All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Passionate about music? Here’s your chance to learn from some of the best in the business with MasterClass, the online learning site that features on-demand video classes from some of the biggest celebrities and thought leaders in the world.

Even better: MasterClass is offering a 50% off holiday deal when you sign up for any of its plan. That means users can get the Premium Plan, which lets six users share a subscription for just $10/month (normally $20/month). If you need a last-minute gift, all gifting subscriptions are also included in the limited time discount.

As a point of comparison: you can also get the standard plan for only $5/month (normally $10/month), which makes this the cheapest MasterClass price online.

What Musicians Are on MasterClass?

Music lovers can take classes taught by Mariah Carey, John Legend, Christina Aguilera, Usher, Herbie Hancock, Reba McEntire, Alicia Keys, Nas, Questlove, Metallica, Timbaland, Yo-Yo Ma, Ringo Starr and other singers, songwriters, musicians and producers.

And it’s not just music, MasterClass features top-rated courses in science, tech, sports, gaming, wellness, business and leadership, design, style, photography, cooking, writing, acting and other genres.

The service features more than 200 video lessons taught by celebrities, political figures, fashion designers and other figures including Serena Williams, Steph Curry, Simone Biles, Tony Hawk, RuPaul, Issa Rae, Shonda Rhimes, Kevin Hart, Martha Stewart, Amy Poehler, Tan France, Mindy Weiss, Wolfgang Puck, Marc Jacobs, Anna Wintour, Diane Von Furstenberg, Naomi Campbell, Kris Jenner, Richard Branson, Gordon Ramsey, Reddit co-founder Alexis Ohanian, celebrity stylist Karla Welch and other professionals in entertainment, tech, fashion, sports, gaming, wellness, writing, etc.

How Much Does MasterClass Cost?

The platform starts at $120 a year (which works out to $10/month for a single subscription). The subscription gives you unlimited access to all classes, including new courses launched monthly.

The Premium Plan costs $240 a year (which works out to $20/month) but you can share this plan with six users in total. That brings the price down to just $3.33/month per user. While the site sometimes offers promotions for Black Friday and the holidays, this is the best MasterClass deal we’re seeing online right now.

Your membership unlocks access to the streamer’s mobile and TV apps, high-definition videos, and class workouts that you can download and watch on a smartphone, computer and other devices such as Apple TV, Fire TV, and Roku devices. MasterClass also provides Audio Mode for certain courses, so that members can download classes and watch them offline from the plane and other modes of transportation.

From beginners to novices, MasterClass courses are designed to suit all skill levels. Every class includes around 20 videos that are approximately ten minutes each, and a detailed workbook. The course instructor will walk students through the curriculum, which comes with a step-by-step instructions, but also encourages students to explore their own creativity by going “beyond the session content.”

For more music-related product recommendations, read our roundup of the best Masterclass music courses to take, best portable recording booths and instruments to grab on sale.

Rapper Kay Flock was sentenced Tuesday (Dec. 16) to 30 years in prison for a series of shootings in his Bronx neighborhood, derailing a music career that was just taking off before his 2021 arrest.

The 22-year-old rapper, whose real name is Kevin Perez, was sentenced by U.S. District Judge Lewis J. Liman, who criticized Perez for sending the wrong message to his young peers by glorifying violence during a less-than-18-month stretch from 2020 to 2021 that prosecutors said left dozens of people on Bronx streets shot at, injured or killed.

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“You taunted, you celebrated and you helped create a cycle of violence,” Liman said, noting that Perez bragged on social media that he was exonerated on the top count and wrote “KILL ALL RATS” on Instagram after a trial in which gang members testified against him.

The judge called Perez a “man of promise” but said a lengthy prison sentence was necessary for four separate shootings that injured multiple people while he led a gang known as “Sev Side/DOA.” Perez was convicted in March of charges including racketeering conspiracy and attempted murder.

Perez insisted that he had changed, saying: “What I was at 18 is not what I am today.”

