys
  3. “Golden,” HUNTR/X
  4. “Beautiful Things,” Benson Boone
  5. “Die With a Smile,” Lady Gaga & Bruno Mars
  6. “APT.,” ROSE & Bruno Mars
  7. “Sorry I’m Here for Someone Else,” Benson Boone
  8. “Your Way’s Better,” Forrest Frank
  9. “Soda Pop,” Saja Boys
  10. “Takedown,” HUNTR/X
  11. “Stargazing,” Myles Smith
  12. “How It’s Done,” HUNTR/X
  13. “God’s Plan,” Drake
  14. “Love Somebody,” Morgan Wallen
  15. “Slow It Down,” Benson Boone
  16. “Run It,” Jelly Roll
  17. “Deja Vu,” Olivia Rodrigo
  18. “Ain’t No Love in Oklahoma,” Luke Combs
  19. “What I Want,” Morgan Wallen feat. Tate McRae
  20. “What It Sounds Like,” HUNTR/X
  21. “Stressed Out,” Twenty One Pilots
  22. “Let You Down,” NF
  23. “Free,” EJAE & Andrew Choi
  24. “Please Please Please,” Sabrina Carpenter
  25. “Up!,” Forrest Frank & Connor Price


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Snoop Dogg is ready for a golden holiday in Minneapolis, with Netflix announcing Friday (Dec. 19) that the singers behind KPop Demon Hunters girl group HUNTR/X will join the rapper for his Christmas Day halftime show during the Minnesota Vikings vs. Detroit Lions game.

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In addition to vocalists EJAE, Audrey Nuna and REI AMI from the hit animated film, Lainey Wilson will also appear as a special guest on Snoop’s Holiday Halftime Party, which is set to air live on Dec. 25 on the streaming service. The game at U.S. Bank Stadium kicks off at 4:30 p.m. following a 1 p.m. Dallas Cowboys vs. Washington Commanders matchup, both of which will stream live on Netflix.

And according to the release, HUNTR/X and the Louisiana country star aren’t the only big names who’ll be making cameos for Snoopmas. “You’ll have to wait until Christmas Day to see who else joins Uncle Snoop for this jolly halftime show,” it reads. “You’re in for a holiday treat!”

The news of Snoop’s special guests comes three days after the streamer announced that he’d be leading the festive halftime show, and more than a week after Netflix revealed that Kelly Clarkson will kick off its Christmas Day football coverage with a performance of “Underneath the Tree.” This year’s lineup of game-day entertainment comes after Beyoncé stole the show with her 2024 holiday halftime performance, which featured surprise appearances from Post Malone and Shaboozey.

“NFL, Netflix and your uncle Snoop on Christmas Day? We’re servin’ up music, love and good vibes for the whole world to enjoy,” Snoop said in a recent statement about this year’s halftime show. “That’s the kind of holiday magic Santa can’t fit in a bag.”

Check out the teaser for Snoop’s Holiday Halftime Party featuring KPop Demon Hunters and Lainey Wilson below.


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Brothers Mau and Ricky Montaner have kicked off a new stage in their career, signing with a new label and new management, launching their own imprint and now, opening a new recording studio.

Casablanca Studios will open in Miami as a “creative sanctuary,” with plans to open outposts in other parts of the world as well, says Ricky Montaner.

“There’s so much music and content we’re competing with, that it’s vital in some way to try to have a platform for artists who will surround themselves with peers who will elevate their craft,” he adds. “It’s like a little oasis. We’re doubling down on our creative process. That’s why we bought this studio. And hopefully it will house not only our dreams but those of friends and colleagues.”

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Mau and Ricky have long been known as collaborators and, at one point, owned the studio that now houses Sony’s 5020 Studios.

The siblings, who signed to Warner Music Latina in 2022, wrapped up their contract with the label with their acclaimed album Hotel Caracas, released in 2024.  

They’ve now returned to Sony Music Latin, where they were previously signed, via a distribution deal with their own Why Club Records, and released a first single, “Te quiero,” alongside Kapo, which will be part of a new album slated for release in 2026.

