Season 51 of revered live music show Austin City Limits is returning for it second half, with artists including Grammy nominees Jon Batiste, Leon Thomas and Reneé Rapp on the docket.

Though the season doesn’t officially pick back up until January, a special episode featuring Batiste premieres Saturday (Dec. 13). The triple Grammy nominee returns to ACL for the first time since 2021 and will highlight selections from his latest album, Big Money, backed by a 14-piece band. He is also joined by R&B artist Andra Day.  

Billboard exclusively premieres his performance of the title track below, which includes a tutorial on the “Big Money” dance.  The song is about “not selling your soul for silver and gold, ever,” Batiste says of the uplifting tune.

Big Money, released in August, is Batiste’s ninth studio album and, in addition to Day, features Randy Newman and No I.D. Season 51 premiered in October and the first half of the 13-episode season included appearances by FINNEAS, the Marías, Kelsea Ballerini and Samara Joy, among others.

Austin City Limits is produced by Austin PBS and has earned a Peabody Award, a Rock & Roll Hall of Fame designation and the National Medal of Arts—the only television series ever to receive the honor. 

Below is the line-up for the back half of season 51. Fans can watch live, stream online or download the PBS app.

  • Dec. 13, 2025: Jon Batiste 
  • Jan. 17, 2026: Reneé Rapp, Thee Sacred Souls 
  • Jan. 24, 2026: Marcus King Band, Wyatt Flores 
  • Jan. 31, 2026: Queens of the Stone Age 
  • Feb. 7, 2026: Leon Thomas 


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Music videos will be available for all Spotify premium users in the U.S. and Canada by the end of the month, the company announced Tuesday (Dec. 9).

According to a new post on Spotify’s “For the Record” blog, the “limited” catalog of music videos will include clips from artists such as Ariana Grande, Olivia Dean, BABYMONSTER, Addison Rae, Tyler Childers, Natanael Cano and Carin León, “from studio versions to live performances and covers.” It added that availability will increase “over the coming months.”

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The music video feature was beta-tested in nearly 100 markets last year.

Tuesday’s blog post was published less than a month after Spotify announced that it and the National Music Publishers Association (NMPA) had signed a licensing deal for “expanded audiovisual rights” in the U.S. to increase royalty-earning potential of publishers and songwriters who opted in. That news broke amid an ongoing standoff between the streaming giant and the NMPA over the former’s bundling of audiobooks into its premium subscription plans, which Spotify says qualifies it to pay a discounted royalty rate for U.S. mechanical royalties on its premium tiers.

The Spotify blog post cited a Burson survey conducted earlier this year with 8,400 Spotify users across 19 markets in which 70% of respondents said “more video content would enhance their experience” on the platform.

To watch music videos on Spotify, premium subscribers can open the app on their TV, desktop computer, iPhone or Android device and tap “Switch to video” while listening to a track. They can switch back to audio-only by pressing “Switch to audio.” Additional videos can be found by scrolling down to a section titled “Related Music Videos,” or by looking under the “Music” tabs on artists’ profiles. Video playlists including 90s Video Hits, Hip-Hop Throwbacks and Latin PartyVibes are also available to stream.

“We’ve seen that when fans discover a track with a music video on Spotify, they’re 34% more likely to stream it again and 24% more likely to save or share it in the following week,” Spotify’s blog post states. “This is especially true for superlisteners, who go on to actively stream the artist 85% more in the next month, on average.”


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Wicked composer and lyricist Stephen Schwartz and KPop Demon Hunters songwriter Mark Sonnenblick are among those slated to appear at February’s ASCAP Experience conference, ASCAP announced Tuesday (Dec. 9).

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Schwartz and Sonnenblick will appear on stage for a keynote conversation titled “We Create Music” at the conference, which is set for Feb. 12 at the Skirball Cultural Center in Los Angeles. Others slated to participate are songwriter/producer Darrell Brown (Keith Urban, LeAnn Rimes) and producer/songwriter Neff-U (Justin Bieber, Sia, Eminem), who will return to the conference with their “Get Heard: Live Song Feedback Session,” which sees creators receiving live, constructive feedback from music industry professionals. ASCAP will start accepting song submissions from conference registrants interested in participating in the “Get Heard” section on Thursday (Dec. 11).

