Kid Rock is clarifying a few key details about Turning Point’s “All-American Halftime Show” after some people accused him of lip-synching during the program held on Super Bowl Sunday.
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In a video posted to Instagram on Tuesday (Feb. 10) — two days after the inaugural event was broadcasted between halves of the Big Game — the musician denied using a pre-recorded track to fake his vocals, but confirmed that his performance was pre-taped rather than aired live. According to him, the confusion was caused by editors in post-production not quite lining up the audio of his performance of rapid-fire track “Bawitdaba” to the video, making it look like he was lip-synching.
“If I was ever going to lip-synch, which I wouldn’t, that would be the last song I would ever … do it to,” Kid Rock explained in the clip, in which he stands next to his DJ, Paradime, who performed with him for Turning Point. “We’ve performed this song every night on tour since 1998.”
“It’s extremely difficult for them to line up the sync,” Kid Rock conceded, noting he feels “confident” it would have come together perfectly if the editors had been given more time. “That song takes so much energy. I’m flipping mics, I’m jumping around like a rabid monkey on stage … I have nothing but good things to say not only about Turning Point, but the production team that they work with. Nobody’s perfect or gets it right every time.”
“For the haters and the trolls out there …,” he added before flipping off the camera.
Also in the video, Kid Rock and Paradime demonstrated how tricky “Bawitdaba” is to perform live, with the DJ needing to fill in some lines for the hip-hop/country star so he can take enough breaths in between bars. Nevertheless, Kid Rock says he executed it live while pre-filming the Turning Point show and blamed “fake news media” for spreading misinformation about him lip-synching.
“The problem is people amplify this all over the internet … they did it to Bad Bunny, in his defense,” he said in the clip, referencing how some people took it seriously when Benito joked on Saturday Night Live that everyone had “four months to learn” Spanish before his Super Bowl Halftime Show. “They do it far too often, especially in the fake news media, the left-wingers, crazy libt–ds.”
Kid Rock was just one of several artists on the bill for the “All-American Halftime Show,” which Turning Point hosted for the first time ever to counterprogram against Bad Bunny’s official NFL halftime show (which, for comparison, was performed live on the field at Levi’s Stadium in Santa Clara, Calif., on Feb. 8). Brantley Gilbert, Lee Brice and Gabby Barrett also shared the Turning Point USA stage for the alternate mid-game concert, which drew in about 6.1 million concurrent live viewers.
Watch Kid Rock’s video explaining his Turning Point USA halftime performance below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-10 18:46:412026-02-10 18:46:41Kid Rock Confirms His Turning Point USA Halftime Show Wasn’t Live, But Denies Lip-Synching
October London snags his third career No. 1 on Billboard’s Adult R&B Airplay chart with “Touch on Me,” which tops the list dated Feb. 14. The single advances one spot and was the most played song on panel-contributing adult R&B radio stations in the tracking week of Jan. 30-Feb. 5, according to Luminate.
“Touch on Me,” released and promoted through Death Row/gamma., traces its coronation to a 14% gain in plays during the tracking week compared with the week prior. As it enters the summit, the new leader succeeds Brent Faiyaz’s “Have To.,” which slips 1-3 after its one week in charge (down 16% in plays).
With the reigning champ, singer-songwriter October London — born Jared Erskine — tops Adult R&B Airplay for the third time in his career. He previously led with his debut entry, “Back to Your Place,” for 10 weeks in August-December 2023 and returned for two weeks in August 2024 via his second appearance, “Mulholland Drive,” featuring Snoop Dogg and Latoiya Williams. “Touch on Me” is the performer’s sixth overall visit to the radio ranking.
Elsewhere, “Touch on Me” drives 13-11 on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, the song reached 7 million in audience impressions for the week, up 23% from its 5.7 million total in the previous frame. The single’s No. 1 standing on Adult R&B Airplay provides most of its support, but it also improved 67% in plays at mainstream R&B/hip-hop format, though it remains beneath the corresponding 50-position Mainstream R&B/Hip-Hop Airplay chart.
