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Fresh off his first MLS Cup win and second-straight MVP title, Lionel Messi and Stanley 1913 are back with another limited-edition collaboration. Featuring a lineup of popular Stanley products, including the Quencher tumbler and the IceFlow bottle, the collection gets a “GOAT” makeover with an all-black design with premium gold finishes.
“Emotional connection and authenticity is everything. We want to make sure that Stanley 1913 is there for the full journey of a football fan. Whenever food and beverage is important to you at that particular moment during your football ritual – whether you’re hydrating, libating, or caffeinating – we want to be right there.”
Fans can now shop Stanley’s popular leakproof Quencher tumbler, which has become a fan-favorite thanks to its many recording artist and athlete co-signs, including Post Malone, Tyla and Olivia Rodrigo. Shop the “GOAT” Messi tumbler for $60 on Stanley1913.com.
Messi x Stanley Quencher ProTour Flip Straw Tumbler
“With this iteration of the Messi x Stanley 1913 partnership, we’re continuing to push the boundaries of what performance drinkware can mean with athletes powering the brand,” shared Matt Navarro, Global President of PMI WW Brands, LLC in a press release. “It’s product with purpose. The new collection, spanning our hydration and café categories, honors the mindset that drives elite athletes and everyday achievers alike – and we couldn’t be more proud to do this alongside a partner like Messi.”
Want even more Messi? His previous Argentina-inspired collection is still available on Stanley’s website. With the World Cup coming up next year, this is the best time to gear up on your countries merch. Shop the full collection below.
Messi x Stanley 1913 Quencher ProTour Flip Straw Tumbler
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-09 23:10:332025-12-09 23:10:33Celebrate Lionel Messi’s MLS Cup Win With New Stanley Collab: Shop Here Before It Sells Out
Just weeks after spending time in jail for charging at Ariana Grande on a red carpet in Singapore, Johnson Wen was kicked out of a Lady Gaga concert in his native Australia.
In videos posted to X and Instagram by other fans at the Mayhem Ball show, the 26-year-old prankster speaks to security personnel before being escorted out of Suncorp Stadium in Brisbane. The concert had not yet started at the time of his forced exit.
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In the clips, fans audibly shout, “Get him out of here!” and, “That’s the guy that tackled Ariana!”
“Got kicked out of Lady Gaga concert!” Wen wrote on his Instagram Story shortly afterward. “The show doesn’t start till 8 p.m.! The early fans were booing me.”
It’s uncertain what his plans were for the Mayhem show, but in the past, Wen has made his name as a serial stage-crasher who’s rushed the stages of stars such as The Chainsmokers and The Weeknd. This summer, he was arrested for doing the same to Katy Perry on one of her Lifetimes Tour stops.
In November, he made headlines for jumping the barricade at the Singapore premiere of Wicked: For Good and charging headfirst toward Grande — who is good friends with Gaga and has collaborated with her on the Billboard Hot 100 chart-topper “Rain on Me.” Wen was quickly pinned to the floor and escorted off the premises by security personnel, but only after he made contact with the singer-actress by wrapping an arm around her neck and grabbing hold of her shoulder. Cynthia Erivo was the first person to interfere, with videos capturing her prying Wen off her castmate.
In the aftermath, Wen was sentenced to nine days in Singapore jail, after which he was banned from ever returning to the Asian city-state.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-09 22:20:392025-12-09 22:20:39Man Who Charged at Ariana Grande on ‘Wicked’ Red Carpet Kicked Out of Lady Gaga Concert in Australia
THE BIG STORY: As 2025 winds to a close, Billboard is recapping all the biggest music biz stories of the last year — and on the legal front, it was relentless.
In January, Drake stunned everyone by suing his own record label over Kendrick Lamar’s “Not Like Us.” In May, Sean “Diddy” Combs went to trial over heinous sexual abuse allegations. In August, an AI artists signed a record deal that raised thorny legal questions. In November, the major labels raised even more by inking settlements with AI firms Suno and Udio. And in between, we got copyright cases galore, a Mariah Carey ruling, and plenty of litigation over Taylor Swift‘s Eras Tour.