“In Sony, they talk about being ‘a house for artists’ and in my experience the conversation is around music. And that’s what I’m interested in. Everything comes from the songs.”

Mau and Ricky have also switched management, and after a productive 10-year stint with manager Armando Lozano, they parted amicably and are now handling day-to-day operations of their business from their own company, with Neus Borrell as CEO, “in charge of our whole operation, from touring to record deals,” says Ricky.

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The siblings are also working with Seitrack, with Alex Mizrahi as their agent.   

“Alex has been doing this for years and has amazing relations,” adds Ricky. “We want to play in the big leagues with other players from the big leagues. And now, we feel we’re back where we belong with a fresh outlook.”


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Mark your calendars Swifties. Disney+ is gifting fans even more Taylor Swift content ahead of schedule.

Disney+ just announced a significant scheduling change for the final episodes of the musician’s docuseries titled Taylor Swift: The End of an Era. If you didn’t know, the six-part docuseries offers die-hard fans a peek behind the curtain, showing snapshots of the pop superstar’s hectic life on tour from dance practices to soundcheck.

Swift took to X to share that episodes three and four of the series went live yesterday, Dec. 18, while the final two episodes arrive 12/23, instead of Dec. 26, at 12am PT, 3am EST. It’s safe to say Christmas for Swifties came early. “The final two episodes are going to be out on Dec. 23. Thank you for everything, happy holidays you guys,” the singer praised in her video on X. 

The series also spotlights fellow performers, family members and friends including Gracie Abrams and Sabrina Carpenter, who opened for Swift’s tour, along with Ed Sheeran and Florence Welch. The series will be available on Dec. 12 at 12 a.m. PT. It’s safe to say that this is a must-watch for Swifties all over the globe looking to understand how the proverbial sausage was made.

The cultural phenomenon that was the Eras Tour practically dominated the cultural landscape from 2023 to 2024, given it was all anyone could talk about. The tour’s magnitude was impressive, including becoming the first tour to surpass $2 billion and 10.1 million tickets sold. With the docuseries coming to us earlier than expected, you’re probably wondering how to tune in. Below, we’re showing you how you can watch the series right now.

Here’s How to Watch Taylor Swift: The End of an Era

Swift’s docuseries is set to release on Dec. 12 at 12 a.m. PT via Disney+.

Instead of getting one of two streaming services, you can bundle Hulu with Disney+ for $12.99/month. These Disney+ bundles save users on average 44% per month. Think of it this way: A standalone subscription to Hulu and or Disney+ with ads is 11.99/month, which is basically the cost of a bundle. You’re getting more bang for your buck by bundling because it gives you access to a wider variety of streaming services all in one place.

Subscribers will have access to a wide range of Disney+ and Hulu titles, including movies and series from Disney, Pixar, Marvel, Star Wars and National Geographic along with and Hulu Originals. Some of our favorites currently, perfect for getting you into the Christmas mood, include Elf, Die Hard and The Polar Express. If it’s too early to jingle bells, you can always tap into other cheerful content including The Simpsons, Elio, Dancing With the Stars and the Glen Powell football comedy Chad Powers.

On Saturday, July 18, 2026, the RCF Arena in Reggio Emilia, Italy, one of the largest open-air venues designed specifically for big concerts and festivals, will host Ye’s first European concert since 2014. It promises to be the biggest show of Kanye West’s career.

The RCF Arena can accommodate up to 103,000 spectators. Tickets will be available for early bird presale starting Monday, Dec. 22, at 10am CET on Ticketmaster.

Ye will return to Italy to headline the brand new Hellwatt Festival, which will take place at the RCF Arena over three weekends, from July 4-18, and will be officially presented in late January or early February 2026. Organizers describe it as an unprecedented immersive event, with cinematic staging, that will bring Reggio Emilia and the Italian live music scene to the forefront of major global music events.

The news of Ye’s concert in Italy comes nearly two years after the lengthy back-and-forth over the live presentation of Vultures, his Billboard 200-topping joint album with Ty Dolla $ign, which concluded without a concert but with a listening party held at the Unipol Forum in Milan and the Unipol Arena in Bologna in February 2024.

