Yerai Cortés explains why Disney movies make him cry and why he creates music that feels so cinematic.

Yerai Cortés:Well, for me being the first guitarist nominated in this Latin Grammy category is crazy, because of all the categories that existed when we submitted, this was the only one we expected was a sure “no.” We thought it could be the album or the film video or, the sound, maybe, I don’t know. But we didn’t expect this one. So, still processing this beautiful reception of giving that space and that space to the musician, to the guitarist.

It’s very beautiful that Yerai is a restless musician, a curious musician, with a desire to learn and a desire to experiment from folklore, from flamenco music, from gypsy music, well, to experiment and learn more each day from neighboring music, from the folklore of other lands, from Mexico, from Argentina, from Colombia, from Chile, from Panama. I love the tamboritos from Panama. It seems to me like the only gift that music gives us is being able to share it with other cultures too. And that is a blessing.

I couldn’t tell you exactly why we’ve achieved this reach and given access to so many people who hadn’t heard flamenco before or who had heard flamenco, but not in this way or not in this form. I still feel that I’m a traditional musician and a classical musician in what music is and in what the formula of my music is like. But it’s true that maybe, when it comes to presenting it, one always thinks about the visual, thinks about the sound, about how you want it to be heard, about the structures of the songs.

Keep watching for more!

Recently, Tencent Music Chart, under Tencent Music Entertainment Group (TME), partnered with Billboard China to officially unveil the China region results of the 2025 Billboard Global No. 1s, a prestigious annual global honor initiated by Billboard. Following two rounds of fan voting, rising Chinese artist Zi Yu emerged from a field of exceptional musicians to claim the honor as China’s sole representative, earning a place in Billboard‘s global hall of fame with an outstanding performance and overwhelming fan support.

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The Billboard Global No. 1s China Honor Selection featured music by Chinese artists officially released between November 2024 and October 2025. Initial screening was based on annual performance across two authoritative Tencent Music Chart rankings, the TME Uni Chart, which reflects mainstream popularity, and the TME Wave Chart, which showcases professional quality. Final placements were then determined through two rounds of fan voting. Ultimately, Zi Yu’s “Ni Tan,” Shi Ge Qin Tian’s “Jun Zi Liao Ran,” THE 8’s “Cold Love,” Liu Yu’s “Si Jun Zhao Yu Mu” and Deng Jia Xin’s “Cheng De Shang Zhi De” secured the top five positions.

Zi Yu’s winning track “Ni Tan” captures a protagonist’s struggle to rise above adversity through poignant lyrics and a deeply compelling melody. As China’s sole representative for the 2025 Billboard Global No. 1s, Zi Yu joins an elite roster of Billboard artists from the U.K., Japan, South Korea and beyond in this year’s honor class, securing Billboard‘s annual special feature coverage and premium global cross-platform exposure. Additionally, Zi Yu and the track will receive comprehensive promotional support from TME Chart across its full domestic and international network, ensuring worldwide visibility.

In recent years, the partnership between Tencent Music Chart and Billboard has continued to deepen. The successful launch of the Billboard Global No. 1s China Honor Selection is built upon this increasingly robust strategic alliance. In 2023, TME Uni Chart became the sole music chart from mainland China featured on Billboard‘s global website, filling a significant gap in Billboard‘s Chinese music chart coverage. On Nov. 6 of this year, TME Chart announced a strategic partnership with Luminate, the internationally renowned music data provider behind Billboard’s charts, becoming its first in-depth data partner in mainland China. Music consumption data from TME platforms will now be integrated into globally authoritative chart systems including the Billboard Global 200 through the Uni Chart’s professional data system.

By deeply integrating its domestic data infrastructure with international music platforms, TME Chart is steadily building a bridge connecting Chinese music to the global stage, empowering exceptional artists and their works to achieve international reach. Looking ahead, as TME Group continues to strengthen its partnerships with Billboard and other global collaborators, even more Chinese artists will leave their mark on the worldwide music landscape.

Tyler, the Creator is closing up shop with his le Fleur clothing line with a final collection set to arrive later this week.

Tyler announced that le Fleur will continue to sell fragrances, accessories and be part of specific collaborations, but there won’t be any more clothing collections after season four’s arrival on Saturday (Dec. 6).