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Before the calendar turns to 2026 — and a fresh batch of game-changing legal battles crop up — go read our 2025 year-in-review and get all caught up on the year that was.
You’re reading The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between. To get the newsletter in your inbox every Tuesday, go subscribe here.
Other top stories this week…
THAT WAS QUICK – President Donald Trump pardoned Tim Leiweke, an Oak View Group exec charged in June (by Trump’s own DOJ) over accusations that he rigged the bidding for an Austin arena.
SHAKE IT OFF – Taylor Swift’s attorneys asked a judge to dismiss an “absurd” lawsuit over claims she stole lyrics from a self-published Florida poet, saying the litigation must end “once and for all.”
RICO CASE – Daddy Yankee filed a blockbuster lawsuit accusing his ex-manager Raphy Pina and estranged wife Mireddys González of stealing royalties over a decade-long racketeering scheme.
NO NEW TRIAL – A judge denied a new trial to Emani Ellis, the security guard who unsuccessfully sued Cardi B for assault over a 2018 altercation at a doctor’s office.
SAMPLE SPAT – WWE superstar John Cena is facing a lawsuit over the iconic horn riff from his entrance theme song – a case that shines a light on the track’s bizarre backstory of samples and credits.
BEHIND THE SCENES – A federal appeals court says Adidas didn’t violate securities laws by failing to warn shareholders about offensive behavior from Ye (formerly Kanye West) before his 2022 downfall.
BACK TO PRISON – Tekashi 6ix9ine was sentenced to three months in prison violating his probation from a 2018 racketeering case by possessing cocaine and MDMA and assaulting a man.
SETTLEMENT REACHED – The years-long legal battle between Ultra Records founder Patrick Moxey and Sony Music has finally come to an end.
GUILTY VERDICT – DJ Quik’s son, David Marvin Blake Jr., was convicted of second-degree murder over a 2022 incident in which he shot and killed a 33-year-old man.
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Another year, another run at No. 1 or Mariah Carey’s “All I Want for Christmas Is You.” The seasonal staple has topped the Billboard Hot 100 for at least one week around the holidays every year since 2019, and it resumes its run for 2025 atop this week’s chart (dated Dec. 13).
This latest week at No. 1 is a historic one for Carey, as it makes it 19 total for “All I Want” — tying the holiday classic with Lil Nas X’s Billy Ray Cyrus-featuring “Old Town Road” and Shaboozey’s “A Bar Song (Tipsy)” for the longest-reigning No. 1 in Hot 100 history. And just below it, another holiday classic hits a new benchmark, as Wham!’s “Last Christmas” reaches the runner-up spot for the firs ttime.
Will “Last Christmas” eventually pass “All I Want” on the seasonal rankings? And what else are we finding notable among the Hot 100’s holiday titles this week? Billboard staffers answer these questions and more below.
1. Mariah Carey’s “All I Want for Christmas Is You” notches a record-tying 19th frame at No. 1 on the Hot 100 this week. On a scale from 1-10, how big an achievement is this for Carey?
Katie Atkinson: 10! The fact that she held this very record for more than two decades with her Boyz II Men collab “One Sweet Day,” lost it, and now is within one week of reclaiming it is an exceptional feat. She first set the record in 1996 alongside Boyz II Men, and almost 30 years later she’s getting it back? Seriously, who does that?! It’s an unprecedented chart achievement that I doubt could ever be re-created. Not to mention, Mariah could break the record next week, but then the weeks at No. 1 she could have in the holiday seasons to come are endless. The Hot 100’s No. 1 is officially Mariah’s personal chart penthouse, which she lets everyone else rent out the other 48 weeks of the year.
Kyle Denis: 8.5. It might be just as big as “Christmas” reaching No. 1 on the Hot 100 the first time around! Snatching back the all-time record from two absolute behemoths is no easy feat, but of course if anyone could pull it off, it’d be Mariah Carey.