Radio support helps “Touch on Me” capture a new peak on the multimetric Hot R&B Songs chart, which combines radio airplay with streaming and sales data for its calculations. “Touch on Me” climbs 18-17 in its sixth week on the list. The one-spot rise breaks it from a tie with “Mulholland Drive” for October London’s second-highest-charting song, after “Back to Your Place,” which cruised to a No. 8 best in September 2023.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-10 18:15:362026-02-10 18:15:36October London Has Magic ‘Touch’ With Third Adult R&B Airplay No. 1
Ready, set, action! Nick Jonas has landed the starring role in Bodyman, a high-stakes thriller directed by Gary Fleder and written by Byron Balasco.
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The news was reported by Varietyon Tuesday (Feb. 10), revealing that the Jonas Brothers musician will play the longtime bodyguard of “an eccentric billionaire” in the film. When Jonas’ character “unexpectedly” receives the inheritance to the rich man’s private military company over the billionaire’s own children, things get violent — and getting out of the family’s remote estate alive isn’t guaranteed.
Fleder, Balasco and Jonas previously worked together on Audience Network’s Kingdom series. In a statement, Fleder called Bodyman a “smart, lean, high-voltage action thriller that gives Nick the chance to show every side of what he can do: the physicality, the intensity and the emotional depth.”
Bodyman will be produced by Powered by Jonas, which also worked on A Very Jonas Christmas Movie starring Nick and brothers Kevin and Joe. Nick added, “I’ve been developing this project for a while and I’m excited to see it come to fruition. Re-teaming with Byron Balasco and director Gary Fleder also makes this project more special to me.”
Principal photography is slated to begin in June. It follows the release of Nick’s first solo album in five years, Sunday Best, earlier in February.
The musician enters his latest role with plenty of acting experience under his belt. Getting his start on Disney Channel projects Jonas and Camp Rock, Nick has also appeared in 2015’s Careful What You Wish For, the 2017 and 2019 Jumanji movies and more.
This summer, Nick and his Jo Bros bandmates will also reprise their roles as the Gray brothers in a new Camp Rock movie coming to Disney+.
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From farm workers and street vendors to salsa dancing and abuelitos playing dominoes, Bad Bunny’s Super Bowl Halftime Show on Sunday (Feb. 8) was intentional, prideful and an honest representation of the Puerto Rican and overall, Latin culture. And that includes his jersey, which the superstar is now explaining.
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The football jersey featured his last name — Ocasio — embroidered on the back, and the number 64 on the front. According to Bunny, the number was in honor of the year that his late uncle, “Cutito,” his mom’s brother, was born.
“What little I know about the NFL is thanks to him,” the Puerto Rican artist born Benito Antonio Martínez Ocasio told Rolling Stone in a statement.
He explained that Uncle Cutito moved to the United States from Puerto Rico, but would always visit them during the NFL postseason and he would watch the games with his uncle. Cutito was also a San Francisco 49ers fan, the home team of Levi’s Stadium in Santa Clara, Calif., where Super Bowl LX took place. Benito’s uncle passed away two years ago, the year when the 49ers lost to Kansas City in Super Bowl 2024.
“I always dreamed of taking my uncle to a Super Bowl, but I couldn’t,” he noted. “He left unexpectedly, without warning. So, for my Super Bowl Halftime Show, I decided to have him on my shirt: OCASIO, his last name, the same as my mom’s, and his birth year, 1964. I dedicated my show to him before it started. I’m sure he appreciated it. He saw it, he was there, and he was proud of his nephew.”
Bad Bunny headlined the 2026 Apple Music Super Bowl Halftime Show during the game between the Seattle Seahawks and New England Patriots. Seattle won 29-13.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-10 17:56:082026-02-10 17:56:08Bad Bunny Reveals the Special Meaning Behind the ’64’ on His Super Bowl Halftime Show Jersey
Rimas Publishing has renewed its agreement with Bad Bunny, extending a long-running creative partnership that has been key to the rise of the most influential global artist in Latin music. The company announced the deal Tuesday, calling it a reaffirmation of its publishing model built on creative collaboration and long-term career development.
