Lana Del Rey is receiving backlash on social media after showing her admiration for the longtime romance between the UK’s Queen Elizabeth and Prince Philip.

Following news of Philip’s death on Friday (April 9), the 35-year-old songstress paid tribute to the Duke of Edinburgh by posting several vintage photos of the royal couple, who were married for 73 years.

“I’ve always loved the way they loved,” Del Rey captioned the pictures on Instagram.

In one image, Queen Elizabeth is seen smiling up at Prince Philip, while another shows a black-and-white snapshot of the longtime partners holding two of their young children.

Many of Del Rey’s nearly 19 million Instagram followers took issue with her post, noting that Philip and Elizabeth were distant relatives. “Mmm i love how they were cousins<3,” one person commented. Another wrote, “Bestie they’re related.”

Others begged the singer to remove the post. “Please delete this I can’t keep defending you,” a fan responded, while another suggested, “Step away from the phone BFF.”

Billboard has reached out to Del Rey’s representatives for comment about the post.

In late March, Del Rey released her newest album, Chemtrails Over the Country Club, which debuted at No. 1 on Billboard’s Top Album Sales chart. The set follows 2017’s Lust for Life and 2014’s Ultraviolence. The singer has already teased her next project, Rock Candy Sweet, which is scheduled to arrive on June 1.

See Del Rey’s post about Queen Elizabeth and Prince Philip here.

Britney Spears went way back in the photo archives to wish her sister, Jamie Lynn, a belated happy birthday.

The pop star opted to share a fun snapshot on Instagram Friday night (April 9) from several years ago that happened to feature the both of them and Justin Timberlake.

In the picture, all eyes are on a young Jamie Lynn, who appears to be entertaining a small crowd of people including big sister Britney with her former boyfriend Timberlake.

“Happy belated birthday to this beautiful soul!!!” Spears wrote in the photo caption to her little sister, who celebrated her birthday on April 4. “I love you so much and damn it I wish I was as smart as you at 30 !!!! It’s weird to say that I was basically your momma when you were younger and yes I’m still older but your soul is and always has been wise !!!!”

She continued: “I’m truly and genuinely inspired by your path and the life you have created for your beautiful children and I’m so f—ing proud to call someone as beautiful inside as you my sister !!!!”

“And not only are you a beautiful soul you’re so DAMN STRONG … I was extremely taken back and still am to this very day !!!” she said, recalling a moment the sisters shared. “We play wrestled at home (such classy Southern chicks) and you put me to the floor in literally two seconds after I gave all my might … I’ll never forget it !!! Maybe we should have a rematch … I mean things have changed since 6 years ago !!!!! PS I wish I was as strong as you and happy birthday !!!!”

Jamie Lynn responded with a collection of cute emojis, while most of the other comments left on the post focused on Timberlake’s unexpected appearance on Spears’ Instagram feed.

In February, Timberlake reached out to Spears via a public apology on social media after the documentary Framing Britney Spears reported how he had portrayed her following their much-publicized split in 2002, when he made jokes about their sex life in interviews and cast a Britney look-alike in his damning “Cry Me a River” music video.

“I am deeply sorry for the times in my life where my actions contributed to the problem, where I spoke out of turn, or did not speak up for what was right,” he wrote in a note on Feb. 12. “I understand that I fell short in these moments and in many others and benefited from a system that condones misogyny and racism. I specifically want to apologize to Britney Spears and Janet Jackson both individually because I care for and respect these women and I know I failed.”

See the birthday post on Spears’ Instagram account here.

From “Our Song” to “Willow,” one Taylor Swift fan has recreated every one of the star’s iconic eras for a clip that’s racking up views on TikTok.

The video, which has been viewed 3.4 million times and has received almost 1 million likes on TikTok as of Saturday (April 10), was first posted on Friday (April 9), the day Swift released her re-recorded Fearless (Taylor’s Version).

TikTok user @juliiieanne, whose channel features a collection of Swift look-alike videos, seamlessly transitions through moments from each of Swift’s original studio albums in her latest short video, all in less than a minute — and completely in costume, creatively replicating Swift’s hairstyles, makeup looks and outfits.

“What’s your era?” she captioned the clip, which runs through Swift’s self-titled debut album all the way to Evermore.

“How do you look so much like her and also nothing like her at the same time??” one person pondered, while another was not quite convinced she wasn’t actually the real deal: “are u telling me this isn’t taylor swift.”

“you look more and more like her as the video goes on,” another fan pointed out.

“Queen just casually had a marching band costume I love it,” another TikTok creator said of her Fearless-era ensemble.

Watch it below and on Julie’s TikTok. Check out all her other Swift videos here.

@juliiieanne

What’s your era? ##taylorswift

♬ The old Taylor CAN come to the phone right now – Julie (Taylor’s Version)

BTS’ Bang Bang Con is returning in 2021.

The K-pop band took to social media on Saturday (April 10) to announce Bang Bang Con 21. The virtual event is scheduled to take place on April 17 at 3 p.m. KST on the septet’s official YouTube channel BANGTANTV.

“BTS concert in your room #BANGBANGCON21 coming soon!” the group wrote on Instagram.

Billboard has reached out to BTS’ representatives for further details.

Last April’s inaugural Bang Bang Con was a free two-day online concert series featuring live performance footage dating back to 2015. The event arrived after the act’s 2020 Map of the Soul tour was postponed due to the COVID-19 pandemic.

That summer, BTS followed up with Bang Bang Con: The Live, a 90-minute pay-per-view concert. The virtual performance was held June 14, a day after the band’s seventh anniversary.

BTS recently dropped the new song “Film Out,” a collaboration with J-pop band Back Number that appears as the ending theme in the new Japanese film Signal: Long-Term Unsolved Case Investigation Team. The track will be included on the the septet’s next Japanese-language album, BTS, The Best, which is scheduled for release on June 16.

 

Below, see BTS’ Bang Bang Con 21 announcement on Twitter.

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Spotify may have quickly ratified contracts with its employees’ labor unions because, emerging from the pandemic in coming months, the music-streaming giant has “opportunities to make money quickly right now,” says Kate Bronfenbrenner, Cornell University’s director of labor research. “It would not be a good time to be stalled by delays or fights within the industry.”

The two unions, representing a total of 115 employees at Spotify-owned Gimlet Media and The Ringer, ratified the contracts Wednesday. In addition to establishing minimum annual base salaries ($57,000 at The Ringer, which covers sports and pop culture via websites and podcasts, and $73,000 at Gimlet, which produces podcasts), the contracts provide funding for diversity committees and representation for LGBTQ workers and other under-represented groups.

“This is not just a significant victory, it’s also an innovative victory,” Bronfenbrenner says. “There’s language that prioritizes those that needed it the most. They’re fighting for the lowest-paid workers, workers of color and LGBTQ workers.”

In recent years, unions have struggled to gain traction at Big Tech companies: Amazon warehouse workers lost an election Friday (April 9) to join the Retail, Wholesale and Department Store Union; Google workers formed the Alphabet Union in January, but it has only 700 members in a company of 130,000 employees. And although music workers aren’t specifically impacted by the Spotify ratifications, the streaming service’s action is the latest in recent small but positive signs for labor movements after indie record label Secretly Group quickly recognized its new employees’ union on March 25.

Broader unionization at large tech companies is unlikely to expand beyond Spotify, says Gordon Lafer, a University of Oregon professor who specializes in labor studies: “It’s partly because there is vicious pushback by the companies. And it’s partly because it’s a competitive industry and people are scared of not only being fired but not getting jobs in Silicon Valley or Seattle.” Spotify was an unusual case, perhaps because it’s based in Sweden, which is relatively union-friendly, but also because The Ringer and Gimlet employees work in podcasting and had large platforms to rally public support. “If you’re going to threaten the job of a warehouse worker, nobody will know,” he says.

Employees at Gimlet and The Ringer didn’t win on every point — management insisted on retaining writers’ work on websites, podcasts and other outlets. But that suggests the companies and unions were open to compromise, says Robert Bruno, professor of labor and employment relations at the University of Illinois Urbana-Champaign, possibly because the podcast, tech and music industries attract like-minded managers and employees focused on “creation and entrepreneurialism and creativity.”

“Unless you’re going to be overly adversarial, you’re going to end up with a contract. Why drag it out?” he asks. “It makes sense to get to it.”

Bronfenbrenner adds that the recent victories at Secretly and Spotify, along with President Biden’s general pro-union stance, are helpful for the wider labor movement. “We’re seeing a ripple effect across the country,” she says. “Workers see that unions are possible. They’re going to be inspired by the fact that workers at Spotify, who are like them, are able to organize.”