The Grammy-winning artist emotionally reflected on the last seven years as he built up the le Fleur brand and leaned further into clothing, his second passion

“Making clothes. my second passion,” he wrote. “I started this back in 2019 as a side project. the goal was to mirror things that matched my personal style. it grew into a very special world of specifc colors, shapes, patterns, etc … this has taken me to places ive dreamed of. louise trotter gave me my first real chance at lacoste. virgil helped shape the blueprint on getting things made. pharrell opened the doors at louis vuitton. im forever grateful for every helping hand that understood the language. i never wanted to be in the lookbooks or campaigns but for this last one it felt right ( i was the fit model afterall)”

Tyler added that he loved working on the clothes for each campaign “so so so so so much,” and said that it “fed his spirit” to have a different creative outlet to explore. “it was a language i wanted to create, but now its time to slow down on communicating,” he explained. “thank you to everyone who supported the idea. customers, set hands, vendors, photographers, models and ESPECIALLY THE TEAM. Darren, Kaiden, Ruby, Panch, Tara, the whole squad! i love yall. its been awesome.”

Pusha T hopped into the comment section, looking to send Tyler some of the collection. “Send me one,” Tyler’s “P.O.V.” collaborator wrote.

The colorful collection is filled with pastels, denim and leopard prints emblazoned on an array of jackets, tops, sweaters, trousers and hats.

Next up for Tyler, the 34-year-old is set to make his feature film debut in A24’s Marty Supreme alongside Timothée Chalamet, which will hit theaters on Christmas Day (Dec. 25).

Find Tyler modeling in the final le Fleur collection look book below.


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The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard Hot 100 dated Dec. 13, we look at the chances of Mariah Carey to claim her record-tying 19th week at No. 1 with her holiday perennial. 

Mariah Carey, “All I Want for Christmas Is You” (Columbia): “Christmas” came early to the Hot 100’s top 10 last month, with Carey’s holiday staple setting a record for its earliest visit in the calendar to the chart dated Nov. 15. In the weeks since, “Christmas” has continued to bound up the Hot 100, and ranks at No. 5 on this week’s chart (dated Dec. 6), the highest of the four holiday titles now ranking in the top 10.  

The song will undoubtedly jump on next week’s chart, with Thanksgiving last Thursday (Nov. 27) marking the semi-official start of the holiday season, and the beginning of seasonal playlist ubiquity on streaming and radio. Carey’s “Christmas” has dutifully ascended to the No. 1 position on the Apple Music real-time chart and the runner-up spot on Spotify’s Daily Top Songs USA listing, while also beginning its spread on the airwaves, trending towards the top 25 of next week’s Radio Songs chart after reentering at No. 40 this week.  

It all adds up to a convincing case for next week being the week that Carey captures the No. 1 spot for the seventh consecutive holiday season. If it does, it will dethrone Taylor Swift’s “The Fate of Ophelia,” which has reigned for its first eight weeks on the chart — tying “Anti-Hero” for the longest-leading of Swift’s 13 No. 1s on the Hot 100 — and also technically mark the song’s earliest return to the top spot on the chart dated Dec. 13 (with last year’s return coming a day later in the calendar, on the Dec. 14-dated chart).  

“Christmas” will make additional chart history if and when it recaptures pole position. Its next week atop the chart will mark its 19th total, which will tie Lil Nas X’s Billy Ray Cyrus-featuring “Old Town Road” and Shaboozey’s “A Bar Song (Tipsy)” for the longest-reigning No. 1 in Hot 100 history. And with several chart weeks left before we turn the calendar on “Christmas,” it seems a strong likelihood that this will be the year the song captures week No. 20 atop the chart, giving Carey the gift of sole possession of the longest-running No. 1 in Hot 100 history. 

Brenda Lee, “Rockin’ Around the Christmas Tree” (Decca/MCA Nashville/UMe): The lone other holiday song to capture the weekly crown since Mariah started her run of dominance, Brenda Lee’s fellow perennial should also be in the mix for No. 1 this holiday season. In fact, it’s ahead of Carey’s classic on Spotify’s Daily Top Songs USA chart, where it’s reigned since Thanksgiving. On the Hot 100, it rises to the top 10 this week for the first time this season, landing at No. 7. 

Without a major narrative hook to “Rockin’” this year — especially compared to the chart history Carey is staring down — it might be hard for it to get past “All I Want” on the weekly chart. But “Rockin’” does usually amp up a little closer to the holidays, and it is up 47% in radio reach through the first four days of this tracking week (Nov. 28-Dec. 1), compared to the previous week, according to Luminate.  