Jason Lipshutz: A 9. That will bump up to a 10 next week, if “All I Want for Christmas is You” ends the three-way tie with “Old Town Road” and “A Bar Song (Tipsy),” but for now, Carey notching a 19th week at No. 1 demonstrates just how enduring her holiday classic has become. Even when other holiday fare floods the top 10, or a song like Brenda Lee’s “Rockin’ Around the Christmas Tree” sneaks in for a week atop the Hot 100 in a different year, “All I Want for Christmas is You” remains the 800-pound gorilla of the season. The fact that it now shares a piece of Hot 100 history speaks to that dominance, which has no end in sight.
Andrew Unterberger: A 10. Next week might be an 11.
Denise Warner: 10, for sure. Mariah has 19 no. 1 hits on the Hot 100 – and multiple chart toppers that reigned for more than 10 weeks. But creating a song so iconic that its ascendency to the top becomes an inevitable holiday tradition? That’s incredible.
2. Wham!’s “Last Christmas” reaches a new peak of No. 2 on the Hot 100 this week — marking the fifth holiday season this decade in which the song has bettered its previous chart peak. What about the song has made it such a still-growing perennial over 40 years later?
Katie Atkinson: The thing that separates “Last Christmas” from pretty much every other holiday song is that it’s a perfect pop song that just happens to be Christmas-themed. I wouldn’t mind hearing this song on the radio in January or even July, really. George Michael crafted a great Wham! breakup song set at Christmastime that gets its much-deserved flowers poinsettias every December.
Kyle Denis: I think “Last Christmas” really benefits from the downcast gloom that hovers over most of Gen Z. If we’re not latching onto sexy Christmastime songs like Ariana Grande’s “Santa Tell Me” or Destiny’s Child’s “8 Days of Christmas,” we’re leaning into the songs that capture melancholy winter blues. Think Phoebe Bridgers’ intimate “If We Make It Through December” or Sabrina Carpenter’s “Santa Doesn’t Know You Like I Do.”
Jason Lipshutz: I suspect that part of the reason why “Last Christmas” has grown in stature recently has to do with its singularity amidst the holiday perennials — there are no other Christmas smashes that function quite like it, its whimsical melancholy standing apart from the wholesome energy of “Rockin’ Around the Christmas Tree” and “Jingle Bell Rock,” as well as the new-school cheeriness of hits by Mariah Carey, Ariana Grande and Kelly Clarkson. Within a culture that now consumes lots of holiday music in playlist form, “Last Christmas” bounces nicely off of any other Christmas song around it, and as a result, Wham! keep climbing higher and higher each year.
Andrew Unterberger: We love an exquisitely sad holiday song, don’t we? Especially one with synths that twinkle like a perfect snowflake. The better question might be: Why isn’t The Pretenders’ similarly incandescent “2000 Miles” right behind it in the yearly rankings?
Denise Warner: I think “Last Christmas” really benefits from the downcast gloom that hovers over most of Gen Z. If we’re not latching onto sexy Christmastime songs like Ariana Grande’s “Santa Tell Me” or Destiny’s Child’s “8 Days of Christmas,” we’re leaning into the songs that capture melancholy winter blues. Think Phoebe Bridgers’ intimate rendition of “If We Make It Through December” or Sabrina Carpenter’s “Santa Doesn’t Know You Like I Do.”
Outside of the song itself, Wham! also remains one of pop’s coolest duos, thanks, in large part, to George Michael’s legacy. Last year, the late pop icon’s “Father Figure” saw a streaming revival thanks to a key Babygirl sync, and Taylor Swift interpolated the song on her Life of a Showgirl track of the same name the following year. All roads lead back to Wham!
3. Do you think “Last Christmas” will ultimately pass “All I Want” for the No. 1 spot one of these holiday seasons? If so, how long do you think it’ll likely take?
Katie Atkinson: It took until 2021 for “Last Christmas” to hit No. 1 in Wham!’s native U.K. (and then it’s bounced back to the top the last two years as well, à la Mariah), so I wouldn’t rule it out. But I think it would take something special – like a buzzy new music video or placement in a big TV show or film – to move the needle. Maybe there will be a big push for the song’s 50th anniversary in 2034, like when Brenda Lee’s “Rockin’ Around the Christmas Tree” ducked past Mariah during its 65th anniversary in 2023.
