AI artist Xania Monet returned Friday (Dec. 19) with her prickly “Say My Name With Respect” single, which claps back at critics like Kehlani, who previously slammed AI artists.

Monet, who is operated by writer Telisha “Nikki” Jones, is looking for the industry to put some respect on her name and not undermine the powerful art that’s being released into the world, regardless of its approach.

“Funny how you went to the media first/ Talking about my pen like you know my work/ You don’t know the nights I cried to write/ Or how many songs healed somebody’s life/ You say I ain’t real/ You say I don’t create/ But your voice shake a little every time you create because deep down you know I’m destined to shine,” Monet sings.

Monet doesn’t list Kehlani by name, but appears to be taking aim at the “Folded” singer, as well as others who have condemned AI artists.

She continues: “You keep saying I’m not a real artist, right/ But somehow my songs still change somebody’s night/ People say my lyrics saved them, that’s real art.”

It will be interesting to see if and how Kehlani goes about responding to an AI artist. Could there be a back-and-forth with an AI artist that will bring R&B into uncharted waters?

Billboard has reached out to Kehlani’s reps for comment.

Back in September, Kehlani slammed AI and artists like Monet courting a reported $3 million record label deal.

“There is an AI R&B artist who just signed a multimillion-dollar deal… and the person is doing none of the work. This is so beyond out of our control,” Kehlani told followers on social media. “Nothing and no one on Earth will ever be able to justify AI to me. I don’t respect it.”

Monet made history when she became the first AI artist to debut on a Billboard radio chart, as “How Was I Supposed to Know?” entered at No. 30 on the Adult R&B Airplay in November.

Listen to “Say My Name With Respect” below.


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After playing 41 raucous, sold-out stadium shows around the world with Oasis this year you could forgive guitarist Gem Archer for being a bit winded. “I still don’t know my ass from my elbow,” said Archer, who first joined the band in 1999 following the departure of founding guitarist Paul “Bonehead” Arthurs and performed with them until their break-up in 2009.

Speaking to Guitar World magazine, Archer said it’s now time to “decompress” after what he described as an overwhelming experience. “None of us expected it to get this kind of reaction. It’s kind of unprecedented that the feeling between us and the crowd was the same in every city. Every gig was just this joyous celebration,” said Archer about the rapturous response from crowds in every city, where streets were packed with bucket hat-wearing fans who lustily sang along to every song.

“At one gig, just before ‘Don’t Look Back in Anger,’ Noel said to the crowd, ‘Now you’re gonna feel what it’s like to be in the band,’ or something like that. And that’s what it was – 80,000 people in the band at that moment. That didn’t really hit us until maybe three gigs in,” Archer added.

Archer also weighed in on the tour’s famously rigid 23-song setlist, which did not deviate from show-to-show, despite fans having lots of ideas about which tunes should be added to the roster. The guitarist said he knew as soon as he saw the setlist that the tour would be mega, revealing that there actually were more songs in the mix before the tour kicked off.

“I couldn’t believe it. I was like, ‘Wow – and we haven’t even gotten to ‘Supersonic’ yet!,’” he remembered thinking. “It was just ridiculous from there. The boys had been sorting it out for ages. It got amended; we’d started with, I think, 27 songs, and it ended up being 23.” Though it didn’t happen, that was good news for diehards who are hoping for more shows in the future, including ones with a switched-up setlist. “Those songs, played in that order, are just unbeatable,” he said of the crowd-pleasing mix of huge hits and album tracks.

Archer also confirmed what the nightly brotherly hug seemed to show us, that the formerly battling Gallagher brothers “absolutely” enjoyed sharing the stage again. “They’d immediately start cracking each other up on the ramp while we were walking up,” he said. “It’s almost like they were just in each other’s ears and faces. But when the curtain opens it all changes; it becomes the show. But they’re brothers – and that’s tangible.”

One thing Archer did not do is answer the one question on everyone’s minds: when are the next shows? Singer Liam Gallagher has been playing a sometimes frustrating game of definitely, maybe with fans for the past few months, suggesting that he and brother guitarist/songwriter Noel are definitely going to play again, at some point, but probably not next year.

“It’s not just something you can flick on. We’ve all said we won’t know what this was ‘till next year. It really was a bit of a whirlwind,” Archer said while swatting away questions about what he knows about future plans. “I’d be up for more,” he added. “But right now, it’s only a couple of weeks since we were doing a gig in Brazil. I’ve got stuff laid all over the floor that’s from the tour. It’s still kind of like, ‘What just happened here?’”