“The fact that the number one artist in the world has chosen to renew his relationship with our music publishing company is a clear validation that we are doing things right,” said Carlos A. Souffront, president of Rimas Publishing. “Discovering talent is important, but retention is just as critical.”
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The renewal comes during an exceptionally active stretch for Bad Bunny (born Benito Antonio Martínez Ocasio), who just delivered a high-profile Super Bowl performance, added new Grammy Awards to his trophy case and continues to dominate global streaming charts and touring headlines.
Bad Bunny’s new deal is part of a broader wave of contract renewals across Rimas’ roster, which includes key writers and producers such as Mora, Cris MJ, Tempo and Caleb Calloway. The company has also finalized extensions with Cheo Legendary — producer of hits including “Neverita” — as well as multi-platinum Latin Grammy winner KARBeats; Andrés Jesé “Dirrty,” a reggaeton and Latin trap songwriter; and Magicenelbeat, a central figure in the company’s growth.
At the same time, Rimas is expanding its catalog with emerging acts shaping the next wave of Latin music. New signings include Octavio Cuadras, known for pioneering the Corridos Felices subgenre, and Chilean pop artist Diego Smith, whose “Shash” philosophy blends nostalgia and narrative-driven songwriting.
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“Renewing these agreements while welcoming new creative voices is part of a single editorial vision,” Souffront said. “We aim to be a publisher where creators can grow, evolve and find a strategic partner that understands their creative value today and in the long term.”
Founded more than a decade ago in Puerto Rico but operating independently from Rimas Entertainment since 2023, Rimas Publishing currently represents over 150 creators.
Punk and metal guitarist Ross “The Boss” Friedman has revealed that he’s been diagnosed with the incurable disease Amyotrophic Lateral Sclerosis (ALS), commonly referred to as Lou Gehrig’s Disease. The 72-year-old co-founder of New York punk stalwarts the Dictators and power metal band Manowar said in a statement on Monday (Feb. 9) that the diagnosis came after he’d suffered through several months of concerning symptoms.
“It’s difficult to know what lies ahead,” he said in a statement. “And it crushes me not to be able to play guitar, but the outpouring of love has been so, so strong. I’m absolutely blown away by the love and support from family, friends and fans. I love you all.”
An accompanying statement published on the Dictators’ Instagram revealed that the diagnosis came after Friedman suffered through a series of “seemingly unrelated symptoms” over several months, including weakness in his hands and legs, which he thought may have been caused by a number of “very minor strokes.”
But after changing his diet, beginning physical therapy and increasing his exercise didn’t seem to slow the disease’s progression or increase his strength, Friedman received the diagnosis. According to the Mayo Clinic, ALS is a progressive, incurable nervous system disease that “affects nerve cells in the brian and spinal cord,” causing loss of muscle control, trouble swallowing and slurred speech.
Bronx-bred Friedman co-founded the Dictators in New York in 1973 with his friends bassist/singer Andy Shernoff and rhythm guitarist Scott Kempner, with drummer Stu Boy King joining a year later. One of the original bands from what would become a fertile New York punk scene, the Dictators released their 1975 debut album on Epic Records, The Dictators Go Girl Crazy!, beating such scene stalwarts as the more well-known Ramones to record store shelves by a year.
The band whose sound melded the burgeoning snarly punk sound with a cheeky reverence for pop culture — they did a grungy cover of Cher and Sonny Bono’s “I Got You Babe” on their debut — released two more albums during their heyday. Friedman appeared on 1977’s Manifest Destiny, which hit No. 193 on the Billboard 200 album chart, and 1978’s Bloodbrothers, before the group broke up for the first of many times.
Friedman then co-founded the New York power metal band Manowar — who scored the Guinness record for the loudest band performance in 1984 — with friend bassist Joey DeMaio and played on the group’s first six albums, leaving the group in 1989. In the years since, he’s played with a variety of acts including Death Dealer, The Spinatras, Shakin’ Street, Brain Surgeons and his own Ross the Boss Band since 2009. Friedman was inducted into the Metal Hall of Fame in 2017.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-10 17:40:362026-02-10 17:40:36Dictators/Manowar Guitarist Ross ‘The Boss’ Friedman Reveals ALS Diagnosis: ‘Crushes Me Not To Be Able To Play Guitar’
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Bunnie Xo, who is married to country singer Jelly Roll, is here to share her journey, on her own terms, in a new memoir.
