Lunay is preparing for a big performance Thursday night at the 2021 Premios Heat, where he is nominated for best northern region (Central America, Mexico, and Caribbean) artist of the year alongside his colleagues Farruko, El Alfa, Danna Paola, Rauw Alejandro, Sech, Milly and Justin Quiles.

He tells Billboard that he will perform his new single “Vudú” for the first time alongside Chencho Corleone and a live band.

In the hype of the awards show based in the Dominican Republic, the Puerto Rican artist also spilled the deets on his collaboration with Anitta, “Todo o Nada,” part of his sophomore album El Niño.

“We both saw each other on social media, we reached out to each other and we became good friends,” he says. “We wanted to collaborate. She went to the studio and loved the song.”

The music video is on the way, he reveals. “We filmed it very fast in Miami,” he says. “I’m very happy with the song, the TikTok dances, we want to show people that this isn’t only a song, but it has a dynamic and it’s enjoyable. It’ll be out soon.”

In addition, Lunay, who says an El Niño tour is “100 percent happening,” plans to celebrate his 21st birthday in October either in Ibiza or Miami with the people who have always supported him. “We’re preparing something big!”

Watch the full interview below:

Among the stars gracing the BET Awards red carpet on Sunday was R&B crooner Giveon, who hinted at a potential tour when asked about his plans for 2021.

“My debut project was during a pandemic, so I was in the house and never got to see the people who listened,” he tells Billboard. “I’m hoping that I can get in front of the people and sing all the songs together.”

On the summer festival circuit, Giveon will be performing at Chicago’s Lollapalooza in late July.

Giveon took home the BET Award for best new artist, not long after the resurgence of his early 2020 single “Heartbreak Anniversary.” The track has spent 19 weeks on the Billboard Hot 100 and currently sits at No. 16. On the Rhythmic Airplay chart, the song peaked this week at No. 3. When it comes to its virality on TikTok, Giveon says he wasn’t “at all” expecting it but believes in the timelessness of his own music.

“Songs with concepts like that, it’s always gonna resurge every once in a while because it’s a timeless topic. In 50 years, people are still gonna be going through the same thing,” says Giveon. “It’s just timeless. I want people to press play and not be able to dictate what decade it was made.”

The Justin Bieber and Drake collaborator says he’s not much of a “freestyle in the booth” artist but prefers to pen thoughtful verses before delivering his lyrics at the mic. “I like to write it down so it’s all in sync and every line complements each other,” he explains. “By the end of the song, it should all conclude, like a college essay.”

Giveon went on to outline his songwriting process, explaining his preference for the “raw emotion” of writing songs in the moment, rather than returning to concepts later, and creating bodies of work that “flow into each other when you play them back to back.”

Bon Jovi’s music video for “It’s My Life” has crossed over the billion-views mark on YouTube, more than two decades after its 2000 premiere.

It’s the first entry in the video streaming platform’s Billion Views Club from the Rock and Roll Hall of Famers.

“It’s My Life” was released as the lead single off the rock band’s seventh studio album, Crush, in 2000. The song broke into the top 40 of the Billboard Hot 100, peaking at No. 33.

Wayne Isham directed the accompanying visual, which follows a teenager named Tommy (Will Estes) whose mother orders him to take out the trash while his friend Gina (Unreal and Roswell star Shiri Appleby) pleads with him to meet her at the 2nd Street Tunnel in Los Angeles to catch the Bon Jovi concert instead — and he goes to extreme lengths around the city to accomplish both.

While the music video debuted in 2000, YouTube launched in 2005 and the “It’s My Life” video was uploaded to YouTube 12 years ago, on June 16, 2009.

Watch “It’s My Life” all over again below.

Olivia Rodrigo’s debut album Sour returned to No. 1 on the Billboard 200 in its fifth week on the chart, marking its second total week atop the tally. Meanwhile, the album’s second single, “Deja Vu,” rose from No. 10 to No. 9 on the Hot 100, rising from No. 12 to No. 10 after reaching a high of No. 3 on the chart in early June.

Along with “Good 4 U,” “Deja Vu” also hit the top 10 on Billboard’s Radio Songs chart this week, raising Rodrigo’s career top 10s on the tally to three — a count that includes her breakthrough smash “Drivers License.”

Explore the team of musicians, producers and more behind the track with recording credits provided by Jaxsta below.

Artists:
Main Artist – Olivia Rodrigo

Songwriters:
Composer Lyricist – Daniel Nigro
Composer Lyricist – Olivia Rodrigo

Producers:
Producer – Daniel Nigro

Production Team:
Drum Programming – Daniel Nigro

Engineers:
Asst. Recording Engineer – Dan Viafore
Mastering Engineer – Randy Merrill
Mixer – Mitch McCarthy
Recording Engineer – Daniel Nigro

Performers:
Acoustic Guitar – Daniel Nigro
Background Vocalist – Daniel Nigro
Bass – Daniel Nigro
Electric Guitar – Daniel Nigro
Flute – Ryan Linvill
Guitar – Jam City
Organ – Jam City
Saxophone – Ryan Linvill

Labels:
Distributor – Universal Music Group
Label – Olivia Rodrigo PS/Interscope/Geffen

Explore the full “Deja Vu” credits on Jaxsta here.

As of today (June 30), the Small Business Administration has delivered $1 billion in Shuttered Venue Operator Grant funds to the accounts of independent promoters, venues, movie theaters and more, according to the organization. The SBA informed those on the daily SVOG stakeholders call this morning that another $1 billion in funds has been awarded to businesses, but has not yet been deposited in their accounts.

The SBA has seen a faster rollout of award notifications in the past two weeks after failing to deliver all Priority 1 businesses — those who lost 90% or more of their revenue in 2020 — in the first 14 days of funding.  

According to this morning’s stakeholders call, 2,919 award approval letters have gone out in total. Another 2,929 award notifications have been queued up to go out. An additional 265 applicants have received decline notices, with another 1,400 set to be declined.  

The SBA’s grant website states that roughly 27% of the more than 14,600 applications are currently under review, with another 21% awaiting consideration. About 1,600 applicants will be receiving a notice to fix technical corrections from the SBA as well. According to an SVOG stakeholder, these are entities that meet the criteria for approval, but something in their application needs to be fixed. The SBA is working on a process to send emails to those that need technical corrections and show them on the portal how to address them.

Also in the works is an appeals process for those who have been denied but believe they are still eligible for the grant. While details of the process are still being worked out, it is estimated that businesses will have around two weeks to work on their appeals.  

“We don’t know when [the appeals process] is going to happen, but it’s good news and it’s something that we’ve been asking for for months,” one stakeholder tells Billboard 

Following an estimated two-week appeals process, venues will be able to begin applying for supplemental grants based on the money left over. According to SBA figures, $11.6 billion in funding has been requested from the more than $16 billion fund. With several declines and varying award amounts, that could leave around $4 billion in supplemental funds for which music venues, promoters, talent agencies and more can apply.

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