[Spoiler alert: This story contains the identity of the eliminated contestant on Wednesday night’s (April 13) The Masked Singer.] 

As The Masked Singer prepares for its two-hour Super Eight special next week, viewers were introduced to new wildcard contestant Yeti — who ultimately beat out Orca in the fight for the Golden Mask.

Orca joined season 5 of the show as the first-ever wildcard contestant, where he rocked the stage with Twisted Sister’s “We’re Not Gonna Take It” and beat out Raccoon, who was unmasked as Danny Trejo that week. Dedicating this week to his late father, Orca slowed it down in an emotional performance of “Every Rose Has Its Thorn” by Poison — but sadly, the killer whale was voted off by the end.

Though his time on The Masked Singer was short-lived, the rock-star whale is no stranger to television. Orca was unmasked as Sugar Ray frontman Mark McGrath. Aside from music, the singer/songwriter was also a co-host on Extra in the early 2000s before hosting and appearing on shows like Don’t Forget the Lyrics, Killer Karaoke, The Celebrity Apprentice and Celebrity Big Brother.

Billboard spoke to McGrath about being a wildcard contestant and how he honored his father through Orca.

You’re not new to TV, having hosted and participated on competition shows before, but how did it feel to be on a show where people didn’t know that it was you?

It was terrifying to me, because it’s a singing competition. That’s the irony of my whole involvement, because I make my living as a singer/entertainer. The only way I would ever do something like this is if I was in a costume, because it lets you be someone else, it lets you take chances outside of your norm. I think that was the thing that was so inviting to me, having that anonymity and being able to sing at the same time. [The Masked Singer] lets everybody start at the same place.

Were you a fan of the show before joining this season?

Yeah, I’ve got 10-year-old twins so there is no not being a fan of The Masked Singer. [Sugar Ray] traveled a lot. Back in the day we did Japan, and their TV is super colorful. Their news programs look like The Masked Singer, [so] it was a very inviting concept to me, and I thought, “What a wonderful idea.” The more crazy and outlandish, the more I’m in! The whole experience was incredible, it was unbelievable. So yeah I’m a huge fan of The Masked Singer, and it was by osmosis, because my kids, but it really appealed to the little kid in me as well.

You came in as the first-ever wildcard contestant, something they introduced this season. What did you expect coming into the show?

I was surprised at a number of things. The information is on a need-to-know basis no matter what you’re doing in The Masked Singer, whether you’re at home watching it or if you’re competing in the show. I didn’t know I was a wildcard until they told me that day. To me, a wildcard kind of has a bull’s-eye on their back. They did a really excellent strategy game plan about not letting anybody know about what was going on. It was sprung on me while I was walking to the stage [and] I was wondering why my production was a little bit bigger than the others for this particular performance.

Did you choose Orca or did the costume designers bring him to you?

As far as [Orca], they came up with a wonderful concept. They had the concept down, the Orca costume, they had the layout. The first meeting I was in, they showed me a mockup of what the costume would look like, and I’ll be darned if the actual costume didn’t look exactly like that. They nailed [it]. I had zero input beyond putting it on in terms of comfortability. I didn’t have much say because I loved it, I was so happy with the choice. It made me cooler than I am! This is gonna sound really weird, but you get an emotional connection to your costume. When I was leaving the show, I almost started crying when I took off the mask the last time. You give it a heart and it becomes part of you!

The costume was very cool, and it looked like one you could move around in versus some of the other ones that are so elaborate.

Definitely, and that was important to me. I’m kind of a physical guy, you’re still in a costume so it’s hard [and] I’m 53 years old. I thought I was moving a lot faster than I was when I watched it back.

Your voice is pretty distinctive. Did you use any techniques during your performances to try to throw the judges off?

Not really. I’m not going to win many singing competitions — that’s why I entered this singing competition, if that makes sense. At my age, there’s not many things I can do anymore that scare me. This show scared me as much as it excited me. I can’t hide behind myself — like, there’s showbiz things I can do to get a crowd moving that I learned through my 30 years of being in Sugar Ray. With a costume, it’s totally different. So I was kind of concerned when I was doing my first song “We’re Not Gonna Take It” where I go “Let me hear ya!,” it’s almost in my shouting voice from when I’ve done it many times in Sugar Ray. I thought that would have been a dead giveaway. But I just kind of went with it. There’s not a lot I can do. I have trouble enough staying on key, so trying to throw my voice over, trying to do something different wasn’t going to be something I thought would be effective.