Zamna Festival, the prestigious international format born in Tulum, Mexico, widely recognized as a key reference of the global electronic music scene, will be the official partner of the RCF Arena events, hosting all pre- and after-parties of the Hellwatt Festival.

Sphere Entertainment has named Felicia Yue as executive vice president and chief technology officer for Sphere. She will be based in Burbank and report to Jennifer Koester, Sphere’s president and COO.

As CTO, Yue will oversee technology powering Sphere’s immersive experiences and advanced infrastructure across its Las Vegas venue and Sphere Studios, including display, playback, interactive and audio systems. She will also lead enhancements to Sphere Studios’ content tools supporting multi-sensory experiences. 

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Yue joins Sphere from Infinite Athlete, having previously served as head of live event and immersive experiences at Amazon Prime Video, where she led development of X-Ray technology — ie, real-time insights on every play — for Thursday Night Football. She previously held roles at the NFL, ESPN and Sportvision, where over the years she helped develop innovations including the NFL’s first-down “yellow line,” MLB’s “K Zone” and CNN’s “Magic Wall.”

“Technology is at the core of everything we do at Sphere, and Felicia’s experience will be invaluable as we continue to build on our capabilities as an experiential medium,” said Ms. Koester. “Felicia’s track record of developing breakthrough technologies and leading teams that deliver high-impact experiences for audiences will ensure Sphere remains at the forefront of what’s possible in immersive entertainment.”

Sphere recently reported that Q3 revenue was up 15% year-over-year, driven by The Wizard of Oz screenings and the Backstreet Boys residency, though it posted a $129.7 million operating loss. Since opening in 2023, Sphere has hosted residencies by U2, Phish, the Eagles and Anyma, with Backstreet Boys extending their run into February 2026.

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Check out a rundown of this week’s staffing news below, including big departures at Warner Classics, [PIAS], RMLC and Superstruct, a wave promotions at UTA, an Island elevation and more.

Clave Especial talks about new music for 2026 with Fuerza Regida and shares why they enjoy working with JOP.

Alex from Clave Especial: For 2026 we have a lot of new music planned. We don’t have a title yet, but there are good tracks coming, good songs and I know that my people are going to like it.

With Fuerza Regida something new is coming. We already have two songs that did very well for us. I think people are waiting for the third one and our album is coming. He’s grown since we met him. I mean, I still see him as a boss, right, because, well, he’s our boss, but he’s given us a very beautiful friendship. In fact, the other day was my birthday back where I’m from in Salinas and he’s a very, very good person, truly, and I feel very happy to work with him.

My quinceañera? Almost, it was almost a quinceañera. I celebrated it like a quinceañera. Uh, well, we had Roberto Tapia, who is an artist I admire a lot. So, we had him singing at my birthday, surrounded by friends, by colleagues, by my family. I mean, it was a very beautiful night. I think we’re seeing a … a great advancement in Mexican music, because all the second generation people, Mexican Americans, are supporting what represents us, our roots, Mexico, so corridos, they’re all killing it right now and they’ll keep killing it.

AI artist Xania Monet returned Friday (Dec. 19) with her prickly “Say My Name With Respect” single, which claps back at critics like Kehlani, who previously slammed AI artists.

Monet, who is operated by writer Telisha “Nikki” Jones, is looking for the industry to put some respect on her name and not undermine the powerful art that’s being released into the world, regardless of its approach.

“Funny how you went to the media first/ Talking about my pen like you know my work/ You don’t know the nights I cried to write/ Or how many songs healed somebody’s life/ You say I ain’t real/ You say I don’t create/ But your voice shake a little every time you create because deep down you know I’m destined to shine,” Monet sings.

Monet doesn’t list Kehlani by name, but appears to be taking aim at the “Folded” singer, as well as others who have condemned AI artists.

She continues: “You keep saying I’m not a real artist, right/ But somehow my songs still change somebody’s night/ People say my lyrics saved them, that’s real art.”