Kyle Denis: It definitely has the potential to! Realistically, a lot of stops have already been pulled for “All I Want.” Depending on how serious Andrew Ridgeley and Michael’s estate are about securing that No. 1 spot, they could probably reach the pole position by next holiday season with the right combination of promo moves. From remixes and music videos (performance, claymation, etc.) to live specials and performances, there are countless ways to life “Last Christmas” to the top of the Hot 100.
Jason Lipshutz: Maybe there’s a concerted effort to finally get “Last Christmas” to No. 1 for a week this year or next, in the same way that Brenda Lee successfully went all-out to push “Rockin’ Around the Christmas Tree” into the top spot in 2023. Otherwise, “All I Want for Christmas is You” remains the de facto holiday chart-topper. Wagering on another holiday song to supplant it as the go-to No. 1 during the holidays remains a foolish bet.
Andrew Unterberger: Next year will be the year! With the 10 year anniversary of George Michael’s death (which happened on Christmas Day, 2016) approaching, sentimentality over “Last Christmas” should be at an all-time high, while Mariah should already have the Hot 100 record well in hand. From there it might only take a small move or two to get Wham! over the top on the chart.
Denise Warner: It definitely has the potential to! Realistically, a lot of stops have already been pulled for “All I Want.” Depending on how serious Andrew Ridgeley and Michael’s estate are about securing that No. 1 spot, they could probably reach the pole position by next holiday season with the right combination of promo moves. From remixes and music videos (performance, claymation, etc.) to live specials and performances, there are countless ways to life “Last Christmas” to the top of the Hot 100.
4. Are there any holiday songs lower on the Hot 100 you have your eye on to potentially reach new heights on the chart this holiday season?
Katie Atkinson: I love seeing my favorite holiday classic, Nat King Cole’s “The Christmas Song (Merry Christmas to You),” already hitting its previous peak of No. 9. Knowing that there are still three non-Christmas songs in the top 10 means that as early as next week, this 1961 recording could climb higher than ever before.
Kyle Denis: I imagine “Santa Tell Me” will match its No. 5 peak from last holiday season, but the combination of Christmas, awards season and Wicked: For Good might boost it even higher. Nat “King” Cole’s “The Christmas Song” has already matched its Hot 100 peak this season (No. 9), and Michael Bublé’s “It’s Beginning to Look a Lot Like Christmas” is now within three spots of surpassing its all-time peak, so I’m keeping my eye on those two tracks as well.
Jason Lipshutz: Jonas Brothers’ “Like It’s Christmas” re-enters at No. 35 this week, and while it has to compete with a lot more time-honored holiday songs, I could see it pushing higher in the coming years. Not only do the JoBros have a ton of goodwill as their reunion continues through stadium audiences, but “Like It’s Christmas” represents a solid distillation of their pop appeal. I’d bookmark that one to become a top 20 hit in the near future.
Andrew Unterberger: It’s literally called “The Christmas Song” — it should’ve been at least a top five Christmas-season hit by now. This may be the year.
Denise Warner: I imagine “Santa Tell Me” will match its No. 5 peak from last holiday season, but the combination of Christmas, awards season and Wicked: For Good might boost it even higher. Nat “King” Cole’s “The Christmas Song” has already matched its Hot 100 peak this season (No. 9), and Michael Bublé’s “It’s Beginning to Look a Lot Like Christmas” is now within three spots of surpassing its all-time peak, so I’m keeping my eye on those two tracks as well.
5. Is there any chance Mariah doesn’t break the all-time Hot 100 No. 1 record next week with “All I Want”?
Katie Atkinson: I suppose anything is possible — there are still three days left in the chart tracking week — but I’m expecting Mariah to take back her rightful crown by Monday.
Kyle Denis: I think we’d need a surprise launch of the official lead single for a new Adele or Rihanna album to keep Mariah from breaking the all-time Hot 100 No. 1 record next week.