One of your clues was that your father passed away and you dedicated your last performance to him. What do you think his reaction would have been seeing you as Orca on The Masked Singer?

I think he would have been really proud. [The show] made such a lovely, touching clue package, and I didn’t see it until it aired. They keep you in such isolation on the show, you don’t really see [it] until you watch it at home — even when you’re competing in it! It really made me tear up. That song “Every Rose Has Its Thorn,” I remember when [my dad and I] would listen to that song back in the late ’80s.

Multi-Grammy and Latin Grammy Award-winning musician Marc Anthony has another project set up with ViacomCBS International Studios (VIS), a comedy set in the world of social media.

Liked is described as a comedy series about a millennial who does whatever it takes, including lying, to achieve fame as an online influencer. Anthony and VIS president JC Acosta announced the project Wednesday (April 14) during a pre-recorded keynote session as part of the digital MIPTV international television market.

The series will feature Anthony’s music, and the multitalent will serve as both executive producer and executive music producer for the show. Anthony’s Magnus Studios shingle will produce together with Latin American production house Lanugo Media and Mundoloco Animation Studios.

Liked will be the second collaboration between VIS and Magnus, joining the animated kids’ series Gloria Wants to Know It All, which follows an alpaca from the city who spends time at her grandfather’s house in the country, and as a result, learns about Latin American culture.

Both series are part of a first-look deal between Magnus and the studio announced last November.

“Our continued partnership with Magnus Studios and a talented artist like Marc is a testament to our studio’s commitment to telling compelling, unique stories that resonate with audiences around the world,” said Acosta.

Added Anthony: “We are very excited and it is an honor to have the opportunity to work with ViacomCBS International Studios on these projects that mean so much to us and to share with the world stories that bring to light our culture.”

This article was originally published by The Hollywood Reporter.

Darren Criss made his late-night television performance debut Tuesday night on The Late Late Show With James Corden with “Runnin’ Around.”

He “got one hell of a gang together” for the first-ever performance of the song (originally titled “F*kn Around”), featuring Este Haim of HAIM (bass), The Pocket Queen (drums), frequent collaborator and San Fermin frontwoman Charlene Kaye (guitar) and the song’s co-writer CJ Baran (keys).

The super troupe breathed new life into the dirty bass-driven anthem, which is the first of a “series of character-driven singles” Criss announced in March, that kisses off the toxic people one can’t seem to stay away from.

“I love you @darrencriss and I’m so proud to usher in this era of STANKY DGAF ROCKSTAR back to back with you,” Kaye tweeted on Wednesday (April 14). The Pocket Queen also praised the Glee star for tapping her for a “fantastic energetic set.” “Darren, thank you for your support. Thank you for the shout out.Thank you for deciding to manifest this amazing moment and give me a call. Always my pleasure,” she wrote on Instagram.

Watch Criss’ “Runnin’ Around” performance below.

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Demi Lovato’s comedy series about a group of people with eating disorders is getting a pilot order at NBC.

The singer-actress is set to star and executive produce the project, titled Hungry, which follows “friends who belong to a food issues group and help each other as they look for love, success and the perfect thing in the fridge that’s going to make it all better.

“Other executive producers on the single-camera comedy include Sean Hayes, Todd Milliner, Scooter Braun, Scott Manson and James Shin.

Lovato has been open about having an eating disorder herself in the past. “I was compulsively overeating when I was 8 years old,” she told ABC News in 2011. “So, I guess, for the past 10 years I’ve had a really unhealthy relationship with food.”

Lovato has also said that when she was working on Camp Rock as a teenage Disney Channel star, she was bullied about her weight by her classmates, which in turn led to bulimia. “I was performing concerts on an empty stomach,” she said. “I was losing my voice from purging.”

If the project is greenlit to series, it will mark Lovato’s first regular TV role since she starred in Disney Channel’s 2009 series Sonny With a Chance.