Wham!, “Last Christmas” (Columbia/Legacy): The George Michael-penned Christmas classic edged out Bobby Helms’ “Jingle Bell Rock” for the bronze medal on last year’s Christmas-week Hot 100, helped by the song’s 40th-anniversary celebration (and vinyl re-release). It should be in contention for the No. 3 spot, its peak to date, again this year — and in fact currently ranks ahead of “Rockin’” on the Hot 100, where it sits at No. 6 as the second-highest-ranking holiday title.  

It might be tough for Wham! to get in the mix for the top two once the holidays approach, however, as “Rockin’” has passed on both the Spotify and Apple Music charts (as well as on iTunes), and “Rockin’” is also growing faster on radio (with “Last Christmas” up just 19% in airplay audience so far this tracking week). But in 2026, the song should be the holiday title to watch, as the 10th anniversary of George Michael’s death — which occurred, too fittingly, on Christmas night in 2016 — is commemorated.  


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No matter how quick the wit, no stand-up comic starts out a success. Forget the top: on the way to the bottom rung, comics need to endure endless open-mic tryouts, log thousands of miles for little or no money and be thankful for 1:00 a.m. slots in front of drunken hecklers. And that’s just for starters. The further up the ladder they climb, the more pressure they face to consistently write and hone hour-plus sets that will power tours, specials and social media. Increasingly, they also choose to engage in a weekly form of digital improv known as the podcast.   

As the first quarter of the 21st century comes to an end, Billboard set out to determine the best of that A-list: the top 25 stand-up comics of the last 25 years. To come up with these rankings, we polled experts that work with comics on a daily basis. 

The panel consists of William Burdett-Coutts, who heads the Assembly venues at the Edinburgh Fringe festival; Michael Cox, stand-up booker for The Tonight Show Starring Jimmy Fallon; Adam Eget, booker at Joe Rogan’s Comedy Mothership in Austin, Tx, and before that, the Comedy Store in Los Angeles; Bruce Hills, who, for 36 years booked and eventually ran Montreal’s Just For Laughs festival; Caroline Hirsch, the founder of Caroline’s Comedy Club and co-founder of the New York Comedy Festival; brothers Chris Mazzilli and Steve Mazzilli, owners of the Gotham Comedy Club in Manhattan; Patrick Milligan, the booker and proprietor of The Stand NYC comedy club; Susan Provan, director of the Melbourne International Comedy Festival; and Samantha Schles, director of comedy at the SXSW Festival. (Billboard‘s parent company, PMC, owns a 50% stake in SXSW.)

Thanks to all our panelists for taking time out of their hectic schedules to participate. (And special thanks to Hill, who provided valuable advice on voting parameters, helped create a well-rounded and authoritative judges panel and generously provided means to contact them.) 

The process began with our panel helping put together a ballot of more than 150 nominees. The talent pool was limited to comedians with active stand-up careers over the last 25 years — as opposed to sketch, sitcom, film or improvisational performers, such as the cast of Saturday Night Live, Second City or Upright Citizens Brigade. Overseas comedians with a presence in the United States were also considered.  

From there, the judges each ranked their top 25 comics. Voting was anonymous, and a weighted system was used to determine the top 25. As a number of judges remarked when returning their ballots, winnowing such a large batch of nominees was extremely difficult. There are a lot of exceptional stand-up comics out there.  

For the next week, Billboard will present the results of the voting — the top 25 stand-up comedians of the last 25 years — in ascending order, five at a time, with the complete list unveiled on Friday (Dec. 5).  
Nos. 25 through 11 follow below.

Tina Knowles is that girl. As Billboard can exclusively reveal, the mogul’s Matriarch memoir finishes in first place among the most-listened music memoirs on Spotify in 2025.

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The news comes on the same day Spotify unveiled its annual Wrapped on Wednesday (Dec. 3), providing users with custom summaries of their listening habits in addition to announcing which artists and podcasters got the most streaming love on the platform over the past 12 months. This year, audiobooks are included in Wrapped for the first time ever.

With Matriarch finishing the year as Spotify’s top music memoir audiobook, Fahrenheit-182 by Mark Hoppus and Dan Ozzi and Night People: How to Be a DJ in ‘90s New York City by Mark Ronson earned second and third place, respectively. Behind them, in order, were Bread of Angels by Patti Smith, Only God Can Judge Me by Jeff Pearlman, Last Rites by Ozzy Osbourne, Truly by Lionel Richie, Cudi by Kid Cudi, The Harder I Fight, The More I Love You by Neko Case and Heartbreaker by Mike Campbell.

The top books overall on the platform were the novels Fourth Wing by Rebecca Yarros, Lights Out by Navessa Allen and Iron Flame, also by Yarros.