Other talent announced in this current round include songwriter and singer Justin Tranter (Justin Bieber, Chappell Roan); Swedish music producer, songwriter and 2026 Songwriters Hall of Fame nominee Andreas Carlsson (Backstreet Boys, *NSYNC); Grammy-winning singer, songwriter and producer James Fauntleroy (Justin Timberlake, Bruno Mars); and Grammy-winning songwriter-producer duo Nova Wav (Beyoncé, Rihanna).

Additional talent will be announced in the coming weeks.

In previous years, the nearly-20-year-old ASCAP Experience has hosted such bold-faced names as Stevie Wonder, Quincy Jones, Lin-Manuel Miranda, Katy Perry, Tom Petty, Timbaland and Hans Zimmer.

The single-day ASCAP Experience conference will feature networking opportunities, performances, and panel discussions around how creators can utilize new technologies and more. Early bird pricing is currently available for ASCAP members at $95 and non-members at $160.

For more information, visit www.ascapexperience.com.


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Kate Winslet is a beloved, Oscar-winning actress who has appeared in a host of acclaimed movies and TV series, from Titanic to Eternal Sunshine of the Spotless Mind, Avatar: The Way of Water, Steve Jobs and Mare of Easttown, among countless others. But in an appearance on The Graham Norton Show over the weekend, the elegant star reverted to what she called her usual line of “poo bum” themed stories on the chat show while regaling the panel with a never-before-told tale about the time Eminem asked her to shave his privates.

Recalling the time in 2004 when she was booked to host Saturday Night Live with musical guest Eminem to promote her then-new movie Finding Neverland, Winslet said she had the unfortunate timing to appear on the show the week after Ashlee Simpson’s legendary lip synch fiasco, admitting that she was “absolutely terrified” to host the show.

“I’m then on with Eminem. I was doing publicity for a film called Finding Neverland at the time and Johnny Depp and I had to miss the Wednesday rehearsal because we had to go to Chicago and talk to Oprah,” Winslet said. “And I’m thinking, ‘Oh my God, what’s the opening monologue going to be?’” The show’s famously frenetic prep week kept her guessing well into Wednesday night, with producers telling her that they were still “figuring out” what her monologue would look like.

The next day they still seemingly had no idea, and instead peppered Winslet with questions about whether she could sing or tap dance, to which she replied, ‘Yeah, yeah, I do it.’” In the end, she had just 24 hours to learn her opening bit. “I’m tap dancing and singing fully live the week after the whole Ashlee Simpson thing,” she continued before seemingly surprising Norton and his team with a a never-before-told story that was not share in the pre-interview.

“This is a story I’ve never, never told,” she warned. “Eminem asked me to shave his bottom,” she explained about the inexplicable request she claimed came from Marshall that week. Norton seemed shocked and recovered long enough to ask if the rapper asked her to use a hand-held razor on his “Ass Like That.”

“He did! He said, ‘would you shave my butt?,’” she recalled of the weirdly intimate plea. “And I said, ‘I’m sorry, I don’t, I don’t do personal grooming.’ What? I’m not going to go with a Bic and get your crack love,’” she added, miming the process of derriere depilation.

Sadly, Winslet provided no context for the story of her first, and so far, only SNL hosting gig and video of that episode is not available on Peacock. But, rest assured, Slim Shady kept his unshaved backside fully covered during performances of “Mosh” and “Just Lose It” on the show. Winslet’s Christmas-themed directorial debut, Goodbye June, which was written by her son, Joe Anders, will hit theaters on Friday (Dec. 12) and Netflix on Dec. 24.

Watch Winslet reveal her Eminem bum-bum story below.


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Stuart Scott was cooler than the other side of the pillow. The late ESPN anchor’s suave, unique style and knowledge of culture and hip-hop allowed Scott to change the course of broadcasting history and leave a legacy at the Worldwide Leader.

The SportsCenter staple’s impact will once again be memorialized with ESPN’s Boo-Yah: A Portrait of Stuart Scott documentary on Wednesday night (Dec. 10).

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Common and 9th Wonder, sports savants in their own rights, teamed up for an inspirational track “Vision,” which will appear in the doc’s final credits. Billboard premieres a first listen of the song, which embodies Scott’s strength and glowing spirit, on Tuesday (Dec. 9) ahead of the 30 for 30 arrival.