Jason Lipshutz: Nope. Lil Nas X and Shaboozey should enjoy the next few days — they will very likely be their last as the co-owners of the all-time Hot 100 longevity record.
Andrew Unterberger: Not really, no.
Denise Warner: This late in the tracking period? Barring an unexpected Wham! surge, I don’t see Mariah failing in this matter. (Although all I want for Christmas is an “Opalite” music video, which could potentially spoil future weeks for Carey. But not this one.)
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-09 22:10:542025-12-09 22:10:54Will ‘Last Christmas’ Ever Pass ‘All I Want for Christmas Is You’ for No. 1 on the Seasonal Hot 100?
Taylor Swift famously grew up on a Christmas tree farm in Reading, PA. Back in 2009 while promoting her second-album Fearless, she talked to Jimmy Fallon about her time living there.
“It wasn’t my job to cut them down, because I was like five. They put me to work though. There are these bugs called Praying Mantises. They lay eggs and they form pods on the Douglas Fir Christmas trees. It’s their favorite tree to infest,” she explained. “I would walk around the Christmas trees all day and pick them off and put them in a little basket.”
But her devotion to the holiday goes beyond her Entomological efforts as a child. Following her 2006 self-titled debut, Swift released The Taylor Swift Holiday Collection EP in 2007 that contains six cuts – four covers and two original offerings, “Christmases When You Were Mine” and “Christmas Must Be Something More.”
Since then, she’s written one more explicitly festive song – 2019’s “Christmas Tree Farm” – and one that has found its way into the Swiftian zeitgeist as a yuletide track. (“‘tis the damn season’ from evermore.)
(With apologies to “I Look in People’s Windows” from The Tortured Poets Department: The Anthology, “right where you left me” from evermore deluxe, “Lover,” “Begin Again” and “The Moment I Knew,” the latter two from Red, which all mention the holiday, but don’t necessarily evoke the spirit enough for a seasonal rotation. And while many believe that the sparkling “Opalite” feels Christmassy, it’s not included here either.)
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-09 22:00:342025-12-09 22:00:34Here Are All of Taylor Swift’s Christmas Songs, Ranked (Critic’s Picks)
Singer Jubilant Sykes was the victim of a fatal stabbing at his Santa Monica home on Monday (Dec. 8). The Grammy-nominated classical, opera and gospel singer was pronounced dead at the scene by authorities. Sykes was 71.
Police officers were called to Sykes’ California residence around 9:20 p.m. PT on Monday after receiving a 911 call reporting an alleged assault, according to a statement released by the Santa Monica Police Department.
After entering Sykes’ residence, “officers located an adult male, 71-year-old Jubilant Sykes, with critical injuries consistent with a stabbing. Santa Monica Fire Department personnel responded and pronounced the individual deceased at the scene.”
Skyes’ 31-year-old son, Micah Sykes (identified by police as “the suspect” in the release) was found inside the home and taken into custody “without incident.” Sykes, one of the singer’s three sons, is set to be booked for homicide, and “the case will be presented to the Los Angeles County District Attorney’s Office for filing consideration.”
“I was born and raised in Santa Monica, so we were really pretty close out here. What a singer… Good spirit, good-hearted person, beautiful family,” Jubilant Sykes’ neighbor and friend Sammy Murphy told KTLA.
Billboard has reached out to the Santa Monica Police Department for comment.
Sykes was a decorated baritone singer trained in classical music, who had performed in operas across the globe in prestigious venues such as the Kennedy Center, Apollo Theater, Hollywood Bowl and the New Orleans Jazz Festival.
The Los Angeles native earned a Grammy nomination for his role as the Celebrant in Leonard Bernstein’s Mass in 2009.