Published in April, Matriarch shares Knowles’ insights into raising daughters Beyoncé and Solange from childhood to their adulthood as two of the biggest names in music. She also delved into her recent breast cancer battle, from receiving the diagnosis last year to undergoing surgery, during which doctors successfully removed the entire tumor.

When the memoir topped The New York Times‘ hardcover nonfiction bestsellers list, Bey wrote on Instagram, “The Mama T was that good?? Ha … You deserve it, I’m so proud!”

Shortly afterward, the 35-time Grammy winner brought her mom out on stage at a Cowboy Carter Tour show so that the crowd could join her in congratulating the author.


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After watching women MCs spar for pole position in hip-hop over the last few years, in June 2024, Billboard put together its first-ever Hottest Female Rappers List. The 10-slot list not only served as a hotly contested battle royale, but also sparked healthy discourse about how women have not only infiltrated the rap space, but dominated it. 

Nicki Minaj initially landed the top spot, but later that year, GloRilla’s second-half resurgence proved undeniable, as she barrelled through the competition with her barrage of hits. Anchored by her weekend-starter, “TGIF,” and bristling comeback record “Yeah Glo,” the Memphis firecracker usurped the throne from Minaj and was crowned Billboard’s first-ever Hottest Female Rapper of the Year.

This year, new faces entered the chat: Bunna B, YK Niece, and Pluto stormed the hip-hop landscape with fury, leaving lasting memories with their bold, audacious anthems. Whether it was Pluto and YK’s explosive link-up on “WHIM WHAMIEE,” or Bunna raising the heat with her fiery earworm, “Bunna Summa,” these newbies planted their flag with authority. Some familiar faces also had splashy moments: From Doechii’s meteoric rise to a Grammy darling to Cardi B’s theatrical return with Am I The Drama?, the once-male-dominated arena is now up for grabs, as the women MCs are lighting up the scoreboard on all fronts.

Like in 2024, Billboard’s editorial staff followed a clear criteria when ranking this year’s Hottest Female Rappers. The list below considers record quality, chart success, cultural buzz, notable business endeavors, partnerships and touring success. Read on to see who cracked Billboard’s year-end hottest female rappers list.


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Nogizaka46’s “Biryani” soars to No. 1 on the Billboard Japan Hot 100, on the chart released Dec. 3.

This marks the popular girl group’s 30th No. 1 on the Japan Hot 100. Serving as the title track of the group’s 40th single, the song sold 736,722 copies in its first week to debut at No. 1 for sales, while hitting No. 8 for downloads, No. 22 for streaming and No. 20 for radio airplay.

At No. 2 is Kenshi Yonezu’s “IRIS OUT,” holding steady from last week. Karaoke for the Chainsaw Man – The Movie: Reze Arc theme rose to 103% of the prior frame, and the track leads streaming, video views and karaoke. As of last week’s report, cumulative streams for the song have topped 200 million.

MAZZEL’s “Only You” jumps 57-3. Released Nov. 26 as the title track of the group’s fourth single, the song sold 96,954 copies to bow at No. 2 for sales. It also rules radio and hits No. 5 for downloads, No. 54 for streaming, and No. 12 in video.

Yonezu and Hikaru Utada’s “JANE DOE” is at No. 4, down a spot from last week. The poignant ending theme for the Reze Arc movie holds at No. 2 for streaming for the tenth straight week, while radio rises 139% from last frame and karaoke climbs to 103%.

INI’s “Present” falls to No. 5 after topping last week’s chart. Launching with 1,213,001 copies last week to become the group’s first million-seller, it adds 28,774 copies this week to take No. 3 in sales. The single also comes in at No. 27 for downloads, No. 55 for streaming and No. 10 for radio.

Two tracks from the RADWIMPS tribute album Dear Jubilee -RADWIMPS TRIBUTE- again land in the top 10 this week: Mrs. GREEN APPLE’s “Kyoshinsho” at No. 8 and Vaundy’s “Zenzenzense” at No. 9. Elsewhere, M!LK’s “Suki Sugite Metsu!” jumps 19-10, earning the group its first top 10 entry. Downloads rise to 170% of last week, streaming to 101%, and video to 185%.

Billboard JAPAN’s year-end charts for 2025 will be revealed on Friday, Dec. 5 at 4 a.m. Japan Time.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Nov. 24 to 30, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

The BRIT Awards has announced the three shortlisted artists for its annual Critics’ Choice award, which tips rising British acts for commercial success.