“Behold, a rebel with a cause without a pause/ One after another, yo, I battle for ours/ And push bars on TV screens/ Quoting rap gods, hip-hop kings and queens,” Common raps in an homage to the late SC anchor.

9th’s thumping drums, triumphant strings and a vocal lift from PJ and Bilal provide the soundtrack for a career highlight reel of Stuart Scott’s decorated tenure at ESPN, which began in 1993 over on ESPN2.

By the mid-to-late ’90s, he found a home on SportsCenter, where he transformed the program and became known for his flair and phrases such as the titular “Boo-Yah” or “He must be butter, ’cause he’s on a roll.”

Stuart Scott was diagnosed with cancer following an appendectomy in 2007. The cancer returned in 2011 and again in 2013, but he continued to fight.

Less than six months before his death, Scott left not a dry eye in the building with his memorable speech at the 2014 ESPY Awards, where he was honored with the Jimmy V Award. “When you die, it does not mean that you lose to cancer,” he told the audience. “You beat cancer by how you live, why you live, and in the manner in which you live.”

Scott tragically died on Jan. 4, 2015, from appendiceal cancer at 49 years old. He’s survived by his pair of daughters, Taelor and Sydni.

Listen to “Vision” below. Watch 30 for 30’s Boo-Yah: A Portrait of Stuart Scott on ESPN on Wednesday night (Dec. 10) at 9 p.m. ET.

Vision

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Social music platform Hangout has jumped into the biggest trend in music by adding the ability to create music using a generative AI feature, joining the likes of Udio and Suno in the rush to utilize large language models to produce music with a push of a button.

Hangout’s AI feature, called Turntable.AI, allows users to create an AI-generated track using a simple text prompt. Users can choose different lengths of time for the AI track. Hangout will give away a million short tracks and require payment using the platform’s tokens for longer tracks, Turntable Labs founder and CEO Joseph Perla tells Billboard. “Since this is the first ever of its kind social platform, full music service, plus AI, we are experimenting with pricing,” he says. 

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The arrival of AI music on Hangout, which Perla says has over two million users, marks the first time a music streaming platform has offered AI music generation along with a licensed catalog of music. “We’re nearing the ChatGPT moment for music,” Perla said, referring to the first AI chatbot powered by a large language model to break into the mainstream.  

For the AI feature, the company says it has licensed music from “thousands” of record labels to train its proprietary music model. Exactly which record labels’ music was licensed has not been disclosed, and Perla declined to comment on the matter. 

Launched in Nov. 2024, Hangout allows users to play DJ in virtual rooms, create rooms to play songs and congregate with friends and strangers. The platform launched with licenses from the three major music groups — Universal Music Group, Sony Music Entertainment and Warner Music Group — and independent rights group Merlin. Perla based Hangout on Turntable.fm, a social music platform he co-founded and launched in 2011. Turntable.fm shut down at the end of 2013 amid licensing issues, however, but Perla revived the idea with financial backing from investors such as Founders Fund, Elizabeth Street Ventures and 468 Capital. 

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Hangout joins a handful of other generative AI music platforms that have either launched or signed licensing agreements. Udio, which launched in April 2024, signed licensing agreement with Universal Music Group and Warner Music Group. Two-year-old Suno inked a deal with Warner Music Group in November. Klay, which expects to launch in the coming months, announced its licensing deals with the three major music groups in November. 

But aside from Hangout, Spotify is the only streaming platform with plans for AI products. Spotify announced in October that it partnered with the three major music groups, plus Merlin and Believe, on “artist-first” AI music tools. The company has not revealed details but explained it has started building a generative AI research lab and product team that will build AI tools that enhance the artist-fan connection and provide fair compensation and new revenue. 


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Ariana Grande made a rare statement about her late ex-boyfriend, rapper Mac Miller, during a live episode of The Hollywood Reporter‘s Awards Chatter podcast on Friday (Dec. 5). The singer credited Miller — who died of an accidental overdose in 2018 at age 26 — for helping her to zoom in on her signature R&B-influenced pop sound.

As seen in a TikTok from the event, while chatting at Chapman University in Orange, Calif., Grande, 32, said Miller encouraged her to mix R&B and pop and “do the brave thing” by taking a chance on her sound. “Yeah, I’ve never said that… it was a great influence and I’m very thanks for that.”