It will be interesting to see if and how Kehlani goes about responding to an AI artist. Could there be a back-and-forth with an AI artist that will bring R&B into uncharted waters?

Billboard has reached out to Kehlani’s reps for comment.

Back in September, Kehlani slammed AI and artists like Monet courting a reported $3 million record label deal.

“There is an AI R&B artist who just signed a multimillion-dollar deal… and the person is doing none of the work. This is so beyond out of our control,” Kehlani told followers on social media. “Nothing and no one on Earth will ever be able to justify AI to me. I don’t respect it.”

Monet made history when she became the first AI artist to debut on a Billboard radio chart, as “How Was I Supposed to Know?” entered at No. 30 on the Adult R&B Airplay in November.

Listen to “Say My Name With Respect” below.


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After playing 41 raucous, sold-out stadium shows around the world with Oasis this year you could forgive guitarist Gem Archer for being a bit winded. “I still don’t know my ass from my elbow,” said Archer, who first joined the band in 1999 following the departure of founding guitarist Paul “Bonehead” Arthurs and performed with them until their break-up in 2009.

Speaking to Guitar World magazine, Archer said it’s now time to “decompress” after what he described as an overwhelming experience. “None of us expected it to get this kind of reaction. It’s kind of unprecedented that the feeling between us and the crowd was the same in every city. Every gig was just this joyous celebration,” said Archer about the rapturous response from crowds in every city, where streets were packed with bucket hat-wearing fans who lustily sang along to every song.

“At one gig, just before ‘Don’t Look Back in Anger,’ Noel said to the crowd, ‘Now you’re gonna feel what it’s like to be in the band,’ or something like that. And that’s what it was – 80,000 people in the band at that moment. That didn’t really hit us until maybe three gigs in,” Archer added.

Archer also weighed in on the tour’s famously rigid 23-song setlist, which did not deviate from show-to-show, despite fans having lots of ideas about which tunes should be added to the roster. The guitarist said he knew as soon as he saw the setlist that the tour would be mega, revealing that there actually were more songs in the mix before the tour kicked off.

“I couldn’t believe it. I was like, ‘Wow – and we haven’t even gotten to ‘Supersonic’ yet!,’” he remembered thinking. “It was just ridiculous from there. The boys had been sorting it out for ages. It got amended; we’d started with, I think, 27 songs, and it ended up being 23.” Though it didn’t happen, that was good news for diehards who are hoping for more shows in the future, including ones with a switched-up setlist. “Those songs, played in that order, are just unbeatable,” he said of the crowd-pleasing mix of huge hits and album tracks.

Archer also confirmed what the nightly brotherly hug seemed to show us, that the formerly battling Gallagher brothers “absolutely” enjoyed sharing the stage again. “They’d immediately start cracking each other up on the ramp while we were walking up,” he said. “It’s almost like they were just in each other’s ears and faces. But when the curtain opens it all changes; it becomes the show. But they’re brothers – and that’s tangible.”

One thing Archer did not do is answer the one question on everyone’s minds: when are the next shows? Singer Liam Gallagher has been playing a sometimes frustrating game of definitely, maybe with fans for the past few months, suggesting that he and brother guitarist/songwriter Noel are definitely going to play again, at some point, but probably not next year.

“It’s not just something you can flick on. We’ve all said we won’t know what this was ‘till next year. It really was a bit of a whirlwind,” Archer said while swatting away questions about what he knows about future plans. “I’d be up for more,” he added. “But right now, it’s only a couple of weeks since we were doing a gig in Brazil. I’ve got stuff laid all over the floor that’s from the tour. It’s still kind of like, ‘What just happened here?’”

Spokespeople for Oasis have not returned Billboard‘s repeated requests for comment on potential future tour dates.

Pressed again, the guitarist swore that he doesn’t “know anything about what’s coming up,” while leaving the door open just a crack. “It’s not my place to say. Anything could happen, which could include nothing,” he added. “If stuff was happening, I think I might already know about it. But Noel has said, ‘No rest for the immensely talented’ — so take that how you want!”


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