Alternative folk artist Jacob Alon (Island) and pop breakthrough acts Rose Gray (Polydor) and Sienna Spiro (Capitol Records) make up this year’s group of contenders, with the winner set to be announced on Jan. 14 on Radio 1’s New Music Show with Jack Saunders.

The award was introduced in 2008, and is voted for by a select panel of music journalists, radio and TV heads of music, as well as songwriters, producers and booking agents. Previous winners include Adele, Sam Smith, Florence + The Machine, The Last Dinner Party and 2025 recipient, Myles Smith.

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Between 2020 and 2025 it was known as the BRITs’ Rising Star award, before reverting back to the Critics Choice award for 2026. To be eligible, artists must not have yet achieved a top 20 album or more than one top 20 single on the Official U.K. charts as of Oct. 31, 2025. 

Alon, who was raised in Dunfermline, Scotland, released their debut album In Limerence back in May. The record went on to be nominated for the Mercury Prize, and led to the artist delivering much talked-about performances at British festivals including Glastonbury and Green Man.

East London-born Gray has enjoyed a slow-burning ascent leading up to her crossover moment. The singer began putting out music in 2019 via PIAS, who released her debut album Louder, Please in January. She has built a cult following throughout 2025, having supported the likes of Sugababes, Kesha and Scissor Sisters on tour.  

Buzzy singer-songwriter Spiro, meanwhile, earned a top 10 hit in the U.K. with “Die On This Hill” for the week of Nov. 27 – meaning the 20-year-old still falls within the Critics’ Choice eligibility criteria. She has previously listed jazz and traditional pop greats Etta James and Frank Sinatra as formative influences, who she was introduced to by her father, the renowned jeweller Glenn Spiro.

Stacey Tang, chair of the 2026 BRIT Awards committee and co-president of RCA Records at Sony Music U.K., said: “How exciting to spotlight a new wave of UK musicians shaping popular culture. Awards and recognition for emerging artists is now more important than ever, and Critics’ Choice has long championed brilliantly talented new artists.

“This cohort shares the same early spark displayed by previous winners like Adele, Florence + The Machine, Sam Fender, Myles Smith and Emeli Sande. This year’s finalists are a great reminder that commercial momentum grows from creative ambition and artistic bravery.”

The BRIT Awards 2026 with Mastercard – as the show is formally known – will take place on Feb. 28, at The Co-Op Live arena in Manchester. This marks the first time the show will be held outside of London. It will be broadcast live on ITV and ITVX.


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Ray J doesn’t play when it comes to his sister, Brandy. The “Sexy Can I” artist took to social media on Tuesday (Dec. 2), calling out Jay-Z and Beyoncé for apparently pulling up to multiple The Boy Is Mine Tour shows, but not showing any love to Brandy backstage.

“N—as need to pull up when they come to the show. Come say what’s up to Brandy too, Jay-Z and Beyoncé,” Ray J said. “We big fans, we got our family there and we know y’all there and we love y’all and we look up to y’all.”

He continued: “For y’all to come to every one of Brandy and Monica’s shows and never say what’s up to B and take all the pictures, I don’t like it.”

Elsewhere in the clip, Ray J says that he still has a ton of love for the Carter family, but thinks they could’ve made more of an effort to reach out to Brandy when attending her shows with Monica in Los Angeles and Brooklyn.

“We know you there, just walk by Brandy’s room and pull up and say, ‘What’s up, B? Have a good show.’ She don’t care, she never told me about this and I am crashing out on this one,” he added. “This is crazy.”

While some “crashouts” from Ray J are met with a negative reception, there seemed to be more people understanding where he’s coming from this time around. “THIS IS COMING FROM THE HEART!! And I LOVE MY FAMILY AND I LOVE JAY AND BEY!! ——BRANDY AND THE FAMILY DID NOT CO-SIGN THIS,” he captioned the post. “SHES SUPER FOCUSED ON MAKING EVERY SHOW GREAT! – I WILL PROB GET IN TROUBLE FOR THIS!! – BUT I LOVE JAY Z AND BEY!!”

NFL Hall-of-Fame wide receiver Terrell Owens agreed with Ray J. “Can respect where this is coming from,” T.O. wrote.

Beyoncé posted photos of her appearances at The Boy Is Mine Tour to her website, which includes a picture posing with tour opener Kelly Rowland, Monica, Solange and Patti LaBelle.

Brandy and Monica’s co-headlining The Boy Is Mine Tour continues on Thursday (Dec. 4) with a show in Atlanta, before heading to New Orleans, Houston, Miami, Jacksonville and Tampa Bay.

Watch Ray J’s video message below: