The Federal Trade Commission is asking some of the world’s biggest social media and streaming video giants to hand over information regarding their privacy and data practices.

The FTC has issued orders to Amazon, Facebook, TikTok owner ByteDance, YouTube, Twitter, Snap, Discord and WhatsApp asking for a variety of information, including how they collect personal data; how they determine what ads are shown to consumers; whether algorithms or other analytics are applied to personal information; how they measure user engagement; and how their practices impact children and teenagers.

The orders were filed pursuant to Section 6(b) of the FTC Act, which gives the FTC the authority “to conduct wide-ranging studies that do not have a specific law enforcement purpose.”

The Commission voted 4-1 to send the letters, with Republican commissioner Noah Joshua Phillips the lone “no” vote.

These types of studies, while not necessarily tied to specific investigations, can lead to more formal inquiries down the line, depending on what information is uncovered in the course of the study. The companies will have 45 days to submit the information requested by the FTC.

“The Commission’s 6(b) study will lift the hood on the social media and video streaming firms to carefully study their engines,” said FTC commissioners Rebecca Slaughter, Christine Wilson and Rohit Chopra, in a statement. “Policymakers and the public are in the dark about what social media and video streaming services do to capture and sell users’ data and attention. It is alarming that we still know so little about companies that know so much about us.”

“The breadth of the inquiry, the tangential relationship of its parts, and the dissimilarity of the recipients combine to render these orders unlikely to produce the kind of information the public needs, and certain to divert scarce Commission resources better directed elsewhere,” wrote Phillips in his dissent.

This article was originally published by The Hollywood Reporter.

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If it’s meant to be, it will be. Was Evermore single “Willow” already on Taylor Swift’s mind nearly 10 years ago?

On Saturday (Dec. 12), a fan of Swift’s with a sharp eye found the word “Willow” was featured in the music video for “Mean,” circa 2011. The song was on Swift’s Speak Now album, released a decade ago.

“No words,” they wrote. The tweet showed a collage of music video stills comparing “Willow” to “Mean,” both of which had Swift outfitted in a lace dress and wearing her hair in a braid. On Swift’s “Mean” stage set is a sign that clearly says “Willow” (which can be seen pretty well about 56 seconds in, if you’re watching for it yourself).

This finding shows up on Swift’s feed of tweets she’s liked, with a trail of stunned reactions in the comments section.

“what the actual f—!??” one fan wrote, posting a meme that reads, “She’s so powerful. Her mind… UGH it amazes me sometimes.”

“She’s f—ed in the head,” another fan joked, quoting one of Swift’s own lines, from Evermore’s “Champagne Problems.”

See the “Willow” sighting below.

The next round of Verzuz will feature a battle between “legends of the bay” E-40 and Too $hort.

The official Verzuz Instagram account revealed the news Sunday evening (Dec. 13), a day after the weekend’s scheduled Ashanti and Keyshia Cole battle was postponed until January due to Ashanti testing positive for COVID-19.

E-40 and Too $hort — who released the collaborative History double album back in 2012 — are set to face off next weekend, on Saturday (Dec. 19).

“Y’all know we had to do a BIG holiday party!” the announcement read. “Who you wit!?”

“Me & @e40 are READY to tell all the youngstas how we put The Bay on the map & influenced the world,” Too $hort promised on his own Instagram page.

“We gon’ end this year on a good note, loved ones,” E-40 added. “It’s a celebration, ya feel me.”

Viewers can tune in to see the West Coast rappers go head-to-head Dec. 19 at 8 p.m. ET/5 p.m. ET on Instagram or Apple Music.

While Taylor Swift gave fans a present on her own birthday, friends and peers sent warm messages her way via social media on Sunday (Dec. 13), when the star turned 31.

Among the many notes was one from Aaron Dessner, who seemed to thoroughly enjoy the “Willow” remix she dropped for her birthday.

“This is frickin’ amazing and happy birthday!!!!!!!!!!!!!!” Dessner wrote to his Folklore and Evermore co-creator.

“Happy 31st, @taylorswift13,” Maren Morris sent out in a tweet, along with a glimmer of hope for 2021. “I am assuming you’ll be putting out 13 albums this next year?”

Kristin Chenoweth, meanwhile, took her at-home celebration of Swift very seriously, recording a snippet of herself covering one of her favorite Folklore songs, “Mad Woman,” to share with the world.

Blake Lively posted a personal snapshot in celebration of her pal’s birthday — “There was happiness because of you,” the actress wrote, quoting an Evermore track. “Happy happy birthday. Thank you for #Evermore. Absolutely nothing better than getting presents on other people’s birthdays. love you” — and Ryan Reynolds also put up an Instagram Story in honor of Swift.

Todrick Hall left some kind words on Instagram for his friend on her special day, too: “Happy Lucky Number Backwards Birthday @taylorswift. Thank you for your love, kindness, honesty, loyalty, your cooking, your cat loving, your generosity, your wittiness, your talent and for taking your precious time to listen to me over share about my hot mess express saga of men. You deserve the world, streaming ‘Evermore’ AND ‘Folklore’ today to celebrate you. 2020 worked hard, but you worked harder. LOVE YOUUUUUU MWAH.”

“Wish we could be together to celebrate. Love u so much,” Gigi Hadid wrote in an Instagram Story, where she shared a photo of Swift.

And while it wasn’t exactly a “happy birthday,” Halsey commended Swift on Sunday for gifting her fans with so much new music this year.

“I just love @taylorswift13 for committing to bringing so much magic to a time in which she knows so many of her fans may be suffering,” she wrote on Swift’s birthday. “This is the least profitable era of music we’ve lived to see and she’s working very hard because it makes people happy. That’s really somethin’.”

See some of these highlights, as well as more birthday messages for Swift, below.

Shawn Mendes scores his fourth No. 1 album on the Billboard 200 chart, as his latest studio effort, Wonder, bows atop the tally. The set earned 89,000 equivalent album units in the U.S. in the week ending Dec. 10, according to Nielsen Music/MRC Data.

Meanwhile, the top 10 is very festive, as half of the titles in the region are Christmas albums for the first time since 2013.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 19-dated chart (where Wonder bows at to No. 1) will be posted in full on Billboard’s website on Dec. 15. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Wonder’s 89,000 equivalent album units earned in the tracking week ending Dec. 3, album sales comprise 54,000, SEA units comprise 34,000 (equaling 46.92 million on-demand streams of the album’s songs) and TEA units comprise 1,000.

All four of Mendes’ full-length studio albums have now debuted at No. 1. He began his chart career with his introductory project, The Shawn Mendes EP, which debuted and peaked at No. 5 on the Aug. 16, 2014-dated chart. He followed it up with his debut full-length studio set, Handwritten (No. 1 on May 2, 2015), and then his next studio effort, Illuminate (No. 1, Oct. 15, 2016). He then charted two live albums (Live at Madison Square Garden, No. 200 on Jan. 14, 2017, and MTV Unplugged, No. 71 on Nov. 25, 2017) before seeing his self-titled third studio set bow atop the list dated June 9, 2018.

Wonder was led by its title track, which peaked at No. 18 on the Billboard Hot 100 and No. 14 on the Pop Songs airplay chart. The album’s second radio single, “Monster,” a co-billed track with Justin Bieber, has so far peaked at No. 8 on the Hot 100 and No. 19 on Pop Songs (through the most recently published charts, dated Dec. 12).

Bad Bunny’s El Ultimo Tour del Mundo falls to No. 2 on the Billboard 200 with 57,000 equivalent album units earned (down 50%), following its history-making debut at No. 1 a week ago – when it became the first all-Spanish-language album to top the list.

Ariana Grande’s former No. 1 Positions rises a spot to No. 3 with just over 55,000 equivalent album units (up 4%).

Michael Bublé’s former No. 1 Christmas album climbs 6-4 with 55,000 equivalent album units (up 14%). It leads a total of five holiday albums in the top 10, the first time that’s happened in seven years. Also joining in the merriment: Carrie Underwood’s My Gift (9-5, a new peak, with 53,000 units; up 19%), Nat King Cole’s The Christmas Song (12-7 with 42,000 units; up 20%), Pentatonix’s The Best of Pentatonix Christmas (16-8 with just over 39,000; up 22%) and Mariah Carey’s Merry Christmas (15-10 with 38,000; up 17%).

The last time five holiday albums were among the top 10 occurred on the Dec. 21, 2013-dated chart. That week, the top 10 housed Kelly Clarkson’s Wrapped in Red (No. 3), The Robertsons’ Duck the Halls: A Robertson Family Christmas (No. 5), Pentatonix’s PTXmas (EP) (No. 7), Bublé’s Christmas (No. 8) and Mary J. Blige’s A Mary Christmas (No. 10).

Notably, Underwood’s My Gift previously peaked at its debut rank of No. 8 on the Oct. 10-dated chart, following its release on Sept. 25. With its 9-5 jump on the new Billboard 200, it also becomes the highest charting newly released holiday album since Pentatonix’s A Pentatonix Christmas in late 2016 and early 2017. A Pentatonix Christmas was released on Oct. 21, 2016, debuted at No. 3 on the Nov. 12, 2016-dated chart and peaked at No. 1 for two weeks (Jan. 7-14, 2017).

As for the remaining non-holiday albums in the latest top 10: Pop Smoke’s former No. 1 Shoot for the Stars Aim for the Moon dips 5-6 with 47,000 equivalent album units (down 2%) and Megan Thee Stallion’s Good News descends 7-9 (39,000; down 17%).