Saying everyone deserves a second chance, he added: “I was just a kid. Didn’t really know better.”

But Liman criticized him for not expressing any concern for his victims. “To date, you’ve shown no real remorse for your conduct,” the judge said.

Perez was named Billboard‘s R&B/Hip-Hop Rookie of the Month in November 2021, following the release of his first album, The D.O.A. Tape. It put him on the map as a newcomer in New York’s drill rap scene, which features performers who wield weapons and lyrics containing slang about violence. The music includes threats and taunts, a fact Assistant U.S. Attorney Patrick R. Moroney noted as he asked Liman to impose a 50-year prison sentence, the same sentence recommended by the court’s Probation Department officer.

“He was very good at celebrating his violence and getting under the skin of his rivals,” the prosecutor said.

In their sentencing brief, prosecutors wrote that Perez signed with a music label and used violence to further his career.

“The music that had glorified gang violence made the defendant famous and now rich,” they wrote, accusing Perez of encouraging violence through private messages.

Defense attorney Michael Ashley, who asked the judge to levy the mandatory minimum sentence of 10 years, said his client grew up in one of the nation’s most dangerous neighborhoods and fell under the influence of an older man who encouraged gang activity.

The judge said he took into consideration that the crimes occurred while Perez’s brain was “still evolving and maturing” and that six of his friends died from gun violence before he turned 18.

“The life of the street, it seems to me, is all you’ve ever known,” Liman said.

Of the dozens of songs that were written for 2025 films, just 15 are still in contention to win the Academy Award for best original song.

The Academy of Motion Picture Arts & Sciences released its shortlist of 15 songs on Tuesday (Dec. 16). It includes one of the year’s biggest global hits, “Golden” from KPop Demon Hunters, and two songs each from two films – Sinners (“I Lied to You” and “Last Time (I Seen the Sun)”) and Wicked: For Good (The Girl in the Bubble” and “No Place Like Home”).

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The list includes five stars who have topped the Billboard Hot 100 as artists – Miley Cyrus, Mark Ronson, Billy Idol, Ed Sheeran and EJAE from HUNTR/X. Cyrus and Ronson are among the writers of “Dream as One” from Avatar: Fire and Ash. Idol is among the writers of “Dying to Live” from Billy Idol Should Be Dead. Sheeran co-wrote “Drive” from F1: The Movie. EJAE co-wrote “Golden” from KPop Demon Hunters.

Diane Warren secured her usual position on the shortlist with “Dear Me” from the aptly titled documentary about her career, Diane Warren: Relentless. This keeps her hopes alive of becoming the first songwriter in Oscar history to land nine consecutive nominations in that category. She is currently tied with the late Sammy Cahn with eight consecutive nominations each.

Members of the music branch culled this shortlist of 15 songs from a master list of 65 eligible songs. They will vote again to determine the five nominees, which will be announced on Thursday, Jan. 22. The full membership of the Academy will vote to determine the winner, which will be announced when the 98th Oscars are presented at the Dolby Theater in Hollywood on Sunday, March 15.

But why wait? We’re asking our readers to weigh in: Which of these 15 shortlisted songs would you most like to see win the Oscar?

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Bowl season is finally upon us. The 2025 NCAA football regular season has come to an end and the first round of college football playoff games are here. As we enter into week 17, there are plenty of hard-hitting matchups to tune into this week, including Oklahoma vs. Alabama, Texas A&M vs. Miami, Ole Miss vs. Tulane and Oregon vs. James Madison.

With most playoff football games broadcasting on ESPN and ABC, watching college sports may be easier than ever. With so many options for streaming NCAA football games online, here’s our guide to catch your favorite team’s games without cable (and for free) in 2025-26.

Keep scrolling to also see the full schedule and times for 2025-26 NCAA football playoff season as well.

What TV Networks Feature College Football?

NCAA college football games broadcast across multiple networks, such as ABC, ACC Network, Big Ten Network, CBS, CBS Sports Network, The CW, ESPN, ESPN2, ESPNU, Fox, Fox Sports, NBC, SEC Network and truTV.

Where to Watch NCAA Football for Free

For cord-cutters, there are a few ways to watch NCAA Football, if you don’t have cable, especially if you want to watch for free. DirecTV has a five-day free trial, while other streaming services, such as Fubo, also offer free trials, so you can watch your favorite teams play for free.

Keep reading for more details on how to watch NCAA Football with DirecTV, Fubo and others.

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DirecTV

Sign up here.


A subscription to DirecTV — which comes with ABC, ACC Network, Big Ten Network, CBS, CBS Sports Network, The CW, ESPN, ESPN2, ESPNU, Fox, Fox Sports, NBC, SEC Network and truTV — gets you access to live TV, local and cable channels, starting at $49.99 for the first month $89.99 per month afterwards. The service even offers a five-day free trial to watch for free, if you sign up now.

You can watch local networks such as PBS, while you can also watch many cable networks, including Lifetime, FX, AMC, A&E, Bravo, BET, MTV, Paramount Network, Cartoon Network, VH1, Fuse, CNN, Food Network, CNBC and many others.

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FuboTV

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To watch NCAA Football, Fubo starts at $54.99 for the first month of service $84.99 per month afterwards with nearly 235 channels — including local and cable — that are streamable on smart TVs, smartphones, tablets and on web browsers. And with a seven-day free trial, you can watch for free, if you act fast and sign up now.

The service even gets you live access to local broadcast networks including ABC, CBS, Fox and NBC, while it also has dozens of cable networks, such as ACC Network, Big Ten Network, CBS Sports Network, The CW, ESPN, ESPN2, ESPNU, Fox Sports, SEC Network and truTV and much more.

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ESPN Unlimited

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ESPN Unlimited is the official streaming platform for ESPN, and a subscription includes instant access to games and more exclusive content for $29.99 per month. You can save almost 17% off by purchasing an annual subscription for $299.99 per year. There is no free ESPN Unlimited trial, but it does include exclusive on-demand videos and access to content from what was formerly known as ESPN Insider.

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Sling TV

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With prices starting at just $4.99 for a day pass, Sling TV includes ESPN, ESPN2 and ESPN 3 (for ABC simucast) with it Sling Orange and Sling Orange + Blue packages — which features dozens of channels that can be streamed on up to three devices at the same time. Sling Orange + Blue features FS1 and the NFL Network too.

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Hulu + Live TV

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For the most content options, Hulu + Live TV gives you access to the entire Hulu library in addition to more than 95 live TV channels — including ESPN and ABC for just $82.99 per month.

And, unlike the rest of the options, you can also expand your content library by bundling Hulu + Live TV with Disney+ and ESPN Unlimited. You’ll not only have all of the Hulu library to watch, but also exclusive and original programming available exclusively on ESPN Unlimited.

List of Every 2025-26 College Football Bowl Game

Check out the full schedule, TV channels, matchup information and more below (all times ET).

Tuesday, Dec. 16

Salute to Veterans Bowl

Wednesday, Dec. 17

Cure Bowl

68 Ventures Bowl

Thursday, Dec. 18

Xbox Bowl

Friday, Dec. 19

Myrtle Beach Bowl

Gasparilla Bowl

College Football Playoff First Round Game

Saturday, Dec. 20

College Football Playoff First Round Game

College Football Playoff First Round Game

College Football Playoff First Round Game

Monday, Dec. 22

Famous Idaho Potato Bowl

Tuesday, Dec. 23

Boca Raton Bowl

New Orleans Bowl

Frisco Bowl

Wednesday, Dec. 24

Hawai’i Bowl

Friday, Dec. 26

GameAbove Sports Bowl

Rate Bowl

First Responder Bowl

Saturday, Dec. 27

Military Bowl

Pinstripe Bowl

Fenway Bowl

Pop-Tarts Bowl

Arizona Bowl

New Mexico Bowl

Gator Bowl

Texas Bowl

Monday, Dec. 29

Birmingham Bowl

Tuesday, Dec. 30

Independence Bowl

Music City Bowl

Alamo Bowl

Wednesday, Dec. 31

ReliaQuest Bowl

Sun Bowl

Citrus Bowl

Las Vegas Bowl

College Football Playoff Quarterfinal

Thursday, Jan. 1

College Football Playoff Quarterfinal

College Football Playoff Quarterfinal

College Football Playoff Quarterfinal

Friday, Jan. 2

Armed Forces Bowl

Liberty Bowl

Duke’s Mayo Bowl

Holiday Bowl

Thursday, Jan. 8

College Football Playoff Semifinal

Friday, Jan. 9

College Football Playoff Semifinal

Monday, Jan. 19

College Football Playoff National Championship Game

ASCAP is facing a lawsuit claiming it “severely underpays” for so-called production music used by talk and sports radio stations, wrongfully withholding more than $120 million in royalties from their rightful owners.

The case claims ASCAP’s policies pay out royalties for only a fraction of the actual performances of such songs (also known as stock or library music), which often play on news, talk or sports radio programs as background music or during segment transitions.

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Filed by Alibi Music and several other production music publishers, the lawsuit claims ASCAP is wrongfully diverting more than $15 million per year, totaling more than “$123 million in misallocated royalties” over eight years — a hit that’s been “financially devastating” for publishers and composers.

“ASCAP intentionally deprives [production] music owners and publishers of valuable performance royalties,” writes veteran music attorney Richard Busch, who represents the publishers, in a lawsuit obtained by Billboard. “Plaintiffs are forced to bring this action to rectify and obtain fair and just compensation for ASCAP’s blatant abuse of discretion and breach of its contracts.”

In a response statement to Billboard, ASCAP said: “These allegations are baseless. ASCAP operates on a not-for-profit basis and ASCAP follows its publicly available distribution policies, which are fair, transparent and set by its member-elected Board of Directors.”

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ASCAP is one of the country’s primary performance rights organizations (PROs), which collect performance royalties for American musical compositions. Bars, stadiums, retail stores, radio stations and many others pay ASCAP and other PROs for the right to publicly perform huge catalogs of music to the public.

According to the new lawsuit, when it comes to radio plays, ASCAP has imposed “unfair, discriminatory and abusive treatment” on “non-feature” production music, leaving it a second-class citizen to more traditional “feature music” by credited musicians.

The problem is two-fold, according to the lawsuit. For one, ASCAP allegedly uses an unfair “weighting formula” that skews radio payments away from production music. It also allegedly uses “wholly inadequate methods and technology” to detect such plays, meaning only a small percentage of such spins are even counted in the first place.

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The lawsuit cites 1010 WINS, a large New York City AM news radio station. In 2021, the station allegedly played 41,597 individual performances of the production music, which ASCAP “paid on exactly zero of.” Ditto, allegedly, for Los Angeles news station KNX, which allegedly performed 27,480 production songs without ASCAP paying out for any of them.

“ASCAP’s arbitrary, capricious and intentional failure to use readily available technology to obtain a fair count of non-feature music on domestic radio has unfairly diverted millions of dollars annually from non-feature music writers and independent publishers who rely on this income,” the lawsuit reads.

In addition to Alibi Music, the case was also filed by Capp Records, Cushman Entertainment Ltd., Epic Music LA, Terese Hanses, Lab Hits LLC, Manhattan Production Music, Rock Talk Inc., Slipstream ICPO LLC, Songs To Your Eyes, and The Brian Nimens Corp. Ltd. Only ASCAP


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Lil Baby links his fifth consecutive No. 1 on Billboard’s Top Rap Albums chart as The Leaks leaps from No. 25 to crown the list dated Dec. 20. As the project was released on Wednesday, Dec. 3, for the rapper’s 31st birthday, it debuted on last week’s chart from two days of contributing activity for the standard Friday – Thursday tracking week. Its vault to No. 1 comes after its first full tracking period, Dec. 5-11.

For its coronation week, The Leaks, released through 4PF/Wolfpack Global/Quality Control/Motown/Interscope Capitol, earned 32,000 equivalent album units in the United States, according to Luminate. Streaming activity powers virtually all the sum, with negligible amounts of traditional album sales and track-equivalent sales units. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 1,250 paid/subscription tier or 3,750 ad-supported tier of official on-demand audio and video streams for a song on the album.)

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Thanks to The Leaks, Lil Baby adds his fifth No. 1 on Top Rap Albums – all consecutive. The Atlanta rapper first ruled with 2020’s My Turn, a six week champ, and followed with his 2021 joint album with Lil Durk, The Voice of the Heroes (three), 2022’s It’s Only Me (three), and this January’s WHAM (one). All four of his previous leaders debuted in the top slot, while The Leaks becomes his first to ascend into the summit.

In addition to the five No. 1s, Lil Baby has landed four more projects on Top Rap Albums. His first appearance, the mixtape Too Hard, debuted and peaked at No. 24 in 2017, while three sets – Harder Than Ever, the Gunna-collaborative Drip Too Hard and Street Gossip – all achieved a No. 2 best in 2018.

Elsewhere, The Leaks surges 41-5 on the Top R&B/Hip-Hop Albums chart and 150-17 on the all-genre Billboard 200.

After the first full Leaks week, six of the album’s cuts appear on the Hot Rap Songs chart, led by “Let’s Do It,” with Playboi Carti and Skooly, at No. 6. The track registered 6.5 million official U.S. streams for the week, the highest of the album’s songs. “Let’s Do It” becomes Lil Baby’s 51st top 10 on Hot Rap Songs, Playboi Carti’s 14th and Skooly’s first.

Here’s a review of The Leaks activity on this week’s Hot Rap Songs chart. Beyond the six cuts present, two November releases – “Try to Love” and “Real Shit,” peaked at Nos. 19 and 22, respectively:

No. 6, “Let’s Do It,” with Playboi Carti and Skooly
No. 15, “Superman,” with Young Thug
No. 17, “Mrs. Trendsetter”
No. 20, “What She Like”
No. 23, “Guaranteed”
No. 24, “All on Me,” with G Herbo (peaked at No. 17)

The shortlists in 12 categories that were announced Tuesday (Dec. 16) by the Academy of Motion Picture Arts and Sciences constituted early holiday presents for some – and huge disappointments for others.

To be sure, they kept some prime awards candidates’ hopes alive. The global smash “Golden” from KPop Demon Hunters is shortlisted for best original song. No one was surprised that two songs from both Sinners and Wicked: For Good made the shortlist. Other songs that were shortlisted included “Dream As One” from Avatar: Fire and Ash (Miley Cyrus, Andrew Wyatt, Mark Ronson and Simon Franglen) and “Train Dreams” from Train Dreams (Nick Cave, Bryce Dessner).

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The shortlists ranged from just 10 entries (sound, visual effects, makeup & hairstyling and the new casting category) to 20 (original score). There were 15 entries on the shortlists for original song, documentary feature film, documentary short film, international feature film, animated short film and live action short film; and 16 for cinematography.

As always, some front-runners’ hopes of landing Oscar nominations were dashed, but maybe they should look at it this way: They got the disappointment out of the way early and can enjoy the holidays and the rest of Oscar season without any pressure. And, of course, there’s always next year.

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Nominations will be announced Jan. 22. The 98th annual Academy Awards will be presented at Dolby Theater in Hollywood on March 15.

Here are some of the biggest snubs and surprises in the Oscar shortlists, with a focus on music.