Spokespeople for Oasis have not returned Billboard‘s repeated requests for comment on potential future tour dates.

Pressed again, the guitarist swore that he doesn’t “know anything about what’s coming up,” while leaving the door open just a crack. “It’s not my place to say. Anything could happen, which could include nothing,” he added. “If stuff was happening, I think I might already know about it. But Noel has said, ‘No rest for the immensely talented’ — so take that how you want!”


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In mid 2024, there was talk that the U.K. wasn’t producing future stars nearly fast enough and that its reputation as a great exporter of music was threatened. Then, Charli xcx’s Brat happened and encouraged the industry to be bullish with its next crop of artists and to back them in the long run.

2025, then, saw the best-case scenario of that vision with a run of outstanding LPs from British and Irish musicians to reclaim its place at the centre of pop music culture. Olivia Dean’s sophomore album The Art of Loving rapidly established her as a main pop girl to contend with, while Yungblud’s Idols placed him at the centre of the rock universe. Sam Fender’s People Watching was both a critically acclaimed masterpiece and commercially successful to boot, and earmarked him as a musician with serious long-term potential.

There were storming comebacks for artists like Lily Allen whose shocking and salacious West End Girl dominated online discourse for weeks, while Pulp’s first album in over two decades was a reminder of the band’s capabilities in the studio after an indefinite hiatus. That these artists made their case via stunning full-length collections that demanded attention is vital for the health of the entire ecosystem. 

The future appears bright too, as Dove Ellis, Jacob Alon and Jim Legaxcy all released stunning debuts, while CMAT and Lola Young came good following years of excitement behind the scenes. A relatively dry creative period feels like a long, distant memory after a year of music from this truly original cast of characters. Find our 20 favorite U.K. and Ireland albums below, listed alphabetically by artist.

The Recording Academy has announced the recipients of its 2026 Special Merit Awards. Carlos Santana, Chaka Khan, Cher, Fela Kuti, Paul Simon and Whitney Houston are the lifetime achievement recipients; Bernie Taupin, Eddie Palmieri and Sylvia Rhone are the Trustees Award honorees; and John Chowning is the Technical Grammy Award honoree.

The ceremony will be held at the Wilshire Ebell Theatre in Los Angeles on Saturday Jan. 31, the afternoon before the 68th annual Grammy Awards at Crypto.com Arena in downtown L.A.

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“It’s a true honor to recognize this year’s Special Merit Award recipients — an extraordinary group whose influence spans generations, genres and the very foundation of modern music,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “Each of these honorees has made a profound and lasting impact, and we look forward to celebrating their remarkable achievements.”

Palmieri, a Latin music legend, will be honored less than six months after he died at age 88. Two other artists are being honored posthumously – Afrobeats pioneer Kuti, who died in 1997, and Houston, who died in 2012.

Simon is being honored as a solo artist. Simon & Garfunkel received a lifetime achievement award as a duo in 2003. Simon joins the short list of people who have been honored both solo and in groups or duos. Others include Diana Ross (the Supremes) and Paul McCartney, John Lennon and George Harrison (The Beatles).

Houston receives the honor seven years after her cousin Dionne Warwick was honored.

Taupin is this year’s only Special Merit Award recipient who is also a 2026 Grammy nominee. The night after he picks up this honor, he’ll win or lose for best song written for visual media for “Never Too Late” from Elton John: Never Too Late. Incredibly, Taupin has yet to win a competitive Grammy.

Lifetime Achievement Awards are presented to performers who have made creative contributions of outstanding artistic significance to the field of recording. Trustees Awards are presented to individuals who have made significant contributions, other than performance, to the field of recording. Both are voted on by the academy’s national trustees.

Technical Grammy Awards are presented to individuals, companies, organizations or institutions who have made contributions of outstanding technical significance to the recording field. They are voted on by the Producers & Engineers Wing Advisory Council and chapter committees and ratified by the academy’s national trustees.

Here’s a closer look at this year’s honorees:

Universal Music Group and Roblox have struck a new strategic partnership aiming to deepen connections between artists, fans and music on the 19-year-old gaming platform, as more and more labels seek engagement beyond traditional streaming.