The moderator noted that the first single to spawn from their collaboration was the No. 9 Billboard Hot 100 hit “The Way” from her 2013 debut album, Yours Truly, which earned both singers their first-ever top-ten hit.

“That’s also a part of why I was so eager to ask him [Miller] to be a part of it,” Grande said. “Not only because he was perfect for the song, but I also felt like I had him to thank for finding my sound.” The couple dated from 2016-2018 and also collaborated on his 2016 single “My Favorite Part” and that year’s remix of her song “Into You.”

The pair made their relationship official in 2016, three years after the release of “The Way,” and broke up in April 2018, six months before Miller died of an accidental overdose of alcohol, cocaine and fentanyl. In 2023, on the 10th anniversary of the couple’s first collaboration, Grande reported a clip from the song and paid tribute to Miller in a sweet Instagram message, “the way (feat. mac miller)’ was released 10 YEARS AGO today !! 💘 can’t believe it’s been a whole DECADE (and more) in this road together 🫶 how are u guys celebrating today?”

In addition, to celebrate the 10th anniversary reissue of Billboard 200 chart-topper Yours Truly in 2023, she inserted a subtle tribute to Miller at the end of the YouTube video for the remaster of “The Way,” with a screen that fades to black with the words “Feat. Mac Miller” hanging around in white. In a TikTok Q&A celebrating the album’s anniversary, Grande revealed that the playful video for “The Way” featuring the singer, her dancers and Miller bopping around amid balloons on a bare soundstage, was made independently. “We had no budget, didn’t even tell the label we were gonna do it, made it ourselves,” she said of the clip in which the couple playfully hug and kiss as Grande mouths along to Miller’s verses.

Grande had a lot to celebrate on Monday (Dec. 8), when she scored her second Golden Globe nomination for her work in the Wicked series of movies, for the just-released Wicked: For Good. Grande was honored for her role as Glinda in the Wizard of Oz-inspired movie musical, notching a second straight best supporting actress nod, something she called “definitely just as exciting,” adding “You don’t expect something like this, let alone to happen twice for the same role,” and that the second one feels “kind of blindsiding.”


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KATSEYE hit the bullseye on TikTok in 2025.

The short-form video platform today (Dec. 9) shares its year-in review, with KATSEYE crowned as TikTok’s Global Artist of the Year.

After debuting in 2024, the girl group “has become one of the biggest bands in the world,” says a rep for TikTok, during which time they captured over 30 billion views and 12 million creations using their music on the app.

All that viral activity has been converted into mainstream recognition, including two nominations for the Grammy Awards, including best new artist. Also, two KATSEYE singles impacted the Billboard Hot 100 this year, led by “Gabriela,” which peaked at No. 31.

Consisting of members Megan, Yoonchae, Sophia, Manon, Lara and Daniela, KATSEYE has already been saluted by the streaming giant, with the 2025 TikTok Award for breakthrough artist of the year.

KATSEYE tops a global podium that’s completed by Alan Arrieta and ENHYPEN, respectively, while the likes of Bad Bunny, Stray Kids, Taylor Swift and Lady Gaga appear in the TikTok year-end top 10.

Also catching fire on TikTok this year was “Pretty Little Baby,” by the late U.S. singer Connie Francis. “Pretty Little Baby” is named as top global song of the year, and the top song in the United States, after the global TikTok community used the tune over 28.4 million as the soundtrack for videos featuring family, pets, and more.

As it did the rounds in the first half of the year, “Pretty Little Baby” averaged 600,000 daily creates on TikTok, including posts from the likes of Kim Kardashian and North West and Kylie Jenner.

Originally released in 1962, the song got extra juice with a remix by German electronic music duo Lizot, and the original version was made available for the first time in French (as “La Seul Qui T’aime”), German (“Alle Jungen Leute”), Italian (“Baby”), Japanese (“Kawaī Beibi”), Spanish (“Linda Muchachita”) and Swedish (“Sjunger På Svenska”), joining a previously-release version in the Japanese language.

Francis joined TikTok in June, and died the following month, July 17, at the age of 87.

Other TikTok title holders this year include Taylor Swift (global most-saved artist), sombr (global most-saved track for “back to friends”), Tate McRae (global most saved album for So Close To What), Doechii (music trend of the year) and EJAE (songwriter of the year).