“In life, there is an extraordinary pain, and I don’t believe that you can sing without having a little bit of pain in life,” Sykes told All Things Considered host Michele Norris in 2002. “The fact that we’re all alive is a great gift, but pain is always coupled in there. I don’t think you can have great love without great pain.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-09 21:48:252025-12-09 21:48:25Jubilant Sykes, Celebrated Opera Singer, Dead at 71: Police Confirm Son Is in Custody
U.S. Representative Scott Fitzgerald (R-WI) sent a letter to the Federal Trade Commission (FTC) on Monday (Dec. 8) urging the examination of “potential unfair or deceptive acts or practices by performing rights organizations (PROs) which could constitute a violation of Section 5 of the FTC Act.” Specifically, Fitzgerald’s letter, obtained by Billboard, centers its concerns on the two newest PROs in the U.S.: AllTrack and Pro Music Rights.
The letter, addressed to FTC chairman Andrew N. Ferguson, states that AllTrack and Pro Music Rights are soliciting businesses about purchasing their licenses and “leveraging the specter of statutory damages for those who do not comply,” but alleges that “while both entities feign legitimacy, it is unclear whether AllTrack or Pro Music Rights have amassed a repertoire that a licensee would find valuable to its business. Worse, however, it appears both entities may be misrepresenting to licensees the bodies of work they actually manage, thereby pressuring businesses to obtain a performance license they may not need.”
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Offering an example, the letter cites claims on AllTrack’s website that it works songs performed by Billy Ray Cyrus and No Doubt. “However, as explained by commentors in response to the U.S. Copyright Office’s inquiry on PROs, AllTrack represents only a partial interest in one Billy Ray Cyrus song, and a composition once recorded by No Doubt, but does not represent the artists themselves or a substantial volume of their recorded works.”
The FTC letter is the latest attempt by Fitzgerald to get the federal government to investigate the practices of U.S. PROs. These calls for examination kicked off in September 2024, when House Judiciary Committee members Fitzgerald, along with committee chairman Rep. Jim Jordan (R-OH) and Rep. Darrell Issa (R-CA), wrote a letter to the Copyright Office, expressing concerns about the “proliferation” of new PROs and the lack of transparency about the distribution of general licensing revenue.
This letter led the Copyright Office to open a Notice of Inquiry (NOI) into the U.S. PROs in February 2025. The NOI was completed just weeks ago, on Nov. 20, when the Copyright Office replied to the Congressmens’ letter, essentially declining to force any changes on the PROs, but adding: “The Office also understands that stakeholders have been working towards solutions to address some of the issues raised in your letter,” including GMR and SESAC joining up with BMI and ASCAP to make their repertoire data available on Songview, a searchable database that explains which PROs, publishers and songwriters are involved in many popular songs.
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The letter to the FTC also points to comments made during the NOI by fellow U.S. PRO Broadcast Music Inc. (BMI), a longtime PRO that represents nearly half of U.S. songwriters, as a reason to open an investigation.
“Pro Music Rights, similarly, claims to represent ‘a market share of 7.4% in the U.S.,’ yet, according to comments offered by BMI, that would equate to more rights management than a combined SESAC and GMR,” the letter to the FTC reads. It also calls into question Pro Music Rights founder/CEO Jake Noch, stating: “Legal action against Pro Music Rights’ founder provides further evidence that the PRO is engaged in a pattern of deception, if not outright fraud.”
The letter further points out that “licensees are unable to ascertain the full catalog of works either entity represents due to a lack of transparency in music ownership. As stakeholders have noted, the lack of a complete, authoritative database has allowed PROs like AllTrack and Pro Music Rights to misrepresent their volume of works without verification.” Here, it again points to comments from BMI during the NOI that explain the challenges of searching AllTrack’s repertoire.
Read the full letter, along with a statement from Pro Music Rights’ Noch, below. AllTrack did not reply to Billboard’s request for comment by press time. This story will be updated if AllTrack responds.
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Noch, CEO of Pro Music Rights, said in a statement: “Pro Music Rights categorically rejects the false and misleading claims contained in Representative Fitzgerald’s letter to the FTC. The assertions made regarding our company’s legitimacy, transparency, and repertoire are demonstrably inaccurate and reflect a fundamental misunderstanding of both our operations and the current regulatory framework governing performing rights organizations.