The agreement focuses on enhanced music and commercial integrations within artist experiences, including new monetization tools. A key feature is Shopify integration, enabling digital and physical merchandise sales directly inside Roblox. The companies said they will also streamline collaboration for artists and labels, offering creative support and early access to new features.

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Both companies emphasized their commitment to ethical AI practices and the protection of intellectual property, with the goal of creating a secure environment in which artists can experiment with new formats while retaining control of their work. UMG said the partnership with Roblox is rooted in shared goals of fostering innovative ways to empower artists and strengthening connections with fans.

“With this new framework, we are strengthening our commercial, creative and operational collaboration and unlocking new opportunities for our artists and labels,” explained Michael Nash, UMG’s evp and chief digital officer. “Built on this foundation and highlighted by the impending launch of UMG’s flagship ‘Tastemaker’ experience, this agreement ensures that UMG continues to lead the industry in shaping the future of music in immersive environments.”

UMG said on Friday that will debut a series of activations in the coming months, starting today with K-pop group Stray Kids. The deal builds on UMG’s prior Roblox ventures, including Beat Galaxy in 2023 and Boombox a year later, which introduced the all-important licensed music streaming into gameplay.

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Founded in the early 2000s and launched in 2006, Roblox has evolved into a global creator ecosystem averaging more than 85 million daily users by 2025, according to the company, and has emerged as a hub for music fandom, hosting artist activations from Lady Gaga, Chappell Roan, Glass Animals and Sofi Tukker, among others

UMG is not alone in continuing to bet on Roblox’s potential, following Warner Music’s launch of Rhythm City in 2023, partnerships from Sony Music and BMG in 2021, and Spotify’s entry onto the platform in 2022 with its “Island” environment.

“We have worked closely with Universal Music Group over the years to bring some of their top artists to Roblox to engage with next-gen fans in innovative and creative ways,” said Enrico D’Angelo, chief business officer at Roblox. “This strategic agreement represents a major step forward in building the future of immersive entertainment, with this partnership significantly expanding the commercial and creative opportunities for UMG artists and labels on our platform.”


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Pete Davidson is a dad. The Saturday Night Live alum and King of Staten Island actor welcomed a baby girl with girlfriend Elsie Hewett last week, Scottie Rose Hewitt Davidson. The happy couple announced the news on Thursday (Dec. 18), revealing that their “bundle of joy “perfect angel girl” was born on Dec. 12.

“My best work yet, i am absolutely overflowing with love and gratitude and disbelief,” Hewitt wrote in an Instagram post. The first glimpse of their newborn came in the post featuring a picture of Hewitt kissing the bundled-up baby’s head as a smiling Davidson looks on with joy. There are also shots of model Hewitt cradling the baby in front of a big picture window with a snow-dusted vista in the background, a shot of Davidson kissing Hewitt in the hospital after the baby’s birth, as well as the traditional image of the newborn’s tiny fingers wrapped around dad’s pinkie.

According to E! News, the baby is named after Davidson’s late father, N.Y. firefighter Scott Davidson, who died while responding to the Sept. 11, 2001 terror attacks on the Twin Towers when his son was only seven-years-old; Rose is Hewitt’s middle name.

For his part, Davidson announced the news in typically irreverent fashion, adding “Wu Tang forever,” to Hewitt’s comments on the post, which also included a snap of Davidson feeding Scottie a bottle, leaning in with Hewitt to give her a big kiss on her forehead and holding up a teeny, tiny bottle of soy sauce in the foreground as Scottie dozes just behind.

The couple, who went official in March, announced they were expecting a child in July.

While she’s still trying to navigate the whole sleeping/eating thing, Scottie already has at least one built-in playmate: Machine Gun Kelly’s 10-month old daughter Saga. Back in July, just hours after the news broke that Davidson was going to be a first-time dad, MGK said he was super excited about the news.

These playdates bout to hittttt,” MGK commented on Hewitt’s Instagram pic post of the couple looking cute and snuggly while getting a sonogram.


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You should forgive Ariana Grande if you’re on her Christmas list and your present doesn’t come exactly on time, or wrapped like you might expect. She’s, you know, kind of busy still promoting Wicked: For Good and her return to Saturday Night Live this weekend for the fifth time with musical guest Cher. But she did take time out on Thursday night (Dec. 18) to chat with Seth Meyers for the first time on Late Night, where she explained what kind of Christmas person she is while also revealing the one Wicked tie-in item that kind of gives her the willies.