The news comes on the heels of NBC’s streaming service Peacock ordering another mental health-pegged title, a drama titled Expiration Date, starring Will Forte as a man who wants to commit suicide.

NBC also ordered another single-cam comedy pilot, Somewhere Out There, billed as “a romantic comedy about two set-in-their-ways adults who are challenged by very unexpected strangers to become the best versions of themselves in order to find love and possibly each other.”

The project is based on the Spanish format Pequenas Coincidencias created by Javier Veiga. Executive producers include Josh Siegal, Dylan Morgan, Matt Hubbard, Emiliano Calemzuk and Veiga.

This article originally appeared in THR.com.

Demi Lovato’s Dancing With the Devil… The Art of Starting Over debuts at No. 1 on Billboard’s Top Album Sales chart (dated April 17). The set was released on April 2 via Island/Republic and sold 38,000 copies in the U.S. in the week ending April 8, according to MRC Data.

Dancing is Lovato’s second No. 1 on Top Album Sales, and seventh consecutive top five-charting effort – the entirety of her charting albums. She previously topped the tally in 2009 with Here We Go Again.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now MRC Data. Pure album sales were the measurement solely utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Dancing’s debut sales of 38,000, physical album sales comprise 25,000 of that figure (all in CD sales) while digital album sales comprise 13,000. Sales of Dancing got help from the availability of a Target-exclusive CD edition of the set with two bonus tracks, a signed CD sold via Lovato’s official website, multiple CD cover variants and a deluxe edition with bonus tracks available through digital retailers.

Carrie Underwood’s My Savior falls 1-2 in its second week on Top Album Sales, selling 31,000 copies (down 55%). After two weeks on sale, My Savior is the fifth-biggest selling album of 2021, with 99,000 copies sold through April 8. The year’s top-seller is Morgan Wallen’s Dangerous: The Double Album, with 215,000 copies sold.

Sturgill Simpson’s Cuttin’ Grass, Vol. 2: The Cowboy Arms Sessions re-enters Top Album Sales at No. 3 with 18,000 copies sold (up 14,758%), following the album’s release on CD and vinyl on April 2. Cuttin’ Grass, Vol. 2 is Simpson’s second album of bluegrass covers of his own material, following 2020’s Cuttin’ Grass, Vol. 1: The Butcher Shoppe Sessions. The new album was initially released on digital retail and streaming services last year and previously spent one week on the tally, debuting and peaking at No. 48 on the Dec. 26, 2020-dated chart from download sales only (6,000 sold in its first week).

Of Cuttin’ Grass, Vol. 2’s nearly 18,000 sold in the latest tracking frame, a little over 14,000 comprise vinyl LPs, 3,000 comprise CDs and less than 1,000 comprise digital albums. Its sturdy vinyl sales figure lands the album at No. 1 on the Vinyl Albums chart. The set also enters at No. 1 on Tastemaker Albums, which ranks the top-selling albums of the week at independent and small chain record stores. Cuttin’ Grass, Vol. 2 sold nearly 10,000 copies through those retailers across all formats.

Shakey GravesRoll the Bones X debuts at No. 4 on Top Album Sales with 7,000 copies sold, securing the singer his first top 10 effort. The set is a reissue of the singer’s 2011 album Roll the Bones (which did not chart), bolstered with 15 previously unreleased recordings.

A trio of former No. 1s are next up on the list, as Harry StylesFine Line rises 14-5 with 7,000 sold (up 35% after a boost in vinyl LP sales), Lana Del Rey’s Chemtrails Over the Country Club climbs 7-6 with 6,500 (down 29%) and Billie Eilish’s When We All Fall Asleep Where Do We Go? pushes 9-7 with just over 6,000 (up less than 1%).

Godspeed You! Black Emperor scores its first top 10 on Top Album Sales, as the act’s latest studio effort, G_d’s Pee at State’s End! bows at No. 8 with 6,000 copies sold. The album was strongly supported by vinyl LP sales, with 3,500 copies sold via the format.

Rounding out the latest top 10 on Top Album Sales is Bob Marley and The Wailers’ Legend: The Best Of… (19-9 with nearly 6,000 sold; up 26% thanks to a surge in vinyl sales) and Justin Bieber’s Justice (5-10 with 5,500 sold; down 43%).