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The book, titled Stripped Down: Unfiltered and Unapologetic, is set to release Feb. 17, and is available on almost every platform, including Amazon for $24 and Barnes & Noble for $29.99. The memoir is witty and, at times, intense. That wittiness comes in handy to bring levity to otherwise dark topics. According to a synopsis from Amazon, the book is “cold, clear evidence that no one is irredeemable. With a heavy dose of humor and a refreshing sense of self-awareness, Bunnie pulls no punches as she shares her journey of redemption while offering some homespun wisdom to those who need a little saving themselves.”
The book’s cover is a reflection of Bunnie’s — born Alyssa DeFord — time in the sex-work industry. The star stands topless with her jeans unbuttoned, bearing her truth both physically and emotionally, through this memoir. According to Bunnie, her stint in the industry enabled her to “reclaim her power” following her struggle with addiction and the abuse she faced as a teen. Flash forward, and Bunnie has built an empire around Dumb Blonde Productions, creating a successful podcast with thousands of monthly listeners.
This is a memoir by Bunnie Xo, Jelly Roll’s wife. The book is available for pre-order now.
The book is branded as a “modern-day rags-to-riches story,” spinning a tale of triumph against all odds. “Stripped Down is the rawest reflection of who I am in every form. It felt only fitting to name my book after the way I’ve always lived life — raw, unfiltered and in my naked truth,” Bunnie said in an interview withPeople in regards to the memoir.
Bunnie and Jelly met in Las Vegas while the musician was performing at the Las Vegas Country Saloon in 2015. The pair married a year later at Las Vegas’ Stained Glass Wedding Chapel in August 2016. They briefly split in 2018, but they rekindled their relationship. Since their whirlwind love story began, Jelly Roll haswritten songs dedicated to his wife, including “Hey Mama” from Beautifully Broken and “Kill a Man” from Whitsitt Chapel.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-10 17:36:042026-02-10 17:36:04Bunnie Xo Calls Her Memoir the ‘Rawest Reflection of Who I Am’: Here’s Where to Buy It
Some beefs never die. Tony Yayo and Uncle Murda were seated on a flight behind Ja Rule on Sunday morning (Feb. 8), which led to a heated confrontation with footage posted to social media by Murda.
“Sucka a— Ja Rule on the plane,”Murda said in the clip. “Shut yo sucka a— up you f—king sucka!”
Ja fired back: “Old a—, police a—, sucka a—!”
A second clip appeared to show Ja’s empty seat after leaving the plane. Yayo claimed Ja threw a pillow at him and called him a “soft a— n—a,” while Uncle Murda alleged they “got him out of here.”
50 Cent never misses a chance to troll Ja Rule, and the G-Unit mogul had a laugh at the situation, which he reposted to his Instagram on Monday (Feb. 9).
“He was by his self so he had to make a scene so they could remove his scary a—,” 50 wrote. “LOL YAYO said suck my d—k, the gay stewardess said it’s going down. LOL.”
TMZposted additional footage from the alleged incident, which saw an enraged Ja Rule ready to pop off in the aisle. “Let’s shake,” he repeated while another person tried to calm him down.
According to TMZ‘s report, the ordeal took place before takeoff of a Sunday morning Delta flight out of San Francisco, which hosted Super Bowl LX.
Ja Rule hopped on X on Monday night to clarify from his perspective what went down with the G-Unit crew members on the flight. “I popped on these punks by myself on a plane lmao p–sy a— n—as I threw the pillow at yayo head cuz you soft…knocked ya hat all off shit was hilarious,” he wrote. “Whole team p—y…”
He attempted to provide more evidence backing up his recollection of the events while reposting what appears to be a TMZ staffer reaching out to him with a witness’s account of what took place.