Asked if she manages to buy gifts for everyone on her list amid her busy schedule, Grande said she tried to get as much of her shopping done as possible before the brutal scheduled of her SNL week. “I’ve been managing to wrap some of the gifts in the morning before I leave for SNL, and then when I get home I’m usually too tired,” said Grande.

Meyers, who thanked Grande for showing up in exactly the kind of outfit he’d expect from good witch Glinda, a long, gauzy princess dress fit for a ball, wondered if she had magical wrapping skills as well.

“I think it looks… well-intentioned,” Grande admitted of her gift wrapping skills. “I think it’s the thought that counts. And I do feel guilty about the amount of tape used. That’s gotta be bad, but I make up for it in other ways… It’s hideous, but it’s with love.”

As for her favorite Christmas tradition, Grande paid homage to her beloved Nonna — who died in June at 99 years old — revealing that her go-to holiday activity was baking traditional Italian Zeppole donut-like treats with her late grandma. “My mission this year is to come up with a plant-based Zeppole. She would not like that, maybe I won’t actually.”

After talking about the emotionally taxing filming of the Wicked movies and how the role of Glinda came at the perfect time in her career, Meyers asked Grande to pivot to the mountain of Wicked tie-in merchandise that many boys and girls (and men and women) will likely find under their trees this year. “Was there a particular piece of merch that you were most covetous of when you saw it?,” he wondered.

“First of all, my mom has everything,” Grande said. “She went a little too hard. And I was like, ‘Mom, it’s okay, Universal, they’re gonna send it, it’s okay!’ And then she’d be like, ‘No, no, no, no, I need, like, 30!” Grande said a few of the items, though, were “a little disturbing. Like the pink and green — I hope this is okay to say — the pink and green, was it mac and cheese that they did?”

“Yeah, I think it’s fair to say that’s disturbing,” Meyers assured Grande.

“That was when I knew, ‘Oh, this is big!’,” Grande said. “It’s a little bigger than I thought.”

Grande also revealed that she had just been introduced to this weekend’s musical guest on SNL, Cher, who she had not met until they filmed the promos for the show earlier this week. “I mean, she’s just the one and only. It was so spectacular. And she’s just brilliant and I’m so excited,” Grande said of the music icon who will be marking her return to the sketch show for the first time in nearly 40 years this weekend.

Watch Grande on Late Night below.


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Laneway Festival has partnered with headliner Chappell Roan to support two Australian LGBTQ+ organizations ahead of the festival’s 2026 run across Australia and New Zealand.

Festival organizers confirmed that Laneway and Roan’s Midwest Princess Project will support Transcend Australia and Transgender Victoria, with proceeds from ticket sales directed toward programs assisting transgender, gender-diverse and non-binary people and their families.

“For 2026, we’re excited to announce that we’ve teamed up with Chappell Roan and the Midwest Princess Project to support two local LGBTQ+ organizations in Australia,” Laneway shared in a statement this week, noting that the partnership builds on the festival’s existing philanthropic commitments.

The initiative forms part of Laneway’s ongoing Solar Slice fund, which channels $1 from every ticket sold into sustainability and charitable projects.

Transcend Australia, which provides peer support, advocacy and resources for trans and gender-diverse young people, welcomed the announcement, describing the collaboration as a meaningful investment in community-led care.

“This support will fund vital peer support, resources and community connection for trans and gender-diverse young people and their families,” the organization wrote on social media. “Icons like Chappell show us what authentic allyship looks like—bold, joyful and unapologetic.”

Transgender Victoria, widely recognized as a leading advocacy body for transgender and gender-diverse communities in the state, will also receive support through the initiative.

The Midwest Princess Project is Roan’s nonprofit organization, which focuses on assisting transgender youth and broader LGBTQ+ communities through funding, advocacy and direct support initiatives.

Roan headlines the 2026 edition of Laneway Festival, which returns in February with dates scheduled across Australia and New Zealand.

The lineup also features Alex G, PinkPantheress, Wolf Alice, Yung Lean & Bladee, Wet Leg, Role Model and Geese, alongside a strong showing of Australian acts including Teen Jesus and the Jean Teasers, The Belair Lip Bombs, Armlock, Blusher and Djanaba. Triple j Unearthed winners have also been added to the Australian dates.