“Pro Music Rights operates in full compliance with U.S. law and has consistently registered its repertory data with recognized industry partners and verification platforms. Our repertoire is robust, commercially valuable, and actively licensed across digital, broadcast, and public performance markets. Any implication that PMR ‘feigns legitimacy’ is patently untrue and unsupported by evidence.
“As a privately held, independent PRO, PMR was formed to increase transparency, competition, and fairness in a market historically dominated by a small number of legacy organizations. Unfortunately, entrenched industry players — some of whom are referenced in the Congressman’s letter — have repeatedly sought to undermine that competition through misinformation and lobbying efforts.
“We welcome any good-faith regulatory review grounded in facts rather than conjecture. Pro Music Rights has cooperated with all relevant authorities in the past and remains committed to full transparency with respect to both its catalog and its licensing activities.
“A formal statement and supporting documentation will be made available to the FTC and the public record in due course.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-09 21:41:502025-12-09 21:41:50U.S. Congressman Asks FTC to Investigate Possible ‘Deceptive Acts’ by PROs AllTrack & Pro Music Rights
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On the hunt for the best tech gifts? Add this Apple AirPods sale to the top of your holiday shopping list. The coveted earbuds are cheaper than ever across its full family of products right now, and you’ll want to pick up the bestselling buds while the discounts are still live.
The new deals are on the AirPods Pro 3, which just launched in September and the AirPods (4th generation). While the latest pair offers upgraded features like better-than-ever noise cancellation and heart rate monitoring, the older models still hold up, with great audio quality and noise-canceling technology too.
Whether you’re looking for a great gift for music lovers or treating yourself to a headphone upgrade, this Apple AirPods sale is a can’t miss opportunity.
When it comes to the best Bluetooth earbuds for music, there’s no denying the popularity of the AirPods line. Apple’s famous all-white cordless earbuds are as much a status symbol as they are an essential go-to for recording artists, podcasters and music producers alike. We recommend them for everyday use as well including as an essential commuter gadget for listening to music or taking a FaceTime call while on the go.
Apple products rarely go on sale on the company’s own site, but Amazon and Walmart has multiple AirPods sales for up to 20% off for a limited time. Apple’s best-selling AirPods start at just $99 — their lowest prices of the season. Apple’s third-generation AirPods Pro’s are also on sale right now for 12% off. You can also score tons of discounts on older generation earbuds, as well as, a lineup of Beats headphones, which is also owned by Apple, for up to 33% off.
With AirPods, you’ll get personalized spatial audio, quick access to Siri, and up to 30 hours of battery life with the charging case. They are also equipped with an H2 chip that “pushes advanced audio performance even further, resulting in smarter noise cancellation and more immersive sound,” according to the product description. The more premium AirPods Pro include four interchangeable pairs of silicone tips (XS, S, M and L) and feature active noise cancellation to block out all unwanted noise.
Shop the best Apple AirPods on sale below before these deals are gone. Amazon says more than 10,000 people have purchased the AirPods Pro 2 in the last few weeks alone so you’ll want to add to cart soon.
AirPods are cheaper than ever, discounted starting at just $99 on Amazon. Note that the base AirPods won’t include the Active Noise Cancellation technology, but still features personalized spatial audio with dynamic head tracking and a lightning charging case.
If you want the best audio experience from Apple’s line of earbuds, the latest Airpods Pro 3 are for you. With active noise cancellation as well as new features like live translation, heart rate sensing and a hearing aid feature, the Airpods Pro 3 is the best pair of earbuds you can get this year.
The AirPods Pro 2 with USB-C are and older model in the AirPods family, but that also means it’s cheaper. Musicians are still snapping them up thanks to the superb audio quality (think: clear, crisp sound), and the buds’ Active Noise Cancellation feature, which blocks out exterior noise for a quieter, more focused listening session.
Wireless Noise Cancelling Workout Earbuds with Secure- Fit Earhooks, Up to 45-Hour Battery with Charging Case, Sweat & Water Resistant, Heart Rate Monitoring – Electric Orange
Take your workout to the next level with the Beats Powerbeats Pro 2. They sweat and water resistant and feature Apple’s advanced H2 chip for seamless integration with all of the brands products. These are great AirPods alternatives, and already seeing a 20% off markdown for the holidays.