A Los Angeles judge has dismissed a sexual assault lawsuit filed against Marilyn Manson by his former assistant, Ashley Walters, ruling that she waited too long to bring her case.

Two years after an appeals court revived the case against Manson (Brian Warner) by ruling that Walters might have delayed suing due to “trauma-induced memory suppression,” a trial judge on Tuesday (Dec. 16) once again tossed the case out, canceling a trial that had been set to start next month.

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Walters claims Manson subjected her to brutal treatment, also including sexual harassment and discrimination, during the year that she worked for him from 2010 to 2011. But such claims are typically subject to a strict two-year statute of limitations.

“There is no triable issue of material fact,” Judge Steve Cochran wrote in a written ruling, obtained by Billboard. “Plaintiff’s claims are time barred.”

In a statement to Billboard, Manson’s attorney Howard King said: “It’s gratifying, after all these years, that a judge can just look at the facts and see that once again, Brian Warner was wrongfully accused. It’s nice for him to get some justice, though it was at great personal cost. Now he can move on.”

Attorneys for Walters did not immediately return a request for comment from Billboard.

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Walters was one of several women who accused Manson of sexual abuse in 2021. His former fiancé, Evan Rachel Wood, accused him of grooming and sexual abuse on Twitter in February 2021, and then others, including Game of Thrones actress Esmé Bianco and model Ashley Morgan Smithline, filed lawsuits against him.

Manson has denied all of the allegations, and prosecutors said in January that he would not face criminal charges from Los Angeles prosecutors following a four-year investigation. Manson settled with Bianco in early 2023; Smithline’s case was dismissed months later.

Manson sued Wood for defamation over her accusations, claiming she had encouraged other women to falsely accuse him. But a judge dismissed much of the case in 2023, and Manson eventually dropped it and agreed to pay Wood $327,000 in legal fees.

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In her own 2021 lawsuit, Walters claimed that Manson subjected her to “sexual exploitation, manipulation and psychological abuse” while she worked for him as a personal assistant more than a decade earlier. The alleged abuse included whipping her and throwing her against a wall in a “a drug-induced rage”; forcing her to stay awake for 48 hours by feeding her cocaine; and having “offered” her sexually to friends and associates.

In June 2022, Judge Cochran dismissed Walters’ case for being filed years past the statute of limitations. But in December 2023, a California appeals court said her lawsuit might be fair game under the so-called delayed discovery rule, as she claims the trauma of the incidents caused her to suppress the memories until 2020.

That ruling sent the case back to Judge Cochran for more litigation into the actual evidence for such suppression claims. But after two more years of discovery, Manson’s lawyers said the case suffered from the same fatal flaw, writing: “Plaintiff’s argument that she ‘repressed’ certain memories shortly after the conduct occurred does not impact her comprehension of the wrongness of the events at the time.”

On Tuesday, Judge Cochran sided with those arguments, ruling that Walters had no way to avoid the expiration of the statute of limitations: “We have a situation where the complaint was not filed until about 10 years after the operative events,” the judge said at the hearing, as reported by Rolling Stone. “I’m not able to find that the delayed discovery rule is applicable.”


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The Department of Justice (DOJ) says in a new court filing that it has uncovered substantial evidence of Live Nation and Ticketmaster using “interlocking monopolies across the live entertainment industry” to harm rival promoters and ticketers, as well as artists, venues and fans.  

The DOJ, along with dozens of state attorneys general, is gearing up for a scheduled March trial in its blockbuster 2024 antitrust lawsuit that aims to break up Live Nation and Ticketmaster. The feds allege that since acquiring Ticketmaster in 2010, Live Nation has used its simultaneous control of both ticketing and live event promotion to shut out competitors.

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Live Nation filed a summary judgment motion last month, urging a New York federal judge to toss the case without a trial because there’s “barely a molehill” of evidence that it has done anything monopolistic. The DOJ’s opposition brief, made public on Monday (Dec. 15), counters that this is simply not true.