“Via TMZ,” he began. “Hi Ja — Jamie here from TMZ — reaching out for comment regarding a Delta flight you were on Sunday morning. Witness tells us — From SFO to JFK where Ja Rule got into an argument with Tony Yayo on the flight. Ja was the aggressor and yelled profanities, saying he wanted to fight, then throwing a pillow at Tony Yayo. Crew stepped in and pulled both guys off the plane for a bit. Yayo yelled back that planes are federal offenses territory and he did nothing wrong.”
Billboard has reached out to Ja Rule, Tony Yayo and Uncle Murda for comment.
Even more than 20 years later, the 50 Cent and Ja Rule feud is still alive and well.
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BTS are back and ready to tear up the music scene once again. This time, however, they’re coming to a city near you.
The boy group’s 2026 album, titled Arirang, is dropping on March 20. In support of said album, the boy band is finally going on tour, aptly titled ARIRANG tour. The hype is so real that, according to HYBE, BTS’ parent company, the North American and European legs of the world tour have already sold out within a few hours, reflecting ARMY’s hardcore devotion.
Think of it this way. This is the first album BTS has released since they all took time off to fulfill the mandatory military service South Korea imposes on men in the country — a service that takes up to 18 to 21 months. Additionally, the last time the group went on tour in America was during their Permission to Dance on Stage residency, which wrapped up in Las Vegas, Nevada, on April 16, 2022. It’s safe to say that the lengthy hiatus and lack of music have left fans craving more of the BTS boys.
The North American leg of the ARIRANG tour will begin in Tampa on April 25, with stops in Mexico City, Las Vegas, Toronto, Chicago, and more. It will conclude with four-night shows at Sofi Stadium in Los Angeles with 31 shows in total. Tickets for BTS’ ARIRANG tour were available for presale Jan. 22-23rd, followed by a general sale on Jan. 24. We’d recommend checking Ticketmaster periodically to see if new tickets have been added. If not, third-party ticketing sites are your best bet at securing seats. Below we’ve listed out a few of those third-party sites, along with a few deals on us, that’ll hopefully help you snag the tickets you’ve been searching for.
While you’re at it, why not shop the boy band’s merch to prep for your concert attendance? Shop our picks here.
Where to Get Tickets to BTS’ 2026 ARIRANG World Tour Online
StubHub features some of the best pricing on tickets for BTS’ tour we’ve seen thus far, with some going for just $167, a steal when compared to other platforms. The third-party platform still has a ton of seating options available. You can shop for all dates and arenas with ease thanks to the ticketing service’s FanProtect Guarantee. This initiative protects fan’s purchases by ensuring valid tickets or your money back. Plus, if your event is canceled and not rescheduled, you will receive a credit worth 120% of the amount you paid for the impacted event, or the option of a cash refund.
Seating is ample through Vivid Seats now, with prime pricing on some venues starting at just $141. The ticketing service offers a 100% Buyer Guarantee that vows your transaction will be secure, that your tickets will be delivered before your event and that those tickets will be valid and authentic. Right now, you can use promo code BB30 to snag $30 off of your purchase. Our favorite feature of the site is that it shows you the lowest ticket pricing for each venue on the landing page without having to click into the venue so you can compare in one place.
With our help, you’ll be able to get tickets to BTS’ tour at an affordable price via SeatGeek. Right now, you can use promo code BILLBOARD10 at checkout to receive $10 off at checkout. We’ve seen tickets at some venues for as low as $143. The ticketing service features a Buyer Guarantee that ensures smooth ticket purchases every time. The site also offers you venue options based on your location, giving you the closest venue to you.
More savings on us, this time with TicketNetwork. You can use code BILLBOARD300 at checkout to save $300 off orders of $1,000, and BILLBOARD150 to save $150 off orders of $500. If you don’t have the funds to buy your tickets just yet, you can also buy the tickets on the website now and pay later with help from Affirm. Plus, the website includes all-in pricing that lets you see exactly what you’ll be paying upfront (fees included).