Festival organizers have teased that Roan will bring a “90-minute gothic fairytale spectacle” to the Laneway stages. Tickets for the Melbourne and Sydney editions are already sold out, while remaining cities still have limited availability.

Alex Warren was crowned breakthrough of the year at the inaugural TikTok Awards, which were presented at the Hollywood Palladium in Los Angeles on Thursday (Dec. 18). The “Ordinary” hitmaker proved not so ordinary, coming out on top in a stacked category that also included  KATSEYE, Laufey, Ravyn Lenae and sombr.

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This is Warren’s second new artist win. He won best new artist at the MTV Video Music Awards on Sept. 7. He’s also nominated for best new artist at the upcoming Grammy Awards, where he is again squaring off again KATSEYE and sombr, as well as Olivia Dean, The Marías, Addison Rae, Leon Thomas and Lola Young. The winner will be crowned on Feb. 1.

In other categories at the TikTok Awards, Paris Hilton was named Muse of the Year, while LawbyMike won the I Was Today Years Old Award.

The show streamed on @TikTok and onTubi, the official streaming partner of the TikTok Awards 2025. The ceremony will also be available on demand the next day on Tubi.

Here’s are the nominees in key categories at the first TikTok Awards, with winners marked.

Creator of the Year

Video of the Year

Rising Star of the Year

Breakthrough Artist of the Year

Storyteller of the Year 

TikTok for Good Award

My Show is On Award [Film & TV]

MVP of the Year [Sports]

Okay Slay Award [Fashion/Beauty]

Immediately Added To Cart Award

CapCut Creator of the Year 

TikTok Live Creator of the Year 

Beyoncé’s label and management company, Parkwood Entertainment, says in new court papers that it properly licensed the EDM sample that opens her 2022 Renaissance track “Alien Superstar.”

Parkwood filed a motion on Wednesday (Dec. 17) to dismiss the copyright lawsuit brought this summer by indie label Soundmen on Wax Records, which claims to own the rights to the 1998 song “Moonraker.” Beyoncé sampled the song as the introduction to “Alien Superstar,” which hit No. 19 on the Billboard Hot 100. “Please do not be alarmed, remain calm/ Do not attempt to leave the dancefloor/ The DJ booth is conducting a troubleshoot of the entire system,” the spoken-word “Moonraker” lyrics read.

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It’s undisputed that Parkwood cleared the sample; court filings show that the company bought both a recording and composition license from “Moonraker” artist John Holiday in exchange for $10,000 and a 0.5% share of the “Alien Superstar” royalties. What’s in question, rather, is whether Holiday was the correct licensing party.

Soundmen on Wax claims it purchased the “Moonraker” rights from Holiday as part of a distribution deal back in 1998, and therefore it should have been the one to clear Beyoncé’s sample. But Parkwood maintains in Wednesday’s court filing that it followed proper procedure.

According to Parkwood’s lawyers from Latham & Watkins, there’s no paperwork documenting the supposed transfer of Holiday’s rights to Soundmen on Wax. Without documentation, Parkwood says, it couldn’t have been expected to know about conflicting claims to the “Moonraker” rights.

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“As plaintiff concedes, Parkwood obtained a master use and composition license for the relevant ‘Moonraker’ sample from Holiday,” write the Parkwood lawyers. “That good faith, nonexclusive license prevails over plaintiff’s alleged undocumented and undisclosed transfer, which was never recorded.”

Parkwood argues that this glaring issue makes the whole lawsuit “meritless,” and it should be easily thrown out. Sony Music and Warner Chappell, both named as defendants in the lawsuit as well, are backing Parkwood’s motion to dismiss. Beyoncé is not being sued.

Renaissance debuted at No. 1 on the Billboard 200 in August 2022 and was noted at the time for its extensive samples and interpolations. Some artists celebrated their references on the record, like “Show Me Love” singer Robin S, while others, such as “Milkshake” hitmaker Kelis, were less pleased.

These many samples spurred multiple lawsuits. In addition to the “Alien Superstar” claims, a little-known New Orleans group sued Beyoncé last year over the chart-topping Renaissance lead single “Break My Soul.” That suit, which alleged the song’s properly-cleared Big Freedia sample copied lyrics from a 2002 track called “Release a Wiggle,” was quickly dropped.


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