“Defendants fall far short of their summary judgment burden because plaintiffs have developed reams of evidence that, viewed in the light most favorable to plaintiffs, shows that defendants’ anticompetitive conduct in all markets has harmed the competitive process,” writes a team of lawyers from the DOJ Antitrust Division.

The government claims to have evidence of the Live Nation-Ticketmaster combination being wielded to corner 85% of the market share for primary ticketing. According to the DOJ, it can prove Live Nation regularly threatens venues with fewer shows if they don’t use Ticketmaster and withholds its promoted acts from venues that use competitors like AXS or SeatGeek.

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The brief says that on average, NBA and NHL arenas that switched away from Ticketmaster between 2017 and 2024 lost five more Live Nation shows per year than arenas that didn’t switch. It also cites testimony from an unnamed former venue executive that there is “widespread fear in the industry” of this sort of retaliation from Live Nation if a different ticketing service is used.

The DOJ says Live Nation has also used its power to eat up a 55% market share of the concert promotion business. The brief argues that Live Nation has shut out competition by buying up both rival promoters and scores of amphitheaters — and then forcing artists to use its promotion services in order to perform at those venues.

“Everybody hurts — except Live Nation. Artists earn less because they cannot tour [amphitheaters] without Live Nation, and so they cannot benefit from competition between promoters,” reads the brief. “Live Nation’s ancillary per fan arena fee — which venues pay to Live Nation, often via per ticket rebates — more than doubled from [2017 to 2024]. Live Nation hiked these fees because it could.”

Reps for Live Nation did not immediately return a request for comment on Tuesday (Dec. 16). The company has vehemently denied all the DOJ’s claims, arguing in its summary judgment motion that the government is using a “gerrymandered” definition of the relevant market to fudge the numbers — and that competition in the live events space has actually increased since the Ticketmaster merger.

Live Nation now has the chance to file a reply to the DOJ, after which U.S. District Judge Arun Subramanian will make his decision on summary judgment. If the judge grants Live Nation’s motion entirely, the case will be thrown out. If not, it will go to trial in the new year.


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Sinners star Hailee Steinfeld and Buffalo Bills quarterback Josh Allen are two high-profile married celebs with demanding jobs – but both are very supportive of each other’s endeavors.

“I try to organize my time so I can be where he is. This time of year, I get to hunker down, slow down, support him and live life. When the offseason rolls around, it’s go-time for me,” she told Variety of the football season. And when asked about being “the second-most talented person in his marriage” on an episode of Hard Knocks, Allen didn’t flinch. “I’m OK with it. When we watched [Sinners] at the premiere, I was crying at the end. I was just so proud of her. I get emotional thinking about it.”

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After establishing herself as an actress, Steinfeld – whose first film role as Mattie Ross in 2010’s True Grit earned her an Oscar nomination at age 14 – embarked on a musical journey. In 2015, she released her debut single “Love Yourself.” Then came her first EP HAIZ in 2016. She followed in 2020 with another EP Half Written Story, while releasing many singles in the meantime. Steinfeld even mixed her two worlds by starring in Pitch Perfect 2 and Pitch Perfect 3 and contributing to her screen project’s soundtracks, like “Back to Life” from Bumblebee, “Afterlife” from the Apple TV original series Dickinson, and “Dangerous” from Sinners. Of course, she has a long list of TV and movie credits to her name as well.

Meanwhile, Allen – who began his collegiate football days at Reedley College before transferring to the University of Wyoming – was drafted seventh overall by the Bills in 2018 and was named the NFL’s most valuable player in 2024, and leads his team perennially to the playoffs.

Take a look at the evolution of their relationship below. (And for other high-profile WAG relationship timelines, check out Taylor Swift’s and Travis Kelce’s, Cardi B and Stefon Diggs’, Megan Thee Stallion and Klay Thompson’s and Madison Beer and Justin Herbert’s.)