Gametime features a slew of seating options for a range of prices, making for another great third-party option for those looking to shop BTS tickets on a budget. Some venues have tickets starting at $134, a steal given how in high-demand the tour is and how pricy tickets can become. Gametime guarantees the lowest prices, event cancellation protection, job loss assurance and on-time ticket delivery for a smooth ticket buying experience every time, no matter the occasion.
Ticketmaster is the official spot to snag tickets for BTS’. Picking are slim, given many venues have already sold out, but it’s worth keeping your eyes peeled in case new dates are added. The ticketing service offers a Fan Guarantee, which allows for cancellations, refunds or exchanges within 24 hours of booking, subject to certain exclusions.
The ticketing site also recently announced that they’re barring fans and brokers from operating multiple accounts on its platform. They also plan to shut down its long-criticized TradeDesk ticket uploading application and start requiring ticket brokers to hand over their Social Security numbers in order to sell tickets on Ticketmaster’s resale platform, further making sure your tickets are secure.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-10 17:15:542026-02-10 17:15:54BTS Arirang World Tour Tickets Are Reaching $5K – Here’s Where to Find the Best Prices on Sold Out Shows
Spotify executives shared new details about an internal bug-fixing tool they call Honk on Tuesday and issued a loud call to music industry rightsholders to strike licensing deals that let fans interact with artists’ music, possibly using AI, on the streaming platform.
The streaming giant reported strong fourth quarter revenue and subscriber growth that beat expectations. But that growth was in the rearview mirror during a call discussing earnings, as founder Daniel Ek and co-CEOs Gustav Söderström and Alex Norström focused almost entirely on Spotify’s AI ambitions.
“We know that there will be winners and losers, but there is no question in my mind that we will continue to be one of the big beneficiaries of AI,” Söderström said.
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Here are the highlights of what executives said on their fourth quarter earnings call.
What are they building?
As an example of what they can do with AI, Spotify shared details for the first time about an internal tool called Honk, which uses Anthropic’s AI model Claude to fix bugs and add new features to the streamer’s platform. Söderström described a theoretical Spotify engineer using Slack to ask Claude to solve a problem or add a feature to Spotify’s iPhone app while commuting to work.
“We are a tech company, and we consider ourselves the [research and development] department for the music industry,” Söderström said, highlighting its acquisition of AI-voice platform Sonantic in 2022 and the recent launch of Spotify’s interactive DJ and prompted playlists. “Our job is to understand new technologies quickly and capture their potential.”
Söderström said Spotify has the “technology and capabilities ready” for fans and artists to create derivative works, like remixes, using AI, and called on music companies to strike licensing agreements that would allow Spotify to go forward.
“We think [derivative works, like remixes] is an untapped opportunity for artists to make money off of their existing IP,” said Söderström. “We have the technology and capabilities that we need, and we are ready for the for the partners that are hungry to seize this opportunity. We think the ones that move first will benefit the most. We’re hungry and excited … We’re there for people who want to make money.”
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Spotify does not think AI music software companies will replace it.
While not naming a specific company, Söderström said Spotify feels good about the increased volume of music created by AI software because creators, drawn to Spotify’s reach and monetization opportunity, upload that music to Spotify.
“There are tons of AI companies that let you create new music,” Söderström said. “But that’s not where the music breaks. It breaks on Spotify. We feel very comfortable about that position.”
Spotify is in talks with music industry stakeholders about its AI plans, and co-CEO Norström says they have widespread support.
“I’ve done the rounds, and no rights holder is against our vision,” Norström said. “We pretty much have the whole industry lined up behind us. We want to do it in a controlled way, respecting artists and the community.”
Spotify’s most senior engineers aren’t even writing code anymore.
Since December when Anthropic’s Claude Opus 4.5 was released, Spotify’s most senior engineers say they have not written a single line of code, saysSöderström.
“They actually only generate code and supervise it,” saysSöderström. “It is a big change. It is real, and it’s happening fast now, as I said. We’ve discussed for the last at least 1.5 years not if this should happen, but when it should happen.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-10 17:06:422026-02-10 17:06:42HONK! Spotify Execs Sound the Horn on Internal Tool, AI Plans