Want AirPods that are more fitness-friendly? The Beats Studio Buds offer a great compact size, impressive audio, noise cancellation and are IPX4-rated sweat and water resistant.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-09 21:11:052025-12-09 21:11:05AirPods Sale: A New Holiday Discount Gets You Apple’s Best-Selling Earbuds for Under $100
A wave of Latin acts have embraced the holiday spirit by releasing new songs related to Christmas and New Year’s Eve.
This year, Camilo and Evaluna Montaner joined forces for “Navidad En Cada Esquina,” giving the all-time holiday classic “It’s Beginning to Look a lot Like Christmas” a bilingual and salsa twist.
“Our version mixes the feeling of Christmas back home in Colombia and Venezuela with what Christmas feels like in the States,” Camilo said of the release in a press statement. “When I started spending the holidays here with Evaluna, I was like, wow — this is a whole different vibe. In Latin America Christmas is loud, there’s dancing, there’s movement… and in the U.S., it’s all about getting cozy because it’s cold outside. I ended up loving both cultures, so with this version of ‘It’s Beginning to Look a Lot Like Christmas,’ we wanted to bring those two worlds together. Every time I hear it, it takes me back to my family, and I hope it does the same for other people too.”
Thalía, on the other hand, released an original flirty tune called “Santa (Tengo Un Crush Contigo),” in both English and Spanish, describing everything she loves about the festive season. “It has that rhythm that makes you move without even realizing it, like you’re part of a movie musical, full of light, joy, and magic,” she noted in a statement. “Every line paints a visual scene, and that’s why every time I hear it, I get emotional.”
Meanwhile, artists such as Gloria Trevi and Victor Manuelled also opted to give fans new Xmas EPs in the spirit of the holidays.
Below, check out 11 Latin Christmas songs released this year to add to your playlist:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-09 20:51:062025-12-09 20:51:0611 New Latin Christmas Songs for Your Holiday Playlist: Camilo, Thalia & More
With the end of 2025 in sight, Billboard has been publishing roundups of the biggest stories of the year across multiple arenas. Now, in this central hub, you can find all of those stories in one place.
Since January, every sphere of the business has been subject to a whirlwind of major developments. At record labels, the biggest story came with the majors’ lawsuits against AI music platforms Suno and Udio in June — followed by settlements between several of those parties in the fall. In related news, a small handful of AI-assisted artists gained traction, most notably Xania Monet, who signed a multi-million-dollar record deal with Hallwood Media in September while landing on multiple Billboard charts.
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On the live music front, Live Nation continued fighting the antitrust case brought by the Department of Justice and also faced a new challenge with a second lawsuit from another government agency, the Federal Trade Commission, over Ticketmaster’s resale policies. Speaking of live music, multiple indie festivals and at least one major festival (Lollapalooza) forged ahead with Earth-friendly initiatives, among other sustainability projects that were launched and continued across the industry over the past year.
On the political front, the beginning of the second Trump term also brought with it a fresh round of stories highlighting the often fraught relationship between the administration and the music business, from the impact of tariffs on merch and musical instruments manufacturers to deportations faced by non-citizen musicians amid the Trump regime’s harsh immigration policies. In music law, a slew of AI legislation dominated headlines — though the Sean “Diddy” Combs trial took up its share of the oxygen in a blockbuster court showdown that ended with the hip-hop mogul escaping the most consequential charges lodged against him.
The year also saw its share of massive deals — albeit less massive than last year — including big asset-backed securities (ABS) deals for Concord and Harbourview and Taylor Swift‘s purchase of her Big Machine masters for a cool $360 million.
Stay tuned for more roundups running down the biggest developments in publishing, AI and the exploding country music genre, as well as a look-ahead at 2026. You can find links to the year-end content we’ve published so far below, with placeholders for the remainder.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-09 20:51:062025-12-09 20:51:06Year-End Roundup: The Biggest Music Business Stories of 2025