Despite intense competition from YouTube and Meta, TikTok remains a powerful and influential force in music and entertainment. By 2024, a third of U.S. adults used TikTok, while almost six in 10 teens (57%) say they use the platform daily and 16% say they’re on it “almost constantly,” according to Pew Research. People use TikTok mostly for pop culture and entertainment but also viral music and dances, humor and comedy, personal stories, fashion advice, product recommendations, politics and, for 5% of U.S. adults, news.

TikTok Year in Music for 2025:

Top 20 Songs Globally
Pretty Little Baby – Connie Francis
Hold My Hand – Jess Glynne
Rock That Body – Black Eyed Peas
Azul – J Balvin
Dame Un Grrr – Fantomel x Kate Linn
APT. – ROSÉ & Bruno Mars
Te Quería Ver – Alemán & Neton Vega
Stecu Stecu – Faris Adam
Anxiety – Doechii
Sailor Song – Gigi Perez
Shake It To The Max (FLY) (Remix) – MOLIY, Silent Addy, Skillenbeng, Shenseea
ocean eyes – Billie Eilish
No One Noticed – The Marias
back to friends – sombr
Sparks – Coldplay
That’s So True – Gracie Abrams
Let Down – Radiohead
Suave – El Alfa
My Darling – Chella
We Hug Now – Sydney Rose

Top 10 Songs in US
Pretty Little Baby – Connie Francis
Hold My Hand – Jess Glynne
WHIM WHAMMIE – PLUTO & YKNIECE
Rock That Body – Black Eyed Peas
Doot Doot (6 7) – Skrilla
We Hug Now – Sydney Rose
No One Noticed – The Marias
Bunna Summa – BunnaB
Anxiety – Doechii
Love Me Not – Ravyn Lenae

Top 10 Artists Globally
KATSEYE
Alan Arrieta
ENHYPEN
Bad Bunny
Stray Kids
Taylor Swift
Lady Gaga
Fuerza Regida
Billie Eilish
Ariana Grande

Global Most-Saved Artist (using the Add to Music App feature on TikTok)
Taylor Swift

Global Most-Saved Track (using the Add to Music App feature on TikTok)
back to friends – sombr

Global Most Saved Album (using the Add to Music App feature on TikTok)
So Close To What – Tate McRae

Music Trend of the Year
Anxiety – Doechii

Songwriter of the Year
EJAE

Next year’s Sziget 2026 Festival will feature a raft of major headliners, including Florence + the Machine, Lewis Capaldi, sombr and Twenty One Pilots. The Budapest-based event will take place at Óbuda Island between August 11-15.

In addition to those headliners, the festival will include sets from Ashnikko, BBNO$, Biffy Clyro, last weekend’s Saturday Night Live musical guest Dijon, as well as Dom Dolla, Indira Paganotto, Tash Sultana, the new collaboration between the Chemical Brothers’ Tom Rowlands and Aurora, Tomora and electronic music legends Underworld, playing their first festival date in two decades.

Early bird tickets will be on sale for the next week, with the general on-sale kicking off on Dec. 16 at 7 p.m. GMT; click here for ticketing information.

Other acts slated to take the stage next year at the festival include: ALT BLK ERA, Anna, Antony Szmeierek, Baby Lasagna, Bad Nerves, Biia, Brooke Combe, Cassia, Charlotte Cardin, De’Wayne, Elefant, Giant Rooks, Jazzy, Joris Voorn, Karen Dio, Kim Dracula, Lambrini Girls, Paris Paloma, Ski Aggu and more.

The festival, which debuted in 1993, will host more than 1,000 sets over 50 stages as well as the usual compliment of artsy attractions, including multiple venues hosting a circus, a theater a museum district and an inclusive vibe based on the founder’s goal of building a temporary “dream nation” celebrating cultures and freedom. In a note on the official site, organizers stress “we’re all equal,” writing, “At The Island of Freedom, equality has been at the heart of who we are since the very beginning. We celebrate freedom, diversity, and inclusion in everything we do. Here, who you love, how you identify, or where you come from never defines your right to belong. We proudly stand with the LGBTQ+ community and everyone who believes true freedom can only exist when everyone is equal.”

This year’s event included sets from Charli XCX, Shawn Mendes, Justice, Nelly Furtado, Papa Roach and more.

Check out the 2026 Sziget lineup announcement below.


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